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Svema 200, my favorite B/W film has a very strong but thin base. It is so thin it can be a challenge to load on a developing reel. Thinking a wider flange, like the one pictured on the bottom would make life a lot easier since getting it started is the hardest part. It did seem to load easier but I was having unusual problems of large areas not developing. hummmmm. So I loaded a strip in daylight and found the film was loading in the same spiral right behind itself. No more Arista reels for Svema.
The top reel is my good old faithful Paterson, I have many of these. AP, Coast and many other brands make reels very close to this design, although I have used some that do not have plastic as smooth and slick as Paterson. I really stick to the Paterson brand on these. Some consider this to be a standard reel and offer the wide flange as a premium reel.
The middle reel is a Vivitar branded reel, I don't know who really made it but I have only seen it with the Vivitar name. It works well for any film including Svema. I would love a few more of these, they are a little easier to teach newbies how to load a reel.
The bottom is the Arista Premium wide flange reel, I have seen it made under Samigon, AP, and Omega names, often referred to as a premium reel. Sorry but I need a reel to work with any film I load on it so out it went.
The short pieces of film in reels are simply there to make the loading flanges easier to see although nano_burger's comment below about film chimping is hilarious.
Zenit 11 (USSR, 1982 early model), Helios 44-4 MF 58mm, Kentmere 100, developed at home in D76 1:1, Epson V600 scan.
Developed with Knoxville Locomotive Works, 7100 is the first hybrid coming with a 700hp battery unit that increases power to 3200hp with better fuel economy. Not sure if it is here in Kitchener to stay or just passing thru.
Some background:
The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. Its production was preceded by an aerodynamic proving version of its airframe, the VF-X. Unlike all later VF vehicles, the VF-X was strictly a jet aircraft, built to demonstrate that a jet fighter with the features necessary to convert to Battroid mode was aerodynamically feasible. After the VF-X's testing was finished, an advanced concept atmospheric-only prototype, the VF-0 Phoenix, was flight-tested from 2005 to 2007 and briefly served as an active-duty fighter from 2007 to the VF-1's rollout in late 2008, while the bugs were being worked out of the full-up VF-1 prototype (VF-X-1).
The space-capable VF-1's combat debut was on February 7, 2009, during the Battle of South Ataria Island - the first battle of Space War I - and remained the mainstay fighter of the U.N. Spacy for the entire conflict. Introduced in 2008, the VF-1 would be out of frontline service just five years later, though.
The VF-1 proved to be an extremely capable craft, successfully combating a variety of Zentraedi mecha even in most sorties which saw UN Spacy forces significantly outnumbered. The versatility of the Valkyrie design enabled the variable fighter to act as both large-scale infantry and as air/space superiority fighter. The signature skills of U.N. Spacy ace pilot Maximilian Jenius exemplified the effectiveness of the variable systems as he near-constantly transformed the Valkyrie in battle to seize advantages of each mode as combat conditions changed from moment to moment.
The basic VF-1 was deployed in four sub-variants (designated A, D, J, and S) and its success was increased by continued development of various enhancements including the GBP-1S "Armored" Valkyrie, FAST Pack "Super" Valkyrie and the additional RÖ-X2 heavy cannon pack weapon system for the VF-1S for additional firepower. The FAST Pack system was designed to enhance the VF-1 Valkyrie variable fighter, and the initial V1.0 came in the form of conformal pallets that could be attached to the fighter’s leg flanks for additional fuel – primarily for Long Range Interdiction tasks in atmospheric environment. Later FAST Packs were designed for space operations.
After the end of Space War I, the VF-1 continued to be manufactured both in the Sol system and throughout the UNG space colonies. Although the VF-1 would be replaced in 2020 as the primary Variable Fighter of the U.N. Spacy by the more capable, but also much bigger, VF-4 Lightning III, a long service record and continued production after the war proved the lasting worth of the design.
The versatile aircraft underwent constant upgrade programs. For instance, about a third of all VF-1 Valkyries were upgraded with Infrared Search and Track (IRST) systems from 2016 onwards, placed in a streamlined fairing in front of the cockpit. This system allowed for long-range search and track modes, freeing the pilot from the need to give away his position with active radar emissions, and it could also be used for target illumination and guiding precision weapons.
