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Pikmin Flower / Bacopa Cabana / Schneeflocke (Sutera cordata) - Large On Black
in our garden - Frankfurt-Nordend
Explored: 20.07.2008
The Hollywood Walk of Fame comprises more than 2,500 five-pointed terrazzo and brass stars embedded in the sidewalks along 15 blocks of Hollywood Boulevard and three blocks of Vine Street in Hollywood, California. The stars are permanent public monuments to achievement in the entertainment industry, bearing the names of a mix of actors, musicians, directors, producers, musical and theatrical groups, fictional characters, and others. The Walk of Fame is administered by the Hollywood Chamber of Commerce and maintained by the self-financing Hollywood Historic Trust. It is a popular tourist destination, with a reported 10 million visitors in 2003.
en.wikipedia.org/wiki/Hollywood_Walk_of_Fame
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
rachel took a big lead in the race to daycare, so she stopped to adjust her clothing, and her opponent with the short legs gained on her and passed her by...
copyright © 2010 sean dreilinger
view racing to daycare, tortoise and the hare - _MG_6917 embed on a black background.
i am no expert on geology but find this kind of things fascinating ,,, will be back there again to search for more ! also we saw fossils in the same outcrop !
En la fotografia: Àngels i la zona cremada del terme de Malet a Simat de la Valldigna on tot és gris i sec.
EMBED. El moment final del foc, quan sols queda el carbó.
.....
Àngels y la zona quemada de Simat de la Valldigna donde todo es gris y seco.
EMBED. El momento final del fuego, cuando solo queda el carbón.
[Alby]
Vesuvio Café in North Beach, San Francisco.
Photographs in this collection have been produced by Heather Do, Connor Rowe, Kathleen Markham, Alison Lowrie, Kenneth Chiu, Katie Salmond, Diana Chavez, Elena Toffalori, Ashley Vink, Aimee O'Dea, Liz Dolinar, Allison Barden, Justine Khoury, Daniele Alaniz-Roux, and Justin Thach at the request of Michael Ashley for the UC Berkeley Anthropology 136e class, Spring 2011. The purpose was to digitally document the cultural heritage of Vesuvio Café to not only document the cultural history embeded into the ageless walls but also to connect spatially the symbiotic relationship that preserves the legacy of beatnik culture today.
Vesuvio Cafe, (37.79757°N 122.40625°W), located in the North Beach region of San Francisco Bay, is a cultural bastion preserving the cultural heritage of bohemian era and the beatnik culture that generated its establishment by Henri Lenoir in 1949 and made infamous by the renown authors such as Jack Kerouac from which the adjacent alley is named. The building in which the bar is housed is otherwise known as the Cavalri building built in 1913 and expanded to a second story in 1918 and designed by Zanolini with Italian Renaissance revival elements. The transient existence of these unkempt literary members and their constituents is reflected in the liminal location of the former saloon restaurant at the border between the vagrant Chinese- Italian communities; by 1970[1], most of the diverse cultures regressed into economical housing . Vesuvio Café despite its rich history back to the 1950’s , are not historically preserved site; in fact, they were rented until 1999[2] by managers Chris and Janet Clyde, whose proprietary hopes to protect the building from other commercial interest. Over the years, Vesuvio has undergone its share of renovations and damages such as the 1999 retrofitting for earthquake safety or even the 1973 damage dealt to the building by an errant bus[3]. Over the years, the "I'll never forget after the retro-fitting, one man came in, he was about 55 years old and in a business suit," Clyde said. "He actually had tears in his eyes when he looked at the place. He said, `You didn't change anything.' Vesuvio has kept its character as a neighborhood bar.”[4]
Photographs in this collection were shot on April 11, 2011 between 7:30 am and 5:00 pm Pacific Time under variable natural lighting due to cloudy skies with intermittent periods of morning exposure conditions. Photos were captured on the following cameras: Canon DSLR XTI/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon T2i 18-55mm, Canon XTI 17-85mm. A tripod was used for timelapse, Gigapan, macro, telephoto, HDR, and photogrammetry shots. iPhones were also used for documentation shots and Geo-tagging. The photos were post-processed in Adobe Photoshop Lightroom 3.
Description written by Kenneth Chiu, following Addison’s proposed virtual heritage metadata format in his chapter “The Vanishing Virtual” in New Heritage: New Media and Cultural Heritage, edited by Kalay, et al., and published by Routledge in 2007.
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit www.codifi.info/licensing
All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA
Creative Commons creativecommons.org/licenses/by-nc/3.0/
For more information contact Center for Digital Archaeology, Berkeley, CA,
94720 or visit www.codifi.info/licensing
For more facts and information about Alcatraz, please visit
[1] news.google.com/newspapers?id=WKI_AAAAIBAJ&sjid=JlYMA...
[2] news.google.com/newspapers?id=M0IfAAAAIBAJ&sjid=yc8EA...
[3] news.google.com/newspapers?id=hwsrAAAAIBAJ&sjid=cZoFA...
