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Nikon AF600

 

Kentmere 400 developed in Xtol (1:2)

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Double Explosure

A combination of straight lines, circle arcs and s-curves on a circle divided in 10.

 

I know that morning glories are five-sided, but they have a pronounced crease in the middle of each side.

A developing Supercell across far Northeast Wisconsin on July 1 2017. Only isolated storms were expected, but this beast began to develop along an old outflow boundary from a storm early in the afternoon. Aiding in the development was a lake breeze boundary. The updraft was so explosive.

en.wikipedia.org/wiki/Al-Azhar_Mosque

 

Al-Azhar Mosque (Arabic: الجامع الأزهر, romanized: al-Jāmiʿ al-ʾAzhar, lit. 'The Resplendent Congregational Mosque', Egyptian Arabic: جامع الأزهر, romanized: Gāmiʿ el-ʾazhar), known in Egypt simply as al-Azhar, is a mosque in Cairo, Egypt in the historic Islamic core of the city. Commissioned as the new capital of the Fatimid Caliphate in 970, it was the first mosque established in a city that eventually earned the nickname "the City of a Thousand Minarets". Its name is usually thought to derive from az-Zahrāʾ (lit. 'the shining one'), a title given to Fatimah, the daughter of Muhammad.

 

After its dedication in 972, and with the hiring by mosque authorities of 35 scholars in 989, the mosque slowly developed into what it is today.

 

The affiliated Al-Azhar University is the second oldest continuously run one in the world after Al-Qarawiyyin in Idrisid Fes. It has long been regarded as the foremost institution in the Islamic world for the study of Sunni theology and sharia, or Islamic law. In 1961, the university, integrated within the mosque as part of a mosque school since its inception, was nationalized and officially designated an independent university, Al-Azhar Al Sharif, following the Egyptian Revolution of 1952.

 

Over the course of its over a millennium-long history, the mosque has been alternately neglected and highly regarded. Because it was founded as a Shiite Ismaili institution, Saladin and the Sunni Ayyubid dynasty that he founded shunned al-Azhar, removing its status as a congregational mosque and denying stipends to students and teachers at its school. These moves were reversed under the Mamluk Sultanate, under whose rule numerous expansions and renovations took place. Later rulers of Egypt showed differing degrees of deference to the mosque and provided widely varying levels of financial assistance, both to the school and to the upkeep of the mosque. Today, al-Azhar remains a deeply influential institution in Egyptian society that is highly revered in the Sunni Muslim world and a symbol of Islamic Egypt.

 

Name

The city of Cairo was established by the Fatimid general Jawhar al-Siqilli, on behalf of the Fatimid caliph al-Mu'izz, following the Fatimid conquest of Egypt in 969. It was originally named al-Manṣūriyya (المنصورية) after the prior seat of the Fatimid caliphate, al-Mansuriyya in modern Tunisia. The mosque, first used in 972, may have initially been named Jāmiʿ al-Manṣūriyya (جامع المنصورية, "the mosque of Mansuriyya"), as was common practice at the time. It was al-Mu'izz who renamed the city al-Qāhira (القاهرة, "the Victorious"). The name of the mosque thus became Jāmiʿ al-Qāhira (جامع القاهرة, "the mosque of Cairo"), the first transcribed in Arabic sources.

 

The mosque acquired its current name, al-ʾAzhar, sometime between the caliphate of al-Mu'izz and the end of the reign of the second Fatimid caliph in Egypt, al-Aziz Billah (r. 975–996).ʾAzhar is the masculine form for zahrāʾ, meaning "splendid" or "most resplendent". Zahrāʾ is an epithet applied to Muhammad's daughter Fatimah, wife of caliph Ali. She was claimed as the ancestress of al-Mu'izz and the imams of the Fatimid dynasty; one theory is that her epithet is the source for the name al-ʾAzhar. The theory, however, is not confirmed in any Arabic source and its plausibility has been both supported and denied by later Western sources.

 

An alternative theory is that the mosque's name is derived from the names given by the Fatimid caliphs to their palaces. Those near the mosque were collectively named al-Quṣūr al-Zāhira (القصور الزاهرة, "the Brilliant Palaces") by al-Aziz Billah, and the royal gardens were named after another derivative of the word zahra. The palaces had been completed and named prior to the mosque changing its name from Jāmiʿ al-Qāhira to al-ʾAzhar.

 

The word Jāmiʿ is derived from the Arabic root word jamaʿa (g-m-ʿ), meaning "to gather". The word is used for large congregational mosques. While in classical Arabic the name for al-Azhar remains Jāmiʿ al-ʾAzhar, the pronunciation of the word Jāmiʿ changes to Gāmaʿ in Egyptian Arabic.[c]

 

History

A paved courtyard is visible in the foreground, and behind it a wall of angular keel-shaped arched bays supported by columns. Behind the wall, two minarets, a dome, and another minaret are visible from left to right. In the far background in the center the top of another minaret can be seen.

The courtyard of the mosque, dating to the Fatimid period. Above, the minarets date from the Mamluk period. From left to right: the double-finial minaret of Qansuh al-Ghuri, the minaret of Qaytbay, and the minaret of Aqbugha (behind the dome).

Fatimid Caliphate

 

After the conquest of Egypt, Jawhar al-Siqilli oversaw the construction of the royal enclosure for the caliph's court and the Fatimid army, and had al-Azhar built as a base to spread Isma'ili Shi'a Islam. Located near the densely populated Sunni city of Fustat, Cairo became the center of the Isma'ili sect of Shi'a Islam, and seat of the Fatimid empire.

 

Jawhar ordered the construction of a congregational mosque for the new city and work commenced on April 4, 970. The mosque was completed in 972 and the first Friday prayers were held there on June 22, 972 during Ramadan.

 

Al-Azhar soon became a center of learning in the Islamic world, and official pronouncements and court sessions were issued from and convened there. Under Fatimid rule, the previously secretive teachings of the Isma'ili madh'hab (school of law) were made available to the general public. Al-Nu'man ibn Muhammad was appointed qadi (judge) under al-Mu'izz and placed in charge of the teaching of the Isma'ili doctrine. Classes were taught at the palace of the caliph, as well as at al-Azhar, with separate sessions available to women. During Eid al-Fitr in 973, the mosque was rededicated by the caliph as the official congregational mosque in Cairo. Al-Mu'izz, and his son—when he in turn became caliph—would preach at least one Friday khutbah (sermon) during Ramadan at al-Azhar.

 

Yaqub ibn Killis, a polymath, jurist and the first official vizier of the Fatimids, made al-Azhar a key center for instruction in Islamic law in 988. The following year, 45 scholars were hired to give lessons, laying the foundation for what would become the leading university in the Muslim world.

 

The mosque was expanded during the rule of the caliph al-Aziz Billah. According to al-Mufaddal, he ordered the restoration of portions of the mosque and had the ceiling raised by one cubit. The next Fatimid caliph, al-Hakim bi-Amr Allah (r. 996–1021), would continue to renovate the mosque, providing a new wooden door in 1010. However, al-Hakim's reign saw the completion of the al-Hakim Mosque, and al-Azhar lost its status as Cairo's primary congregational mosque. In May 1009 the al-Hakim Mosque became the sole location for the caliph's sermons; prior to this, al-Hakim would rotate where the Friday sermon was held. Following al-Hakim's reign, al-Azhar was restored by Caliph al-Mustansir Billah (r. 1036–1094). Additions and renovations were carried during the reign of the remaining Fatimid caliphs. Caliph al-Hafiz undertook a major refurbishment in 1138, which established the keel-shaped arches and carved stucco decoration seen in the courtyard today, as well as the dome at the central entrance of the prayer hall.

 

Initially lacking a library, al-Azhar was endowed by the Fatimid caliph in 1005 with thousands of manuscripts that formed the basis of its collection. Fatimid efforts to establish Isma'ili practice among the population were, however largely unsuccessful. Much of its manuscript collection was dispersed in the chaos that ensued with the fall of the Fatimid Caliphate, and Al-Azhar became a Sunni institution shortly thereafter.

 

Ayyubid dynasty

Saladin, who overthrew the Fatimids in 1171, was hostile to the Shi’ite principles of learning propounded at al-Azhar during the Fatimid Caliphate, and under his Ayyubid dynasty the mosque suffered from neglect. Congregational prayers were banned by Sadr al-Din ibn Dirbass, appointed qadi by Saladin. The reason for this edict may have been Shāfi‘ī teachings that proscribe congregational prayers in a community to only one mosque, or mistrust of the former Shi'a institution by the new Sunni ruler. By this time, the much larger al-Hakim Mosque was completed; congregational prayers in Cairo were held there.

 

In addition to stripping al-Azhar of its status as congregational mosque, Saladin also ordered the removal from the mihrab of the mosque a silver band on which the names of the Fatimid caliphs had been inscribed. This and similar silver bands removed from other mosques totaled 5,000 dirhems. Saladin did not completely disregard the upkeep of the mosque and according to al-Mufaddal one of the mosque's minarets was raised during Saladin's rule.

 

The teaching center at the mosque also suffered. The once well stocked library at al-Azhar was neglected, and manuscripts of Fatimid teachings that were held at al-Azhar were destroyed. The Ayyubid dynasty promoted the teaching of Sunni theology in subsidized madrasas (schools) built throughout Cairo. Student funding was withdrawn, organized classes were no longer held at the mosque, and the professors that had prospered under the Fatimids were forced to find other means to earn their living.

 

Al-Azhar nevertheless remained the seat of Arabic philology and a place of learning throughout this period. While official classes were discontinued, private lessons were still offered in the mosque. There are reports that a scholar, possibly al-Baghdadi, taught a number of subjects, such as law and medicine, at al-Azhar. Saladin reportedly paid him a salary of 30 dinars, which was increased to 100 dinars by Saladin's heirs. While the mosque was neglected by Saladin and his heirs, the policies of the Sunni Ayyubid dynasty would have a lasting impact on al-Azhar. Educational institutions were established by Sunni rulers as a way of combating what they regarded as the heretical teachings of Shi'a Islam. These colleges, ranging in size, focused on teaching Sunni doctrine, had an established and uniform curriculum that included courses outside of purely religious topics, such as rhetorics, math, and science. No such colleges had been established in Egypt by the time of Saladin's conquest. Saladin and the later rulers of the Ayyubid dynasty would build twenty-six colleges in Egypt, among them the Salihiyya Madrasa.

 

Al-Azhar eventually adopted Saladin's educational reforms modeled on the college system he instituted, and its fortunes improved under the Mamluks, who restored student stipends and salaries for the shuyūkh (teaching staff).

 

Mamluk Sultanate

A man with a full beard and turban reclines on his right side on a carpet, with his elbow and back resting on a pillow, next to an open arched window. His right hand holds a fly-whisk; in front of him on the floor is a sheathed sword.

A Mamluk bey

 

Congregational prayers were reestablished at al-Azhar during the Mamluk Sultanate by Sultan Baibars in 1266. While Shāfi‘ī teachings, which Saladin and the Ayyubids followed, stipulated that only one mosque should be used as a congregational mosque in a community, the Hanafi madh'hab, to which the Mamluks adhered, placed no such restriction. Al-Azhar had by now lost its association with the Fatimids and Ismāʿīli doctrines, and with Cairo's rapid expansion, the need for mosque space allowed Baibars to disregard al-Azhar's history and restore the mosque to its former prominence. Under Baibars and the Mamluk Sultanate, al-Azhar saw the return of stipends for students and teachers, as well as the onset of work to repair the mosque, which had been neglected for nearly 100 years. According to al-Mufaddal, the emir 'Izz al-Din Aydamur al-Hilli built his house next to the mosque and while doing so repaired the mosque. Al-Maqrizi reports that the emir repaired the walls and roof as well as repaving and providing new floor mats. The first khutbah since the reign of the Fatimid caliph al-Hakim took place on 16 January 1266 with the sermon delivered on a new pulpit completed five days earlier.

