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Gwynn ap Nudd

 

My room is a network of living roots, white as bones,

flint nodules embedded in the tracery. My dogs

loll about waiting, their tongues adrip with slobber.

They are the same as other dogs: my lips only need

to form the letter “w”, and they are throwing

themselves bodily against the oaken door with its

iron rivets, clamouring to get out. This twelve-inch

bolt is my Yale Lock. I draw it back, and they become

a white avalanche, their red ears throbbing, their tails

felling whole trees with mere enthusiasm. Along

the way, we pick up some of the major deities like

flotsam; I have known the Morrigan to come along

just for the feel of wind in her pinions, and take out

a few civilians. Medb is always up for it, destroying

cities. There are hawks among our Gabble Ratchets

whose mere gaze could melt the flesh of thousands.

 

It’s my job to rein it in – keep it to the ancient way –

prevent it from destroying everything. In this, I have

more practice than your modern politicians. We only

sweep up some of the lovelorn, hapless wanderers on

our trail. They whirl among us, willing conscripts. I hail

my dogs, flash onwards, forget the airs and graces.

 

You think you’d do it better? Try trading places.

 

Poem by Giles Watson, 2013. In mediaeval Welsh mythology, Gwyn ap Nudd is king of the Underworld, comparable with Arawn, King of Annwn, in the first branch of the Mabiniogion. He leads the Wild Hunt, which often flies just above the ground down ancient ways: a cavalcade of supernatural dogs, fairies and hapless folk who are swept up as followers. The hounds of Arawn were white with red ears: sure signs that they were otherworldly creatures.

 

José is seeing me while his body is embed in the wall. He seems happy ;-)

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An iceberg embedded in sea ice seen from the NASA DC-8 on Oct. 16, 2012. Note areas of compressed "blue ice." Credit: NASA / James Yungel

 

NASA's Operation IceBridge is an airborne science mission to study Earth's polar ice. For more information about IceBridge, visit: www.nasa.gov/icebridge

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Just at the side of an ancient Roman road stood the buildings, uninteresting brick warehouses, empty and left behind. We went to have a look. It didn't really look that interesting but it would be rude not to check it out.

 

It's always worth having a look inside these places, so taking the most difficult access available, we popped in to see what was there. It was recently abandoned and full of nothing. Service bays were empty, the only reminder of the lorries and tankers that were repaired and fixed here was te perpetual, lingering smell of engine oil. And gear oil.

But not cooking oil. Luckily I was able to remove any unseemly deposits from my hands with this. Nobody needs unwanted fluids on their hands when exploring.

The stores were empty. No longer were moustachoied men wearing overalls reaching for air intake valves or steering gaiters among these shelves. Thank God.

And then suddenly we saw a talking white rabbit. We followed it and fell down a very deep rabbit hole and into a room with crazy sloping ceilings and a very small doors. Drinking a potion, we found ourselves shrinking.

We marched in through the door into a ransacked office, or store room or something.

It was then time to leave. I thought a bit about the building. This was just north of an old colliery, and the beginning of the lost railway that took the coal trucks away from the mine. A few bridges and cuttings remain of the colliery line. This must have been the start of the line. In the floors were embedded rail tracks. I looked on old maps but could not find what this building would have been before it did lorry repairs. In the floor was this great turntable. It would not turn as it was seized.

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cubismo sintetico y el collage CONFIGURACION POETICA

 

Oscar Soles (1946)

Configuración poética, 2006

  

REVISIONES

Encuentros con el Arte Salvadoreño

 

Curador: Jorge Palomo

18 de mayo de 2007 al 11 de noviembre de 2011

Consulte el catálogo de la exhibición, acá

 

La intención de esta exhibición es dar al público una visión amplia y representativa del arte nacional. Su amplitud se refleja en el número de obras y artistas reunidos, y en la inclusión e interacción de diversas ramas de la plástica como son la pintura, la escultura, el dibujo, el grabado y la fotografía. Su representatividad se evidencia en la presentación de obras desde mediados del siglo XIX hasta la época contemporánea. Otro de los deseos de esta exposición es insertar el arte salvadoreño dentro de los discursos del arte universal, analizando como éste ha sido interpretado en el contexto local.

