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En la fotografia: Àngels i la zona cremada del terme de Malet a Simat de la Valldigna on tot és gris i sec.
EMBED. El moment final del foc, quan sols queda el carbó.
.....
Àngels y la zona quemada de Simat de la Valldigna donde todo es gris y seco.
EMBED. El momento final del fuego, cuando solo queda el carbón.
[Alby]
39.053023,-0.33852
Coventry city centre 2021.
Newly planted areas have strange WW2 bomb looking objects in them (I think they might be lighting). I find the shape at odds with the modern history of Coventry.
On the night of 14 November 1940, 515 German planes set out to destroy the major manufacturing city of Coventry, and the results were devastating.
Four thousand homes, three quarters of city-centre buildings and two-thirds of industrial buildings were destroyed; 568 civilians were killed. The psychological reaction was just as stark: hysteria, panicking, acute aphasia, looting. ‘The city [was] suffering from a collective nervous breakdown’.
The Germans had not only intended the raid as a strategic one but as a deliberately psychological one, too, designed to break the will of the British people. The bombing was considered such a triumph that the Germans coined the word koventrieren – ‘to coventrate’, to devastate by aerial force.
An estimated 568 people were killed in the raid (the exact figure was never precisely confirmed), with another 863 badly injured and 393 sustaining lesser injuries.
Today the City of Coventry is twinned with the German City of Dresden.
Another view of this old Pullman railcar at the front of this industrial site. Love how nature is devouring this rusted relic.
Notes from our Mozilla Embedding Meeting - please don't speculate until I get a chance to post about it!
copyright © 2009 sean dreilinger
view drying off sequoia after his bath - _MG_8453 embed on a black background.
Calidad, de la serie salvadoreños calidad de exportación
2006
Eduardo Chang (1983)
REVISIONES
Encuentros con el Arte Salvadoreño
Curador: Jorge Palomo
18 de mayo de 2007 al 11 de noviembre de 2011
Consulte el catálogo de la exhibición, acá
La intención de esta exhibición es dar al público una visión amplia y representativa del arte nacional. Su amplitud se refleja en el número de obras y artistas reunidos, y en la inclusión e interacción de diversas ramas de la plástica como son la pintura, la escultura, el dibujo, el grabado y la fotografÃa. Su representatividad se evidencia en la presentación de obras desde mediados del siglo XIX hasta la época contemporánea. Otro de los deseos de esta exposición es insertar el arte salvadoreño dentro de los discursos del arte universal, analizando como éste ha sido interpretado en el contexto local.
La exhibición contempla el análisis multidisciplinario de las obras seleccionadas, ampliando la significación de la producción artÃstica en términos históricos, estilÃsticos, polÃticos, temáticos y psicológicos. reVISIONES comprende 138 obras, presentadas en 4 núcleos, denominados Los Trazos de las Identidades, Lenguajes del Paisaje, De la Superficie a lo Sublime y Bajo los Signos de Alicia: Los Territorios del Sueño.
El núcleo Los Trazos de las Identidades está compuesto en orden histórico, manteniendo relaciones temáticas y estilÃsticas a lo largo del recorrido para contar la historia de nuestra gente y del paÃs reflejada en el arte. El núcleo Lenguajes del Paisaje ha sido organizado resaltando los grandes movimientos del arte universal que han impactado el arte nacional, a través del paisaje, el cual ha sido el tema preferido por la mayorÃa de nuestros artistas. En el tercer núcleo, De la Superficie a lo Sublime, se muestra el arte abstracto producido durante los últimos 60 años, interpretando las influencias cubistas y futuristas de la primera mitad del siglo XX y las influencias informalistas y expresionistas abstractas de la segunda mitad del siglo XX. El cuarto núcleo, Bajo los Signos de Alicia: Los Territorios del Sueño, reúne obras surrealistas con contenidos de imaginación, magia y profundidad psicológica para romper con la lógica dominante en el mundo.
MARTE Museo de Arte de El Salvador
Colonia San Benito Final Avenida. La Revolución San Salvador, El Salvador Centroamérica
Tel.: (503) 2243-6099 Fax: (503) 2243-1726 info@marte.org.sv
Horario
Martes a Domingo: 10:00 a.m a 6:00 p.m.
Lunes (Cerrado)
Todos los domingos la entrada al MARTE es GRATIS.
