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© Album 2200
By Cathedrals and Churches
Cathedrals and Churches By
Dióceis of Ciudad Valles
Immaculate Conception Parish
Address: Peter A. Santos # 62
Central Zone
C.P.: 79200
Phone: 01 (489) 388 0360
Location: Tamuin
San Luis Potosi, Mexico
At its center, the Plaza of friendship, adorned with a beautiful kiosk built in 1952, opposite is the Immaculate Conception Parish of the old building, and steps away is the city hall, which initially was a hospital built in wood and becoming the town hall was remodeled to its current architecture.
Other attractions are its beautiful lakes, such as Ducks, Lizards and Tansey. The window of the boar, is a mouth embedded in the Sierra de Tanchipa presenting different microclimates and where it is possible to observe the departure of thousands of bats. This cave has a drop of 150 meters makes it ideal for cavers.
Within the Regional Fair held in May, performing a series of exhibitions relating to culture, cuisine, crafts and livestock.
En su centro destaca la Plaza de la amistad, adornada con un bello quisco construido en 1952, enfrente se encuentra la Parroquia de la inmaculada concepción de construcción antigua, y a unos pasos está el Palacio Municipal, que en sus inicios fue un hospital construido en madera y al convertirse en sede del ayuntamiento fue remodelado a su actual arquitectura.
Otros atractivos son sus bellas lagunas, como la de Patitos, Lagarto y Tansey. La ventana del jabalí, es una boca incrustada en la Sierra de Tanchipa que presenta diversos microclimas y donde es posible observar la salida de miles de murciélagos. Esta cueva tiene una caída de 150 metros que la vuelve ideal para los espeleólogos.
Dentro de la Feria Regional que se celebra en Mayo, se realiza una serie de exposiciones referentes a cultura, la gastronomía, la artesania y la ganadería.
From the handout given at the park:
O’Leno State Park and River Rise Preserve State Park Fact Sheet
•Together the parks number 6212 acres. 4,500 in River Rise Preserve and the remainder in the older O’Leno State Park.
•There are 18 different natural communities within the parks boundaries.
•Both parks contain the 3 mile “natural bridge” where the Santa Fe River flows into the sink and returns to the surface at the rise.
•Hernando De Soto traveled through these parks in 1539 while exploring the interior of Florida. Here he met members of local Timucan speaking tribes the Utina and Potano.
•The Park occupies property in both Alachua and Columbia Counties.
•We have 55 listed Cultural sites on park property.
•There are 19 miles of equestrian trails at River Rise Preserve State Park. With a 20 horse stall barn and primitive campsites.
•There are 61 family campsites with water and electric. Two primitive Youth Camps for 25 people apiece and one up to 10 person “hike in/hike out” primitive campsite.
•A town existed here first called Keno and later Ken that lasted from the 1840’s until the mid 1890’s. Hence the origin of the park’s name “Old Leno” becoming O’Leno.
•1935-36 the Civilian Conservation Corps Company 418 Camp P-67 constructed Camp O’Leno to be used as a park/forestry training area. Some of the CCC buildings are still being used today by the park.
•The camp became a park in 1940, and is one of the older state parks. River Rise was purchased as a Preserve in 1974.
•Florida’s First Federal Roadway, the Bellamy Road traveled through the park in the 1820’s. It originated from an earlier Indian trail and later the Camino Real which connected missions in the interior of Florida with St Augustine.
•There are 6 miles of hiking trails.
•There are 17 cabins and 8 support buildings in our Group Camp.
•Both parks receive about 65,000 visitors annually that spend over 2 million dollars annually in the local economy. 67 local jobs are generated because of the parks.
•The park creates over $230,000 in local sales tax revenue.
History of O’Leno State Park
O’Leno State Park occupies an historic crossroads area, unique compared to all of north Florida. The Santa Fe River along with its geologically unique disappearance into the ground and aquifer (River Sink) and its reappearance 3 miles to the south (River Rise) creating a natural land bridge, has the first basis of this land being a crossroads. Before the Spanish arrived in the 1500’s, Native Indian presence and villages were abundant in north Florida. Villages were close by. Research has also shown that the Santa Fe River was a boundary line between the Utina and Potano tribes of the Timucua Indians.
The first European to pass through the area was the Spanish explorer Hernando De Soto in 1539. In the Spanish mission period of the 1600’s, the Spanish used the Indian trail for their road running from St. Augustine, through the Santa Fe land bridge, to Tallahassee and Pensacola, calling it the El Camino Real.