Many Valkyries also received improved radar warning systems, with sensor arrays, depending on the systems, mounted on the wing-tips, on the fins and/or on the LERXs. Improved ECR measures were also added to some machines, typically in conformal fairings on the flanks of the legs/engine pods.
The U.N.S. Marine Corps, which evolved from the United States Marine Corps after the national service was transferred to the global U.N. Spacy command in 2008, was a late adopter of the VF-1, because the Valkyries’ as well as the Destroids’ potential for landing operations was underestimated. But especially the VF-1’s versatility and VTOL capabilities made it a perfect candidate as a replacement for the service’s AV-8B Harrier II and AH-1 Cobra fleet in the close air support (CAS) and interdiction role. The first VF-1s were taken into service in January 2010 by SVMF-49 “Vikings” at Miramar Air Base in California/USA, and other units followed soon, immediately joining the battle against the Zentraedi forces.
The UNSMC’s VF-1s were almost identical to the standard Valkyries, but they had from the start additional hardpoints for light loads like sensor pods added to their upper legs, on the lower corners of the air intake ducts. These were intended to carry FLIR, laser target designators (for respective guided smart weapons) or ECM pods, while freeing the swiveling underwing hardpoints to offensive ordnance.
Insisting on their independent heritage, the UNSMC’s Valkyries were never repainted in the U.N. Spacy’s standard tan and white livery. They either received a unique two tone low visibility gray paint scheme (the fighter units) or retained paint schemes that were typical for their former units, including some all-field green machines or VF-1s in a disruptive wraparound livery in grey, green and black.
Beyond A and J single-seaters (the UNSMC did not receive the premium S variant), a handful of VF-1D two-seaters were upgraded to the UNSMC’s specification and very effectively operated in the FAC (Forward Air Control) role, guiding both long-range artillery as well as attack aircraft against enemy positions.
The UNSMC’s VF-1s suffered heavy losses, though – for instance, SVMF-49 was completely wiped out during the so-called “Zentraedi Rain of Death” in April 2011, when the Zentraedi Imperial Grand Fleet, consisting of nearly five million warships, appeared in orbit around the Earth. Commanded by Dolza, Supreme Commander of the Zentraedi, they were ordered to incinerate the planet's surface, which they did. 70% of the Earth was utterly destroyed, according to the staff at Alaska Base. Dolza initially believed this to be total victory, until a massive energy pulse began to form on the Earth's surface. This was the Grand Cannon, a weapon of incredible destructive power that the Zentraedi were unaware of, and it disintegrated a good deal of the armada that was hanging over the Northern Hemisphere. While the Zentraedi were successful in rendering the weapon inoperable before it could fire a second time, the SDF-1 began a counterattack of its own alongside the renegade Imperial-Class Fleet and Seventh Mechanized Space Division, which destroyed the Imperial Grand Fleet. After this event, though, the UNSMC as well as other still independent services like the U.N. Navy were dissolved and the respective units integrated into the all-encompassing U.N. Spacy.
The VF-1 was without doubt the most recognizable variable fighter of Space War I and was seen as a vibrant symbol of the U.N. Spacy even into the first year of the New Era 0001 in 2013. At the end of 2015 the final rollout of the VF-1 was celebrated at a special ceremony, commemorating this most famous of variable fighters. The VF-1 Valkryie was built from 2006 to 2013 with a total production of 5,459 VF-1 variable fighters with several variants (VF-1A = 5,093, VF-1D = 85, VF-1J = 49, VF-1S = 30, VF-1G = 12, VE-1 = 122, VT-1 = 68)
However, the fighter remained active in many second line units and continued to show its worthiness years later, e. g. through Milia Jenius who would use her old VF-1 fighter in defense of the colonization fleet - 35 years after the type's service introduction!
General characteristics:
All-environment variable fighter and tactical combat Battroid,
used by U.N. Spacy, U.N. Navy, U.N. Space Air Force and U.N.S. Marine Corps
Accommodation:
Pilot only in Marty & Beck Mk-7 zero/zero ejection seat
Dimensions:
Fighter Mode:
Length 14.23 meters
Wingspan 14.78 meters (at 20° minimum sweep)
Height 3.84 meters
Battroid Mode:
Height 12.68 meters
Width 7.3 meters
Length 4.0 meters
Empty weight: 13.25 metric tons;
Standard T-O mass: 18.5 metric tons;
MTOW: 37.0 metric tons
Power Plant:
2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or 225.63 kN in overboost
4x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip)
18x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles
Performance:
Battroid Mode: maximum walking speed 160 km/h
Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87
g limit: in space +7
Thrust-to-weight ratio: empty 3.47; standard T-O 2.49; maximum T-O 1.24
Design Features:
3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system
Transformation:
Standard time from Fighter to Battroid (automated): under 5 sec.
