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173 Airborne Brigade US Army - Provincia di Kunar Marzo 2008 - 173 Airborne Brigade US Army - Provincia di Kunar Marzo 2008 - Kunar Province March 2008
Prompt: A photo of a 22 year old Japanese woman leaning against a brick wall, she is wearing green cargo shorts, she is wearing a crop top t-shirt, she has (((tiny_breasts))), she has short black hair, 1girl, solo, cowboy shot
Negative Prompt: EasyNegative, extra hands, extra arms, extra legs, extra limbs, missing hands, missing arms, missing legs, missing limbs, bad hands, underwear, bra, panties, ((modesty))
Seed: 7779953
Stable Diffusion model: /home/yeager/easy-diffusion/models/stable-diffusion/majicmixRealistic_v6.safetensors
Clip Skip: True
VAE model: /home/yeager/easy-diffusion/models/vae/vae-ft-mse-840000-ema-pruned.ckpt
Sampler: dpmpp_2m
Width: 1024
Height: 1024
Steps: 50
Guidance Scale: 7.5
Prompt Strength: 0.7
LoRA model: /home/yeager/easy-diffusion/models/lora/jkSmallBreastsLite_V01.safetensors
LoRA Strength: 0.7
Hypernetwork model: None
Embedding models: None
Seamless Tiling: none
Use Face Correction: /home/yeager/easy-diffusion/models/codeformer/codeformer.pth
Use Upscaling: None
Although I've been using texture layers for years, it was only a few months ago that I learned about "luminosity masks." Rather than the texture layer appearing to lay flat on top of the background image (even with different layer blending modes), a luminosity mask helps embed it into the background image by varying the strength of the texture according to the tones of the background. The difference is quite significant. In this case, there are two layers embedded into the background - a texture layer and the yin/yang symbol layer.
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Resin embedded cutlery in Fonda Lola's back bar. Really interesting list of mixed drinks that mixes kombucha with tequila, etc. Lots of eclectic, worn and
Fonda Lola
942 Queen St. West
Toronto, ON
(647) 706-9105
fondalola.ca
Twitter @FondaLola
Owners: Ernesto Rodriguez, Howard Dubrowsky and Andrés Márquez
Chef: Howard Dubrowsky
This ring is from my Embedded series. It is a one-of-a-kind production. The ring was cast in fine silver using the lost wax technique. A volcanic beach pebble is embedded in the silver of the ring.
Probably every person who has worked with stones and metal has longed for the possibility to inset the stone directly into the metal without the obtrusive interference of prongs and bezels. Embedded is my personal fulfillment of this longing. The resulting jewelry gives me great satisfaction
Copyright © John G. Lidstone, all rights reserved.
You are warned: DO NOT STEAL or RE-POST THIS PHOTO.
It is an offence under law if you remove my copyright marking, or post this image anywhere else without my express written permission.
If you do, and I find out, you WILL be reported for copyright infringement action to the host platform and/or group applicable.
The same applies to all of my images.
My copyright is also embedded in the image metadata.
Found a washed up log with some rusted hardware embedded in it at New Brighton Park, Vancouver. I suspect the log might have been part of a log boom at some point.
It's possible to embed tweets in a website, blogpost, or LibGuide. Created for this post: www.ned-potter.com/blog/twitter-video-is-here-and-its-a-g...
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SMSC is a global supplier of integrated circuits and semiconductor software solutions for high speed computing, connectivity, automotive and embedded networking applications. SMSC builds its business through innovation while maintaining high standards in quality.
Before undertaking the construction and renovation of their existing headquarters, SMSC insisted that the team hired to build their new facility would reflect their corporate culture of creativity, innovation and quality by creating a world-class headquarters and test facility.
SMSC’s corporate headquarters sits on 10 acres located in the Hauppauge Industrial Park. When first built in 1979, the building was approximately 80,000 square feet. The facility that exists today has undergone a complete renovation, and has been expanded on both sides. The expansion project included a 106,200-square-foot, two story office addition, training facility and cafeteria at the west side of the existing building, and a 13,800-square-foot shipping and receiving area on the east. The construction of the new facility consolidated more than 400 employees into one facility, who had previously been working between two buildings in the Hauppauge Industrial Park. The master planning of the expanded facility also provided room for future growth of the company. With SMSC operating continuously, 24 hours a day, 7 days a week, TRITEC’s project staff had to ensure that disruption was minimized. TRITEC and their partners worked extensively with people from each division of SMSC to incorporate their vision into the design, phasing construction around each department’s operational objectives.
