View allAll Photos Tagged dramaticlighting
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Summer's End: Woven Armor: Modern mythology meets high fashion. Gold sequin cascades catch the light against minimalist backdrops, framing a portrait defined by resilience and shimmer. The focus is on material contrast and sheer presence.
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The PopSpot Ultra 50 3 Light Kit is a great tool for lighting creative portraits like this! We slid a red and blue colored gel into two of the PopSpots' built in gel holders and used the third light in the kit as a hair light. PopSpot LED Fresnel-style lights give you the power to add light exactly where you want it in a scene.
Click here to learn more about the PopSpot Ultra 3 Light Kit: fotodioxpro.com/products/popspot-ultra50b-3xkit
#220-12
Title: "Rough Around the Edges"
Artist: Camille Engel
Medium: Oil on panel
Size: 18 x 24 inches
Copyright (C) reserved
Description: An artichoke slightly past it's prime on a cloth draped over a wooden edge.
I love to find beauty in the "unlovely"... there is so much color that begins to happen when nature ages items... like the patina in rusty buckets and this colorful artichoke.
Gamlehaugen glows as a shaft of light helps it stand out from the dramatic background.
Gamlehaugen is a mansion in Bergen, Norway, and the residence of the Norwegian Royal Family in the city. Gamlehaugen has a history that goes as far back as the Middle Ages, and the list of previous owners includes many of the wealthiest men in Bergen.
John & Tina Reid | Travel Portfolio | Photography Blog | Travel Flickr Group
Copyright SimplyBloom Photography. Entry for FLARE competition - www.flarecompetition.com.
www.simplybloomphotography.com
Description: Image title: Soft Shimmer
focal length: 90mm.
Shot with a canon 70-200mm f/2.8
ISO: 500
Color enhancement and sharpening in Photoshop cs2.
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
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lighting info b1600 with 5ft octabox from the right powered by vegabond mini triggered with pixel kings
www.bradwedgewoodphotography.com
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Dramatically lit Wood statue at the entrance of the Notre-Dame Basilica of Montreal reminded me of Leonard Cohen...
Week 37 (Sept. 20-26, '09)
As I was lumbering around this morning I saw the light coming in the window - "Sheba, sit.." so she did, the first shots didn't light her eyes up, then she turned just so, and this shot came to be. It's different than my usual stuff, there's something serious about it. I like it because it stands out to me. Kind of feels like Sheba's imprisoned and this is her view of the outside..
In reality however, I had just had her outside letting her play herd the bunnies. A gentle form of exercise and mind stimulation :)
Model: Kathrine
Photo: Thomas Ohlsson Photography
www.thomasohlsson.com | 500px | Facebook | Flickr | Instagram
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
Organization: Creative Light Photography
As a hot day turned to evening the birds did their happy-dance.
This was the beginning of a sunset that would see the cloud
filled sky afterglow, light-up red like a Christmas tree ~ grackles
Spring 2015 ~ South Florida ~ Florida Everglades U.S.A.
(four more photos of this night in the comments)
Self Portrait in the DC Fire Hockey team's blue "DCFD" uniform. Sept. 2013
Nikon D800
Nikon 50mm 1.8
ISO 100
1/125
f13
1 Einstein 640 into a large PLM camera right
1 Einstein 640 w/ 7" reflector and red gel at background -1 EV
Post processing in Capture 1 Pro 7
Another from the studio session with Katie.
Strobist:
Elinchrom BX500 Ri above model in 70" octabox. Full power.
20 degree gridded Einstein camera right and behind model for backlight/rimlight. Approximately 250 WS.
Speed light camera left behind model at 1/4 power at 50mm for additional backlight/rimlight.
Slow shutter speed to let in enough ambient to show movement.
Organization: Tim Engle
Photography and Editing: Dirk Dreyer.
Hi-Res pictures and prints available at galleries.dreyerpictures.com
Some the mistakes from your shoots are the best ones. Funny how that is. I hadn't done much Strobist stuff lately so I thought I'd take some self portraits. I grabbed some props, set up the lights and started shooting.
Strobist Info/Explanation of the mistake: I was using a three light set up, 3 Nikon SB-28's. One to either side of me for left and right rim light and one front and just a hair to camera right. The side lights were both bare and blue gelled and the main light was using a shoot through umbrella. Turns out the key light wasn't firing for several shots and I didn't know until reviewing the images. And viola, that's where this image was produced.
Image was run through Lightroom but other than some minor color work, and kicking up the blacks and contrast, it wasn't changed too much from right out of the camera.
I will be writing up a blog post about this shoot with more of an explanation of setup and flash power, placement, etc. in the near future (plus more images from the shoot).
Website, www.TravisLawton.com.
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My alter (blog) ego, The Lawtographer.
The setting sun breaks through the clouds to spotlight an Icelandic farm just outside of Akureyri, Iceland's second largest city.
Read our travel report/guide to Iceland here
John & Tina Reid | Travel Portfolio | Photography Blog | Travel Flickr Group
Brad Wedgewood Photography
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lighting info b1600 with 5ft octabox from the right powered by vegabond mini triggered with pixel kings
www.bradwedgewoodphotography.com
www.facebook.com/bradwedgewoodphotography
www.pinterest.com/bradwedgewoodph/
Photography and Editing: Dirk Dreyer. Hi-Res pictures and prints available at galleries.dreyerpictures.com
I had rented Studio 1720 for a portrait session, lights prepped and camera ready — but my client didn’t show. So, I became my own subject.
Shot with my Sony A7R V and 50mm f/2.5 G, this image captures a spontaneous self-portrait that turned into a creative experiment. The lighting setup was originally designed for a professional headshot, but what emerged instead was an introspective portrait about patience, solitude, and the art of showing up — even when no one else does.
This is inside Bristol Cathedral, Taken on a photography weekend with my friend Leo Smith.
The cathedral was only a few mins walk from the hotel. We we only had an hour at this location, and were delighted on entering the cathedral to find the morning sun bursting though the windows into the dusty air. It realy did look as dramatic as this in real life too!
Model: Lorna Lynne
MM#: 4402245
Lingerie & Implied Shoot
Studio Chez-Moi
Photographer/Editor: Pedro Marenco
11 Days to wander the northern part of Norway on my own with only my camera and a rental car to keep my company. It was a magnificent road trip that took me to the tip of Lofoten, into the winding fjords of Senja, and through the surrounding fjords. The weather was challenging most days, but also delivered incredible natural light.
I photographed this last Saturday. It is a fence which starts along the road and stops under water. In the barbwire there were all kinds of deteriorated things hanging in the wind, this is all filtered out of the water. The fence itself, it's rusty and old it is absolutely in decay.
Not just a beautiful woman, she stands in the field not as a symbol, but as a reminder— of the families who rise before dawn, who coax life from soil and weather, who feed cities from landscapes often overlooked.
This image honours the quiet endurance of farming communities,
whose labour sustains nations, whose stories rarely make headlines, but whose presence is felt in every meal, every season, every storm weathered.”