 

An earthquake in 1302 caused damage to al-Azhar and a number of other mosques throughout Mamluk territory. The responsibility for reconstruction was split among the amirs (princes) of the Sultanate and the head of the army, Sayf al-Din Salar, who was tasked with repairing the damage. These repairs were the first done since the reign of Baibars. Seven years later, a dedicated school, the Madrasa al-Aqbughawiyya, was built along the northwest wall of the mosque. Portions of the wall of the mosque were removed to accommodate the new building. Construction of another school, the Madrasa al-Taybarsiyya began in 1332–1333. This building, which was completed in 1339-1340, would also impact the structure of the mosque as it was built over the site of the mida'a, the fountain for ablution. Both of the madrasas were built as complementary buildings to al-Azhar, with separate entrances and prayer halls.

 

Though the mosque had regained its standing in Cairo, repairs and additional work were carried out by those in positions lower than sultan. This changed under the rule of al-Zahir Barquq, the first sultan of the Burji dynasty. Both Sultan Barquq and then Sultan al-Mu'ayyad tried, in 1397 and 1424 respectively, to replace the minaret of al-Azhar with a new one in stone, but on both occasions the construction was found to be defective and had to be pulled down. The resumption of direct patronage by those in the highest positions of government continued through to the end of Mamluk rule. Improvements and additions were made by the sultans Qaytbay and Qansuh al-Ghuri, each of whom oversaw numerous repairs and erected minarets that still stand today. It was common practice among the Mamluk sultans to build minarets, perceived as symbols of power and the most effective way of cementing one's position in the Cairo cityscape. The sultans wished to have a noticeable association with the prestigious al-Azhar. Al-Ghuri may also have rebuilt the dome in front of the original mihrab.

 

Although the mosque-school was the leading university in the Islamic world and had regained royal patronage, it did not overtake the madrasas as the favored place of education among Cairo's elite. Al-Azhar maintained its reputation as an independent place of learning, whereas the madrasas that had first been constructed during Saladin's rule were fully integrated into the state educational system. Al-Azhar did continue to attract students from other areas in Egypt and the Middle East, far surpassing the numbers attending the madrasas. Al-Azhar's student body was organized in riwaqs (fraternities) along national lines, and the branches of Islamic law were studied. The average degree required six years of study.

 

By the 14th century, al-Azhar had achieved a preeminent place as the center for studies in law, theology, and Arabic, becoming a cynosure for students all around the Islamic world. However, only one third of the ulema (Islamic scholars) of Egypt were reported to have either attended or taught at al-Azhar. One account, by Muhammad ibn Iyas, reports that the Salihiyya Madrasa, and not al-Azhar, was viewed as the "citadel of the ulema" at the end of the Mamluk Sultanate.

 

Province of the Ottoman Empire

Two arched entrance-ways in the portico of a large two-story building face a street. Above the arches the building's wall is carved and ornamented. To the right, the building rises to a third story. Behind the wall two minarets framing the top of a dome are visible.

Bab al-Muzayinīn (Gate of the Barbers), built by Abd al-Rahman Katkhuda during Ottoman rule. The minaret on the left, atop the Madrasa al-Aqbughawiyya, was also remodeled by Katkhuda, before being remodeled again in the 20th century.

With the Ottoman annexation of 1517, despite the mayhem their fight to control the city engendered, the Turks showed great deference to the mosque and its college, though direct royal patronage ceased. Sultan Selim I, the first Ottoman ruler of Egypt, attended al-Azhar for the congregational Friday prayer during his last week in Egypt, but did not donate anything to the upkeep of the mosque. Later Ottoman amirs likewise regularly attended Friday prayers at al-Azhar, but rarely provided subsidies for the maintenance of the mosque, though they did on occasion provide stipends for students and teachers. In contrast to the expansions and additions undertaken during the Mamluk Sultanate, only two Ottoman walīs (governors) restored al-Azhar in the early Ottoman period.

 

Despite their defeat by Selim I and the Ottomans in 1517, the Mamluks remained influential in Egyptian society, becoming beys ("chieftains"), nominally under the control of the Ottoman governors, instead of amirs at the head of an empire. The first governor of Egypt under Selim I was Khai'r Bey, a Mamluk amir who had defected to the Ottomans during the Battle of Marj Dabiq. Though the Mamluks launched multiple revolts to reinstate their Sultanate, including two in 1523, the Ottomans refrained from completely destroying the Mamluk hold over the power structure of Egypt. The Mamluks did suffer losses—both economic and military—in the immediate aftermath of the Ottoman victory, and this was reflected in the lack of financial assistance provided to al-Azhar in the first hundred years of Ottoman rule. By the 18th century the Mamluk elite had regained much of its influence and began to sponsor numerous renovations throughout Cairo and at al-Azhar specifically.

 

Al-Qazdughli, a powerful Mamluk bey, sponsored several additions and renovations in the early 18th century. Under his direction, a riwaq for blind students was added in 1735. He also sponsored the rebuilding of the Turkish and Syrian riwaqs, both of which had originally been built by Qaytbay.

 

This marked the beginning of the largest set of renovations to be undertaken since the expansions conducted under the Mamluk Sultanate. Abd al-Rahman Katkhuda was appointed katkhuda (head of the Janissaries) in 1749 and embarked on several projects throughout Cairo and at al-Azhar. Under his direction, three new gates were built: the Bab al-Muzayinīn (the Gate of the Barbers), so named because students would have their heads shaved outside of the gate, which eventually became the main entrance to the mosque; the Bab al-Sa'ayida (the Gate of the Sa'idis), named for the Sa'idi people of Upper Egypt; and, several years later, the Bab al-Shurba (the Soup Gate), from which food, often rice soup, would be served to the students. A prayer hall was added to the south of the original one, doubling the size of the available prayer space. Katkhuda also refurbished or rebuilt several of the riwaqs that surrounded the mosque. Katkhuda was buried in a mausoleum he himself had built in Al-Azhar; in 1776, he became the first person (and the last) to be interred within the mosque since Nafissa al-Bakriyya, a female mystic who had died around 1588.

 

During the Ottoman period, al-Azhar regained its status as a favored institution of learning in Egypt, overtaking the madrasas that had been originally instituted by Saladin and greatly expanded by the Mamluks. By the end of the 18th century, al-Azhar had become inextricably linked to the ulema of Egypt. The ulema also were able to influence the government in an official capacity, with several sheikhs appointed to advisory councils that reported to the pasha (honorary governor), who in turn was appointed for only one year. This period also saw the introduction of more secular courses taught at al-Azhar, with science and logic joining philosophy in the curriculum. During this period, al-Azhar saw its first non-Maliki rector; Abdullah al-Shubrawi, a follower of the Shafii madhab, was appointed rector. No follower of the Maliki madhab would serve as rector until 1899 when Salim al-Bishri was appointed to the post.

 

Al-Azhar also served as a focal point for protests against the Ottoman occupation of Egypt, both from within the ulema and from among the general public. Student protests at al-Azhar were common, and shops in the vicinity of the mosque would often close out of solidarity with the students. The ulema was also on occasion able to defy the government. In one instance, in 1730–31, Ottoman aghas harassed the residents living near al-Azhar while pursuing three fugitives. The gates at al-Azhar were closed in protest and the Ottoman governor, fearing a larger uprising, ordered the aghas to refrain from going near al-Azhar. Another disturbance occurred in 1791 in which the wāli harassed the people near the al-Hussein Mosque, who then went to al-Azhar to demonstrate. The wāli was subsequently dismissed from his post.

 

French occupation

Napoleon invaded Egypt in July 1798, arriving in Alexandria on July 2 and moving on to Cairo on July 22. In a bid to placate both the Egyptian population and the Ottoman Empire, Napoleon gave a speech in Alexandria in which he proclaimed his respect for Islam and the Sultan:

 

People of Egypt, you will be told that I have come to destroy your religion: do not believe it! Answer that I have come to restore your rights and punish the usurpers, and that, more than the Mamluks, I respect God, his Prophet and the Koran ... Is it not we who have been through the centuries the friends of the Sultan

 

A man in a late 17th-century French military uniform, wearing a bicorne hat decorated with three large plumes or leaves stands on the right of the image, a sheathed sword at his left side. He is presenting a red white and blue scarf to a full-bearded man on the left of the image. The man accepting the scarf stands with his head slightly bowed and palms crossed and flat on his chest, wearing a large square turban and long blue and gold caftan that reaches his feet. To his left is a palm tree, and in the far background pyramids and camels.

Napoleon presenting an Egyptian bey a tricolor scarf (1798–1800)

On July 25 Napoleon set up a diwan made up of nine al-Azhar sheikhs tasked with governing Cairo, the first body of Egyptians to hold official powers since the beginning of the Ottoman occupation. This practice of forming councils among the ulema of a city, first instituted in Alexandria, was put in place throughout French-occupied Egypt. Napoleon also unsuccessfully sought a fatwa from the al-Azhar imams that would deem it permissible under Islamic law to declare allegiance to Napoleon.

 

Napoleon's efforts to win over both the Egyptians and the Ottomans proved unsuccessful; the Ottoman Empire declared war on 9 September 1798, and a revolt against French troops was launched from al-Azhar on 21 October 1798. Egyptians armed with stones, spears, and knives rioted and looted. The following morning the diwan met with Napoleon in an attempt to bring about a peaceful conclusion to the hostilities. Napoleon, initially incensed, agreed to attempt a peaceful resolution and asked the sheikhs of the diwan to organize talks with the rebels. The rebels, believing the move indicated weakness among the French, refused. Napoleon then ordered that the city be fired upon from the Cairo Citadel, aiming directly at al-Azhar. During the revolt two to three hundred French soldiers were killed, with 3,000 Egyptian casualties. Six of the ulema of al-Azhar were killed following summary judgments laid against them, with several more condemned. Any Egyptian caught by French troops was imprisoned or, if caught bearing weapons, beheaded. The French troops intentionally desecrated the mosque, walking in with their shoes on and guns displayed. The troops tied their horses to the mihrab and ransacked the student quarters and libraries, throwing copies of the Quran on the floor. The leaders of the revolt then attempted to negotiate a settlement with Napoleon, but were rebuffed.

 

Napoleon, who had been well respected in Egypt and had earned himself the nickname Sultan el-Kebir (the Great Sultan) among the people of Cairo, lost their admiration and was no longer so addressed. In March 1800, French General Jean Baptiste Kléber was assassinated by Suleiman al-Halabi, a student at al-Azhar. Following the assassination, Napoleon ordered the closing of the mosque; the doors remained bolted until Ottoman and British assistance arrived in August 1801.

 

The conservative tradition of the mosque, with its lack of attention to science, was shaken by Napoleon's invasion. A seminal innovation occurred with the introduction of printing presses to Egypt, finally enabling the curriculum to shift from oral lectures and memorization to instruction by text, though the mosque itself only acquired its own printing press in 1930. Upon the withdrawal of the French, Muhammad Ali Pasha encouraged the establishment of secular learning, and history, math, and modern science were adopted into the curriculum. By 1872, under the direction of Jamāl al-Dīn al-Afghānī, European philosophy was also added to the study program.

 

Muhammad Ali Dynasty and British occupation

A man with a full white beard and long trained mustache faces the viewer. He wears a white turban and back robe. High on his waist is a gold sash decorated with purple and orange stripes. His left hand holds a cord that goes across his chest, and is connected to a sheathed sword in front of him.

Muhammad Ali, founder of the Alawiyya Dynasty which ruled Egypt from 1805 until the Egyptian Revolution in 1952

Following the French withdrawal, Ali, the wāli (governor) and self-declared khedive (viceroy) of Egypt, sought to consolidate his newfound control of the country. To achieve this goal he took a number of steps to limit, and eventually eliminate, the ability of the al-Azhar ulema to influence the government. He imposed taxes on rizqa lands (tax-free property owned by mosques) and madrasas, from which al-Azhar drew a major portion of its income. In June 1809, he ordered that the deeds to all rizqa lands be forfeited to the state in a move that provoked outrage among the ulema. As a result, Umar Makram, the naqib al-ashraf, a prestigious Islamic post, led a revolt in July 1809. The revolt failed and Makram, an influential ally of the ulema, was exiled to Damietta.

