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Impression during the Session "AI and Computing: Developing the Next Mathematics with Massachusetts Institute of Technology " at the Annual Meeting 2019 of the World Economic Forum in Davos, January 23, 2019. Congress Cenre - IdeasLab. Copyright by World Economic Forum / Valeriano Di Domenico
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If you are looking to develop android applications, it is a great idea as you can enjoy a range of benefits that are mentioned in this Infographic.
Pima Air and Space Museum
Developed at the request of American Airlines the DC-7 was designed to be capable of non-stop transcontinental flights in competition to the Lockheed Super Constellation in use by TWA. The new airliner first flew in May 1953 and entered service with American Airlines in November of that year. The DC-7B is virtually identical to the earlier version of the plane apart from larger engine nacelles designed to hold more fuel. The DC-7 was the last of Douglas’s piston engine airliner designs that had begun with the DC-2 in the 1930s. Many DC-7s found use after the airlines with travel clubs and as fire fighting aircraft.
Wingspan: 117 ft 6 in.
Length: 108 ft 11 in.
Height: 28 ft 7 in.
Weight: 126,000 lbs (loaded)
Maximum Speed: 360 MPH
Service Ceiling: 27,900 ft
Range: 4,920 miles
Engines: Four Wright R-3350-18DA-4 radials with 3,250 horsepower each
Crew: 3 pilots, 2 flight attendants, and 64 to 95 passengers
Manufacturer: Douglas
Markings: T&G Aviation Inc. Chandler, Arizona, 1985
Designation: DC-7B
Registration: N51701
Serial Number: 44701
Red milkweed beetle playing dead. I walked past this same spot about two minutes later and this individual was walking on the leaf.
Lens was a Tokina 100mm macro on a 2x teleconverter.
A wall cloud develops underneath the mesocyclone produced by a supercell thunderstorm southwest of Crowell, Texas on March 18, 2012.
Jason Hallett, Professor of Sustainable Chemical Technology, Imperial College London, United Kingdom., speaking during the Session "Developing a Vaccine Revolution with Imperial College London" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - IdeasLab
Copyright by World Economic Forum / Mattias Nutt
Galaxian is an arcade game developed by Namco for the Japanese market in 1979 and imported to North America by Midway in 1980. A fixed shooter-style game in which the player controls a spaceship at the bottom of the screen and shoots enemies descending in various directions, it was designed to compete with Space Invaders, whose formulas it expanded upon with the element of aliens periodically make kamikaze-like dives at the player's ship, the Galaxip.
The Museum of the Moving Image, located at 36-01 35 Avenue in Astoria, promotes the public understanding and appreciation of the art, history, technique and technology of film, television, and digital media by collecting, preserving, and providing access to moving-image related artifacts via multimedia exhibitions and educational programming. Originally established in 1977 as the Astoria Motion Picture and Television Center Foundation, opened on September 10, 1988, in the former East Coast home as Paramount Pictures as the first museum in the United States that was evoted solely to the art, history and technology of film, television and video. Following a $67 million expansion by architect Thomas Lesser, starting in March 2008, the museum doubled its size and reopened in January 2011.
Alice Gast, President, Imperial College London, United Kingdom, speaking during the Session "Developing a Vaccine Revolution with Imperial College London" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - IdeasLab
Copyright by World Economic Forum / Mattias Nutt
Rolleiflex 2.8E, film Rollei ATO 2,1 @ iso 6
Developed with Adox Adonal diluted 1:300 (1.67cc : 500ml) @ 20 C 14.24 mins
Paterson tank normal agitate
Center Gallery
111 Ellis
Wichita, KS
Exhibition: Final Friday, March 26
2010 NATIONAL PHOTOGRAPHY FELLOWSHIP COMPETITION - "DEVELOPED WORK"
Visiting Juror: Natasha Egan, Associate Director, Museum of Contemporary Photography, Chicago, Illinois
Opening Reception: Final Friday, March 26, 7 - 10 p.m.
Exhibition Dates: March 26 - April 23, 2010
Gallery Hours: Friday 12 - 6 p.m. & Saturday 12 - 2 p.m.
$ 500 Fellowship recipient: Larry Robinson, Iowa City, IA.
Exhibiting Artists: Zach Abubeker, Chicago, IL; Roger Boulay. Albuquerque, NM; Jennifer Colten, St. Louis, MO; Mary Farmilant, Chicago, IL; Pete Herzfeld, Washington, DC and Eric White, New York, NY.
Work featured on the Center Gallery website, Honorable Mentions: Ray Klimick, Athens, OH; Brook Reynolds, Charlotte, NC; Rylan Steele, Columbus, GA and Amanda Pfister, St. Louis, MO.
Juror Statement: It’s always a pleasure to serve as a juror for such national exhibitions like the Center Galley’s Developed Work exhibition for the 2010 National Photography Fellowship Competition. The process of looking at each submission opens my eyes to a variety of exciting trends developing in the field of photography. The photographic styles ranged from portraiture to landscape, abstract to sculptural, and conceptual to dreamlike. Overall the dominant theme was a introspect view of the United States’ social political landscape. The seven artists I chose to include in this exhibition reveal the diversity in photographic theme and style seen throughout all the entries.
