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Indy waiting for me at the door, ready to leave - and being very patient.

 

Indy spent a year in training with a private trainer. After 1 year in training i received him as my service dog on Dec. 16, 2005. That day will forever be embedded in my mind. I had no idea how much my life was life was going to change. Our partnership of almost 3 years now helped me see the light at the end of the tunnel.

 

Your probably wondering about now if I have Ehlers Danlos why on earth don't I have a big mobility dog? I got blessed with Indy - and I truly mean blessed. Indy falls somewhere between mobility/guide dog/medical alert. And I know some of you are thinking what does that little squaty corgi do?

 

Here is what he does:

EDS causes my joints to dislocate easily. When I do dislocate something Indy is trained to pull the pull cord where I live, if no one responds in a matter of minutes he will dial 911. In public he will run to the nearest person and back to where I am and run to the nearest person and back to where I am, until they get the idea I need help. Which usually isn't far becuase I can't really go out alone due to the nature of my condition.

 

He also protects me from falling, alerting me to cracks in sidewalks, uneven ground, curbs I may not notice - much the same way I guide dog would - by coming to a dead stop until I figure out why. I have no depth perception so I often trip, witch leads to dislocation of joints - or I should say used to trip, I rarely ever trip with Indy around beacuse he always alerts me to the things that would cause me to trip.

 

He will also create a barrier between me and other people in public by circling me, so nobody gets too close and knocks me over, as I’m rather unsteady on my feet

 

So call him whatever pleases you. I'm not quite sure where my little guy fits in, so I just call him a medical alert dog because he IS responding to a medically based issue, just not in a traditional manner.

  

Capital Reef National Park, UT, Cohab Canyon Trail

Boards mounted in the light bar master

Copyright © John G. Lidstone, all rights reserved.

I hope you enjoy my work and thanks for viewing.

 

NO use of this image is allowed without my express prior permission and subject to compensation/payment.

I do not want my images linked in Facebook groups.

 

It is an offence, under law, if you remove my copyright marking, and/or post this image anywhere else without my express written permission.

If you do, and I find out, you will be reported for copyright infringement action to the host platform and/or group applicable and you will be barred by me from social media platforms I use.

The same applies to all of my images.

My ownership & copyright is also embedded in the image metadata.

 

The depot in Strong City has some details that mark it as unmistakably Santa Fe.

En la fotografia: Àngels i la zona cremada del terme de Malet a Simat de la Valldigna on tot és gris i sec.

 

EMBED. El moment final del foc, quan sols queda el carbó.

 

.....

 

Àngels y la zona quemada de Simat de la Valldigna donde todo es gris y seco.

 

EMBED. El momento final del fuego, cuando solo queda el carbón.

 

[Alby]

Icon, Manhattan, NY

October 17. 2-15

Copyright © John G. Lidstone, all rights reserved.

You are warned: DO NOT STEAL or RE-POST THIS PHOTO.

It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.

If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.

The same applies to all of my images.

My copyright is also embedded in the image metadata.

At the Creston, BC, Museum

Madrid skyline at night, seen from the west side. The blackness below all the lights is a steep slope down and then a golf course.

It was below freezing, so to get warm I decided to run around up and down the slope with a LED lamp in my hand and try to draw something. Then I thought it would be cool to sign the picture.

 

Just so you get a glimpse of how far I was, I made the signature about 1 meter (3 feet) wide.

Embedded stones in Ultraclear Epoxy for countertop.

173 Airborne Brigade US Army - Provincia di Kunar Marzo 2008 - 173 Airborne Brigade US Army - Provincia di Kunar Marzo 2008 - Kunar Province March 2008

A calculator is embedded into the ticket machines at the train station.

Hmm embedding php elephpant, thanks sara :P

Almost 6' long and built with an embedded steel rod in the center. Finished!

"mess-up mess-age issue"

sep.oct.nov.2008 | primaverasurotoñonorte

 

ON PAPER

PDF (log: build 1001)

Hi-Res PDF (log: build 1001)

NAVIGATE it

 

Un número dedicado a la indagación y puesta a prueba de las posibilidades de codificación, alcance y resistencia de los medios de comunicación gráficos.

 

Múltiples mensajes.

¿ Cuánto 'texto' entra en un texto ?

¿ Cuánto en una foto, cuánto en un collage ?

¿ Hasta dónde el medio soporta la carga ? ¿ Cuánta información puede encriptarse ?

¿ Cuánto mensaje soporta un mensaje ? ¿ Cuánta lectura ? ¿ Hasta dónde se puede forzar/exigir/multiplicar la densidad de significantes ? ¿ Cuánto suman las capas de contenidos, los subniveles escalonados (jerárquicos, o NO-jerárquicos) ? ¿ Hasta dónde puede extenderse (qué tan hondo, qué tan lejos) la arquitectura invisible ?