 

Ali also sought to limit the influence of the al-Azhar sheikhs by allocating positions within the government to those educated outside of al-Azhar. He sent select students to France to be educated under a Western system and created an educational system based on that model that was parallel to, and thus bypassed, the system of al-Azhar.

 

Under the rule of Isma'il Pasha, the grandson of Muhammad Ali, major public works projects were initiated with the aim of transforming Cairo into a European styled city. These projects, at first funded by a boom in the cotton industry, eventually racked up a massive debt which was held by the British, providing an excuse for the British to occupy Egypt in 1882 after having pushed out Isma'il Pasha in 1879.

 

The reign of Isma'il Pasha also saw the return of royal patronage to al-Azhar. As khedive, Isma'il restored the Bab al-Sa'ayida (first built by Katkhuda) and the Madrasa al-Aqbughawiyya. Tewfik Pasha, Isma'il's son, who became khedive when his father was deposed as a result of British pressure, continued to restore the mosque. Tewfik renovated the prayer hall that was added by Katkhuda, aligned the southeastern facade of the hall with the street behind it, and remodeled the facade of the Madrasa al-Aqbughawiya along with several other areas of the mosque. Abbas Hilmi II succeeded his father Tewfik as khedive of Egypt and Sudan in 1892, and continued the renovations started by his grandfather Isma'il. He restructured the main facade of the mosque and built a new three-story riwaq in neo-Mamluk style along the mosque's southwestern corner (known as the Riwaq al-'Abbasi) which was completed in 1901. Under his rule, the Committee for the Conservation of Monuments of Arab Art (also known as the "Comité"), also restored the original Fatimid sahn. These renovations were both needed and helped modernize al-Azhar and harmonize it with what was becoming a metropolis.

 

The major set of reforms that began under the rule of Isma'il Pasha continued under the British occupation. Muhammad Mahdi al-'Abbasi, sheikh al-Azhar, had instituted a set of reforms in 1872 intended to provide structure to the hiring practices of the university as well as to standardize the examinations taken by students. Further efforts to modernize the educational system were made under Hilmi's rule during the British occupation. The mosque's manuscripts were gathered into a centralized library, sanitation for students improved, and a regular system of exams instituted. From 1885, other colleges in Egypt were placed directly under the administration of the al-Azhar Mosque.

 

During Sa'ad Zaghloul's term as minister of education, before he went on to lead the Egyptian Revolution of 1919, further efforts were made to modify the educational policy of al-Azhar. While a bastion of conservatism in many regards, the mosque was opposed to Islamic fundamentalism, especially as espoused by the Muslim Brotherhood, founded in 1928.[59] The school attracted students from throughout the world, including students from Southeast Asia and particularly Indonesia, providing a counterbalance to the influence of the Wahhabis in Saudi Arabia.

 

Under the reign of King Fuad I, two laws were passed that reorganized the educational structure at al-Azhar. The first of these, in 1930, split the school into three departments: Arabic language, sharia, and theology, with each department located in buildings outside of the mosque throughout Cairo. Additionally, formal examinations were required to earn a degree in one of these three fields of study. Six years later, a second law was passed that moved the main office for the school to a newly constructed building across the street from the mosque. Additional structures were later added to supplement the three departmental buildings.

 

The ideas advocated by several influential reformers in the early 1900s, such as Muhammad Abduh and Muhammad al-Ahmadi al-Zawahiri, began to take hold at al-Azhar in 1928, with the appointment of Mustafa al-Maraghi as rector. A follower of Abduh, the majority of the ulema opposed his appointment. Al-Maraghi and his successors began a series of modernizing reforms of the mosque and its school, expanding programs outside of the traditional subjects. Fuad disliked al-Maraghi, and had him replaced after one year by al-Zawahiri, but al-Maraghi would return to the post of rector in 1935, serving until his death in 1945. Under his leadership, al-Azhar's curriculum was expanded to include non-Arabic languages and modern sciences. Al-Zawahiri, who had also been opposed by the ulema of the early 1900s, continued the efforts to modernize and reform al-Azhar. Following al-Maraghi's second term as rector, another student of Abduh was appointed rector.

 

Post 1952 revolution

Following the Egyptian Revolution of 1952, led by the Free Officers Movement of Mohamed Naguib and Gamal Abdel Nasser, in which the Egyptian monarchy was overthrown, the university began to be separated from the mosque. A number of properties that surrounded the mosque were acquired and demolished to provide space for a modern campus by 1955. The mosque itself would no longer serve as a school, and the college was officially designated a university in 1961. The 1961 law separated the dual roles of the educational institution and the religious institution which made judgments heeded throughout the Muslim world. The law also created secular departments within al-Azhar, such as colleges of medicine, engineering, and economics, furthering the efforts at modernization first seen following the French occupation. The reforms of the curriculum have led to a massive growth in the number of Egyptian students attending al-Azhar run schools, specifically youths attending primary and secondary schools within the al-Azhar system. The number of students reported to attend al-Azhar primary and secondary schools increased from under 90,000 in 1970 to 300,000 in the early 1980s, up to nearly one million in the early 1990s, and exceeding 1.3 million students in 2001.

 

A smiling man with a black mustache faces the viewer's left. His hair is dark and short, white at the temples. He is wearing a western-style two-piece gray suit and white shirt, with an angularly striped tie and visible white pocket handkerchief. Behind him several faces are visible.

Gamal Abdel Nasser, who led the Egyptian Revolution in 1952 with Mohamed Naguib, instituted several reforms of al-Azhar

During his tenure as Prime Minister, and later President, Nasser continued the efforts to limit the power of the ulema of al-Azhar and to use its influence to his advantage. In 1952, the waqfs were nationalized and placed under the authority of the newly created Ministry of Religious Endowments, cutting off the ability of the mosque to control its financial affairs. He abolished the sharia courts, merging religious courts with the state judicial system in 1955, severely limiting the independence of the ulema. The 1961 reform law, which invalidated an earlier law passed in 1936 that had guaranteed the independence of al-Azhar, gave the President of Egypt the authority to appoint the sheikh al-Azhar, a position first created during Ottoman rule and chosen from and by the ulema since its inception. Al-Azhar, which remained a symbol of the Islamic character of both the nation and the state, continued to influence the population while being unable to exert its will over the state. Al-Azhar became increasingly co-opted into the state bureaucracy after the revolution—independence of its curriculum and its function as a mosque ceased. The authority of the ulema were further weakened by the creation of government agencies responsible for providing interpretations of religious laws. While these reforms dramatically curtailed the independence of the ulema, they also had the effect of reestablishing their influence by integrating them further into the state apparatus. The 1961 reform law also provided the ulema with the resources of the state, though the purse strings were outside of their control. While Nasser sought to subjugate the ulema beneath the state, he did not allow more extreme proposals to limit the influence of al-Azhar. One such proposal was made by Taha Hussein in 1955. Hussein sought to dismantle the Azharite primary and secondary educational system and transform the university into a faculty of theology which would be included within the modern, secular, collegiate educational system. The ulema opposed this plan, though Nasser's choice of maintaining al-Azhar's status was due more to personal political considerations, such as the use of al-Azhar to grant legitimacy to the regime, than on the opposition of the ulema.

 

Al-Azhar, now fully integrated as an arm of the government, was then used to justify actions of the government. Although the ulema had in the past issued rulings that socialism is irreconcilable with Islam, following the Revolution's land reforms new rulings were supplied giving Nasser a religious justification for what he termed an "Islamic" socialism. The ulema would also serve as a counterweight to the Muslim Brotherhood, and to Saudi Arabia's Wahhabi influence. An assassination attempt on Nasser was blamed on the Brotherhood, and the organization was outlawed. Nasser, needing support from the ulema as he initiated mass arrests of Brotherhood members, relaxed some of the restrictions placed on al-Azhar. The ulema of al-Azhar in turn consistently supported him in his attempts to dismantle the Brotherhood, and continued to do so in subsequent regimes. Despite the efforts of Nasser and al-Azhar to discredit the Brotherhood, the organization continued to function. Al-Azhar also provided legitimacy for war with Israel in 1967, declaring the conflict against Israel a "holy struggle".

 

Following Nasser's death in 1970, Anwar Sadat became President of Egypt. Sadat wished to restore al-Azhar as a symbol of Egyptian leadership throughout the Arab world, saying that "the Arab world cannot function without Egypt and its Azhar". Recognizing the growing influence of the Muslim Brotherhood, Sadat relaxed several restrictions on the Brotherhood and the ulema as a whole. However, in an abrupt about-face, in September 1971 a crackdown was launched on journalists and organizations that Sadat felt were undermining or attacking his positions. As part of this effort to silence criticism of his policies, Sadat instituted sanctions against any of the ulema who criticized or contradicted official state policies. The ulema of al-Azhar continued to be used as a tool of the government, sparking criticism among several groups, including Islamist and other more moderate groups. Shukri Mustafa, an influential Islamist figure, accused the ulema of providing religious judgments for the sole purpose of government convenience. When Sadat needed support for making peace with Israel, which the vast majority of the Egyptian population regarded as an enemy, al-Azhar provided a decree stating that the time had come to make peace.

 

Hosni Mubarak succeeded Sadat as President of Egypt following Sadat's assassination in 1981. While al-Azhar would continue to oblige the government in granting a religious legitimacy to its dictates, the mosque and its clergy were given more autonomy under Mubarak's regime. Under Jad al-Haq, the sheikh of al-Azhar from 1982 until his death in 1994, al-Azhar asserted its independence from the state, at times criticizing policies of the state for instigating extremist Islamist sects. Al-Haq argued that if the government wished al-Azhar to effectively combat groups such as al-Gama'a al-Islamiyya then al-Azhar must be permitted greater independence from the state and for it to be allowed to make religious declarations without interference. Under Mubarak, a number of powers of the state were ceded to al-Azhar. During the 1990s, modifications to existing censorship laws gave al-Azhar the ability to censor both print and electronic media. Though the law stipulates that al-Azhar may only become involved following a complaint, in practice its role has been much more pervasive; for example, television scripts were routinely sent to al-Azhar for approval prior to airing.

 

Al-Azhar continues to hold a status above other Sunni religious authorities throughout the world, and as Sunnis form a large majority of the total Muslim population al-Azhar exerts considerable influence on the Islamic world as a whole. In addition to being the default authority within Egypt, al-Azhar has been looked to outside of Egypt for religious judgments. Prior to the Gulf War, Saudi Arabia's King Fahd asked for a fatwa authorizing the stationing of foreign troops within the kingdom, and despite Islam's two holiest sites being located within Saudi Arabia, he asked the head sheikh of al-Azhar instead of the Grand Mufti of Saudi Arabia. In 2003, Nicolas Sarkozy, at the time French Minister of the Interior, requested a judgment from al-Azhar allowing Muslim girls to not wear the hijab in French public schools, despite the existence of the French Council of Islam. The sheikh of al-Azhar provided the ruling, saying that while wearing the hijab is an "Islamic duty" the Muslim women of France are obligated to respect and follow French laws. The ruling drew much criticism within Egypt as compromising Islamic principles to convenience the French government, and in turn the Egyptian government.

 

Post 2011 revolution

Al-Azhar was not unaffected by the 2011 Egyptian revolution that saw the removal of Hosni Mubarak as president of Egypt. Student government elections in the months following the revolution resulted in an overwhelming victory for the once banned Muslim Brotherhood. Protests demanding that the military junta ruling Egypt restore the mosque's independence from the state broke out, and the mosque itself commissioned the writing of a draft law that would grant al-Azhar greater independence from the government. Within al-Azhar, debate on its future and rightful role within the state has replaced what had been a mollified single-voice in support of the policies of the Mubarak regime. The various views on al-Azhar's future role in Egypt come from several parties, including leading Islamist organizations such as the Muslim Brotherhood, liberal voices that wish to see al-Azhar stand as a bulwark against ultra-conservative Islamists (known as Salafists), and those that hope to see al-Azhar become wholly independent from the state and in complete control of its finances, leadership, and further that it be placed in charge of the religious ministries of the state.