About two hundred years later, when Florida was a U.S. territory, the federal government contracted with John Bellamy, a plantation owner, in 1824 to build the first federally-funded major road from St. Augustine to Tallahassee. This road followed the El Camino Real and also passed through the Santa Fe land bridge. This road became known as the Bellamy Road, now referred to today as the Old Bellamy Road.
Just a quarter mile of the River Sink and 2 miles north of the Old Bellamy Road was a fitting place for a town. A town was established on the west bank of the river in 1840 by a man named Henry Matier. The town as “Keno,” a popular bingo-type gambling game in those days. Later, in 1876, the General Store manager, Col. Whetstone, applied for a post office from the U.S. government. It is reported that the request was denied due to the name of the town being associated with gambling. Therefore, the town’s name was changed to Leno, and a post office was granted. Several years later, Col. Whetstone moved the post office to his seat of residence in Mikesville, three miles to the north.
In the latter 1800’s the town of Keno/Leno grew by the hard work defeating the odds of nature, establishing grist mills, saw mills, and cotton gins along the river by first creating a couple dams and channeling the river into the shoots, where the mills were strategically built. The dams were created by embedding cedar slats across the river, backed by barriers of large rocks to direct the river flow. Remnants of these dams, mill sites, and cedar slats and shoots can be seen today when the river is down low. Due to the grinding capability from the two grist mills and six cotton gins and circular saw mill, Leno became and agricultural hub for the area.
In the days of Keno/Leno, criss-crossing the Bellamy Road was the north-south “Alligator Road,” passing Keno/Leno, and heading north up to the city of Alligator, now Lake City. When the town heard in 1894 of a railroad coming through the area, they were hopeful. But the train bypassed Leno, going to Fort White instead. This struck a major blow to the town, and many of the residents moved to neighboring communities. A major freeze then occurred in 1896 killing the major crops in that day, oranges, cotton, and tobacco, which sealed a final blow to the once thriving town of Leno.
Notes from our Mozilla Embedding Meeting - please don't speculate until I get a chance to post about it!
Layers of Cheesecake covered with Strawberries embedded in rich Vanilla Cream and glazed with White Chocolate
An iceberg embedded in sea ice seen from the NASA DC-8 on Oct. 16, 2012. Note areas of compressed "blue ice." Credit: NASA / James Yungel
NASA's Operation IceBridge is an airborne science mission to study Earth's polar ice. For more information about IceBridge, visit: www.nasa.gov/icebridge
Another view of this old Pullman railcar at the front of this industrial site. Love how nature is devouring this rusted relic.
REVISIONES
Encuentros con el Arte Salvadoreño
Curador: Jorge Palomo
18 de mayo de 2007 al 11 de noviembre de 2011
Consulte el catálogo de la exhibición, acá
La intención de esta exhibición es dar al público una visión amplia y representativa del arte nacional. Su amplitud se refleja en el número de obras y artistas reunidos, y en la inclusión e interacción de diversas ramas de la plástica como son la pintura, la escultura, el dibujo, el grabado y la fotografía. Su representatividad se evidencia en la presentación de obras desde mediados del siglo XIX hasta la época contemporánea. Otro de los deseos de esta exposición es insertar el arte salvadoreño dentro de los discursos del arte universal, analizando como éste ha sido interpretado en el contexto local.
La exhibición contempla el análisis multidisciplinario de las obras seleccionadas, ampliando la significación de la producción artística en términos históricos, estilísticos, políticos, temáticos y psicológicos. reVISIONES comprende 138 obras, presentadas en 4 núcleos, denominados Los Trazos de las Identidades, Lenguajes del Paisaje, De la Superficie a lo Sublime y Bajo los Signos de Alicia: Los Territorios del Sueño.
El núcleo Los Trazos de las Identidades está compuesto en orden histórico, manteniendo relaciones temáticas y estilísticas a lo largo del recorrido para contar la historia de nuestra gente y del país reflejada en el arte. El núcleo Lenguajes del Paisaje ha sido organizado resaltando los grandes movimientos del arte universal que han impactado el arte nacional, a través del paisaje, el cual ha sido el tema preferido por la mayoría de nuestros artistas. En el tercer núcleo, De la Superficie a lo Sublime, se muestra el arte abstracto producido durante los últimos 60 años, interpretando las influencias cubistas y futuristas de la primera mitad del siglo XX y las influencias informalistas y expresionistas abstractas de la segunda mitad del siglo XX. El cuarto núcleo, Bajo los Signos de Alicia: Los Territorios del Sueño, reúne obras surrealistas con contenidos de imaginación, magia y profundidad psicológica para romper con la lógica dominante en el mundo.