Larry Robinson’s work cleverly stood out in the submissions with its wit, absurdity and pop culture references. The juxtaposition between the projected images of food in the installations with their contrasting domestic or natural environments speaks humorously to America’s infatuation with food. Roger Boulay’s photographs of sculptural stacks of magazines speak beautifully to America’s consumption of media. Jennifer Colten’s eerie surveillance-like video stills of uninhabited places tap into the more anxiety prone culture Americans have developed since the September 11th attacks. Eric White’s examines the border between Mexico and the United States with particular focus on the security fences, surveillance stations and checkpoints. Through portraiture, still-life and landscape, Zach Abubecker observes Ethiopian immigration in the United States raising issues of assimilation and cultural identity. Mary Farmilant’s striking interiors of abandoned hospital spaces perhaps act as a depiction of the current demise of the heath care system. And lastly, Pete White conflates death notice photographs with weather reports in an attempt to illustrate the social political tension generated by death.
The caliber of the work submitted was stellar and I would like to recognize the following artists that I was unable to include in this exhibition: Brook Reynolds for her pictures of closed gas stations; Rylan Steele for his interior office pictures, and Amanda Pfister for her typography of closed car dealership throughout the United States.
Natasha Egan
Associate Director and Curator
Museum of Contemporary Photography
Columbia College Chicago
For more information regarding Center Gallery and the 2010 National Photography Fellowship Competition - "Developed Work" exhibition, please contact: www.centergalleryonline.com
A storm develops in Montgomery County Missouri as it moves into Warren County. A bit more about how this photograph was captured.
Press L to see the big picture.
In early spring small maple flowers are transformed in a matter of days into winged seeds. I caught this maple tree in the action as its tiny red ovaries began to enlarge into seeds.
Maple flowers lack petals but they provide wonderful color when they are massed on the tree, reminiscent of the color maples provide in the winter.
Please join me in my blog “Botany Without Borders: Where Design Meets Science”
Robin Shattock, Chair, Mucosal Infection and Immunity, Imperial College London, United Kingdom., speaking during the Session "Developing a Vaccine Revolution with Imperial College London" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 24, 2019. Congress Centre - IdeasLab
Copyright by World Economic Forum / Mattias Nutt
Film developed at home with Ilfotec DD-X at 20c
Film: Fuji Acros 100
Scanner: Epson V550
Camera: Olympus OM10
I saw a photo of an Apache coiled basket, and realized the motif could be adapted for use in tapestry crochet. The interplay between positive and negative spaces was endlessly fascinating. I use this basket to hold all my crochet hooks
The US Army began developing antitank missiles in the mid-1960s, but struggled in finding an adequate launcher for them. Both the M551 Sheridan and M60A2 "Starship" Patton used the M51 Shillelagh missile, but neither tank was impressive in combat, and the Shillelagh left something to be desired. The Army developed the far superior TOW (Tube-launched, Optically-tracked Wire-guided) missile in the late 1960s, but lacked a vehicle that could fire it, though infantry were equipped with TOW launchers.
As was often the case at the time, the Army hit on the idea of modifying the ubiquitous M113 APC to the role of TOW launcher, as the M901 Improved TOW Vehicle (ITV). The general chassis was unchanged, but a "hammerhead" TOW launcher was added to the top of the hull, replacing the commander's cupola and machine gun. The launcher carried two BGM-71s ready to fire, and a further ten inside. To reload the launcher, it was simply dropped back, and new missiles could be loaded completely undercover. Best of all, the launcher meant the ITV could fire from "hull down," exposing only the launcher itself. The ITV retained all the problems of the M113--light armor and vulnerability to mines--and would have trouble moving while the TOW launcher was in firing position. Still, the system worked, it was easy to employ, and inexpensive. It was also developed into the M981 FIST (Fire Support Team Vehicle), which replaced the TOW launcher with a laser turret to spot for incoming artillery.
The M901 was intended to be used in a European conflict, where it would be attached to tank teams and act as tank destroyers, firing from under cover and ambush. It was supplemented by the M2 Bradley, which had a TOW launcher as well, and TOW-equipped HMMWVs, but these had to be reloaded by a crewman exposed to fire. In the end, the M901 was never used in Europe, but saw action in both Gulf Wars. The US Army withdrew the M901 in the early 21st Century, but ten other countries still use it as of this writing.
This ITV is on display at Fort Douglas, near Salt Lake City, Utah, and is shown with the TOW launcher in firing position. It retains its desert camouflage and Gulf War tactical markings on the hull, though more than likely this M901 was not assigned to the Utah National Guard (which mostly consists of engineer and artillery units).
First time self developing. Not sure where I went wrong. Too much grain and streaks where the sprocket holes are. Possibly too little agitation? Flipped it four times every minute, but it is possible I missed one. Will missing one agitation do this? It's not light leaks as I took some pictures with this camera and it was processed by the lab perfectly.
I used lightroom to help push contrast because the negatives looked really grey and lacked contrast.
Developed with Ifosol 3 for 6 minutes at 24 degrees.
Where did I go wrong?
25 Harman Redscale Phoenix 125 ISO Film Bury St Edmunds Taken On Minolta Dynax 5 Minolta 70-210 F3.5-4.5 Sigma 24mm F2.8 Lenses Developed With Bellini Foto C41 3-3-2025
Color infrared.
I used orange (O56) and yellow (K2) filters to block all visible blue light to a full spectrum camera. Then processed to somewhat recreate CIR/IRG images.
Processed to tase.
"Developing Wisdom to Manage Emotional Energy in Entrepreneurship," Thursday 11.21.19 - Global Entrepreneurship Week. Photo by Andrea Price/Sacramento State.
Elisabeth Nunziato