Preconstruction on the facility began in October of 2003. The TRITEC team broke ground on January 8, 2005. Construction started on an intense 16-month schedule with the addition of the new loading area adjacent to SMSC’s vibration sensitive testing floor. Once the loading area was complete, receiving operations were moved from the existing west end location to the new east end addition and work on the large west end addition began. Continuing to focus on the goal of maintaining a safe environment with no significant down time for SMSC employees, the TRITEC team worked from the point furthest west, leaving an existing access road opens until a new entrance on the east could be completed. Once the new access road was complete, the old access road was closed and the new west addition was married to the existing building. The west addition included a 22,000-squarefoot, 15-foot deep basement. This portion of the project was referred to as “the big dig,” but with much more satisfactory results than the infamous Boston project. While the basement was under construction, the old west end receiving area and warehouse was converted to office space; all 13 existing bathrooms were renovated. To maintain schedule and budget, TRITEC mobilized two operations, bringing a second job superintendent onto the site"one for interior renovations and the other focusing on out-of-the-ground construction. In May 2006, SMSC’s employees moved into the new facility. The project’s success can be attributed to a proper preconstruction plan, early procurement of long lead items and the dedication of the SMSC-TRITEC project team. All pre-manufactured materials needed for the project"from doors to rooftop H.V.A.C. units" were ordered ASAP. These pre-purchased items were stored on site and were therefore available when needed avoiding significant time gaps in the project schedule. The finished project boasts a beautiful interior with soaring three-story atrium accented by rich mahogany and beautiful granite, spanning 225 feet from front to back and towering out of the basement some 45 feet. Skylights run nearly the entire length of the central corridor lighting the atrium and walking bridges that are not only functional but add architectural drama to the voluminous entryway.
This project won the CMAA New York Area Chapter Project of the Year for 2007.
Sydney’s tallest building, Sydney Tower, gets reflected in 20 level office tower. Walking along the Pitt Street at one time I was stunned by clear and almost full size reflection of Sydney Tower in one of the glass buildings nearby. I observed it for a while moving around and noticing how reflection is changing and disappearing at some spots. After that I started to think about capturing the view noticing when would be the best light and the best time. Sometime later with Tower glowing in yellow light of setting sun and sky deeply blue I took around 27 shots handheld from different places to select just a few for further processing.
For this image I chose 9 shots (3 vertical AEB sets with three -2,0,+2EV photos in each). 3 HDR files came out of those 9 images and finally they were stitched into one big HDR panorama. I then tonemapped it lightly and processed to enhance the contrast, color and few minor things like noise and shadows.
Location: Pitt Street, Sydney, New South Wales, Australia
From my photoblog at www.bouncedphoton.com
With Avengers: Endgame finally in theaters, it's only natural that the only Infinity War figure from Hot Toys I ordered finally shows up.
Portrayed by Benedict Cumberbatch, Dr. Strange played a pivotal role in the Infinity War movie. I'm pretty sure that everyone who has watched this movie isn't exactly blown away by this statement.
What you may not be as familiar with is the drama when it came to the Hot Toys figure.
Hot Toys released a Dr. Strange from his standalone film, which effectively is the same as the Infinity War one, except for the head sculpt.. but I'm jumping ahead of myself. Once the collecting public realized that Dr. Strange got dusted in Infinity War, there was a mad panic.
It was probably close to a month after the release of the movie, and Hot Toys had not announced anything about an Infinity War Dr. Strange figure, even though he played an incredibly prominent part in the movie. Believing that there would be no further figure releases for Strange, the original figure starting commanding stupid high pricing, sometimes in the neighbourhood of almost $700 USD, way, way up from it's MSRP of about $250 USD.
Scalpers who had been "smart enough to stock up" started effectively selling at whatever price they felt like. Despite multiple calls for collectors to basically calm down and not to add fuel to the fire, people were still being people, and bought they from scalpers anyway.
Prices were jumping higher and higher everyday, with collectors calling Retail Aftermarket Sellers opportunists - understandably so, but opportunists none the less, and with the Sellers retorting that they were victims of "market value", and that collectors were simply bitter because they weren't smart enough to preorder.
Sellers had the upper hand, as it were, for weeks, growing more bold by the day.
Then one day, it all came crashing down. I don't remember exactly what day it was in May 2018, but I can tell you this much: the moment that Hot Toys announced the Infinity Wars Dr. Strange figure, the aftermarket scalping of the original figure effectively came to a grinding halt. There was much rejoice in the collecting community, with the exception of sellers who were now stuck with MSRP Dr. Strange figures, or if I may say so myself, potentially bitter "friends" that bought their scalper priced figures because they were informed that there would only ever be one.