MARTE Museo de Arte de El Salvador
Colonia San Benito Final Avenida. La Revolución San Salvador, El Salvador Centroamérica
Tel.: (503) 2243-6099 Fax: (503) 2243-1726 info@marte.org.sv
Horario
Martes a Domingo: 10:00 a.m a 6:00 p.m.
Lunes (Cerrado)
Todos los domingos la entrada al MARTE es GRATIS.
De martes a sábado entran GRATIS: Adultos mayores, niños menores de 8 años, grupos de escuelas públicas, estudiantes del Centro Nacional de Artes (CENAR), Estudiantes de la Escuela de Artes de la Universidad Nacional, Miembros de Asociación de artistas Plásticos de El Salvador (ADAPES), Miembros de North American Reciprocal Museums Program (NARM), Miembros de El club de lectores de El Diario de Hoy, Visitantes del Museo Forma, Estudiantes y Docentes Universidad Tecnológica, Turistas hospedados en Hotel Hilton Princess San Salvador
Tarifa: (Martes a Sábado 10:00 am a 6:00 pm)
La tarifa normal es:
Adultos $1.50
Estudiantes $0.50
Facilidades para Discapacitados:
MARTE es accesible a personas con discapacidad móvil. Dos sillas de ruedas se encuentran además en la recepción para uso de visitantes que las requieran.
qwikLoadr™ Video...
PJ Harvey | Down By the Water Live! • YouTube™
PJ Harvey & Nick Cave | Henry Lee Rocky Schenck • Vimeo™
Red Hot Chili Peppers | By the Way & Scar Tissue Live! • DailyM™
The knife and brush are in the first video, and in here too...
Blogger HiltonFan | Influences of Form: Herb Ritts…
HiltonFan-GrfxDziner.blogspot.com/2009/12/influences-of-f...
Herb Ritts [dew Wednesday] discussion...
www.flickr.com/groups/GrfxDziner/discuss/72157718836473501/
One of the Sand Sculptures during contruction this year.
There are a couple more shots in this set too...
www.flickr.com/photos/dcmemorialfoundation/sets/721576271...
Edited in Picnik/PicMonkey, using rotation and color tweaks.
see first comment for an outlined version of a new sculpture too
see the knife and brush???
www.flickr.com/photos/grfxdzinertutorials/14720637704
Tenuous Link: knife as prop > propped knife
.
.
This is a photograph of the 34th Airtricity sponsored Dublin City Marathon which was held in Dublin, Ireland on Bank Holiday Monday 28th October 2013 at 09:00. There was dry but very blustery conditions for the runners over the famous Dublin Marathon course which seen over 14,000 people participating in the event making it a record participation at the event. Please see the extensive set of links below for more details about the race itself.
This is part of a larger set of photographs available on our Flickr photostream which is available here [http://www.flickr.com/photos/peterm7/sets/72157637013735556/].
Photographs were taken at the start of all three waves, near the finish line from the winner to 2:43 finish time, and then some photographs at the 25.5 mile mark of approximately 3:40 finish time participants.