 

In 2018 a major restoration of the mosque was completed, financed by both King Abdullah and King Salman of Saudi Arabia. Among the goals of the restoration was the reinforcement of the building's foundations, the restoration of its architectural elements, and upgrades to its infrastructure. The Bab al-Muzayinīn (Gate of the Barbers), formerly one of the main public entrances to the mosque, has been made less accessible as a result of the restoration project.

 

In 2020, representatives from the mosque spoke out against sexual violence in Egypt, prompted by the social media campaign instigated by student Nadeen Ashraf.

 

Architecture

Foundation and structural evolution under Fatimids

A large room filled with rows of cylindrical columns on top of square bases. The columns support arches which are pierced by square beams going the length of the room in both directions. Hanging from the beams are lamps, and the room's floor is covered with a red carpet with a repeated beige arched doorway shaped design on it. Exterior light enters from right of the room.

Hypostyle prayer hall with columns used from various periods in Egyptian history

The original structure of the mosque was 280 feet (85 m) in length and 227 feet (69 m) wide, and was made up of three arcades situated around a courtyard. To the southeast of the courtyard was the original prayer hall, built as a hypostyle hall, five aisles deep, though with its qibla wall slightly off the correct angle. The marble columns supporting the four arcades that made up the prayer hall were reused from sites extant at different times in Egyptian history, from Pharaonic times through Roman rule to Coptic dominance. The different heights of the columns were made level by using bases of varying thickness.[100] The stucco exterior shows influences from Abbasid, Coptic and Byzantine architecture.

 

Ultimately a total of three domes were built, a common trait among early north African mosques, although none of them have survived Al-Azhar's many renovations. The historian al-Maqrizi recorded that in the original dome al-Siqilli inscribed the following:

In the name of Allah, the Merciful, the Compassionate; according to the command for its building from the servant of Allah, His governor abu Tamim Ma'ad, the Imam al-Mu‘izz li-Dīn Allāh, Amir al-Mu'minin, for whom and his illustrious forefathers and his sons may there be the blessings of Allah: By the hand of his servant Jawhar, the Secretary, the Ṣiqillī in the year 360.

 

Gawhar included the honorific Amir al-Mu'minin, Commander of the Faithful, as the Caliphs title and also included his nickname "the Secretary" which he had earned serving as a secretary prior to becoming a general.

 

K. A. C. Creswell wrote that the original structure certainly had one dome, and likely a second for symmetry. The original mihrab, uncovered in 1933, has a semi-dome above it with a marble column on either side. Intricate stucco decorations were a prominent feature of the mosque, with the mihrab and the walls ornately decorated. The mihrab had two sets of verses from the Quran inscribed in the conch, which is still intact. The first set of verses are the three that open al-Mu’minoon:

 

قَدْ أَفْلَحَ الْمُؤْمِنُونَ – الَّذِينَ هُمْ فِي صَلَاتِهِمْ خَاشِعُونَ – وَالَّذِينَ هُمْ عَنِ اللَّغْوِ مُعْرِضُونَ

Successful indeed are the believers – who are humble in their prayers – and who avoid vain talk

 

The next inscription is made up of verses 162 and 163 of al-An'am:

 

قُلْ إِنَّ صَلَاتِي وَنُسُكِي وَمَحْيَايَ وَمَمَاتِي لِلَّهِ رَبِّ الْعَالَمِينَ – لَا شَرِيكَ لَهُ وَبِذَلِكَ أُمِرْتُ وَأَنَا أَوَّلُ الْمُسْلِمِينَ

Say: Surely my prayer and my sacrifice and my life and my death are (all) for Allah, the Lord of the worlds – No associate has He; and this am I commanded, and I am the first of those who submit.

 

These inscriptions are the only surviving piece of decoration that has been definitively traced to the Fatimids.

 

Five keel shaped arches (and part of a sixth) are visible. The arches are supported by cylindrical columns. Above each arch is a large circular inscribed stucco decoration, and above each column is a large inscribed stucco decoration that mirrors the shape of arch and columns. Behind the row of columns is a walkway, and then a wall with entrances the shape and size of the arches and columns.

 

The marble paved central courtyard was added between 1009 and 1010. The arcades that surround the courtyard have keel shaped arches with stucco inscriptions. The arches were built during the reign of al-Hafiz li-Din Allah. The stucco ornaments also date to his rule and were redone in 1891. Two types of ornaments are used. The first appears above the center of the arch and consists of a sunken roundel and twenty-four lobes. A circular band of vegetal motifs was added in 1893. The second ornament used, which alternates with the first appearing in between each arch, consists of shallow niches below a fluted hood. The hood rests on engaged columns which are surrounded by band of Qu'ranic writing in Kufic script. The Qu'ranic script was added after the rule of al-Hafiz but during the Fatimid period. The walls are topped by a star shaped band with tiered triangular crenellations. The southeastern arcade of the courtyard contains the main entrance to the prayer hall. A Persian framing gate, in which the central arch of the arcade is further in with a higher rectangular pattern above it, opens into the prayer hall.

 

A new wooden door was installed during the reign of al-Hakim in 1009. In 1125, al-Amir installed a new wooden mihrab. An additional dome was constructed during the reign of al-Hafiz li-Din Allah. He additionally ordered the creation of a fourth arcade around the courtyard and had a porch built on the western end of the sahn.

 

Mamluk additions

An ornate carved stone minaret, with a carved stone railing around balconies at its center and near its top. The tip of the minaret is a large bulb-shaped stone decoration with a small bulb-shaped metal finial. Behind the minaret part of the top of a dome is visible.

 

The Fatimid dynasty was succeeded by the rule of Saladin and his Ayyubid dynasty. Initially appointed vizier by the last Fatimid Caliph Al-'Āḍid (who incorrectly thought he could be easily manipulated), Saladin consolidated power in Egypt, allying that country with the Sunni Abbasid Caliphate in Baghdad. Distrusting al-Azhar for its Shi'a history, the mosque lost prestige during his rule. However, the succeeding Mamluk dynasty made restorations and additions to the mosque, overseeing a rapid expansion of its educational programs. Among the restorations was a modification of the mihrab, with the installation of a polychrome marble facing.

 

Madrasa al-Taybarsiyya

The Madrasa al-Taybarsiyya, which contains the tomb of Amir Taybars, was built in 1309. Originally intended to function as a complementary mosque to al-Azhar it has since been integrated with the rest of the mosque. The Maliki and Shāfi‘ī madh'hab were studied in this madrasa, though it now is used to hold manuscripts from the library. The only surviving piece from the original is the qibla wall and its polychrome mihrab. Al-Maqrizi reported that the madrasa was used only for studying the Shāfi‘ī while the historian Ibn Duqmaq reported that one of the liwans in the madrasa was reserved for Shāfi‘ī teachings while the other was for Maliki teachings.

 

The madrasa was completely rebuilt by Abd al-Rahman Katkhuda, leaving only the southeastern wall and its mihrab untouched. The mihrab was described by K. A. C. Creswell as being "one of the finest in Cairo". The niche of the mihrab is 1.13 meters (3.7 ft) wide and 76 centimeters (30 in) deep. On each side of the niche stands a 2.78 meters (9.1 ft) high porphyry column. Above the columns are impost blocks decorated with colored geometrical designs. The semi-dome at the top of the mihrab is set within an outer arch. Surrounding this arch is a molding that forms a rectangular outer frame. This is the first mihrab in Egypt to have this type of frame. Inside the frame are glass mosaics depicting pomegranate trees.

 

Madrasa and mausoleum of Aqbugha

A dome and minaret cover the Madrasa al-Aqbughawiyya, which contains the tomb of Amir Aqbugha, which was built in 1339. Intended by its founder, another Mamluk amir called Sayf al-Din Aqbugha 'Abd al-Wahid, to be a stand-alone mosque and school, the madrasa has since become integrated with the rest of the mosque. It includes both a small tomb chamber and a larger hall, both with mihrabs. The entrance, qibla wall, and the mihrabs with glass mosaics are all original, while the pointed dome was rebuilt in the Ottoman period. Parts of the facade were remodeled by Khedive Tewfik in 1888. The top of the minaret was remodelled by Abd al-Rahman Katkhuda so as to have a pointed top like the other Ottoman-style minarets he built around the entrances of the mosque, but at some point after 1932 the top was once again refashioned to end with a Mamluk-style finial which we see today.

 

Madrasa Gawhariyya

Built in 1440, the Madrasa Gawhariyya contains the tomb of Gawhar al-Qanaqba'i, a Sudanese eunuch who became treasurer to the sultan. The floor of the madrasa is marble, the walls lined with cupboards, decoratively inlaid with ebony, ivory, and nacre. The tomb chamber is covered by small stone dome whose exterior is carved with an arabesque pattern, making it one for the earliest domes in Cairo with this type of decoration (later refined in the dome of Qaytay's mausoleum in the Northern Cemetery). The structure was restored between 1980 and 1982.

 

Minaret of Qaytbay

An ornate carved stone minaret, with a carved stone railing around three balconies, the first below its center, the second two thirds the way up, and the third near its top. The tip of the minaret is a large bulb-shaped stone decoration with a small bulb-shaped metal finial. Behind the minaret most of a dome is visible.

 

Built in 1483 or in 1495, it has a square base, a transitional segment leading into an octagonal shaft, then a 10-sided polygon shaft, followed by a cylindrical shaft that consists of 8 brick pillars, each two adjoined by bricks in between. The Minaret of Qaytbay also has three balconies, supported by muqarnas, a form of stalactite vaulting which provide a smooth transition from a flat surface to a curved one (first recorded to have been used in Egypt in 1085), that adorn the minaret. The first shaft is octagonal is decorated with keel-arched panels on each side, with a cluster of three columns separating each panel. Above this shaft is the second octagonal shaft which is separated from the first by a balcony and decorated with plaiting. A second balcony separates this shaft with the final cylindrical shaft, decorated with four arches. Above this is the third balcony, crowned by the finial top of the minaret.

 

The minaret is believed to have been built in the area of an earlier, Fatimid-era brick minaret that had itself been rebuilt several times. Contemporary accounts suggest that the Fatimid minaret had defects in its construction and needed to be rebuilt several times, including once under the direction of Sadr al-Din al-Adhra'i al-Dimashqi al-Hanafi, the qadi al-qudat (Chief Justice of the Highest Court) during the rule of Sultan Baibars. Recorded to have been rebuilt again under Barquq in 1397, the minaret began to lean at a dangerous angle and was rebuilt in 1414 by Taj al-Din al-Shawbaki, the walī and muhtasib of Cairo, and again in 1432. The Qaytbay minaret was built in its place as part of a reconstruction of the entrance to the mosque.

 

Gate of Qaytbay

Directly across the courtyard from the entrance from the Bab al-Muzayinīn is the Gate of Qaytbay. It is a refined example of the late Mamuk architectural and decorative style. Built in 1495, this gate leads to the court of the prayer hall.

 

Minaret of al-Ghuri

An ornate carved stone octagonal minaret, with a carved stone railing around balconies at its center and near its top. Above the second balcony the minaret splits into two rectangular shafts, each tipped by railing and a bulb-shaped finial.

 

The double finial minaret was built in 1509 by Qansuh al-Ghuri. Sitting on a square base, the first shaft is octagonal, and four sides have a decorative keel arch, separated from the adjacent sides with two columns. The second shaft, a 12-sided polygon separated from the first by fretted balconies supported by muqarnas, is decorated with blue faience. A balcony separates the third level from the second shaft. The third level is made up of two rectangular shafts with horseshoe arches on each side of both shafts. Atop each of these two shafts rests a finial atop two identical onion shaped bulbs, with a balcony separating the finials from the shafts.