 

Presentado desde trabajos que exploren/exploten estas posibilidades. Que expliquen y le den la vuelta.

Que se arriesguen. El juego, la burla, el humor. La crítica, la puesta en evidencia de los mecanismos de los mass-media. Narraciones con tantas lecturas como sea posible. Mixed-media con tanto mensaje como pueda contener.

¿ Cuánto mensaje puede entrar en una lata ?

 

# # #

 

An issue devoted to the inquiry and test of the coding, reach and endurance possibilities of graphic means of communication.

 

Multiple messages.

How much texts fit in a text ?

How much in a picture, how much in a collage ?

How far does the medium bears the load ?

How much information can be encrypted ?

How much message stands a message ?

How many readings ?

How far the significant density can be forced / demanded / multiplied ?

How much the content layers add ?

Staggered sublevels (hierarchic or NOT-hierarchic) ?

How far the invisible architecture can be extended (how deep) ?

 

Launched from works exploring / exploiting this possibilities.

Works which explain and give the topic a turnover.

Which risk.

Game, mockery and humor.

Critics, the mass-media mechanisms put into evidence.

Narrations with as many readings as possible.

Mixed-media with as much message it can contain.

How much message can be stored in a can ?

 

# # #

 

Messages multiples.

Combien de textes inscrits dans un texte ?

Combien dans une image, combien dans un collage ?

Jusqu'où le médium supporte-t-il la charge ?

Jusqu'où l'information peut-elle être cryptée ?

Combien de messages dans un message ?

Combien de lectures ?

Dans quelle mesure la consistance peut-elle être forcée / contrainte / multipliée ?

Combien de couches peut-on ajouter ?

Combien de degrés, de sous-niveaux (hiérarchisés ou non) ?

Jusqu'où l'architecture invisible peut-elle être étendue (quelle profondeur) ?

 

Lancement de travaux qui explorent/exploitent ces possibilités.

Travaux qui expliquent et donnent au sujet de nouveaux angles.

Quels risques.

Jeux, humour et dérision.

Critiques, les mécaniques mass-médiatiques mises en évidence.

Narrations à multiple lectures possibles.

Compositions avec autant de messages qu'il est posssible d'y inclure.

Combien de messages peuvent-ils être stockés dans une boîte ?

 

(download it. it's free.)

 

# # #

 

edit(ing), direct(ing) + complements

fernando-prats

art direct(ing) + design(ing)

estudi-prats

insistAnçao, correct(ing) + additional stuff

rivera-valdez

listen(ing)

hernán-dardes

original music {free cd in-out-side}:

nevus-project / albert-jordà

translat(ing)

emilia-cavecedo

 

refill(ing) image:

leonie-polah

open(ing) messimages:

dalibor-levícek

frontcover(ing) im(a)g:

bird/girl morphing by olivier-gilet

backc(o)ver(ing) i(mg):

frank mess(ages) by bill-horne trio

phantasmagoric text(ing) & latas:

fernando-prats

 

featuring:

brancollina

hernán-dardes

oriol-espinal

rafael-galán

olivier-gilet

ron-herrema

bill-horne

lisa-kehoe

dalibor-levícek

gabriel-magri

natalia-osiatynska

leonie-polah

stéfano-pérez-tonella

fernando-prats

jef-safi

rivera-valdez

yanomano

dou_ble_you-{uu}

  

ysinembargo#17... cuál es la frontera... si no se sale ni se llega.

 

a b r e l a m u r a l l a

amsterdam antwerp

barcelona berlin brno bruxelles buenos aires

grenoble

iowa city

lawrenceville leicester lisbon loch gorman london

madrid mendoza

san rafael

tarragona

varese

warsaw

 

# # #

 

YSE #17's Original Music | YSElected videos

 

# # #

 

Official WEBsite | MySpace | Flickr Group | Also @ Facebook, YouTube, Hi5, Tumblr

 

View Large on Black.

 

Nikon D300, 50mm/1.4D, 1/60s, f/1.8, ISO 200, on-camera SB-800 flash with

diffuser. (DSC_3973)

The SPAR Great Ireland Run 2013 was held in the Phoenix Park, Dublin, Ireland on Sunday 14th April 2013 at 13:10 and 13:30 respectively. The Great Ireland Run is now probably the largest 10KM running event in Ireland. The race also incorporates the AAI National 10km Championships. This category is for club athletes in Ireland only. However, there is also the main field race where anyone, regardless of being with an athletic club or not, can enter and race. The elite women and club women's race started at 13:10 whilst the male club and main field event started at 13:30. The race starts on Chesterfield Avenue and takes a clockwise route - first over to the Blackhorse Avenue sid of the park, crossing Chesterfield avenue again. The race then descends down the Kyber pass before the runners must take the challenge of the famous S-Bends on the Chapelizod side including a steep climb at 7KM. Finally the race winds its way around the Furry Glen, before finishing very close to the starting point of the race.