Min. time from Fighter to Battroid (manual): 0.9 sec.
Armament:
2x Mauler RÖV-20 anti-aircraft laser cannon, firing 6,000 pulses per minute
1x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 RPG, fired at 1,200 rds/min
4x underwing hard points for a wide variety of ordnance, including…
12x AMM-1 hybrid guided multipurpose missiles (3/point), or
12x MK-82 LDGB conventional bombs (3/point), or
6x RMS-1 large anti-ship reaction missiles (2/outboard point, 1/inboard point), or
4x UUM-7 micro-missile pods (1/point) each carrying 15 x Bifors HMM-01 micro-missiles,
or a combination of above load-outs
2x auxiliary hardpoints on the legs for light loads like a FLIR sensor, laser rangefinder/
target designator or ECM pod (typically not used for offensive ordnance)
The kit and its assembly:
This fictional VF-1 was born from spontaneous inspiration and the question if the USMC could have adopted the Valkyrie within the Macross time frame and applied its rather special grey/green/black paint scheme from the Nineties that was carried by AH-1s, CH-46s and also some OV-10s.
The model is a simple, vintage ARII VF-1 in Fighter mode, in this case a VF-1D two-seater that received the cockpit section and the head unit from a VF-1J Gerwalk model to create a single seater. While the parts are interchangeable, the Gerwalk and the Fighter kit have different molds for the cockpit sections and the canopies, too. This is mostly evident through the lack of a front landing gear well under the Gerwalk's cockpit - I had to "carve" a suitable opening into the bottom of the nose, but that was not a problem.
The kit was otherwiese built OOB, with the landing gear down and (finally, after the scenic flight pictures) with an open canopy for final display among the rest of my VF-1 fleet. However, I added some non-canonical small details like small hardpoints on the upper legs and the FLIR and targeting pods on them, scratched from styrene bits.
The ordnance was changed from twelve AMM-1 missiles under the wings to something better suited for attack missions. Finding suitable material became quite a challenge, though. I eventually settled on a pair of large laser-guided smart bombs and two pairs of small air-to-ground missile clusters. The LGBs are streamlined 1:72 2.000 lb general purpose bombs, IIRC from a Hobby Boss F-5E kit, and the launch tubes were scratched from a pair of Bazooka starters from an Academy 1:72 P-51 kit. The ventral standard GU-11 pod was retained and modified to hold a scratched wire display for in-flight pictures at its rear end.
Some blade antennae were added around the hull as a standard measure to improve the simple kit’s look. The cockpit was taken OOB, I just added a pilot figure for the scenic shots and the thick canopy was later mounted on a small lift arm in open position.
Painting and markings:
Adapting the characteristic USMC three-tone paint scheme for the VF-1 was not easy; I used the symmetric pattern from the AH-1s as starting point for the fuselage and gradually evolved it onto the wings into an asymmetric free-form pattern, making sure that the areas where low-viz roundels and some vital stencils would sit on grey for good contrast and readability. The tones became authentic: USMC Field Green (FS 34095, Humbrol 105), USN Medium Grey (FS 35237, Humbrol 145) and black (using Revell 06 Tar Black, which is a very dark grey and not pure black). For some contrast the wings' leading edges were painted with a sand brown/yellow (Humbrol 94).
The landing gear became standard white (Revell 301), the cockpit interior medium grey (Revell 47) with a black ejection seat with brown cushions, and the air intakes as well as the interior of the VG wings dark grey (Revell 77). To set the camouflaged nose radome apart I gave it a slightly different shade of green. The GU-11 pod became bare metal (Revell 91). The LGBs were painted olive drab overall while the AGMs became light grey.
Roundels as well as the UNSMC and unit tags were printed at home in black on clear decal sheet. The unit markings came from an Academy OV-10. The modex came from an 1:72 Revell F8F sheet. Stencils becvame eitrher black or white to keep the low-viz look, just a few tiny color highlights bereak the camouflage up. Some of the characteristic vernier thrusters around the hull are also self-made decals.
