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One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
This was an HP supercell embedded in a line of storms late evening on May 28 in northwest Texas. The structure was more pronounced in the leadup to this shot (as we were moving toward it in low light), but some of the striated characteristics are still visible here. The storm was pretty outflow dominant but showed a period of spiked rotation near sunset -- deep in the rain core and not something we wanted to venture into.
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Edited in PicMonkey Graphic Novel & Photo Corners w/caption.
It was a day to recover from yesterday's excesses. After driving the boys to the airport, the weather got worse and worse, but I managed to get out for a walk for an hour. I saw this piece of crockery embedded in the roots of a blown down tree. I don't know how it got there and there was only one other piece (also embedded) nearby. Made me wonder what the story was here.
365/40
Part of the new Drift Park on Rhyl Promenade, this art feature has lots of submitted photos & postcards of past seaside holidays at Rhyl embedded as ceramic tiles into the concrete wall. The outer wall also features reliefs of seaside scenes, with the odd element picked out in bronze.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
Olympus OM-D E-M5 with Panasonic Lumix 20mm F1.7 II ASPH
The Fuji Neopan 1600 film emulation in VSCO Film 02 is really nice. I normally don't care much for B&W photos, but sometimes the color isn't what you're looking for.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
Weird New Port Authority LED Billboard AD Display on the corner of 42nd Street and 8th Avenue built by A2aMedia - Mediamesh - woven steel mesh embedded with LED lights advertising - 170 foot screen with movie light poster for the film Super 8 - seen during the day 06/15/2011 NYC Bus terminal New York City Architecture art
This is my first posted photo employing the use of my 580EX. I have recently fount it to be exceptionally useful as a fill flash for macro shots.
The Canon 100mm macro lense has a USM motor, which means when it's used on the 20D, it can return distance information (for use with the flash). Sometimes I wonder if that flash isn't smarter than the camera and I combined...it's almost hard to take a bad picture with it.
See photoblog for wallpaper.
This is why I carry my camera in the car! I happened to see this horse in the Winn Dixie parking lot as I was leaving, after doing my grocery shopping. I think he is going to be in Daphne's Mardi Gras parade tonight.
See how he holds his left rear foot? I hope there's nothing wrong with it. He stayed like that for several minutes.
Several people have assured me that he is just resting; there is nothing wrong! :-)
A short video on the Clydesdales: www.youtube.com/embed/PU92XeqhRSA
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.