 

Ottoman renovations and additions

Several additions and restorations were made during Ottoman reign in Egypt, many of which were completed under the direction of Abd al-Rahman Katkhuda who nearly doubled the size of the mosque. Three gates were added by Katkhuda, the Bab al-Muzayinīn (see below), which became the main entrance to the mosque, the Bab al-Shurba (the Soup Gate), and the Bab al-Sa'ayida (the Gate of the Sa'idis). To each gate he added a pointed Ottoman-style minaret, of which one was later demolished during the creation of al-Azhar Street. For the Bab al-Muzayinīn, which was adjacent to the Madrasa al-Aqbughiyya, he remodelled the top of Aqbugha's minaret to make it resemble the other Ottoman minarets (though the top was later rebuilt again in a Mamluk style during the 20th century). Several riwaqs were added, including one for the blind students of al-Azhar, as well as refurbished during the Ottoman period. Katkhuda also added an additional prayer hall south of the original Fatimid hall, with an additional mihrab, doubling the total prayer area. His overall work reintegrated the mosque's disparate elements in a relatively unified whole.

 

Bab al-Muzayinīn

Two large arches recessed into a wall are visible, with entrance-ways at their bottom. Above the arches the wall is ornately decorated with carvings and geometric designs. Parts of the decorations are colored red, blue and gold. The arches and decorations are surmounted and flanked by large, closely set rectangular blocks.

 

The Bab al-Muzayinīn ("Gate of the Barbers", Arabic: باب المزينين) was built in 1753. Credited to Katkhuda the gate has two doors, each surrounded by recessed arches. Two molded semi-circular arches with tympanums decorated with trefoils stand above the doors. Above the arches is a frieze with panels of cypress trees, a common trait of Ottoman work.

 

A free-standing minaret, built by Katkhuda, originally stood outside the gate. The minaret was demolished prior to the opening of al-Azhar street by Tewfik Pasha during modernization efforts which took place throughout Cairo.

 

Current layout and structure

A niche made of multiple types of decorative stone is embedded in a wall, facing a red carpeted area. The niche is flanked by stone columns, and surmounted by a stone arch. The wall at the back of the niche is a semi-circular curve, with a geometric design covering most of it. The wall beside the niche also has patterned stone on it. To the right is a dark wooden structure, a narrow staircase with a lattice door at the foot of it, and lattice railings leading to a seat topped by a square wooden canopy.

The present main entrance to the mosque is the Bab al-Muzayinīn, which opens into the white marble-paved courtyard at the opposite end of the main prayer hall. To the northeast of the Bab al-Muzayinīn, the courtyard is flanked by the façade of the Madrasa al-Aqbughawiyya; the southwestern end of the courtyard leads to the Madrasa al-Taybarsiyya. Directly across the courtyard from the entrance to the Bab al-Muzayinīn is the Bab al-Gindi (Gate of Qaytbay), built in 1495, above which stands the minaret of Qaytbay. Through this gate lies the courtyard of the prayer hall.

 

The mihrab has recently been changed to a plain marble facing with gold patterns, replacing some of the Mamluk marble facing, but the stucco carvings in the semi-dome are likely from the Fatimid era.

Wellington Street West • Wellington Village • Hintonburg • Ottawa

Canon A640, developed in Lightroom.

 

"The Basilica di Santa Croce [...] is situated on the Piazza di Santa Croce, about 800m southeast of the Duomo. [...] It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories." (Wikipedia)

 

The construction took centuries. Started in 1294, consecration was in 1442CE.

 

"Santa Croce ist die größte und eine der bedeutendsten Franziskanerkirchen Italiens. [...] Zusammen mit dem Dom und Santa Maria Novella, der Kirche des Dominikanerordens in Florenz, bildet Santa Croce den großartigen Dreiklang gotischer Sakralarchitektur in Florenz, die sich – im Vergleich mit der Gotik in Frankreich – durch eine andere Raumauffassung auszeichnet: weite Arkadenöffnungen zu den Seitenschiffen, darüber eine niedrige Lichtgadenzone, die in Santa Croce allerdings nicht durch ein Steingewölbe, sondern – das Stilideal der franziskanischen Einfachheit mehr zitierend als ihm entsprechend – durch ein offenes Sparrendach abgeschlossen wird. Das durchlaufende kräftige Konsolgesims betont den Eindruck der Lagerung, obwohl die lichte Höhe des Mittelschiffs mit 34,5 Meter größer ist als die von Notre-Dame in Paris und fast so groß wie die von Chartres und Reims." (Wikipedia)

 

"In 1866, the complex became public property, as a part of government suppression of most religious houses, following the wars that gained Italian independence and unity." (Wikipedia)

 

en.wikipedia.org/wiki/Santa_Croce,_Florence

de.wikipedia.org/wiki/Santa_Croce_(Florenz)

it.wikipedia.org/wiki/Basilica_di_Santa_Croce

Fujicolor C200 35mm film

Developed by Bayer, Perfected by Pete! Oh how could we avoid a target like Pete. Here we have a Pete Doherty endorsed pack of Heroin which includes two syringes of Pete’s all-time favourite 70% mix and all the paraphernalia you need for a great night in! There’s even a competition on the back to enter with the top prize being an exclusive house party hosted by Pete – at your house! Available at your local supermarket now!

 

Interestingly Heroin was first trademarked by Bayer in 1895 and originally sold as a non-addictive morphine substitute!

 

Cheers

 

id-iom

 

Title: Pete Doherty Heroin (Front of pack detail)

Media: Mixed media

Picassocam pinhole camera, paper negative, 45 sec exp developed in Caffenol C, colorized in Photoshop, a wee bit of texture added to an otherwise bland sky

 

Back in the early '90s, my then-boyfriend and I were traveling to San Diego in July. By the time we got to Yuma, it was hot, glaringly bright, and the A/C couldn't keep up. By the time we got to El Centro, it was brighter (2pm) and hotter. (120 deg F) I was fading fast. Then, it was the sight of this fertilizer tank, with the words, "sea level", marked with a line half way up the tank, that made me feel like I was about to dry up and blow away out the window. "Below sea level!!!" I exclaimed in disbelief. I felt like I was sinking down into Hell, taking all the heat with me. At the time, we were attending college up at 7,000 feet altitude, so it was quite a difference from everyday life!

 

The boyfriend became the husband a few years later, and last week, we came by this way again, with the kiddos. Thank goodness it was January instead of July! Husband pulled off I-8, and found the dirt road along the fence line, so I could get my pinhole of the tank. Two employees road up in their little golf cart, leery of what we were doing. We excused ourselves as crazy tourists, taking a picture of their fertilizer tank, with a metal can. I can't believe they bought it!

 

Image made January 24, 2013

 

ps for Husband: Yes, I concede- the tank is on the ((left)) side of the freeway!

Develop: Metol

Planfilm: Fomapan 100

Zeiss Ikon Donata 9x12, Tessar 1:4,5/135 ( 1928 )

Senior Lecturer in Studio Art Virgina Beahan teaches an introductory photography class that includes black and white film processing and printmaking techniques. (Photo by Robert Gill)

 

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Kodak Portra 400 developed with Bellini.

Developed in hc-110b at 68 for 6 minutes.

developed 20160902

Developed in parallel with the legendary Avro Canada CF-105 Arrow Cold War bomber interceptor, the pioneering Orenda Iroquois military twin-spool jet engine was cancelled on 20 February 1959, 'Black Friday' in Canada's aviation sector, along with the CF-105.

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en.wikipedia.org/wiki/Orenda_Iroquois

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en.wikipedia.org/wiki/Avro_Canada_CF-105_Arrow

 

_DSC4538 Anx2 1200h Q90 0.5k-3k

Developed a smoking habit :(

Thank you everyone for your visit, favorites and comments

Merci à tous pour votre visite, favoris et commentaires

 

Kodak-Tri X 400asa Developer T-Max 1+9 10min 24º.

Nikon Film Coolscan 5000 ED.

Canon F-1, Canon FD 1:3.5 135 mm.

 

Döme Géodésique

 

Thank you everyone for your visit, favorites and comments.

Product shoot with the little compact X100S + Godox SK300II + Godox TT600 + Godox XPro-F

from the beach on Toronto Island, summer's end.

 

red filter

ilford delta 3200, shot at 1600

pre-soak distilled water 5 minutes

in rodinal 1:100

60 minutes semi stand developed at 22c

initial 60 seconds inversion, then 5 inversions at 30 minutes

The Bugatti Veyron EB 16.4 is a mid-engined sports car, designed and developed in Germany by the Volkswagen Group and manufactured in Molsheim, France, by Bugatti Automobiles S.A.S.

 

The original version had a top speed of 407.12 km/h (252.97 mph). It was named Car of the Decade and best car award (2000–2009) by the BBC television programme Top Gear. The standard Bugatti Veyron also won Top Gear's Best Car Driven All Year award in 2005.

 

The current Super Sport version of the Veyron is recognized by Guinness World Records as the fastest street-legal production car in the world, with a top speed of 431.072 km/h (267.856 mph), and the roadster Veyron Grand Sport Vitesse version is the fastest roadster in the world, reaching an averaged top speed of 408.84 km/h (254.04 mph) in a test on 6 April 2013.

 

Name origin

 

The Veyron EB 16.4 is named in honour of Pierre Veyron, a Bugatti development engineer, test driver and company race driver who, with co-driver Jean-Pierre Wimille, won the 1939 24 hours of Le Mans while driving a Bugatti. The "EB" refers to Bugatti founder Ettore Bugatti and the "16.4" refers to the engine's 16 cylinders and 4 turbochargers.

 

World record controversy

 

A controversy developed in 2013 over the Veyron Super Sport's status as the world’s fastest production car, ultimately resolved in the Veyron's favor.

 

In early April 2013, driving.co.uk (also known as Sunday Times Driving) began an investigation following claims from US car maker Hennessey that its 928 kW (1,244 bhp) Hennessey Venom GT was entitled to the Guinness World Record. With a recorded speed of 427.6 km/h (265.7 mph) the Hennessey was 3.4 km/h (2.1 mph) slower than the Veyron but Hennessey dismissed Bugatti’s official record saying that the Veyron Super Sport was restricted to 415 km/h (258 mph) in production form and that for it to achieve its record top speed of 431.0 km/h (267.8 mph), the car used was in a state of tune not available to customers. Hennessey said its Venom GT was road-ready and unmodified and was therefore a production car in the strict sense of the term.

 

Driving.co.uk requested clarification from Guinness World Records, which investigated this claim and found that the modification was against the official guidelines of the record. Upon finding this, Guinness World Records voided the Super Sport's record and announced it was "reviewing this category with expert external consultants to ensure our records fairly reflect achievements in this field."

 

After further review, Shelby SuperCars, the producers of the Ultimate Aero TT, said that they had reclaimed the record, however Guinness reinstated the Super Sport's record after coming to the conclusion that "a change to the speed limiter does not alter the fundamental design of the car or its engine."

 

Bugatti Veyron 16.4 Super Sport, World Record Edition (2010–)

 

The Bugatti Veyron 16.4 Super Sport is a faster, more powerful version of the Bugatti Veyron 16.4. Production is limited to thirty units. The Super Sport has increased engine power of 1,200 PS (880 kW; 1,200 bhp), a torque of 1,500 N·m (1,100 lbf·ft), and a revised aerodynamic package. The Super Sport has a 431.072 km/h (267.856 mph) top speed, making it the fastest production road car on the market although it is electronically limited to 415 km/h (258 mph) to protect the tyres from disintegrating.

 

The Bugatti Veyron 16.4 Super Sport World Record Edition is a version of the Bugatti Veyron 16.4 Super Sport. It is limited to five units. It has an orange body detailing, and a special, black, exposed, carbon, body.

 

The vehicle was unveiled in 2010 at The Quail, followed by the 2010 Monterey Historic Races at Laguna Seca, and the 2010 Pebble Beach Concours d'Elegance.

 

[Text taken from Wikipedia]

 

This Lego Speed Champions (1:37)-scale 2010 Bugatti Veyron Super Sport has been created for Flickr LUGNuts' 88th Build Challenge, - "Let's go Break Some records", - for vehicles that set the bar (high or low) for any number of vehicles statistics or records. In the case of the Veyron Super Sport, the fastest road car in the world - 431.072 km/h (267.856 mph).