Finally, after some typical details and position lights were added with clear paint over a silver base, the small VF-1 was sealed with a coat of matt acrylic varnish.
A spontaneous interim project - and the UMSC's three-tone paint scheme suits the VF-1 well, which might have been a very suitable aircraft for this service and its mission profiles. I am still a bit uncertain about the camouflage's effectiveness, though - yes, it's disruptive, but the color contrasts are so high that a hiding effect seems very poor, even though I find that the scheme works well over urban terrain? It's fictional, though, and even though there are canonical U.N.S. Marines VF-1s to be found in literature, none I came across so far carried this type of livery.
This beached yacht has been sat on the south bank of the River Aln since at least Easter 2023.
Taken with my Chinon CE-5 with a Pentax 50mm f1.7 lens using Ilford FP4+ and developed in 510 Pyro
Some background:
The VF-1 was developed by Stonewell/Bellcom/Shinnakasu for the U.N. Spacy by using alien Overtechnology obtained from the SDF-1 Macross alien spaceship. It was preceded into production by an aerodynamic proving version of its airframe, the VF-X. Unlike all later VF vehicles, the VF-X was strictly a jet aircraft, built to demonstrate that a jet fighter with the features necessary to convert to Battroid mode was aerodynamically feasible.
After the VF-X's testing was finished, an advanced concept atmospheric-only prototype, the VF-0 Phoenix, was flight-tested from 2005 to 2007 and briefly served as an active-duty fighter from 2007 to the VF-1's rollout in late 2008, while the bugs were being worked out of the full-up VF-1 prototype (VF-X-1).
The space-capable VF-1's combat debut was on February 7, 2009, during the Battle of South Ataria Island - the first battle of Space War I, and was the mainstay fighter of the U.N. Spacy for the entire conflict. Introduced in 2008, the VF-1 would be out of frontline service just five years later.
The VF-1 proved to be an extremely capable craft, successfully combating a variety of Zentradi mecha even in most sorties which saw UN Spacy forces significantly outnumbered. The versatility of the Valkyrie design enabled the variable fighter to act as both large-scale infantry and as air/space superiority fighter. The signature skills of U.N. Spacy ace pilot Maximilian Jenius exemplified the effectiveness of the variable systems as he near-constantly transformed the Valkyrie in battle to seize advantages of each mode as combat conditions changed from moment to moment. The basic VF-1 was deployed in four minor variants (designated A, D, J, and S) and its success was increased by continued development of various enhancements including the GBP-1S "Armored" Valkyrie and FAST Pack "Super" Valkyrie weapon systems.
After the end of Space War I, the VF-1A continued to be manufactured both in the Sol system (notably on the Lunar facility Apollo Base) and throughout the UNG space colonies. Although the VF-1 would eventually be replaced as the primary VF of the UN Spacy by the more capable, but also much bigger, VF-4 Lightning III in 2020, a long service record and continued production after the war proved the lasting worth of the design.
The VF-1 was without doubt the most recognizable variable fighter of Space War I and was seen as a vibrant symbol of the U.N. Spacy even into the first year of the New Era 0001 in 2013. At the end of 2015 the final rollout of the VF-1 was celebrated at a special ceremony, commemorating this most famous of variable fighters.
The VF-1 Valkryie was built from 2006 to 2013 with a total production of 5,459 VF-1 variable fighters with several variants (VF-1A = 5,093, VF-1D = 85, VF-1J = 49, VF-1S = 30, VF-1G = 12, VE-1 = 122, VT-1 = 68)
However, the fighter remained active in many second line units and continued to show its worthiness years later, e. g. through Milia Jenius who would use her old VF-1 fighter in defense of the colonization fleet - 35 years after the type's service introduction!
