View allAll Photos Tagged largeformat
I made this from cardboard, old velvet jeans (for light-tight cover). The shutter is made from the back of an old 35mm camera. To start an exposure, you slide it down the plastic rails (barely visible). The pinhole itself is made in a foil shim.
Thanks to the large format and shallow depth, this camera is extremely wide angle and light falloff is severe.
Tachihara Hope 4x5 | Schneider 135mm MC | Portra 160
Scanned with A7R3 | Kaiser | Valoi
Home developed in JOBO Color Kit | 38
Negative Lab Pro v3.0.2 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: Linear | WB: Kodak | LUT: Crystal
Sun a bit high on this shot (and missed having a red filter), but mainly I was testing a 'vintage' Kodak Ektar 203mm f/7.7 lens I'd purchased for my 4x5 camera, to compliment the Ektar 127mm lens already owned. So far so good.
All the construction currently surrounding this area allowed me to finally get a shot of this building from a different side. The structure was Boston's first sewage pumping station, created to eliminate unhealthy conditions in crowded neighborhoods, a state of the art facility when constructed in 1883 (its use continued until the late 1960s). It is located at Columbia Point in Dorchester (a neighborhood of Boston MA), right next to the JFK Library and the Boston campus of the University of Massachusetts, which these days is a beehive of construction activity. The pumping station's land and structure is now owned by U. Mass, its fate currently unclear.
Tower Press Camera (Busch Pressman D rebranded by Sears).
Kodak Ektar 203mm f/7.7 lens
Ilford HP4 film (ISO 125)
1/200 second, f/11
Ilford DD-X developer +4
Negative scanned on Canon 8800f (x2 passes)
Edited with Photoshop Elements & NIK Silver Efex Pro
Practice for taking photo with largeformat camera
Camera .. Rittreck View(4x5)
Lens .. Fujinon 150mm
Film .. ILFORD FP4 Plus
Carbon print with home made tissue. This was the last pour of the batch, and the pigment (Sumi ink) was not completely mixed. The result was that not all of the pigment washed out. Pinhole exposure f400, popcorn tin camera, Arista APHS ortho lith film, Soemarko LC-1 developer.
Lihnof Wista 45 camera
Schneider-Kreuznach Technika Symmar 135/5.6 Lens
Velvia 100 film f/22 1/10''
210615, 12.35pm
camera .. Rittreck View
film .. ARISTA EDU ULTRA 100
chemical .. Jacquard Cyanotype print
exposure .. 30min
use 5x7 bnw nega film
I captured this beautiful tintype with a very fast lens (120mm f1)
More information in my recent video youtu.be/dXMn61ZcQjo and the plates are available here ebay.mhaustria.com or get a chance to get one free as Patron patreon.mhaustria.com #tintype #petzval #projectionlens #wetplate #largeformat #handmade #bokeh #lensporn #analogphotography #collodionprocess #keepfilmalive #lensporn
4x5 Pacemaker Speed Graphic + Kodak Aero Ektar 178mm f2.5 + Polaroid back + Fuji FP-3000B (discontinued) black and white instant film
Roisin - Same model and same shoot as recent posts, just different film and different light
Inverted Fuji FP-3000B negative scan - Epson v600
Ilford Selochrome 4x5 inch photographic glass plates, leaflet inside the box dated to March 1951.
photo-analogue.blogspot.co.uk/2014/11/some-large-format-g...
Brooklands was a 2.75-mile (4.43 km) motor racing circuit and aerodrome built near Weybridge in Surrey, England, United Kingdom. It opened in 1907 and was the world's first purpose-built 'banked' motor racing circuit.
Shot on 4x5" large format camera
I returned to the spot at the rear of St Budeaux Parish Church where I took my last Image on my Photostream with my Leica M4, but this time I took my Canham MQC 5x7 Camera and partnered it with a Wollensak Velostigmat 6.25" f9.5 8x10 Wide Angle Series III of approximately 90 years old which is in an old Betax 3 shutter.
The exposure given to the 5x7 ISO400 Ilford HP5 film which I had rated at an EI of 250 was a 1/10 second at f22. I did add a degree of front lens tilt to try to have some control over the areas that would be in focus.
The film was processed in Pyrocat HD which I used as a divided 2 bath process at a dilution factor of 1:10 for both parts A & B (part A had the addition of 5 drops of wetting agent to prevent streaking) using my Jobo CPP2 with a 3006 expert drum.
The part A developer was introduced without a pre-water bath and was processed for 6 minutes at the F setting on the CPP2 with part B being introduced with the drum rotating at its maximum speed to enable the part B solution to cover the film as quickly as possible, this again was for 6 minutes although I did reduce the speed back to F after the first minute. This was followed by double water washes before being fixed for 5 minutes in an alkaline fixer prior to 11 minutes of washing with repeated water changes the film was then soaked in a tray of wetting agent prior to being dried. The whole process was carried out at 21° C.
The dried negative was wet mounted on a drum and scanned on my Scanview 11000 Drum Scanner at 2100 dpi which gave a very large file which I then processed to my preferences in both Adobe CS6 along with Nik Silver Efex Pro 2.
Rodenstock Sironar 210mm/5.6
4x5 Fuji Provia 100 cross-processed in C-41 chemicals
de-saturated digitally because the xpro did not turn out to my liking
8x10 Deardorff View Camera V8, brand new, built to original Chicago specs. NEW CNC-machined Bed Plate.
Specifications:
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6x6 inch (152mm) Round Corner Lens board
30” (762mm) Maximum Bellows Draw
12 ½ x 13 ¼ x 4 ¼ inch outer dimensions
(318x337x108mm)
Tripod Mount ⅜-16 with ¼-20 adapter
Back Size 12” square (254mm)
Front Swing 20⁰
Front Center Tilt 30⁰
Rear Swing 20⁰
Rear Base Tilt 30⁰
Total Front Rise & Fall 6 ½” (165mm)
Shortest WA Lens: 4 inches (101.6mm)
Longest Lens, no movement: 30 inches (762mm)
Weight, with lens board: 12 ½ pounds (5.67 Kg)