 

Hasselblad 500 C/M

Carl Zeiss Opton 80/2.8 with 21mm extension ring

Fuji Velvia 50 (expired 2007), self-developed in Tetenal Colortec E-6 kit

Watchtower Bay, Barry

Hasselblad 503CX, Distagon CF 40mm, Lee .6 ND grad, Velvia 50

Developed in Tetenal E6 kit

cariadus.com | tumblr | facebook

This is Brian Busch. Brian helped to create the mythology surrounding Beardsgaard Barbers in Batavia, IL and is featured here as a more "real life" portrait than some of the others in the series.

 

Shot on my Mamiya RZ67ProII and Kodak Portra 400 at EI320 using the fantastic Sekor Z 110mm f2.8 glass wide open and getting just that razor thin slice of his eyes and hair/beard in focus. Soft light filtering through the Nordic Spruce in the area helped .

 

Developed at home with C41 Press Kit, Scanned at 3200dpi on my Epson V600 with VueScan. I kept the pastel tones of Portra intact and since there were active burns in the area we had a very hazy, low contrast background....magical!

 

See the shoot, backstory, and video here:

 

www.beardsgaardbarbers.com/fob-frostwood-irl/

Moscow. Kubinka tank museum.

 

The Iosif Stalin tank (or IS tank, named after the Soviet leader Joseph Stalin), was a heavy tank developed by the Soviet Union during World War II. The tanks in the series are also sometimes called JS or ИС tanks.

 

The heavy tank was designed with thick armour to counter the German 88 mm guns, and sported a main gun that was capable of defeating the German Tiger and Panther tanks. It was mainly a breakthrough tank, firing a heavy high-explosive shell that was useful against entrenchments and bunkers. The IS-2 was put into service in April 1944, and was used as a spearhead in the Battle for Berlin by the Red Army in the final stage of the war.

 

The IS-3 had a superior armour layout, with a hemispherical turret like many later Soviet tanks

 

In late 1944 the design was upgraded to the IS-3. This tank had improved armour layout, and a hemispherical cast turret (resembling an overturned "soup bowl") which was to be the hallmark of post-war Soviet tanks. While this low, hemispherical turret may have made the IS-3 a smaller target, it also imposed severe penalties inside the tank by significantly diminishing the working headroom, especially for the loader (Soviet tanks in general are characterized by uncomfortably small interior space compared to Western tanks). The low turret also limited the maximum depression of the main gun, since the gun breech had little room inside the turret to pivot on its vertical axis. As a result, the IS-3 was less able to take advantage of hull-down positions, a tactic at which Western tanks were better suited (Perrett 1987:21). The IS-3's pointed prow earned it the nickname Shchuka (Pike) by its crews. It weighed slightly less and stood 30 cm lower.

 

The IS-3 came too late to see action in World War II. Though some older sources claim that the tank saw action at the end of the war in Europe, there are no official reports to confirm this. It is now generally accepted that the tank saw no action against the Germans, although one regiment may have been deployed against the Japanese in Manchuria.

 

In 1952, a further development was put into production, the IS-10. Due of the political climate in the wake of Stalin's 1953 death, it was renamed T-10.

 

In the mid-1950s, the remaining IS-2 tanks (mostly model 1944 variants) were upgraded to keep them battle-worthy. This upgrade produced the IS-2M, which introduced fittings such as external fuel tanks on the rear hull (the basic IS-2 had these only on the hull sides), stowage bins on both sides of the hull, and protective skirting along the top edges of the tracks. IS-3 was also slightly modernized as IS-3M.

 

[edit] Operational history

 

The IS-2 tank first saw combat in the spring of 1944. IS-2s were assigned to separate heavy tank regiments, normally of 21 tanks each. These regiments were used to reinforce the most important attack sectors during major offensive operations. Tactically, they were employed as breakthrough tanks. Their role was to support infantry in the assault, using their large guns to destroy bunkers, buildings, dug-in crew-served weapons, and other 'soft' targets. They were also capable of taking on any German AFVs if required. Once a breakthrough was achieved, lighter, more mobile T-34s would take over the exploitation.

Frontal view of an IS-3. The squat, solid-looking front profile and pointed prow are highly distinctive.

 

The IS-3 first appeared to Western observers at the Allied Victory Parade in Berlin in September 1945. The IS-3 was an impressive development in the eyes of Western military observers, the British in particular, who responded with heavy tank designs of their own.

 

By the 1950s, the emergence of the main battle tank concept - combining medium tank mobility with the firepower of the heavy tank - had rendered heavy tanks obsolete in Soviet operational doctrine. In the late 1960s, the remaining Soviet heavy tanks were transferred to Red Army reserve service and storage. The IS-2 Model 1944 remained in active service much longer in the armies of Cuba, China and North Korea. A regiment of Chinese IS-2s was available for use in the Korean War, but saw no service there. In response to border disputes between the Soviet Union and China, some Soviet IS-3s were dug in as fixed pillboxes along the Soviet-Chinese border. The IS-3 was used in the 1956 Soviet invasion of Hungary and the Prague Spring in 1968.

 

During the early 1950s all IS-3s were modernised as IS-3M models. The Egyptian Army acquired about 100 IS-3M tanks in all from the Soviet Union.[5] During the Six Day War, a single regiment of IS-3M tanks was stationed with the 7th Infantry Division at Rafah and the 125th Tank Brigade of the 6th Mechanized Division at Kuntilla was also equipped with about 60 IS-3M tanks.[6] Israeli infantry and paratrooper units had considerable difficulty with the IS-3M when it was encountered due to its thick armour, which shrugged off hits from normal infantry anti-tank weapons such as the bazooka.[6] Even the 90mm AP shell fired by the main gun of the Israeli Defense Force (IDF) M-48A2 Patton tanks could not penetrate the frontal armour of the IS-3s at normal battle ranges.[6] There were a number of engagements between the M48A2 Pattons of the IDF 7th Armoured Brigade and IS-3s supporting Egyptian positions at Rafah in which several M48A2s were knocked out in the fighting.[6] Despite this, the slow rate of fire, poor engine performance (the engine was not well suited to hot-climate operations), and rudimentary fire control of the IS-3s proved to be a significant handicap, and about 73 IS-3s were lost in the 1967 war.[6] Most Egyptian IS-3 tanks were withdrawn from service, though at least one regiment of IS-3 tanks was retained in service as late as the 1973 October war.[6] The IDF itself experimented with a few captured IS-3M tanks, but found them ill-suited to fast moving desert tank warfare; those that were not scrapped were turned into stationary defensive pillbox emplacements in the Jordan River area.[6]

 

After the Korean War, China attempted to reverse-engineer the IS-2/IS-3 as Type 122 medium tank.[7] The project was cancelled in favour of the Type 59, a copy of the Soviet T-54A.

Forgot a roll I exposed the end of January but undeveloped until yesterday.

1/5

Developed and scanned by Whampoa Colour Centre

developed in Xaos, tweaked in Gimp

Well, why wouldn't it? From a circle, specifically a Poincaré disk with triangles on it.

Cosina 1000 S

Helios 44M

Agfa Vista 200

Stand Developed Unicolor/Argentix.ca

Pakon F135

Ju-287

Please watch this and many other fantastic creations here: www.flickr.com/photos/einon/

I have already built some Luft46 projects, like the Blohm + Voss P.188.03, but I wanted to build a different project this time. The Ju-287 was a German test-bed bomber built in the end of the war, but the Germans were developing new and more advanced versions like the EF-140.

 

The real story:

 

This Ju-287 version is the EF-140, a prototype only built after the war by the Soviets. The first flight was in 1948, using two Klimov VK-1 jet engines. If the WW2 had continued, it might have been built by the germans and used as a tactical bomber against England and the URSS.

 

Alternate Story (what if? 1945-47)

 

The prototype was powered by two BMW 109-018 jet engines, featured a revolutionary forward-swept wing and, like other bombers built by Junkers, it carried a pressure cabin housing the three man crew. The defensive guns were all remotely controlled.

Operationally, the plane was called Ju-287 A-5. A small squadron of 5 Ju-287s A-5 operating from Norway, each plane armed with two Hs 296, tried to sink the soviet battleship Sovetsky Soyuz in 1946. The battleship eventually was hit two times but managed to survive and return to Murmansk. Two Ju-287 A-5 bombers were shot down during the attack. The fast bomber was also used with great success against the Soviet army, being too fast for the soviet fighters to catch up. This led the soviets to develop mixed rocket-and-propeller fighters to defend it´s troops.

In May 1947, a few weeks before the “end of the war”, a total of 350 Ju-287 A-5 were used in the Second Battle of Britain. Half of them were lost in less than a week, most to the new British jet fighters like the De Havilland Vampire and the Gloster Meteor.

 

Henschel Hs 296 Flying bomb (invented by me)

 

The Henschel Hs 296 was a radio-controlled flying bomb carrying a 750kg armour-piercing charge. The bomb was developed from the Fieseler Fi 103 Flying bomb (also know as V-1) and was guided to the target using a “Tonne-Seedorf” TV guidance system built for the Hs 293D. It had a range of 30km and was propelled by 2 Schmidding SG 34 solid fuel rocket boosters (1,200 kg for 10 seconds each).

  

General characteristics

Crew: 3

Length: 19.25 m

Wingspan: 21.87 m

Height: 5.65 m

Wing area: 61 m2

Empty weight: 14,676 kg

Gross weight: 25,543 kg

Powerplant: 2 × BMW 109-018 jet engines

Performance

Maximum speed: 900 km/h (estimated)

Range: 4000 km

Service ceiling: 14,100 m

Armament:

2 x 30mm Mk-103 cannon fixed forward firing;

2 × 20mm MG-151/20 cannon in a dorsal turret;

2 × 20mm MG-151/20 cannon in a rear turret;

2 × 20mm MG-151/20 in a DT-N1 ventral barbette (some models);

2 x 1000kg bombs in the bomb bay or;

4 x 500kg bombs in the bomb bay or;

2 x Hs 296 Glide-bomb under the wings or;

2 x FX 1400 Fritz X under the wings or;

2 x Blohm & Voss L 11 Schneewittchen Torpedo Gliders under the wings.

Max. Bombload: 4000kg.

 

Hope you like it

Please watch this and many other fantastic creations here: www.flickr.com/photos/einon/

Please comment or rate ^^

 

Eínon

 

Developed for Air France, the Loire 102 pictured here's in a Test Phase for its new single stabilized Tailfin and enhanced Engines (Streamline, Cooler...)

Indeed, previous Version had a double Tail and some overheating Probs.

Its Net Weight was over 17Ton, moved manually by man.

 

Original Gelatin-Silver Photograph

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

 

Some background:

The Helwan Aircraft HA-410 (Arabic: حلوان ٤‎٠٠‎) was an indigenous supersonic jet fighter aircraft developed in Egypt during the late 1960s. Its design took place in the wake of the less successful lightweight HA-300 interceptor, designed by famous German aircraft engineer Willy Messerschmitt. Like its smaller stable mate, the HA-410 was an ambitious project for Egypt, at the time seeking to expand both its aerial civilian and defence industry.

 

Compared to the HA-300, the HA-400, how the project was initially called, was a much bigger aircraft, comparable to the North American F-100 ‘Super Sabre’ and similar in operational and political respects to the Indian Hindustan Industries ‘Marut’ fighter. The aircraft was planned as a home-grown alternative to the Soviet Su-7 fighter bomber, which had been acquired by the Egyptian Air Force (EAF; Arabic: القوات الجوية المصرية‎, Al-Qūwāt al-Gawwīyä al-Miṣrīyä) and employed in the Six Day War in 1967. This event uncovered certain deficiencies of the type, like the Su-7’s relatively poor ordnance load and range, as well as its high landing speed.

 

Under the influence of the ensuing War of Attrition with Israel, the HA-400 prototype was designed around the same Lyulka AL-7 turbojet engine as the Su-7, inheriting its power but also the poor reliability – even though the engine’s high resilience against FOD, sand and dust was a vital aspect for the EAF.

 

The HA-400’s design was conventional, with a barrel-shaped (non-area-ruled) fuselage, reminiscent of the US-American North American F-100 Super Sabre or the French Dassault Super Mystère B2. But the HA-400 incorporated different features like a translating centerbody, a movable cone in the air intake for managing airflow to the engine at supersonic speeds. It also featured clipped delta mid-wings with a 60° sweep, not unlike those of the MiG-21 and a one-piece, all-moving tailplane.