Equipment Type: all-environment variable fighter and tactical combat battroid
Government: U.N. Spacy, U.N. Navy, U.N. Space Air Force
Accommodation: pilot only in Marty & Beck Mk-7 zero/zero ejection seat
Dimensions:
Fighter Mode:
Length 14.23 meters
Wingspan 14.78 meters (fully extended)
Height 3.84 meters
Battroid Mode:
Height 12.68 meters
Width 7.3 meters
Length 4.0 meters
Empty weight: 13.25 metric tons;
Standard T-O mass: 18.5 metric tons;
MTOW: 37.0 metric tons
Power Plant:
2x Shinnakasu Heavy Industry/P&W/Roice FF-2001 thermonuclear reaction turbine engines, output 650 MW each, rated at 11,500 kg in standard or in overboost (225.63 kN x 2)
4 x Shinnakasu Heavy Industry NBS-1 high-thrust vernier thrusters (1 x counter reverse vernier thruster nozzle mounted on the side of each leg nacelle/air intake, 1 x wing thruster roll control system on each wingtip);
18 x P&W LHP04 low-thrust vernier thrusters beneath multipurpose hook/handles
Performance:
Battroid Mode: maximum walking speed 160 km/h
Fighter Mode: at 10,000 m Mach 2.71; at 30,000+ m Mach 3.87
g limit: in space +7
Thrust-to-weight ratio: empty 3.47; standard T-O 2.49; maximum T-O 1.24
Design Features: 3-mode variable transformation; variable geometry wing; vertical take-off and landing; control-configurable vehicle; single-axis thrust vectoring; three "magic hand" manipulators for maintenance use; retractable canopy shield for Battroid mode and atmospheric reentry; option of GBP-1S system, atmospheric-escape booster, or FAST Pack system
Transformation:
Standard time from Fighter to Battroid (automated): under 5 sec.
Min time from Fighter to Battroid (manual): 0.9 sec.
Armament:
1 x internal Mauler RÖV-20 anti-aircraft laser cannon, firing 6,000 pulses per minute
1 x Howard GU-11 55 mm three-barrel Gatling gun pod with 200 rds fired at 1,200 rds/min
4 x underwing hard points for a wide variety of ordnance, including
12x AMM-1 hybrid guided multipurpose missiles (3/point), or
12x MK-82 LDGB conventional bombs (3/point), or
6x RMS-1 large anti-ship reaction missiles (2/outboard point, 1/inboard point), or
4x UUM-7 micro-missile pods (1/point) each carrying 15 x Bifors HMM-01 micro-missiles, or a combination of above load-outs
Optional Armament:
Shinnakasu Heavy Industry GBP-1S ground-combat protector weapon system, or
Shinnakasu Heavy Industry FAST Pack augmentative space weapon system
The kit and its assembly:
This is one more 1:100 Bandai VF-1, IMHO a design masterpiece created by Shoji Kawamori and one of my favorite mecha designs ever, because it was created as an late 70ies style jet fighter that could transform into a robot in a secondary role, a simple, purposeful military vehicle.
I’ve built more than a dozen of these kits over the last 25 years, so I know it pretty well, especially its weaknesses. But the small Valkyries, originally manufactured by IMAI and now still on sale through Bandai (they pop up every 5 years when another Macross anniversary occurs…) are simple and easy to modify, and to me a kind of clean canvas for weird and colorful ideas. The VF-1 carries a huge creative potential.
This VF-1A was built almost OOB. I just made some minor mods, partly based on the design benchmark (see below). These include a pilot figure for the cockpit – actually a modified, HO (1:87) scale sitting soldier from Roco Minitanks; 1:100 pilot figures are hard to find, but I found that these squatted figures fill the cockpit and the relatively flat seat pretty well. A few characteristic blade antennae (four under the lower front fuselage and two behind the cockpit) were added.
Since this VF-1A was to be displayed in flight, the landing gear could be omitted and the covers mounted in closed position. The underwing ordnance was omitted and the pylons’ attachment points faired over. The handgun, hanging under the fuselage in flight mode, was replaced by a smoke generator and an associate tank - actually a drop tank from an Airfix 1:72 Saab Viggen. It also holds an adapter for a scratch-built display, which is taller and less obvious than the OOB offering.
Painting and markings:
This is where the actual work took place – and this Canadian VF-1 is a personal interpretation of a fictional custom Valkyrie profiles by CrazyCanuck, posted at macross.net in the fan art section (check
www.macross2.net/m3/forfansonly/crazycanuck/layouts-snowb... for reference).
There’s hardly a livery that does not suit the elegant VF-1, and I found the Snowbirds scheme very pleasing. I also liked the idea that the VF-1 would be used all over the world, with national adaptations like a Royal Navy(!) variant backed by official publications and source books. So, why not a Canadian Valkyrie?
