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Embedded in ice.
For FGR and Gashlycrumb Tinies.
I really need to stop being so lazy and start bringing my tripod to work... I'm getting bored with my daily arm's-length selfies :)
Texture by jyryk58.
Edit: Replaced with a version with slightly more realistic colours.
Today's HA blog post had a great technique by Jennifer... using white ink on a silhouette stamp on Kraft card. I thought I'd give it a go.... but don't have a good white ink... I only have a dew drop pad of Brilliance and it didn't cover very well... but I decided to go ahead and colour the bluebells then decided to try and embedded emboss on it. Okay.... but not one of my best!
A tree embedded in the limestone looked like a delicate fine art. Despite of the big sun, i stood in front of it for a long time to appreciate it.
qwikLoadrâ„¢ Videos...
Mazzy Star | Fade into You Live! • YouTube™
Metallica | Enter Sandman Official! • YouTube™
Blogger HiltonFan | Venus Neds a HeatSink...
HiltonFan-GrfxDziner.blogspot.com/2016/09/venus-needs-hea...
Blogger GrfxDziner| the Kennedy Compound...
GrfxDziner.blogspot.com/2016/08/the-kennedy-compound.html
Selene Leader in the Mystic, morning October 18, 2016...
www.marinetraffic.com/ir/ais/details/ships/431224000
Selene | Goddess of the Moon...
Yesterday had full moon shots Off the Tobin, really, in comment.
Collage in Fotor, color tweaks PSE, drop shadow PicMonkey.
running pfsense... torrents are now rock solid! thank you QoS, packet filtering and bandwidth shaping!
Watch movie on: www.youtube.com/watch?feature=player_embedded&v=2KGKH...
VIDEO MAPPING SHOW , WARSAW, POLAND
VIENNA IN WARSAW / WIEDEŃ W WARSZAWIE, POLSKA
Location: (PAN) Państwowa Akademia Nauk, Pałac Staszica ul.Nowy Świat / Krakowskie Przedmieście - Warszawa.
WIEDEŃ - TERAZ ALBO NIGDY
VIENNA - NOW OR NEVER NIGHT
MOTION DESIGN / EDITING / DIRECTING / IDEA - www.loomo.pl - LOOMO STUDIO DESIGN
Animation / Motion Design / Directing / Idea:
Pawel Piotr Przybyl (http://www.siedemzero.com)
Maciej Cecotka (http://www.havanagraphic.pl)
Some 3D Effects / Animation:
Mikolaj Molenda
Music:
Rajmound Ciupka / EGOR FLO
Johan Straus (Odgłosy Wiosny) / Vallse de Ballet
Sam Fonteyn "Hollywood Saga" Burton Music Ltd.
Production:
Agata Przybył
Supervisor:
Jarosław Skrzyński
Special Thanks to:
VIENNA capital of AUSTRIA
VIENNA TOURIST BOARD
date: 2011.04.28
More on www.loomo.pl
This is a photograph from the Longford Ultra Full and Half Marathon Co Longford, Ireland on Sunday August 25th 2013 at 10:00. The race was organised by Liam Fenlon from Longford Ac.
All credit must go to The team for the staging of a very professionally organised road races. very good marshalling, accurate course measurement, and refreshments afterwards.
This photograph is part of a set of photographs from the 2013 race which are viewable in a set at [http://www.flickr.com/photos/peterm7/sets/72157635228041880/]
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
Copyright © John G. Lidstone, all rights reserved.
I hope you enjoy my work and thanks for viewing.
NO use of this image is allowed without my express prior permission and subject to compensation/payment.
I do not want my images linked in Facebook groups.
It is an offence, under law, if you remove my copyright marking, and/or post this image anywhere else without my express written permission.
If you do, and I find out, you will be reported for copyright infringement action to the host platform and/or group applicable and you will be barred by me from social media platforms I use.
The same applies to all of my images.
My ownership & copyright is also embedded in the image metadata.
This is an image of the VIA Nano E-Series, a full featured low power 64-bit processor designed for embedded markets.
Security Contributor William Parker and Correspondent Alfred Lennard were embedded with Unit 302 of the Coalition's Counter-Terrorism Division. The crew accompanied the unit on a patrol in the Orgal Region, just north of Awdak.
While the VBC crew was filming, a soldier spotted a group of militants advancing across the field and opened fire, triggering a heavy firefight between Unit 302 and the insurgents. The crew took cover behind a nearby embankment as gunfire echoed across the plains.
With no certainty about when—or if—the militants might return, it was time for the VBC team to withdraw. They moved quickly but cautiously, scanning the road for improvised explosive devices (IEDs) that may have been planted to target their exit.
To be continued…
Note: This story, including all names, characters, and incidents, is entirely fictitious
The picture above is that of embed plates before they are sent to the galvanizers. Piping Technology & Products, Inc. can meet most any fabrication requirement required in any industry, i.e. refineries, chemical plants, power plants, etc.
Embedded in all of us is the ability to recognise and read the human figure from scant visual information. In this work Burke has sought to depict a collective human presence with a series of defined spaces. Sixteen partial body moulds have been arranged as if coming together with the tightest concentration of figures in the middle of the group
The material and forms draw on the artist's early involvement with engineering practice, and an appreciation of the aesthetic properties of functional engineering construction. The cast forms have been designed to be industrially produced and repeated to reflect the use of industrial production methods , and are bolted together using the convention for the joining of castings. Each figure is suggested by three out of the possible four assembled mould sections of a body cast, allowing the viewer visual entry and an opportunity to perceive it from the outside in, as if casting ones own body.
Assembly acknowledges that there is a tension between the reading of an image of the human form and the affect that the physicality of materials and process have on that understanding. The work was conceived as an assembly of persons, of parts, and spaces, which can finally be assembled by the viewer.