Athlete Tracking and Timing are provided by www.tdl.ltd.uk/race-results.php
These are completely unofficial photographs of the event: Please see the official website dublinmarathon.ie/ for details of the official authorised distributor of race-day photographs. Our photographs are taken on a completely non-commercial basis and are not for sale.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Some Useful Links Associated with this Race Event
The Dublin Marathon Official Web Homepage: dublinmarathon.ie/
The Dublin Marathon Official Facebook Page: www.facebook.com/dublinmarathon?fref=ts (Requires Facebook Logon)
The Dublin Marathon Official Twitter Feed: twitter.com/dublinmarathon
Boards.ie Athletics Forum Discussion Pages on the Dublin Marathon 2013: www.boards.ie/vbulletin/showthread.php?t=2056896382
Racepix.com where you are likely to find links to many different photographers' photographs from Dublin Marathon 2013: www.racepix.com/Dublin-Marathon-2013/pictures/1024/
A PDF Document containing the Dublin Marathon 2013 Route: dublinmarathon.ie/s/AT-DM13-ROUTE-MAP.pdf
An unofficial GPS Garmin Trace of the Route from 2012 (same for 2013) connect.garmin.com/activity/243433212
For runners based in the Province of Munster the well known running blog munsterrunning.blogspot.ie/ might have some links to pictures and videos from 2013
William Murphy's Dublin Marathon 2012 Photographs on Flickr: www.flickr.com/photos/infomatique/sets/72157631881471894/
William Murphy's Flickr Sets: www.flickr.com/photos/infomatique/sets/
Pixels Promotions on Facebook have an extensive set of Dublin Marathon 2013 Photographs: www.facebook.com/Pixelspromotions?fref=ts
Action Photography will have photographs available from the Dublin Marathon 2013: www.actionphotography.ie/
Boards.ie Athletics Forum - Dublin Marathon Novices Thread 2013: www.boards.ie/vbulletin/showthread.php?t=2056913937
Dublin Marathon 2013 Race Results will Appear Here: www.tdl.ltd.uk/race-results.php
Our Flickr Set from the Dublin City Marathon 2012: www.flickr.com/photos/peterm7/sets/72157631880879021/
Our Flickr Set from the Dublin City Marathon 2011: www.flickr.com/photos/peterm7/sets/72157628021593264/
Our Flickr Set from the Dublin City Marathon 2010: www.flickr.com/photos/peterm7/sets/72157625240675108/
Our Flickr Set from the Dublin City Marathon 2009: www.flickr.com/photos/peterm7/sets/72157622543521201/
Our Flickr Set from the Dublin City Marathon 2008: www.flickr.com/photos/peterm7/sets/72157608459477451/
Our Flickr Set from the Dublin City Marathon 2007: www.flickr.com/photos/peterm7/sets/72157602802514024/
Please note: These links are provided for information purposes. Some of these links might become obselete or dead links as time passess. We cannot be responsible for the content on these external websites. All websites were checked before posting here to ensure that they 'did what they said on the tin'.
Can I use these photographs directly from Flickr on my social media account?
Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.
How can I get full resolution copies of these photographs?
To prevent missue of these photographs there is a watermark embedded into the images. All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution without the watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Photographs in this collection have been produced by Heather Do and Kathleen Markham at the request of UC Berkeley Anthropology 136k class, for the purposes of exploring the cultural heritage sites of surrounding Cafe Vesuvio and City Lights Bookstore to embed the rich cultural heritage in the region. This collection documents the walking path from Vesuvio Cafe in the North Beach area, with the intent to gain more of a spacial understanding of different heritage sites located in San Francisco. This collection contains photos taken of the Bay Bridge in San Francisco from the corner of Taylor St and Vallejo St (37.79822°N 122.41334°W),and of Alcatraz Island from the corner of Green St and Jones St in North Beach (37.79870°N 122.41558°W),
Photographs in this
collection were captured on Monday April 11, 2011,
between 7:00 AM and 11:00 AM
Pacific Time, under cloudy and overcast
conditions. Photos were
captured with a Canon XSI (CAM23). Lenses used were a 18-55mm and a 70-200mm telephoto A tripod was used for pictures from Alcatraz and Bay Bridge; Otherwise the stabilizer was off and auto focus was left on. The photos were developed in Adobe
Photoshop Lightroom 3.
Description written by Kenneth
Chiu and Kathleen Salmond, follows Alonso C. Addison’s
proposed virtual heritage
metadata format in his chapter "The Vanishing
Virtual" in New
Heritage: New Media and Cultural Heritage, edited by
Kalay, et al., and
published by Routledge in 2007.
The region now modernly
known as North Beach was once infamous as the Barbary Coast District renown for
prominence in prostitution and gambling which emerged from the destitute
society of those bankrupt by the gold rush. Once an actual beach, it was later,
the area developed into a residential and commercial region by the end of the
19th century, but the remnant influence of the aberrant society. During
the 1906 San Francisco earthquake, the region was rebuilt largely through the
use of immigrant labor consisting primarily of Italian and Chinese society; in
fact during the great fires, many Italians were credited for helping to contain
the fire by drenching their houses in red wine[1] . The region was known for the large number of immigrants and became the precursors to the Italian district and Chinatown. Vesuvio and City Lights Bookstore is embedded in this region in a semi liminal region between the two communities which emerged as a consequence of the development of this region; in fact it lies adjacent to Broadway St. infamous for the clubs consisting of nudity and inebriety. Although, our sites of interest came in the mid 1900’s the region largely represented a lack of affluence, prompting the collaboration among many society to be largely accepting of the diversity in which this community is composed. No wonder the Beatnik culture which emerged in the 1950’s in North Beach became largely accepted and although the movement was ephemeral, the society and notions of the past are largely preserved.