For easy painting the kit was built in separate section (cockpit, fuselage with wings and butterfly tail, legs, head and the smoke generator), and the use of white AND red –together with yellow IMHO the most challenging tone to work with on models – scared me.
Due to the kit’s tininess I painted everything by brush with enamels. The basic tones are Humbrol 130 and 19, the latter turned out to be a very good representation of the Snowbirds’ deep scarlet red tone.
The cheatline all long the VF-1, literally from nose to feet, was created with decals. Most come from an 1:72 Snowbirds CL-141 Tutor sheet from Victoria productions in Canada (excellent stuff!), part of the trim had to be improvised and extended with generic blue and white decal sheet.
In contrast to the CrazyCanuck illustration, I decided to add Macross insignia instead of Canadian roundels – keeping in line with similar “nationalized” VF-1s in official source books. Some Canadian symbols like the flags on the fins, the roundels in the round depressions at the ankles and the huge Canadian flag on the starboard wing (a personal addition, the maple leaf is a decal while the rest was done with paint) were adopted, though, and they suit the Valkyrie well.
After basis painting was done I followed the engraved panel lines with a fine, very soft pencil. An experiment, because I just wanted a subtle emphasis esp. on the white surfaces, not the 2D/comic-style full black panel lines of former builds.
No other weathering was done, since this VF-1 was to look clean and bright. Finally, everything was sealed with a coat of gloss acrylic varnish, and the characteristic clear parts (visor on the head, position lights on the legs, laser muzzles, position lights) were laid out with acrylic silver and filled out with various shades of clear paint. Just small things, but they enhance the overall impression of the simple model kit a lot.
After a long time it’s a good feeling to build an VF-1 again, and creating a rather bright one was fun, even though the paint job was challenging. But patience and clever improvisation paid out: that Snowbird really stands out, the Snowbirds livery suits the VF-1 well! :-D
I'm so looking forward to these buds opening!
Introduced by the Romans and a roasted winter treat. These long-lived giants, with their prickly-husks and deeply grooved bark, give us our classic Christmas nut.
Sweet chestnut is a deciduous tree which can reach 35m when mature and live for up to 700 years!
They belong to the same family as oaks and beeches. The bark is grey-purple and smooth, and develops vertical fissures with age.
The twigs are purple-brown and buds are plum, red-brown and oval in shape. They can develop vast girths which can reach up to 2m in diameter.
© István Pénzes.
Please NOTE and RESPECT the copyright.
April 2010
Nikon F6
Nikon Micro Nikkor 60mm 2,8
Fuji Provia 100
Developed by Photo Studio 13
Coolscan 5000
Statue named "Song for poplar trees". Nopporo, Ebetsu, Hokkaido.
Fuji-Holga 120( www.flickr.com/photos/threepinner/22015924430/ ), negative ISO 160, developed normally.
Scientists at the Defence Science and Technology Laboratory (Dstl) are continuing to work with a range of industry partners to develop the Army’s Future Soldier Vision (FSV), showcasing the personal equipment that soldiers could be using by the mid-2020s.
As well as the design of advanced combat clothing, which includes new materials like four-way stretch fabric and silent hook and loop pockets, new body armour will be lighter, and a new high-tech helmet will have state-of-the- art built-in communication systems.
The Vision is part of the Ministry of Defence’s (MOD) plan to ensure that British Soldiers have high-quality equipment utilising the latest technologies, as part of an integrated system. Future Soldier Vision (FSV) gives companies an aim point – an example of an integrated soldier system that balances military need with technology that delivers distributed power to data, scaleable and integrated protection, augmented surveillance and target acquisition, and a range of functional fabrics incorporated into the clothing.
Partners include The Royal College of Art (RCA) who provided professional designers, who – when they weren’t working in London on high-end jewellery – spent months working on the clothing to ensure prototypes were fitted to the body, were easy to run in and comfortable to wear.
-------------------------------------------------------
© Crown Copyright 2014
Photographer: DSTL Porton Down Photographer
Image 45163929.jpg from www.defenceimages.mod.uk
This image is available for high resolution download at www.defenceimagery.mod.uk subject to the terms and conditions of the Open Government License at www.nationalarchives.gov.uk/doc/open-government-licence/. Search for image number 45163929.jpg
For latest news visit www.gov.uk/government/organisations/ministry-of-defence
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In every one of our Cutting Edge Die Sets, each die comes with its matching cut-out. The die is the framed 'negative space' shape, and the cut-out is the actual shape that used to be part of the die before it was cut out.