From personal experience, one seller was so salty about this change that he proclaimed the 2.0 figure to be a piece of garbage and that we were all failures at life because we couldn't afford a $700 USD Dr. Strange figure.
It was fun, fun times. There have been a few close calls here and there, most recently with Infinity War Thor, but overall figures that are jacked up in price are because they really are sold out.
My figure finally arrived after I'd say a 5 month delay or so over the original Hong Kong release. Not that I was in a hurry or keeping track, but it was amusing to marvel at just how many of the damn things Hot Toys sold that even as I write this there are people who ordered it all over the world who still haven't gotten their order.
So, now that it's here, lets dig in, shall we?
As with most Hot Toys figures, Dr. Strange comes packed in a windowed box with a slipcover. These ones slightly differ from norm by having a cutout in the bottom right hand corner to show the Avengers: Infinity War logo that is printed on the inner box.
As mentioned above, the contents of the box are effectively the same as the original figure. Identical items are as follows: same gang hand signs, two Sling Rings, an open and closed Eye of Agamoto, full fabric outfit including magnetically attaching Cloak of Levitation, two orange magic energy effect discs, and two sets of magic energy rings meant to mimic the effect in the movie (one set orange for general magic, one set green for when the Time Stone is being used). Both sets also come with a dynamic stand, albeit branded differently.
The headsculpt, which features the Infinity War hairstyle, is naturally different. One of the original accessories, the Book of Cagliostro, is no longer here (not a part of the movie at all) but has been replaced with four new magic effects, including a square effect, a larger round magic effect, an effect for the Crimson Bands of Cyttorak, and his sword construct. The Infinity War version also comes with a backdrop to mimic the effects of the Images of Ikon, where he multiplies to do battle.
I have to say, this is the first Hot Toys figure in a long time that I've personally been impressed with. The other ones have been pretty good, but the amount of work put into the design of his outfit is insane. It's pretty much all cloth (except for the belts and other such areas) and what is neat, at least for me, is that by staring at a miniature version of the character, you notice these fine details on the costume that you normally wouldn't even notice, like the various puffs on his boots and belt, and the asymmetric nature of the Cloak of Levitation.
The cloak attaches using three magnets, and generally holds in place but can move out of place when you're posing the main figure. There are some wires embedded into the cape itself, but I didn't find much use for the wires and wish they had simply made this a weighed cloak so it would drape down correctly.
Articulation in general is not hampered by this outfit, and this is the first Hot Toys figure I've opened in a long time that didn't come with a precautions list to follow when moving the figure. Sadly, Dr. Strange lacks any real neck movement other than pivoting, and has zero ankle articulation. This does limit the types of pose you can put the figure in, dynamic stand or not. The outfit SHOULD allow you to do overhead arm poses, but I can't say I bothered trying, particularly since you would need to remove the cloak to do it in the first place.
Paint work is, as always, top notch. Paintwork on the hair and mustache/goatee are phenomenal and really doesn't give me much to complain about, if anything. Paint on the Eye of Agamoto is also, unsurprisingly, solid.
Speaking of the head, the detailing is extremely well done, from the hairs on his head and face, to the subtle wrinkles on his face. The sculptor captured the shape of Benedict Cumberbatch's face and jawline very well, but I am of the belief that his hairline, particularly how close the grey parts slick to the side of his head, wasn't close enough, giving him, ironically, a fat head. Not that it changed from the prototype, mind you - this was always something I was weary of.
Another complaint I have is his eyes. For lack of better terms, it almost feels to me that as good as the Hot Toys sculpting team is, it's like they really don't get the shape of Westerner eyes. They're always way too small, if not too close together. Benedict Cumberbatch isn't an anime character, but he certainly has rounder eyes than what we see here.
Fine detailing isn't limited to the the head and outfit - each of the magic accessories also has a plethora of detailing in the form of the many mystic symbols and glyphs that exist in the world of Dr. Strange. it's quite impressive the amount of work that went into these.
While the coloured plastic pieces will never truly replicate the glowing CGI of the movies, most of the pieces do an acceptable job. The square coloured one, however, just looks really dumb. There really is no other way of putting it.
In the end, this figure truly is what ownership of a Hot Toys figure should feel like - premium quality all around, with just enough engineering limitations and design screw ups to remind you that this is an action figure.
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