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Sometimes it's not working out with developing but still a nice result. Shot with a Mamiya 645M on Kodak Porta 400
A developed pack of Kodak Disc Film (discarded in the Nappanee, Indiana area of the United States) found its way to me in a package of flash cubes ordered on e-bay.
"Disc film was a still-photography film format aimed at the consumer market, and introduced by Kodak in 1982.
The film was in the form of a flat disc, and was fully housed within a plastic cartridge. Each disc held fifteen 11 × 8 mm exposures, arranged around the outside of the disc, with the disc being rotated 24° between each image."
en.wikipedia.org/wiki/Disc_film
Image © 2010 Michael Raso
My Film Photography Blog
The Film Photography Internet Radio Show
A combination of straight lines, circle arcs and s-curves on a circle divided in 10.
I know that morning glories are five-sided, but they have a pronounced crease in the middle of each side.
Well - what I set out to be as a Sautoir (necklace), turned out to be a devant de corsage and sautoir combined. Still - I am pleased with the result so far. The next step is to ink the design in, then it will be highlighted with silver gouache, and then touched up with the ink - and finally colored in.
Mubarak Abdullahi (Nigeria/UK) - Aircraft engineer who, at 24, built a homemade helicopter out of old car and bike parts
Milena Boniolo (Brazil) - Chemist and PhD student at Federal University of São Carlos, Brazil, who is developing methods to detect emerging contaminants in the environment
Premesh Chandran (Malaysia) - Co-founder and CEO of Malaysiakini.com, an independent Malaysian news website
Perry Chen (US) - Co-founder and CEO of Kickstarter, a web platform offering people a new way to fund their creative ideas and endeavors
Anita Doron (Ukraine/Canada) - Surrealist filmmaker and documentarian
Ndubuisi Ekekwe (Nigeria/US) - Engineer, inventor, author and founder of the African Institution of Technology, an organization seeking to develop microelectronics in Africa
Saeed Taji Farouky (Palestine/UK) - Documentary filmmaker, photographer and writer focusing on human rights in the Middle East and North Africa
Jessica Green (US) - Professor at the University of Oregon’s Center for Ecology and Evolutionary Biology whose research focuses on microbial diversity
Benjamin Gulak (Canada/US) - Inventor of the Uno, the “green” electric street bike, and founder of BPG Motors
Robert Gupta (US) - Violinist, youngest member of the Los Angeles Philharmonic
Cesar Harada (Japan/France/UK) - Coordinator of the Open_Sailing project, working to develop open-source technologies to intelligently inhabit the oceans
Susie Ibarra (US/Philippines) - Composer, percussionist and co-founder of Song of the Bird King, a production company using music and film to preserve indigenous culture and ecology
Jennifer Indovina (US) - Founder of Tenrehte Technologies, a semiconductor company developing wireless smart-grid applications
Mitchell Joachim (US) - Architect and co-founder of Terreform ONE + Terrefuge, non-profit design groups that promote ecological design in cities
Raffael Lomas (Israel) - Sculptor and teacher of creative workshops for the blind
Kate Nichols (US) - Artist-in-residence at the Alivisatos Lab who synthesizes nanoparticles that exhibit structural color and incorporates them into macroscale art pieces
Sharmeen Obaid-Chinoy (Pakistan/Canada) - Documentary filmmaker and founder of The Citizens Archive of Pakistan, an educational institution and heritage center established to preserve Pakistan's history
Sarah Jane Pell (Australia) - Artist-researcher, diver and founder of Aquabatics Research Team initiative (ARTi)
Manu Prakash (India/US) - Junior Fellow at Harvard Society of Fellows, physicist and inventor pursuing research in the field of physical biology
Kellee Santiago (US) - President and co-founder of thatgamecompany, a video game company working to create video games that communicate different emotional experiences
Durreen Shahnaz (Bangladesh/Singapore/US) - Founder and Chairperson of Impact Investment Exchange Asia (IIX), a social stock exchange for Social Enterprises to raise growth capital
Gavin Sheppard (Canada) - Founder of I.C. Visions and co-founder of The Remix Project, a youth program acting as an arts and cultural incubator in Toronto, Cananda
Hugo Van Vuuren (South Africa/US) - Fellow at the Harvard School of Engineering and Applied Sciences and at The Laboratory at Harvard, co-founder of Lebone – a social enterprise working on off-grid technologies in Africa
Angelo Vermeulen (Belgium) - Biologist, filmmaker, and visual artist creating large-scale collaborative art installations
Daniel Zoughbie (US/UK) - Founder and CEO of the Global Micro-Clinic Project (GMCP), an organization working to prevent and manage diseases in the developing world using low-cost behavioral interventions
16 September 2020. The Governors of ADB’s 14 Pacific developing member countries met with ADB President Masatsugu Asakawa, Vice President (Operations 2) Ahmed M. Saeed, and the Pacific Department’s management team to discuss critical development issues facing the Pacific, which have become more challenging due to the COVID-19 pandemic, and the role of ADB in supporting Pacific countries as they respond to these challenges.