The dies were designed for silhouette dieforming – pushing flat sheets of polymer clay through an opening to make 3D forms with a specific silhouette – as explained in our book, Relief Beyond Belief. Since we released that book almost two years ago, the dies have become the more famous half of these two-part tools. But cut-outs on their own were in my studio long before I made dies or developed dieforming for polymer clay. They've always been an indispensable tool when cutting shapes out of flat veneers, blends, textures, mokume, whatever...
It's possible to cut out shapes using the opening within a single template or in a template sheet (like those green plastic geometric templates sold in art supply stores that many of us own). The opening is like a window and you can easily and exactly frame the area you want. But when you cut within a window, you're cutting on the inside edge of the template, which is awkward, and you have to be careful not to slip. If you do, the only way for your blade to go is in, and then you mar the good clay you've carefully prepared and chosen to feature within your shape. That's why I use cut-outs, to cut outside the edge of a shape instead of within it: the cut-out protects the swatch as I cut; I can see the cut line easier; I don't have to get into small spaces and tight corners; and if I do slip, I'm only cutting the part of the veneer that I wasn't going to use anyway. It's a trick I picked up in art school years ago (back when cutting and pasting actually involved X-ACTO knives and glue). It's carried over into my work in polymer clay and fits so perfectly for this application.
For well-placed patterns and perfect shapes every time, I use both the die and its matching cut-out. First, I use the die window to find and define the area of pattern I want to use. Once it's in place on my veneer, I drop in the cut-out and swap out the die, masking the area I know I want, and revealing the rest to be trimmed away with my X-ACTO knife and #11 blade. Once trimmed, I remove the cut-out, and reveal my cut-out shape, exactly as I expected.
When we designed our Die Sets, we did so with dieforming in mind. But we also knew the matching cut-outs were an important 'other half' to these tools. For dieforming, I use dies. But if I want to cut out a shape, I use a cut-out.
Borrowing step-outs from our book, and following the numbered sequence in the diptic here, here are the basic steps for cutting shapes with cut-outs...
1. frame your veneer within the window of your die and set it in place
2. grab the matching cut-out
3. place the cut-out into the die window
4. gently hold the cut-out in place and lift the die off the veneer
5. your cut-out is now in postion and your veneer is ready to trim into a shape
BTW, the only time you wouldn't want to use a cut-out is if you wanted to create a 'negative space' shape within a larger veneer. In other words, if you want to cut out a window, you use the window to cut it out (after you've used the cut-out to place your window where you want it..). But hey, that's a lesson for another day.
If you're interested, you can see the complete collection of Geometric, Organic, Polygon, and Long Trio Die Sets (each with dies and their matching cut-outs) in The Cutting Edge Store.
OLYMPUS OM-D E-M5 Mark II + OLYMPUS M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO + MC-14
Developed by Adobe Photoshop Lightroom CC 2015.3
My entry for Worldwide Pinhole Photography Day 2020.
Taken on Pinhole day 2020 (4/26/2020)
Lensless 75mm pinhole camera
Arista EDU 100 4x5 sheet film
Stand developed Rodinal 1+100
Printed on Ilford Multrigrade IV developed in Kodak Dektol
Development details on FilmDev
Check it out on the Pinholeday site, and also check out the other entries this year!
Tonight, I am adding another five photos from my archives. If I wrote a description under a previously posted photo taken on the same day, I will add it under today's uploads.
"Got back around 12:00 midnight last night (28 August) from a three-day trip down to Waterton Lakes National Park and have not yet been to bed. Falling asleep at the computer, so have no choice but to go to bed right now (8:30 a.m.). I will have to tell you about some of the things we did and what we saw, later.
During my three days away (26, 27 and 28 August 2014) with friends Cathy and Terry, we saw so many things, I hardly know where to start. This always happens when I go anywhere with them - every day is a very long, fun-filled day, full of exciting finds. So many, that I'm only just starting to add a description under the six photos from our trip that I've posted so far.