 

These photographs are taken at the 7 KM marker on Chapelizod Hill. They are from the time period 13:35 (leading elite women) until all waves have passed this point (approximately 14:42). There are no start or finish line photographs.

 

Elite Womens and Irish Womens National Championship field: Flickr set is here [http://www.flickr.com/photos/peterm7/sets/72157633232150933/]

Elite Men, Irish National Championship, and the main field: Flickr set is here [http://www.flickr.com/photos/peterm7/sets/72157633240224417/]

 

I really enjoyed taking these photographs. It is the first time in a long time where I have been able to photograph a race I was not participating in. It was a really great experience. Despite the tough course and the horrible head winds I got so many nods and "hellos" from hundreds of runners I knew there and from thousands of others I have yet to get to know ;-) It is a really great event.

 

PLEASE NOTE! These are completely unofficial SPAR Great Ireland Run 2013 photographs. We are not affiliated in any way to the organisation of the Great Ireland Run. These photographs are not for commercial use nor are they provided here on Flickr for commercial usage. If you require commercially available photographs please use the weblinks provided below here to find more information.

 

Overall Race Summary

Participants: Approximately 10,000 people

Weather: Dry, cold, with very strong head wind

Course: Completely traffic free course - all on excellent tarmac roads. The course is undulating from 4KM to about 9KM giving a real test of 10KM strength.

Refreshments: No refreshments - goody bags provided to all participants.

 

Some links, related to this race, which you might find useful:

 

Great Ireland Run Homepage: www.greatirelandrun.org/Default.aspx

Boards.ie Athletics Discussion Thread on this race: www.boards.ie/vbulletin/showthread.php?t=2056907184

Great Ireland Run Facebook Page: www.facebook.com/greatirelandrun

 

Please note: that we cannot be responsible for the content of any external links (outside of ourown Flickr account) as we have no control over them. Links are provided for your information only. Responsibility lies solely with the operators of those websites.

 

How can I get a full resolution copy of these photographs?

 

All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, Google Orkut etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also means the use of these images for Facebook profile pictures. In these cases please make a wall post with a link to our Flickr page. If you do not know how this should be done for Facebook or other media please email us and we will be happy to help suggest how to link to us.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.

 

I ran the race - but my photograph doesn't appear here in your Flickr set!

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

    You were hidden behind another participant as you passed our camera

    Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

    There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

    We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

If you want to contribute something for these images?

We do not charge for these images. We take these photographs as our contribution to the running community in Ireland. If you feel that the image(s) you request are good enough that you would ordinarily pay for their purchase we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible.

 

Although I've been using texture layers for years, it was only a few months ago that I learned about "luminosity masks." Rather than the texture layer appearing to lay flat on top of the background image (even with different layer blending modes), a luminosity mask helps embed it into the background image by varying the strength of the texture according to the tones of the background. The difference is quite significant. In this case, there are two layers embedded into the background - a texture layer and the yin/yang symbol layer.

 

------------------------------

MUSEUM SHOOTS

-----------------------------

.

Resin embedded cutlery in Fonda Lola's back bar. Really interesting list of mixed drinks that mixes kombucha with tequila, etc. Lots of eclectic, worn and

 

Fonda Lola

942 Queen St. West

Toronto, ON

(647) 706-9105

fondalola.ca

Twitter @FondaLola‎

 

Owners: Ernesto Rodriguez, Howard Dubrowsky and Andrés Márquez

 

Chef: Howard Dubrowsky

  

At Tokyo Metropolitan Art Space, Ikebukuro.

 

Please enjoy the interactive view! (thanks to fieldOfView and Aldo)

And small but quick interactive viewer is here (Wrapr Beta)

 

- SLR camera and lens: Nikon D80 /w Sigma 8mm fisheye

- Handheld (with Simon's "HaPaLa3")

- 4 pan (Philopod pitch variation [datails]) 3EX(2EV) each.

- software: ptgui, Photoshop and enfuse on MS-Windows XP

 

[edited] I put this pano on 360 cities.

 

See where this picture was taken. [?]