 

La exhibición contempla el análisis multidisciplinario de las obras seleccionadas, ampliando la significación de la producción artística en términos históricos, estilísticos, políticos, temáticos y psicológicos. reVISIONES comprende 138 obras, presentadas en 4 núcleos, denominados Los Trazos de las Identidades, Lenguajes del Paisaje, De la Superficie a lo Sublime y Bajo los Signos de Alicia: Los Territorios del Sueño.

 

El núcleo Los Trazos de las Identidades está compuesto en orden histórico, manteniendo relaciones temáticas y estilísticas a lo largo del recorrido para contar la historia de nuestra gente y del país reflejada en el arte. El núcleo Lenguajes del Paisaje ha sido organizado resaltando los grandes movimientos del arte universal que han impactado el arte nacional, a través del paisaje, el cual ha sido el tema preferido por la mayoría de nuestros artistas. En el tercer núcleo, De la Superficie a lo Sublime, se muestra el arte abstracto producido durante los últimos 60 años, interpretando las influencias cubistas y futuristas de la primera mitad del siglo XX y las influencias informalistas y expresionistas abstractas de la segunda mitad del siglo XX. El cuarto núcleo, Bajo los Signos de Alicia: Los Territorios del Sueño, reúne obras surrealistas con contenidos de imaginación, magia y profundidad psicológica para romper con la lógica dominante en el mundo.

  

MARTE Museo de Arte de El Salvador

 

Colonia San Benito Final Avenida. La Revolución San Salvador, El Salvador Centroamérica

Tel.: (503) 2243-6099 Fax: (503) 2243-1726 info@marte.org.sv

www.marte.org.sv

 

Horario

 

Martes a Domingo: 10:00 a.m a 6:00 p.m.

Lunes (Cerrado)

 

Todos los domingos la entrada al MARTE es GRATIS.

 

De martes a sábado entran GRATIS: Adultos mayores, niños menores de 8 años, grupos de escuelas públicas, estudiantes del Centro Nacional de Artes (CENAR), Estudiantes de la Escuela de Artes de la Universidad Nacional, Miembros de Asociación de artistas Plásticos de El Salvador (ADAPES), Miembros de North American Reciprocal Museums Program (NARM), Miembros de El club de lectores de El Diario de Hoy, Visitantes del Museo Forma, Estudiantes y Docentes Universidad Tecnológica, Turistas hospedados en Hotel Hilton Princess San Salvador

 

Tarifa:

(Martes a Sábado 10:00 am a 6:00 pm)

La tarifa normal es:

Adultos $1.50

Estudiantes $0.50

 

Facilidades para Discapacitados:

 

MARTE es accesible a personas con discapacidad móvil. Dos sillas de ruedas se encuentran además en la recepción para uso de visitantes que las requieran.

  

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The Great Limerick Run 2013 (Marathon, Half Marathon, Relay, and 6 Mile) races were held in Limerick City, Ireland on Sunday 4th of May 2013 starting at 09:00. This was a very large mass participation event which is now firmly established on the Irish running calendar. These are a set of a photographs from: the start of the marathon, the mile 2 mark of the mark, the half way point of the marathon (to about a 3:40 finishing time), a selection from mile 20 of the marathon. In this set there is a selection of photographs from the 6 mile race. These sets of photographs will not include every competitor. The official results are available here [www.tdl.ltd.uk/] and the official race website is available at [www.greatlimerickrun.com/]

 

How can I get a full resolution copy of these photographs?

 

All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, Google Orkut etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also means the use of these images for Facebook profile pictures. In these cases please make a wall post with a link to our Flickr page. If you do not know how this should be done for Facebook or other media please email us and we will be happy to help suggest how to link to us.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.

 

I ran the race - but my photograph doesn't appear here in your Flickr set!

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

    You were hidden behind another participant as you passed our camera

    Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

    There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

    We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

If you want to contribute something for these images?

We do not charge for these images. We take these photographs as our contribution to the running community in Ireland. If you feel that the image(s) you request are good enough that you would ordinarily pay for their purchase we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible.

 

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