All photos Copyright ©2011
Center for Digital Archaeology, Berkeley CA
Creative Commons creativecommons.org/licenses/by-nc/3.0/
For more information contact Center for Digital Archaeology, Berkeley, CA,
94720 or visit www.codifi.info/licensing
For more facts and information about Alcatraz, please visit
Happy Anniversary and Happy New Year! We decided to walk around on our first day, exploring as much as we can of what we missed the last time. But our old haunts were difficult to ignore and photograph.
Since we arrived at the end of the holiday season, we still managed to see the Christmas decorations. As usual, they were beautiful!
REVISIONES
Encuentros con el Arte Salvadoreño
Curador: Jorge Palomo
18 de mayo de 2007 al 11 de noviembre de 2011
Consulte el catálogo de la exhibición, acá
La intención de esta exhibición es dar al público una visión amplia y representativa del arte nacional. Su amplitud se refleja en el número de obras y artistas reunidos, y en la inclusión e interacción de diversas ramas de la plástica como son la pintura, la escultura, el dibujo, el grabado y la fotografía. Su representatividad se evidencia en la presentación de obras desde mediados del siglo XIX hasta la época contemporánea. Otro de los deseos de esta exposición es insertar el arte salvadoreño dentro de los discursos del arte universal, analizando como éste ha sido interpretado en el contexto local.
La exhibición contempla el análisis multidisciplinario de las obras seleccionadas, ampliando la significación de la producción artística en términos históricos, estilísticos, políticos, temáticos y psicológicos. reVISIONES comprende 138 obras, presentadas en 4 núcleos, denominados Los Trazos de las Identidades, Lenguajes del Paisaje, De la Superficie a lo Sublime y Bajo los Signos de Alicia: Los Territorios del Sueño.
El núcleo Los Trazos de las Identidades está compuesto en orden histórico, manteniendo relaciones temáticas y estilísticas a lo largo del recorrido para contar la historia de nuestra gente y del país reflejada en el arte. El núcleo Lenguajes del Paisaje ha sido organizado resaltando los grandes movimientos del arte universal que han impactado el arte nacional, a través del paisaje, el cual ha sido el tema preferido por la mayoría de nuestros artistas. En el tercer núcleo, De la Superficie a lo Sublime, se muestra el arte abstracto producido durante los últimos 60 años, interpretando las influencias cubistas y futuristas de la primera mitad del siglo XX y las influencias informalistas y expresionistas abstractas de la segunda mitad del siglo XX. El cuarto núcleo, Bajo los Signos de Alicia: Los Territorios del Sueño, reúne obras surrealistas con contenidos de imaginación, magia y profundidad psicológica para romper con la lógica dominante en el mundo.
MARTE Museo de Arte de El Salvador
Colonia San Benito Final Avenida. La Revolución San Salvador, El Salvador Centroamérica
Tel.: (503) 2243-6099 Fax: (503) 2243-1726 info@marte.org.sv
Horario
Martes a Domingo: 10:00 a.m a 6:00 p.m.
Lunes (Cerrado)
Todos los domingos la entrada al MARTE es GRATIS.
De martes a sábado entran GRATIS: Adultos mayores, niños menores de 8 años, grupos de escuelas públicas, estudiantes del Centro Nacional de Artes (CENAR), Estudiantes de la Escuela de Artes de la Universidad Nacional, Miembros de Asociación de artistas Plásticos de El Salvador (ADAPES), Miembros de North American Reciprocal Museums Program (NARM), Miembros de El club de lectores de El Diario de Hoy, Visitantes del Museo Forma, Estudiantes y Docentes Universidad Tecnológica, Turistas hospedados en Hotel Hilton Princess San Salvador
Tarifa:
(Martes a Sábado 10:00 am a 6:00 pm)
La tarifa normal es:
Adultos $1.50
Estudiantes $0.50
Facilidades para Discapacitados:
MARTE es accesible a personas con discapacidad móvil. Dos sillas de ruedas se encuentran además en la recepción para uso de visitantes que las requieran.
Chip embedding, using the substrate as a package, Integration technologies for flexible systems, Holst Centre /TNO