[MAP by ALPSLAB]

 

「マリとシェリー」朝倉響子 作

Microchip's simple Cloud Development Platform is available on the Amazon Web Services (AWS) Marketplace and enables embedded engineers to quickly learn cloud based communication. Microchip’s platform provides designers with the ability to easily create a working demo that connects an embedded application with the Amazon Elastic Compute Cloud (EC2) service. At the heart of this platform is Microchip’s Wi-Fi® Client Module Development Kit (Part # DM182020), which offers developers a simple way to bridge the embedded world and the cloud, to create applications encompassing the Internet of Things. For more info, visit www.microchip.com/DM182020

Copyright © John G. Lidstone, all rights reserved.

You are warned: DO NOT STEAL or RE-POST THIS PHOTO.

It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.

If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.

The same applies to all of my images.

My copyright is also embedded in the image metadata.

This is a photograph from the 2013 running of the Clonakilty Waterfront Marathon, Half Marathon, and 10KM which were held in the town of Clonakilty, West Cork, Ireland on Saturday 7th December 2013 from 09:00. This year the marathon events return back to their spiritual home with all events starting and finishing in Clonakilty town on the Inchydoney road. Clonakilty is a bustling picturesque town in the heart of West Cork, and lies approximately 50 km west of Cork city. This is the fourth running of the event which started in 2010. The event has grown from strength to strength and has gained a reputation of being one of Ireland's friendliest marathons. The marathon takes in some breathtaking coastal scenery along a testing course. The route descriptions are available from the official website. The marathon event has now firmly embedded itself in the Irish marathon running calendar. It marks the de-facto end of the large city/large town marathons for the year and places the event at the begining of the Christmas season in Ireland.

 

The race events were electronically timed by Precision Timing (see their website: http://www.precisiontiming.net/)

 

There is a larger set of photographs from the events on our Flickr photostream. Please use this link to go directly to the Flickr set for Clonakilty 2013: www.flickr.com/photos/peterm7/sets/72157638437661153/

 

Viewing this on a smartphone device?

If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".

 

Some useful Website Links and Internet Sites

 

Clonakilty Waterfront Full Marathon Route 2013: www.runclon.ie/html/course/full_route.html

 

Clonakilty Waterfront Half Marathon Route 2013: www.runclon.ie/html/course/half_route.html

 

Clonakilty Waterfront 10KM Route 2013: www.runclon.ie/html/course/10k_route.html

 

The Race HQ 2013 at the Waterfront: goo.gl/maps/sFGV2 (Google Streetview Imagery)

 

The Quality Inn Clonakilty where the Marathon Expo and Number Collection 2013 was held: goo.gl/maps/huhWl (Google Streetview Imagery) - Hotel Website: www.qualityclonakiltyhotel.com/

 

Clonakilty "Run Clon" Waterfront Marathon 2013: www.facebook.com/runclon (Requires Facebook Access)

 

Results will be initially available on Precision Timing's Website: www.precisiontiming.net/result/racetimer

 

John Desmond's Running in Cork Blog will have some post-marathon reactions and posts: corkrunning.blogspot.ie/ as will munsterrunning.blogspot.ie/

 

Can I use these photographs directly from Flickr on my social media account?

 

Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.

 

How can I get full resolution copies of these photographs?

 

All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.

 

This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.

 

If you would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets

 

Sony a7 with Nikon 50mm f/1.4 Legacy lens, manual focus

A granite rock embedded into the roots of a tree, then worked over by water, snow and ice for how many years. At Twin Lakes, CA.

This ring is from my Embedded series. It is a one-of-a-kind production. The ring was cast in fine silver using the lost wax technique. A volcanic beach pebble is embedded in the silver of the ring.

Probably every person who has worked with stones and metal has longed for the possibility to inset the stone directly into the metal without the obtrusive interference of prongs and bezels. Embedded is my personal fulfillment of this longing. The resulting jewelry gives me great satisfaction

This greeting was embedded in an e-mail I got yesterday. It features Christmas (in four languages), Kwanzaa, and Hanukkah. That's nice. But consider what's missing. Whatever happened to the Amaterasu celebration? What about the Beiwe Festival? Where is Brumalia, Chawmos, the Deygan Festival, the Dōngzhì Festival, Goru, Hogmanay, Inti Raymi, Junkanoo, Karachun, Koleda, Lá an Dreoilín, Lenæa, Lohri, Makara Sankranti, Maruaroa o Takurua, Midvinterblót, Midwinter, Modranicht, Mummer's Day, the Perchta ritual, the Rozhanitsa Feast, Sanghamitta Day, the Saturnalia, Şewy Yelda, Sol Invictus, Soyal, We Tripantu, Zagmuk, and Ziemassvētki? To say nothing of Yule! And for the love of Mother Earth, what about the Solstice?

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