ADB’s 53rd ADB Annual Meeting of the Board of Governors (2nd Stage) will be held via virtual meetings and online seminars from 17 to 18 September.
At the event, Ministers from ADB members, ADB Management, and development and industry experts will discuss a range of issues confronting Asia and the Pacific as it responds to the coronavirus disease (COVID-19) pandemic. Webinar topics include universal health coverage, regional cooperation, technology and investments, resilient and inclusive recovery, and domestic resource mobilization. View the full list of webinars and meetings.
The first stage of the 53rd Annual Meeting comprised a reduced-scale meeting of the Board of Governors on 22 May, during which Governors approved ADB’s financial statements and net income allocation in line with ADB institutional requirements.
The Barchetta was developed between 1990 and 1994 under the project name Tipo B Spider 176. It was designed by Andreas Zapatinas and Alessandro Cavazza under the supervision of Peter Barrett Davis and other car designers at the Fiat Centro Stile, and prototyping was carried out by Stola.
Production began in February 1995 and lasted until June 2005, with a brief pause due to the bankruptcy of coachbuilder Maggiora. The Barchetta was based on the chassis of the Mark 1 Fiat Punto. The Barchetta has 1,747 cc DOHC petrol engine fitted with variable camshaft timing, used for the first time in a Fiat production car, after being patented in 1970. The engine has 132 PS (97 kW; 130 hp) and 164 N·m (121 lb·ft) of torque. The Barchetta weighs 1056 kg (2328 lb) without air conditioning and can accelerate to 100 km/h (62 mph) in 8.9 seconds and has a top speed of 200 km/h (124 mph). It came in various trim levels which offered different features, for example, diamond cross stitch - patterned red leather instead of the standard black leather or fabric seats, alloy wheels instead of steel wheels, or fog-lights as an option. Arguably one of the biggest external cosmetic changes was made by the addition of the third brake light, first introduced by Fiat on the Lido and Riviera in 2000, and on sub models thereafter.
The Barchetta was revised in 2003, for its relaunch the following year, with some alterations inside and out. The most notable changes were the revised front spoiler and rear bumper. Production of the car eventually stopped in June 2005.
Kiev 88.
Fomapan 200, developed in Kodak HC-110.
Lithprint on Agfa Multicontrast Premium (MCP), developed in Moersch Easylith.
The Greyhound Racing Association (GRA) kennels were based at The Hook in Northaw near Potter’s Bar which they purchased in 1931 and developed for the breeding and training of racing greyhounds. At their peak, the kennels employed approximately 200 workers to look after some 750 dogs who were raced mainly at the White City stadium.
The GRA kennels consisted of the Hook Big House which was built for Benjamin Cherry in 1838 and a small estate. During the early 1980’s, the GRA closed their kennels and the estate with the house were sold to the Oshwal Association (UK). During WW2 the Ministry of Defence commandeered the kennels for use as an Army dog training school.
The Greyhound Racing Association Trust (GRA) was established in 1925 to oversee greyhound racing tracks and maintain standards within the sport.
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References:
en.wikipedia.org/wiki/Greyhound_Racing_Association
www.bbc.co.uk/history/domesday/dblock/GB-528000-201000/pa... (GRA kennels at Northaw).
news.google.com/newspapers?nid=2202&dat=19330410&... (Interesting newspaper cutting from the Gettysburg Times dated 10 April 1933 stating six greyhounds were born at the Northaw kennels and when eight weeks old an Irish breeder offered $1,250 for two of them – huge money in those days!).
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Enamels: 1 (blue).
Finish: Gilt.
Material: Brass
Fixer: Buttonhole (horseshoe shaped clasp).
Size: 1 1/8” x 1 ¼” (about 28mm x 32mm).
Process: Die stamped.
Imprint: No maker’s name or mark. This badge is numbered 75.
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Thank you for reading.
Stuart.
Fossil of the day 12 December COP25
1st 🇺🇸 US (again!) for blocking money for victims of severe climate impacts for 6 years now!
2nd - Developed Countries especially 🇪🇺🇨🇦🇦🇺 for lack of ambition in #lossanddamage for vulnerable countries
🇦🇺 Australia for using carbon market loopholes
#RayoftheDay 🌅
For the people rolling up their sleeves to take on the fossil fuel industry
🇵🇭 Philippines - climate activists petitioning #CarbonMajors for human rights
🇳🇴Norway-fighting extraction in the Arctic
Indigenous heroes from the 🇧🇷Amazon to 🇦🇺Australia
Today we have in first place for the fossil of the day award the United States of America (USA) (again and again)!
The main reason is for generally really standing in the way of any money going to the people suffering from climate change. This has been going on for at least six years. This should really raise eyebrows about the country´s lack of empathy. Are there real people in office in the US People with actual hearts? Or have they replaced their humanity with a lump of coal?
First inhumanity, and now they put on full display their paranoia! They are afraid of being held accountable for causing droughts in Africa. They are afraid of being held accountable for the drowning of the Pacific; the destruction of entire civilisations. Actually, they should be held accountable but this is not what the Paris Agreement is about. It is about international cooperation, no developing country talked about liability. Yet the US insists on language on liability and compensation in the draft COP Decision text on the Review of the Warsaw International Mechanism on Loss & Damage (WIM).