[4] www.highbeam.com/doc/1P2-4550312.html
Original Filename:
ANTHRO136SP11_VVO_Cam25-24.dng
The Lidl Run Kildare Events 2013 were held at the Curragh Racecourse, Newbridge, Co. Kildare, Ireland on Sunday 12th May 2013. There were three events: a 10KM, a half marathon, and a full marathon. This is a selection of photographs which includes all events. The photographs are taken from the start and finish of the marathon, the finish of the 10KM, and the finish of the half marathon. Due to the large numbers participating we did not manage to photograph everyone - which was not helped by the weather. Congratulations to Jo Cawley and her RunKildare crew for another great event. The weather didn't dampen the spirits of the many happy participants.
Electronic timing was provided by Red Tag Timing [www.redtagtiming.com/]
Overall Race Summary
Participants: There were approximately 3,000 participants over the 3 race events - there were runners, joggers, and walkers participating.
Weather: A cold breezy morning with heavy rain at the start. The weather dried up for the 10KM and the Half Marathon races
Course: This is an undulating course with some good flat stretches on the Curragh.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links
GPS Garmin Trace of the Kildare Marathon Route: connect.garmin.com/activity/175709313
Homepage of the Lidl Run Kildare Event: www.kildaremarathon.ie/index.html
Facebook Group page of the Lidl Run Kildare Event: www.facebook.com/RunKildare
Boards.ie Athletics Discussion Board pages about the race series: www.boards.ie/vbulletin/showthread.php?t=2056815306
Our photographs from Run Kildare 2012: www.flickr.com/photos/peterm7/sets/72157629707887620/
Our photographs from Run Kildare 2011: www.flickr.com/photos/peterm7/sets/72157626725200956/
A small selection of photographs from Run Kildare 2010: www.flickr.com/photos/peterm7/sets/72157623899845567/ (first event)
Can I use the photograph with the watermark?
Yes! Absolutely - you can post this photograph to your social networks, blogs, micro-blogging, etc.
How can I get a full resolution, no watermark, copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Some people offer payment for our photographs. We do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would pay for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Although I've been using texture layers for years, it was only a few months ago that I learned about "luminosity masks." Rather than the texture layer appearing to lay flat on top of the background image (even with different layer blending modes), a luminosity mask helps embed it into the background image by varying the strength of the texture according to the tones of the background. The difference is quite significant. In this case, there are two layers embedded into the background - a texture layer and the yin/yang symbol layer.
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ITER Worksite September 2013
Embedded plates : Interface between the civil works and the process supporting system
Embedded Electronics Starter Kit from GHI Electronics
FEZ Spider Starter Kit
www.ghielectronics.com/catalog/product/297
FEZ Spider Starter Kit is the first commercially available .NET Gadgeteer-compatible kit. it includes everything necessary for educators, hobbyists and even professionals. Embedded development is fast & easy (FEZ) thanks to .NET Micro Framework, .NET Gadgeteer and the numerous GHI value added features such as WiFi and USB Host.
The kit includes:
FEZ Spider Mainboard
Display T35 Module (3.5" with touchscreen)
USB Client DP Module (with USB cable)
Camera Module
2x Multicolor LED Module (DaisyLink)
2x Button Module
Ethernet J11D Module
SD Card Module
USB Host Module
Extender Module
Joystick Module
10cm IDC cables (included with modules).
Assorted IDC Cable Pack:
4x 5cm IDC cables
3x 20cm IDC cables
1x 50cm IDC cable
Reusable Plastic Storage Box
FEZ Spider Mainboard is a .NET Gadgeteer-compatible mainboard based on GHI Electronics' EMX module. This makes FEZ Spider Mainboard the most feature-full .NET Gadgeteer compatible device in the market. It contains all of .NET Micro Framework core features and adds many exclusive features, such as USB host, WiFi and RLP (loading native code). All these features combine to provide a rapid prototyping platform.
Key Features:
14 .NET Gadgeteer compatible sockets that include these types: X, Y, A, C, D, E, F, H, I, K, O, P, S, T, U, R, G, B and Z.
Configurable on-board LED
Configuration switches.
Based on GHI Electronics EMX module
72MHz 32-bit ARM7 processor
4.5 MB Flash
16 MB RAM
LCD controller
Full TCP/IP Stack with SSL, HTTP, TCP, UDP, DHCP
Ethernet, WiFi driver and PPP ( GPRS/ 3G modems) and DPWS
USB host
USB Device with specialized libraries to emulate devices like thumb-drive, virtual COM (CDC), mouse, keyboard
76 GPIO Pin
2 SPI (8/16bit)
I2C
4 UART
2 CAN Channels
7 10-bit Analog Inputs
10-bit Analog Output (capable of WAV audio playback)
4-bit SD/MMC Memory card interface
6 PWM
OneWire interface (available on any IO)
Built-in Real Time Clock (RTC) with the suitable crystal
Processor register access
OutputCompare for generating waveforms with high accuracy
RLP allowing users to load native code (C/Assembly) for real-time requirements
Extended double-precision math class
FAT File System
Cryptography (AES and XTEA)
Low power and hibernate support
In-field update (from SD, network or other)
Dimensions: W 2.25" x L 2.05" x H 0.5"
Power
Low power and hibernate modes
Active power consumption 160 mA
Idle power consumption 120 mA
Hibernate power consumption 40 mA
Enviromental:
Requires .NET Gadgeteer standard red power modules.
