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Weird New Port Authority LED Billboard AD Display on the corner of 42nd Street and 8th Avenue built by A2aMedia - Mediamesh - woven steel mesh embedded with LED lights advertising - 170 foot screen with movie light poster for the film Super 8 - seen during the day 06/15/2011 NYC Bus terminal New York City Architecture art
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NOTE: screen cap from first blog.
part of Talking back to the night : fête de la musique, Paris 21 juin 2013.
mais aussi avec plein de morceaux des éditions précédentes : 2006, 2007, 2008 et 2009.
L'itinéraire est toujours à peu près le même et chaque année un peu différent.
Mais il y a des constantes. D'abord St-Sulpice et un passage par la rue des Cannettes.
Curieusement, dans ce quartier entre chic (les abords des jardins du Luxembourg !) et restos à touristes, c'est le rendez-vous des jeunes (parfois très jeunes) amateurs de rock en formation genre 'power trio' voire duo : guitare, batterie et parfois basse.
Puis c'est direction le Marais en faisant un crochet par St-Michel, Châtelet, Hotel de Ville.
Il peut y avoir de bonne surprises en route comme ce groupe de rockabilly, roufflaquettes et Harley-Davidson garées devant le fast-food.
Le Marais, c'est plus hasardeux. A part une main au cul (si, si!... il ou elle a dû être déçu !) pas beaucoup de chose à raconter, ni de musique 'live'. Les sound systèmes à fond dans la rue, c'est rigolo 5 min.
Beaucoup plus haut, quittant la rue Vieille du Temple pour Oberkampf, ça redevient beaucoup plus rock, puis plus on remonte vers le Nord, de plus en plus métissé. Soul, funk.
J'avais comme objectif d'atteindre la rue Sainte-Marthe avant 01h.
Raté!
You can see, from this photograph, how the layers of caliche were layed down with a mixture of material, including all sorts of petrified wood, agate, flint and other types of rock - it is not hard to dig rocks out of this mixture, which is the material they put on their county roads.
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Edited in PicMonkey from this previous PicMonkey edit...
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Cropping it square, adding a film frame, and then a Polaroid frame.
a wall-mounted assemblage of casting paper embedded with electronics measuring approximately 3'x4', 7744 is one of three works from our recent solo exhibit, of light like intervals, made specifically for installation on the porch of the virginia weston besse gallery on martha's vineyard.
inspired by the slowly changing, ambient natural light of the westward facing space, the architecturally transitional nature of the porch, and the color and textures of its wooden interior, we developed this project with the combining of indirect sunlight and electric light (LEDs), and the qualities of transition, in mind.
the electronics consist of multiple small micro-controllers each controlling a single tiny LED, each embedded and interconnected by thin, white wire.
the network of micro-controllers are programmed individually to persistently and slowly change the brightness of their LEDs in a process analogous the gentle shifts in ambient light of the space as sunlight is filtered through the lush foliage of a garden in front of it.
looking at 7744, one is aware of change occurring on the surface of the piece, resulting in different views of the works subtle and complex topography, but the specifics of what in fact has changed are not always clear.
we began making site visits to prepare for our show in early may, prior to the bloom of spring, and were captivated by the island's natural light, and the intricate, twisting branches, and horizontality of its trees and brush. in subsequent visits we noted the forms created by the lines of branches interlaced with increasing foliage. while we never intended to portray these forms in our work the affinity between the island's landscape and our compositions and mark marking is clear, and in the context of these works in this location, formative.
for additional projects and videos, please visit our site: www.mayarouvelle.com
used here
copyright © 2010 sean dreilinger
view nick depositing a bucket of leaves - _MG_5182 embed on a black background.
The VIA EPIA-M910 Mini-ITX features one of the richest I/O sets available for the embedded market. Seen here from the rear I/O.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
first thing this morning, Deanna forgot her Jacket.
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Tenuous Link: jacket
Edited in PicMonkey, Graphic Novel, Sketchedy & comic stuff.
My current home server - a DIR-320 running Debian. On top sits the USB card reader/hub and at the bottom a 500GB external HDD
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
U.S. Army Spc. Robin Veazy, a medic attached to the Bamyan Embedded Training Team, poses with the child who “adopted” her for the day at the Samar Orphanage here during a visit Aug. 26. Veazy, stationed out of Colchester, Vt., and members of the Bamyan Embedded Training Team and New Zealand Provincial Reconstruction Team visited the orphanage to hand out toys and clothes as part of a three-year ongoing effort to support the orphanage.
Embedded in bed. Spent so much time in my pyjamas and in bed recently that we are at one. An integral head pillow seems a good idea!
#BedHead #PyjamaDay #PyjamaTime #PyjamasAllDay #PJday #PJs #Bedtime #PWME #FunFunFun #Comfortable #NeedsMust #SelfCare #Wellness
copyright © 2010 sean dreilinger
view rachel demonstrates the iron man embedded arc reactor - _MG_2149 embed on a black background.