 

The main landing gear retracted inwards, partly into the lower fuselage, the twin-wheeled front landing gear retracted forward. The landing gear was rigid and suitable for operations on semi-prepared airfields. The pilot sat in a pressurized cockpit, offering better for- and downward vision than the Su-7.

The Armament comprised two 30mm cannons in the lower forward fuselage, plus sevem ordnance hardpoints for a total external weapon load of about 3 tons.

 

The first prototype flew on August 6th 1968, two additional airframes followed. The EAF’s operational evaluation from November 1968 to December 1996 found the new fighter to have superior performance but declared it not ready for wide-scale deployment due to various deficiencies. These findings were subsequently confirmed during operational suitability tests. Particularly troubling was the poor directional instability in certain regimes of flight. The aircraft could develop a sudden yaw and roll which would happen too fast for the pilot to correct and would eventually overstress the aircraft structure to disintegration. As a remedy, the fin was enlarged and a ventral fin for better longitudinal stability added. Another critical point was field performance: the initially pure delta-winged HA-400 showed poor take-off and landing characteristics, offering almost no improvement in comparison with the Su-7.

 

Helwan Aircraft investigated a new wing design with extended wingtips for an increased wing area and boundary layer control. The result was a new "cranked" wing, with wingtips at a shallower sweep of only 45° just outboard of the wing fence. The new wing also featured a boundary-layer control (BLC, "blown flaps") system, with engine air bleed blown over the flaps to keep them effective at lower speeds. These improvements made takeoffs and landings less ‘hot’ and intimidating. Unfortunately, the Lyulka AL-7F-1 didn't provide enough bleed air to make the BLC system very effective, but the new wing alone improved slow speed flying characteristics enough to justify its use. An additional brake parachute, housed in a fairing at the fin’s base, reduced landing distance even further.

 

Under the lingering tense atmosphere with Israel, serial production of the modified aircraft, which had been re-designated HA-410 by November 1969, started in early 1970. Soon the new aircraft saw their baptism in fire in 1973 during the Yom Kippur War. Success was limited, though, due to teething troubles with the hydraulic and BLC system, general engine unreliability and the lack of a powerful radar which would allow true all-weather/night attack capability - the HA-410 only featured a RP-21 ‘Sapfir’ radar system, the same as used in export versions of the MiG-21. Consequently, the HA-410 was almost exclusively used in the daylight ground attack role, even though some machines were, equipped with up to four IR-guided K-13 AAMs, used for point defence around air bases. EAF HA-410 were later also actively deployed in the Egyptian-Libyan War, a border skirmish in July 1977.

 

A total of 75 aircraft were built, including 13 two-seated trainers, equipping three EAF squadrons, made exclusively up from this type. The EAF was the only user of the HA-410. Yugoslavia showed interest in the type in the late 70ies, as well as India, but no plane was ever exported. The HA-410, as an aircraft, proved to be tough and capable, despite its reliability shortcomings and stability problems which called for an alert pilot. No aircraft were ever lost in air-to-air combat. However, twelve were lost due to accidents and technical failures, six were lost to ground fire and three were lost due to friendly AA fire, since the HA-410’s silhouette was easily mistaken for an Israeli Super Mystère B2.

 

The last examples were withdrawn from service in 1988 and consequently scrapped, being replaced by Su-20/22 and F-16.

  

General characteristics:

Crew: 1

Length (fuselage only): 50 ft. 8 in (15.48m),

Length incl. pitot: 57 ft 8½ in (17.57 m)

Wingspan: 28 ft 7¼ in (8.71 m)

Wing area: 394 ft² (36.6 m²)

Wing loading: 77.4 lb/ft² (379 kg/m²)

Height: 16 ft 9 in (5.11 m)

Empty weight: 21,000 lb (9,500 kg)

Loaded weight: 28,847 lb (13,085 kg)

 

Powerplant:

1× Lyulka AL-7F-1 turbojet with 66.6 kN (14,980 lbs) of dry thrust of and 94.1 kN (22,150 lbs) with afterburner

 

Performance:

Maximum speed: 1.025 mph (895 knots/1.650 km/h/Mach 1.52) at 36,000 ft (11,000 m)

Cruise speed: 570 mph (495 knots/915 km/h)

Service ceiling: 59.000 ft (18.000 m)

Range: 1.580 km (981 miles)

Ferry range: 3.200 km (2.000 mi) with drop tanks

Rate of climb: 31,950 ft/min (162.3 m/s)

 

Armament:

2× 30 mm Nudelmann-Richter NR-30 cannons (120 rounds per gun) in the lower front fuselage.

Seven hardpoints (3× under-fuselage, 4× under-wing, outer pair “wet” for drop tanks) for a total of 7,040 lbs (3,190 kg) of ordnance, including drop tanks, unguided missiles, iron bombs, napalm tanks and K-13 AAMs.

  

The kit and its assembly

If you recognize what’s behind the fictional HA-410, you are well-informed about aircraft history indeed! Believe it or not, this model was derived from a real-life, Cold War era cruise missile! Sick idea? Maybe, but a nice challenge!

 

The HA-410 is actually a Raduga/OKB MiG Kh-20M (AS-3 “Kangaroo”) nuclear warhead missile, which had been developed from the unsuccessful MiG I-7 jet fighter from the late 50ies. The mighty Kh-20 had exclusively been carried by Tu-95K (“Bear B”) bombers until the late 70ies. The basis for this model is A Model’s 1:72 scale Kh-20M kit, which includes the massive ground handling trolley for this huge weapon - the kit is about 21cm long!

 

I had hoped that just changing the vertical fin would be enough, but all wing areas are much too small for a plane that actually takes off of the ground by its own power. At first I considered wings from an A-7 and the tail fin of an F-16, but when I recently was given a Su-15 from PM Models from a friend – a rather crude and basic kit – I just found what I needed to create a complete aircraft.

 

Bashing both kits was an efficient solution, since the Su-15 not only provided wings and stabilizer parts, but also a complete landing gear with wells, as well as a clear canopy that would fit well onto the bare Kh-20M. As a side note, I decided to attribute this plane to Helwan Aircraft as a kind of tribute - calling it a MiG or Suchoj design would have been too obvious, and using Egypt as part of the whif game made the contsruction of the background easier.

 

But back to the subject: Biggest challenge was to outfit the bulgy missile with anything an operational, manned aircraft would need: a cockpit plus canopy, a complete landing gear including their respective wells, and accessories like weapon hardpoints.

 

Any such “extras” were collected from the scrap box:

● All tail areas come from the PM Model Su-15

● Wings and lower fuselage also come from the Su-15, but had to be modified (see below)

● Main landing gear struts and wheels were taken 100% from the PM Su-15, too

● The double front wheel was also taken from the Su-15, the well is from an Italeri IAI Kfir

● Cockpit canopy comes from the Su-15

● Cockpit tub is also a part of an Italeri Kfir, with some extensions

● The dashboard comes from a Heller Alpha Jet

● Not certain where the seat comes from, the pilot figure is from a vintage Matchbox kit

● All weapon hardpoints come from the scrap box

● Ordnance is a collection of spare parts:

- Drop tanks come from a KP Su-25 kit

- Bombs are modified Matchbox 1.000 lbs bombs, with clipped fins and an added balistic rings

 

Lots of work, despite the plane’s rather simple look. Especially the integration of the lower fuselage was a tough job, since it is one piece with the wings. Not only the part's width had to be trimmed, stability also had to be guaranteed, and fitting this part with a square diameter into the circular Kh-20M's body was not a simple task! had to fit a basically square part into the round Kh-20 fuselage… But the result looks IMHO good.

 

Many surface details like air scoops, antennae, the two guns and weapon stations were added, and the Su-15 canopy needed a matching fairing on the Kh-20's hull, which was built with polystyrene strips.

  

Painting

I settled for an indigenous Egyptian camouflage paint scheme for the HA-410, which is called "Nile" or “Nile Valley”. This scheme has been used by the EAF on various planes like MiG-17 and -21, as well as Su-7, -17/20 and even Tu-16 bombers. With its wavy lines and strong color contrast, "nile Valley" is very unique and attractive, IMHO, and even authentic for the model’s era. There seems to be no defined pattern or even color paradigm, just that sand is involved, a dark contrast color which ranges from dark brown to drak grey, and a demarkation line between these colors which ranges from light green through slate grey to blue-grey. AFAIK, any available paint was used in Egypt, even car paint, so choice of color is a true 'free for all'.

 

The basic colours I chose are Humbrol 74 (Linen), 78 (Cockpit Green) and 98 (Chocolate), but that was only the beginning. Some layers of dry painting with lighter shades like Humbrol 103 (Cream), 121 (Light Sand) and 71 (Beige), RLM 02 on the green areas and a mix of 98 and 64 as well as pure 168 (Hemp) on the brown areas, lightened everything up. Lower sides were painted in Humbrol 65, a light blue with a greenish hue, and treated with FS 36320. Overall, the kit received a light black ink wash and a weathering touch with dry-brushed light grey (Humbrol 64) and Hemp (Humbrol 168).

 

EAF markings come from a vintage Matchbox MiG-21MF (PK-41). The arabic number comes from a Su-24 aftermarket decal sheets. Stencils and warning signs come from the vast OOB decal sheet for the Kh-20M.

  

Overall, the fictious HA-410 looks either like a fat MiG-21 or a short Su-7, but features details uncommon to both! Very Soviet, but unlike anything that rolled off of Cold War fabrication lines. Really subtle... o.-

Developed using darktable 2.6.1

 

stand develop

Rodinal 1:100 for 30 minutes

Photographer's Formulary F5 Fixer

developed and printed myself

Developed in Adobe Lightroom

Developed by Citroën with the help of the French State after the second oil crisis, the AX is released in 1986. The engineers complied to a simple set of requests: the new city car had to be easy to use, economical and inexpensive to produce and maintain. Intended to replace the aging 2CV and the failed Axel, it was Citroën’s second commercial success.

The AX that we present today is a TZX with the 1.1l engine. This version was one of the best equipped, intended for demanding customers. Its equipment includes velvet seats, a radio and central locking. Its performances and comfort make it still a perfectly capable car, even by today’s standards!

 

l'Aventure Peugeot Citroën DS, la Vente Officielle

Aguttes

Estimated : € 2.500 - 3.500

Sold for € 5.700

 

Citroen Heritage

93600 Aulnay sous Bois

France

September 2021

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

  

It took China long way to develop and produce a true supersonic fighter aircraft: in March, 1964, Shenyang Aircraft Factory began the first domestic production of the J-7 jet fighter. However, the mass production of the aircraft, which had been developed through Soviet help, license production and reverse-engineering, was severely hindered by an unexpected problem—the Cultural Revolution. This incident and its consequences resulted in poor initial quality and slow progress.

 

This, in turn, resulted in full scale production only coming about in the 1980s, by which time the J-7 design was showing its age. However, through the years the J-7 saw constant development and refinement in China.

 

One of the many directions of the prolific J-7 family was the J-7III series, later re-coded J-7C. This variant was in so far special, as it was not based on the 1st generation MiG-21F. It was rather a reverse-engineered MiG-21MF obtained from Egypt, but just like the Soviet ejection seat, the original Soviet radar failed to impress Chinese, so a domestic Chinese radar was developed for the aircraft called the "JL-7". JL-7 is a 2 cm wavelength mono pulse fire radar weighing 100 kg, with a maximum range of 28 km, and MTBF is 70 hours.

 

However, due to the limitation of Chinese avionics industry in the 1980s, the performance of the domestic Chinese fire control radars were not satisfactory, because due to their relatively large size, the nosecone had to be enlarged, resulting in decrease in aerodynamic performance of the series. As a result, only very limited numbers of this series were built.