Perhaps I will simply list some of the things and then add more detail to each photo as I add them to my photostream. Of course, we couldn't have had a more beautiful area to explore! Waterton Lakes National Park has amazing scenery and wildlife. The weather forecast that I saw before we left Calgary said that we were in for three beautiful days of sunshine - too often, it can be rainy weather. So, luck was on our side, giving us warm, sunny days - until the BIG STORM hit! We had driven eastwards from the park, hoping to see Yellow-bellied Marmots and, if we were really lucky, a Burrowing Owl. The storm was approaching very fast, around 5:00 p.m. just before we started our return trip to Calgary. It was like nothing I had ever seen before - a menacing shelf (?) cloud that was travelling fast and furious. Despite trying our best to get away from it, it eventually engulfed our car, surrounding us with more or less zero visibility, pounding hail, thunder and lightning, and very strong winds. There was nothing to do but stop the car and sit tight, hoping that the hail would not break the car windows and that this severe thunderstorm would not develop into a tornado! This storm was very scary, but at the same time, exciting (only because all turned out OK in the end!). Our road trip sure went out with a bang!
Will briefly mention a few of the things we saw - fantastic scenery, 4 Black Bears (including one that was swimming in the lake), Bison, Deer (including several that we saw in the town of Waterton, where we stayed for two nights at the clean and friendly Bear Mountain Motel), Golden-mantled Ground Squirrels, Chipmunks, various bird species including the Burrowing Owls, a few wildflowers, several Yellow-bellied Marmots (a first for me!), a few different insect species, and a family of some species of Grouse (still not sure what kind). I even got the chance to see three or four new-to-me old, wooden grain elevators.
Cathy and Terry, thanks so much for yet another wonderful trip with you! Can't thank you enough for inviting me along. You always do such a great job of finding so many interesting things for us to see and enjoy. Lots of fun!"
A micro (macro) photograph of a tomato flower which has produced a baby tomato, near a larger cherry tomato in the process of ripening.
Experience more such delights with me in my set, "Reminisces of an Old Gardener:"
www.flickr.com/photos/motorpsiclist/albums/72177720306515483
Curitiba developed a non subsidized, private owned, public transport system called BRT (Bus Rapid Transit). Today it stands as a model recognized internationally. Insightful, long term planning with several innovative solutions has provided the citizens with an effective system that gives priority to public instead of private transport. Besides being model in public transportation and urban planning, Curitiba is also considered the ecologic capital of Brazil. The city recently won the “Sustainable Transport Award 2010” a prize annually offered to the best public transport projects of the world, organized by the United States ITDP and a commission composed of more eight international institutions.
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Curitiba desenvolveu um sistema de transporte público denominado RIT (Rede Integrada de Transportes), que atualmente é reconhecido internacionalmente e serviu de inspiração para a implantação de sistemas semelhantes em diversas cidades do mundo. Além de ser referência mundial em transporte público e planejamento urbano, Curitiba é considerada também a capital ecológica do Brasil, devido a sua grande quantidade de parks e áreas verdes. A cidade ganhou recentemente o “Prêmio Transporte Sustentável 2010”, organizado pelo ITDP, dos Estados Unidos e por uma comissão com mais oito instituições internacionais que premia os projetos de transporte público do mundo.
(By Guilherme Mendes Thomaz)
Galle Face | West Coast, Sri Lanka
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Olympus-S SC G.Zuiko 1:1.8 f=4.2cm
Ilford Pan 400 pushed to 800 ISO
Home developed in Silberra Aphenol (Kodak Xtol alternative), 14.5 min, 20°C
Miranda Auto Sensorex EE
Miranda Auto 50mm f/1.4
Fujicolor Superia 200, expired 2015
Home developed in Unicolor/Argentix
Scanned with Pakon F135
Develop: Paterson FX-37
Planfilm: X-ray Fuji HR-U (green)
Zeiss Ikon Donata 9x12, Tessar 1:4,5/135 ( 1928 )
Hasselblad SWC Delta400 ID11 stock
Delta400, Self-developed ID11 (stock), self-scanned with vuescan (linux)
21-09-2024
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Mt.Pinnneshiri, Shintotsukawa, Hokkaido.
Fuji-Holga 120S ( www.flickr.com/photos/threepinner/22015924430/ ), EBC Fujinon S 75mm F3.4, T-Max 100 developed with T-Max developer RS for 9minutes at 20 Deg.C.