De martes a sábado entran GRATIS: Adultos mayores, niños menores de 8 años, grupos de escuelas públicas, estudiantes del Centro Nacional de Artes (CENAR), Estudiantes de la Escuela de Artes de la Universidad Nacional, Miembros de Asociación de artistas Plásticos de El Salvador (ADAPES), Miembros de North American Reciprocal Museums Program (NARM), Miembros de El club de lectores de El Diario de Hoy, Visitantes del Museo Forma, Estudiantes y Docentes Universidad Tecnológica, Turistas hospedados en Hotel Hilton Princess San Salvador
Tarifa:
(Martes a Sábado 10:00 am a 6:00 pm)
La tarifa normal es:
Adultos $1.50
Estudiantes $0.50
Facilidades para Discapacitados:
MARTE es accesible a personas con discapacidad móvil. Dos sillas de ruedas se encuentran además en la recepción para uso de visitantes que las requieran.
Chip embedding, using the substrate as a package, Integration technologies for flexible systems, Holst Centre /TNO
copyright © 2010 sean dreilinger
view _MG_1989 embed on a black background.
Rob Hamelijnck and Nienke Terpsma, the artists and editors of Rotterdam-based magazine Fucking Good Art (www.fuckinggoodart.nl) were ‘embedded’ on Maasvlakte for a month during August–September 2009 from where they produced Portscapes_ON AIR Station Maasvlakte.
Comprising a series of audio walks, field recordings and conversations with guests from different disciplines Portscapes_ON AIR Station Maasvlakte was broadcast on Portscapes' website (www.portscapes.nl). Inspired by their camp’s proximity to the pipeline which carries sand from the Yangtzehaven to the future Maasvlakte 2, the editors of FGA approached their endeavour both as inhabitants of an industrial and man-made territory and in relation to the redistribution and displacement of knowledge. Alongside other grand movements of transportation and trade taking place in the port, FGA’s broadcasts took shape through encounters to reflect on the role that art and artists have in other registers of exchange. Starting from the principle that to understand a place one needs to inhabit it, and the question of how to represent a place like Maasvlakte 2 which does not yet entirely exist yet, the editors of FGA also aimed to stimulate discussion about the representation of Dutch landscape. They hope their project can be a pilot for further research residencies.
Portscapes ON_AIR is a collaborative effort of Frank Bruggeman, designer, artist and editor of Club Donny; Hans Aarsman, columnist 'De Volkskrant' and writer; Remko Andeweg, botanical analyst Lino Hellings, Errorist and editor of P.A.P.A., and Rob van Maanen; Gijsbert Korevaar, industrial Ecologist; Aurélie Barbier, urban planner; Martin Blum, artist and farmer; Marjolijn Kok, theoretical archaeologist; Line Kramer, artist – drawing; John Lonsdale, architect; Maarten Jansen, Hydraulic engineer and morphologist; Achilleka Komguem, artist, and Lionel Manga, writer.
FGA would also like to thank: Menno Steenman and Sjoerd Figdor, Port of Rotterdam; Roeterink, for assistance and building our working sleeping unit; Erik de Plaa and Jaap Korshuize from Delta, green power from Wind turbine; Bas van de Brand and PUMA, container; Eelco Muns, PUMA; Sander Boom, captain of The Spirit; Mooike de Moor, Radio Rijmond; Erik Post, Radio Rijmond; Maarten de Reus, artist, aerial photography; Helmi Weststrate; Roderick Hietbrink, artist - recording equipment.
Photo: FGA
copyright © 2010 sean dreilinger
view jogging @ luscher farms - _MG_3236 embed on a black background.
You can embed Flickr images in blog posts, web pages, and other web-based platforms. The steps outlined in this image and the next three will show you how.
1. Go to the image you want to embed and click on the Share button in the lower right corner (circled in this photo)
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Happy Anniversary and Happy New Year! We decided to walk around on our first day, exploring as much as we can of what we missed the last time. But our old haunts were difficult to ignore and photograph.
Since we arrived at the end of the holiday season, we still managed to see the Christmas decorations. As usual, they were beautiful!
Just developed a basic Wordpress plugin that allows you to easily embed your newest photos within your sidebar. It ended up being much easier than I thought it would be.
*Requires PHP5
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I hope you enjoy my work and thanks for viewing.
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It is an offence, under law, if you remove my copyright marking, and/or post this image anywhere else without my express written permission.
If you do, and I find out, you will be reported for copyright infringement action to the host platform and/or group applicable and you will be barred by me from social media platforms I use.
The same applies to all of my images.
My ownership & copyright is also embedded in the image metadata.
This guy is fucking scary. I’m not sure is comes arcoss in the pictures but all this figures made you wanting to check if it isn't a real person.
More of him on his awesome website: www.xmarkjenkinsx.com/
Seen at the Fresh Air Smells Funny exhibition in the Kunsthalle Dominikanerkirche, Osnabrück