 

The J-7III prototypes comprised a series of a total of 5 aircraft, equipped with domestically developed HTY-3 ejection seat and KL-11 auto pilot. These machines had to be powered by the domestic WP-7 engine (a copy of the MiG-21F's Tumansky R-11) because the intended WP-13F (a license build of the Tumansky R-13) failed to meet the original schedule. The J-7III was planned to enter service in 1985, but due to the delay of WP-13 development, it was not until 1987 when the design was finally certified.

 

Production of the true J-7C fighter started in 1989, when the WP-13 became available, but only a total of 17 were built until 1996. It was soon superseded by the J-7IIIA, the prototype of the more sophisticated J-7D. This upgraded all-weather fighter was equipped with KJ-11A auto pilot, JD-3II TACAN, ADS-1 air data computer, Type 563B INS, WL-7A radio compass, Type 256 radar altimeter, TKR-122 radio, 930-4 RWR, 941-4A decoy launcher, and an improved JL-7A radar.

The fighter was to be armed with PL-7 & PL-8 AAMs and carried a twin 23 mm gun (a copy of the MiG-21MF's ventral GSh-23-2 cannon). A HK-13A HUD replaced HK-03D optical sight in earlier models. The upgraded JL-7A fire control radar had look-down/shoot-down capability added.

 

The production J-7D received an uprated WP-13FI engine, and initial certification was received in November 1994, but it was not until more than a year later in December 1995 when the model was finally fully certified due to the need to certify the WP-13FI on the aircraft. But, again, the results were not satisfactory and only 32 were built until 1999.

 

Even though the J-7C and D had been developed from a much more modern basis than the earlier MiG-21F derivatives, the "new" type offered - except for the more capable radar and the all-weather capability - no considerable benefit, was even less manoueverable in dogfight situations, more complex and expensive, and also had a very limited range. What was needed was a revolutionary step forward.

 

Such a proposal came from Chengdu Aircraft Corporation's general designer Mr. Wang Zi-fang (王子方) in 1998, who had already worked on the J-7D. He proposed the addition of fuselage elements that would partly replace the inner wing sections and create lift, but also offer additional room for more and better avionics, allowing the carriage of state-of-the-art weaponry like the PL-11 AAM, together with more internal fuel. Furthermore, the adaptation of the WS-13 turbofan, a new engine for which project work had just started and which would improve both range and performance of the modified aircraft.

 

In 2000, while an alternative design, the J-7FS, had been under parallel development and cleared for service by then, CAC received green lights for a developmental technology demonstrator under the label J-7DS (S stands for Shi-yan, 试验, meaning "experimental" in Chinese).

 

While the general third generation MiG-21 outlines were retained, the blended wing/body sections - certainly inspired by US American types like the F-16 and the F-18 - and a new, taller fin changed overall proportions considerably. Esp. from above, the bigger wing planform with extended LERXes (reminiscent of the MiG Analog experimental delta wing aircraft that were used during the Tu-144 development in the Soviet union) created the impression of a much more massive and compact aircraft, even though the dimenions remained unchanged.

 

Thanks to the additional space in the BWB sections, new and better equipment could be installed, and the aerodynamics were changed, too. For instance, the J-7's air brakes under the forward fuselage were deleted and replaced by a new pair of splayed design, stabilizing the aircraft more effectively in a dive. The single air brake in front of the ventral fin was retained, though, as well as the blown flaps from the MiG-21MF.

 

The ventral gun pod with a domestic copy of the GSh-23-2 was also deleted; this space, together with the air brake compartment, was now used for a semi-recessed laser range finder, so that guided ammunition could be deployed. But a gun was retained: a new, more effective Type 30-I 30 mm (1.18 in) cannon (a copy of the Gryazev-Shipunov GSh-30-1) with 150 rounds was placed into the port LERX, under the cockpit.

Inside of the LERX on the other side, compartments for new avionics (esp. for the once more upgraded JL-7B fire control radar) were added. With this radar and weapons like the PL-11 missile, the aircraft finally achieved the long desired BVR interception capability.

 

Flanking the new, longer WS-13 engine, the BWBs held extra fuel tanks. For en even more extended range and loiter time, provisions were made for a fixed air-refuelling probe on the starboard side under the cockpit.

Under the inner wings, an additional pair of pylons was added (for a total of seven), and overall ordnance load could be raised to 3.000 kg (6.600 lb).

 

The first J-7DS first flew in summer 2005, still only powered by an WP-13I engine, for a 22-month test program. Three prototypes were built, but only the first two aircraft were to fly – the third machine was only used for static tests.

The driving force behind this program was actually the PLANAF, the People's Liberation Army, Naval Air Force (中國人民解放軍海軍航空兵). While the Chinese Air Force rather placed its bet on the more modern and sophisticated Chengdu J-10 fighter, the PLANAF was rather looking for a more simple and inexpensive multi-role combat aircraft that could carry out both air defence and strike missions, and replace the ageing (and rather ineffective) J-8 fighters and Q-5 attack aircraft, as well as early J-7II fighters with limited all-weather capability. Consequently, the type was only operated by the PLANAF from 2010 onwards and received the official designation J-7DH ("H" for 海军 [Haijun] = Navy).

 

Production was still continuing in small numbers in late 2016, but the number of built specimen is uncertain. About 150 J-7DH are supposed to be in active service, mostly with PLANAF Northern and East Fleet units. Unlike many former J-7 variants (including its ancestor, the PLAAF's more or less stillborn C and D variants), the J-7DH was not offered for export.

  

General characteristics:

Crew: 1

Length: 14.61 m (47 ft 10½ in)

15.69 m (51 ft 5 in) with pitot

Wingspan: 7,41 m (24 ft 3½ in)

Height: 4.78 m (15 ft 8½ in)

Wing area: 28.88 m² (309.8 ft²)

Aspect ratio: 2.8:1

Empty weight: 5,892 kg (12.977 lb)

Loaded weight: 8,240 kg (18.150 lb)

Max. take-off weight: 9,800 kg (21.585 lb)

 

Powerplant:

1× Guizhou WS-13 turbofan with a dry thrust of 51.2 kN (11,510 lbf)

and 84.6 kN (19,000 lbf) with afterburner

 

Performance

Maximum speed: Mach 2.0, 2,200 km/h (1.189 knots, 1.375 mph)

Stall speed: 210 km/h (114 knots, 131 mph) IAS

Combat radius: 1.050 km (568 nmi, 652 mi) (air superiority, two AAMs and three drop tanks)

Ferry range: 2,500 km (1.350 nmi, 1.550 mi)

Service ceiling: 17,500 m (57.420 ft)

Rate of climb: 195 m/s (38.386 ft/min)

 

Armament:

1× Type 30-I 30mm (1.18") cannon with 150 rounds in the port forward fuselage;

7× hardpoints (6× under-wing, 1× centerline under-fuselage) with a capacity of 3,000 kg maximum (up to 500 kg each); Ordnance primarily comprises air-to-air missiles, including PL-2, PL-5, PL-7, PL-8, PL-9 and PL-11 AAMs, but in a secondary CAS role various rocket pods an unguided bombs of up to 500kg caliber can be carried

  

The kit and its assembly:

Another Chinese whif, and again a MiG-21 derivative - a fruitful source of inspiration. The J-7DH is not based ona real world project, though, but was rather inspired by an article about a Chinese 2020 update for the MiG-21 from Japan, including some drawings and artwork.

The latter depicted a late MiG-21 with some minor mods, but also some characteristic F-16 parts like the chines and the BWB flanks grafted to it - and it looked good!

 

Since I recently butchered an Intech F-16 for my Academy T-50 conversion (primariliy donation the whole landing gear, including the wells), I had a donor kit at ahnd, and I also found a Mastercraft MiG-21MF in my stash without a true plan. So I combined both for "something Chinese"...

 

The build was pretty starightforward - except for the fact that the Intech F-16 is a rather clumsy affair (donating the fin and the fuselage flanks) and that no part from the Mastercraft MiG-21 matches with another one! Lots of improvisation and mods were necessary.

On the other side, the F-16 parts were just glued onto the MiG-21 fuselage and blended into one with putty (in several layers, though).

 

The fin was taken wholesale from the F-16, but clipped by about 5mm at the top. I originally wanted to use F-16 wings with wing tip launch rails and the stabilizers, too, but when I held them to the model it looked wacky - so I reverted to the Fishbed parts. The stabilizers were taken OOB, but the wing span was reduced at the roots, so that the original MiG-21 wing span was retained. Only the landing gear wells had to be adapted accordingly, but that was easier than expected and the result looks very organic.

 

With more wing area, I added a third pair of hardpoints under the wing roots, and I kept the gun under the cockpit in the LERX. That offered room inside of the fuselage, filled by a laser rangefinder in a canoe fairing where the original gun used to be.

 

On the tail, a new jet nozzle was mounted, on the fuselage some air scoops and antennae were added an an IR sensor on the nose. A new seat was used in the cockpit instead of the poor L-shaped OOB thing. The PL-2 & -11 ordnance consists of simple AIM-9Bs and slightly modified AIM-120, plus some launch rails from the scrap box.

  

Paintings and markings:

Modern Chinese military aircraft are hardly benchmarks for creative paint schemes - and the only "realistic" option in this case would have been a uniform grey livery. The original J-7C PLAAF night fighters carried a high contrast sand/dark green/light blue livery, similar to the MiG-21 export scheme (a.k.a. "Pumpkin"), but I found the latter not suitabel for a naval operator.

 

I eventually found a compromise, using one of the J-7C schemes as pattern but using grey tones instead - still not very colorful, but the "clover" patterns would help disrupt the aircraft's outlines and support the modern look and feel of this whif.

 

Basic colors are Humbrol 140 (Dark Gull Grey, FS 36231) and 165 (RAF Medium Sea Grey) from above, plus 122 (IAF Pale Blue, FS 35622) on the undersides. With the dark grey pattern placed with no direct connection to the Pale Blue undersides, there's even a blending effect between the tones - not spectacular, but IMHO effective.

 

The cockpit interior became pale teal (a mix of Soviet Cockpit Blue and white), while the landing gear wells were painted with a mix of Humbrol 56, 119 and 225 - for a yellow-ish, dull metallic brown. The wheel discs became bright green (Humbrol 131), and any di-electric panel and the radome became deep green (Humbrol 2).

 

The decals come from a Begemot MiG-21 sheet (roundels), while the tactical 5-digit code comes from an Airfix 1:72 B-17 sheet. The yellow code is a bit unusual, as well as its place on the fin, but both occur on Chinese fighters.

The code itself is based on the information published in the 2010 book “Chinese Air Power” by Yefim Gordon und Dmitriy Komissarov, where the Chinese code system is explained – I hope that it is more or less authentic.

 

The kit received a light black ink wash and some dry painting with lighter blue-grey shades, but no weathering, since modern Chinese aircraft tend to look pretty clean and pristine. Since the kits both did not feature much surface details, and a lot of the few OOB details got lost during the PSR process for the BWB wing sections, I painted some details and panel lines with a soft pencil - a compromise, though. Finally, the kit was sealed with matt acrylic varnish.

  

The result is a pretty subtle whif, and with the F-16 parts added the result even looks very conclusive! From above, the extra fuselage width makes the Fishbed look very massive, which is underlined by the extended stabilizer span. But I think that retailing the original MiG-21 delta wing was a good decision, because it helps retaining the Fishbed's "fast" look.

I am just not 100% happy with the finish - but for the crappy kits I used as basis it's O.K.

 

*click to see full view*

 

Wanted to share another class work with you guys, this one's for a photoshop class though not illustrator.

 

We had to basically add in flora to the image, and develop the entire scene for a "client".

 

I think I'm so used to editing second life images it turned out a little more cartoony than I wanted... but bah XD *waves*

Self developed self redscaled expired Fuda GA 100 film loaded into an Olympus 0m1.

Developed 40 minutes in Caffenol CL (REUSED batch from another roll):

9.6g washing soda

6g vitamin C

4.2g iodized salt

24g instant coffee

600mL water

 

Inversions at 2, 5, 10, 20 and 30 minutes

 

Ilford Fixer

 

Holga 400 (120) shot on Moskva 5

 

Scanned on Epson V600 @ 3200dpi

Developed using darktable 3.8.0

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