RoHS compliant /Lead-free compliant
Most EMX software features are GHI exclusive, see software documentation for details.
For more information about .NET Gadgeteer visit:
Photograph taken by Michael Kappel
Messages about health behavior on television and in the movies — whether embedded in drama or comedy, advertising or talk shows — can ricochet around the world. The content may be explicit, as in a public service announcement, or inserted more obliquely into a storyline. It can advance advocacy positions, cheerleading for organ donation or discouraging tobacco use, for example, and in the process, change how individuals or communities act.
Neal Baer, Sandra de Castro Buffington, Gloria Reuben
Doerr-Hosier Center, McNulty Room
Beautiful effect by stamping my own spiral design on gold leaf over black polymer clay. Before baking it, I used a mix of red, brown, and blue guilder's paste and embedded small turquoise seed beeds. After baking, I placed a thin layer of liquid Sculpey.
sep.oct.nov.2008 | primaverasurotoñonorte
PDF (log: build 1001)
Hi-Res PDF (log: build 1001)
Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.
Múltiples mensajes.
¿ Cuánto 'texto' entra en un texto ?
¿ Cuánto en una foto, cuánto en un collage ?
¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?
¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?
Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.
Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.
¿ Cuánto mensaje puede entrar en una lata ?
# # #
An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.
Multiple messages.
How much texts fit in a text ?
How much in a picture, how much in a collage ?
How far does the medium bears the load ?
How much information can be encrypted ?
How much message stands a message ?
How many readings ?
How far the significant density can be forced / demanded / multiplied ?
How much the content layers add ?
Staggered sublevels (hierarchic or NOT-hierarchic) ?
How far the invisible architecture can be extended (how deep) ?
Launched from works exploring / exploiting this possibilities.
Works which explain and give the topic a turnover.
Which risk.
Game, mockery and humor.
Critics, the mass-media mechanisms put into evidence.
Narrations with as many readings as possible.
Mixed-media with as much message it can contain.
How much message can be stored in a can ?
# # #
Messages multiples.
Combien de textes inscrits dans un texte ?
Combien dans une image, combien dans un collage ?
Jusqu'où le médium supporte-t-il la charge ?
Jusqu'où l'information peut-elle être cryptée ?
Combien de messages dans un message ?
Combien de lectures ?
Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?
Combien de couches peut-on ajouter ?
Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?
Jusqu'où l'architecture invisible peut-elle être étendue (quelle profondeur) ?
Lancement de travaux qui explorent/exploitent ces possibilités.
Travaux qui expliquent et donnent au sujet de nouveaux angles.
Quels risques.
Jeux, humour et dérision.
Critiques, les mécaniques mass-médiatiques mises en évidence.
Narrations à multiple lectures possibles.
Compositions avec autant de messages qu'il est posssible d'y inclure.
Combien de messages peuvent-ils être stockés dans une boîte ?
(download it. it's free.)
# # #
edit(ing), direct(ing) + complements
art direct(ing) + design(ing)
insistAnçao, correct(ing) + additional stuff
listen(ing)
original music {free cd in-out-side}:
translat(ing)
refill(ing) image:
open(ing) messimages:
frontcover(ing) im(a)g:
bird/girl morphing by olivier-gilet
backc(o)ver(ing) i(mg):
frank mess(ages) by bill-horne trio
phantasmagoric text(ing) & latas:
featuring:
ysinembargo#17... cuál es la frontera... si no se sale ni se llega.
a b r e l a m u r a l l a
amsterdam antwerp
barcelona berlin brno bruxelles buenos aires
grenoble
iowa city
lawrenceville leicester lisbon loch gorman london
madrid mendoza
san rafael
tarragona
varese
warsaw
# # #
YSE #17's Original Music | YSElected videos
# # #
Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr
Found a washed up log with some rusted hardware embedded in it at New Brighton Park, Vancouver. I suspect the log might have been part of a log boom at some point.
copyright © 2010 sean dreilinger
view David Mihm moderates audience questions regarding local search - _MG_8219 embed on a black background.
Sydney’s tallest building, Sydney Tower, gets reflected in 20 level office tower. Walking along the Pitt Street at one time I was stunned by clear and almost full size reflection of Sydney Tower in one of the glass buildings nearby. I observed it for a while moving around and noticing how reflection is changing and disappearing at some spots. After that I started to think about capturing the view noticing when would be the best light and the best time. Sometime later with Tower glowing in yellow light of setting sun and sky deeply blue I took around 27 shots handheld from different places to select just a few for further processing.
For this image I chose 9 shots (3 vertical AEB sets with three -2,0,+2EV photos in each). 3 HDR files came out of those 9 images and finally they were stitched into one big HDR panorama. I then tonemapped it lightly and processed to enhance the contrast, color and few minor things like noise and shadows.
Location: Pitt Street, Sydney, New South Wales, Australia
From my photoblog at www.bouncedphoton.com