Hey US you are on your way out, you are not giving a single dollar to the Green Climate Fund and now you don’t want any help to get to the people bearing the brunt of the mess you created! And still, you want to be part of the WIM’s Executive Committee! Pay up or step out, let others move forward already.
The Second Fossil of the Day award goes to developed countries with special mention to the European Union, Canada and Australia for showing lack of ambition in responding to vulnerable peoples’needs on loss and damage.
The WIM Review unofficially began on December 1st, and the overwhelming message was that finance to address loss and damage must be an outcome of COP25.
Two weeks later, poor and vulnerable countries and civil society are wondering if developed countries attended a different meeting on December 1st.
While we acknowledge they have been less problematic than the US, developed countries, including Australia, Canada and the European Union have done very little very late to advance discussions on loss and damage finance age. It’s especially confusing when all three have agreed that existing climate finance is insufficient. Anyhow, aren’t they the rich people in the room? And part of the club that caused the problem in the first place? Why is it so difficult for them to pay for the damages they are still causing. Also…hey Canada… isn’t high time you differentiate yourself from cronies like Australia and the US?
It is beyond us to understand how developed countries can sit by and continue to twiddle their thumbs whilst vulnerable communities in developing countries experience severe losses and damages. You have one day left to show you want to be on the right side of history!
The third fossil award goes to Australia - for using carbon market loopholes to meet its climate targets
We award this fossil to Australia for planning to cheat the atmosphere by carrying over its credits from the Kyoto protocol. Instead of cutting greenhouse gas pollution, Australia is using creative accounting. Please bear with us now: Australia plans to count surplus carbon credits from exceeding previous targets against future targets. Regrettably, this was allowed under the old Kyoto protocol, but it is not even mentioned in the Paris agreement. No country in though about such trickery.
To make things worse, since the Paris Agreement is a new and separate treaty, this is not even legal stuff!
Hey Australia: Article 6 deserves some more love here instead of your distractions. When you rig your climate target you shouldn't showcase this as "overachievement". You must do more in the future, not less. Please stop cooking up the books, stop shifting carbon pollution around. Grow up, be a responsible adult and get over Kyoto, it´s long gone now!
The Ray of the Day goes to the people rolling up their sleeves to take on the fossil fuel industry
We would like to especially mention:
The activists from the Philippines who petitioned the Philippines Commission for Human Rights to denounce the responsibility of the Carbon Majors for climate-induced human rights violations
The amazing Norwegians campaigning to denounce fossil fuel extraction in the Arctic and who will be facing the government in court tomorrow - hoping that the judge will realize how incompatible large scale fossil fuel extraction is with the right to a healthy environment for present and future generations
The indigenous heroes, from the Amazon to Australia risking their already vulnerable lives to fight fossil fuel development on traditional land and to preserve cultural and environmental integrity
These heroes are leading the charge in bringing down the real elephant occupying the UNFCCC hallways and backing the deniers and the blockers. Hur-Ray to the people! They are the hope and they will prevail!
About the fossils:
Every day at 18:00 local time you can watch the Fossil ceremony in Hall 4 during COP25.
The Fossil of the Day awards were first presented at the climate talks in 1999, in Bonn, initiated by the German NGO Forum. During United Nations climate change negotiations (www.unfccc.int), members of the Climate Action Network (CAN), vote for countries judged to have done their 'best' to block progress in the negotiations in the last days of talks.
About CAN: The Climate Action Network (CAN) is a global network of over 1,300 Non-Governmental Organizations (NGOs) in more than 120 countries working to promote government and individual action to limit human induced climate change to ecologically sustainable levels.
Watch the Facebook livestream video
Attribution: John Englart/Climate Action Network
The badge of Queensland developed from the need to include a seal or badge in the design of the state flag.
The badge was adopted as part of the state flag on 29 November 1976. It is officially described as "On a Roundel Argent a Maltese Cross Azure surmounted with a Royal Crown".
It was designed by William Hemmant, the then Queensland Colonial Secretary and Treasurer. It is not known why this was chosen as a suitable badge.
However, it is interesting to note that a Maltese Cross is the final stop on the legend band around the Great Seal of Queensland (1859). The Royal Crown also appears on this seal.
It was last altered in 1963, after Queen Elizabeth II decided to reproduce the Crown during her reign.
Description source:
View the original record at the Queensland State Archives:
Camera: Nikon F90X
Film: Ilford Delta 400
35mm Self Rolled from Bulk
Self Developed in HC-110
Scanned with Epson v600
Located on Water Street in Washington Boro, Pennsylvania, the Washington Boro United Methodist Church was built in 1854 and has a present-day congregation of around 154 people. The Susquehanna River runs past the church just across the street.
4x5 for 365 Project details: greggobst.photography/4x5-for-365
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter. Tiffen Yellow Filter on the lens to improve contrast.
Film: Arista EDU 100 Ultra 100 ISO Negative sheet Film (re-branded Fomapan), shot at 64 ISO.
Exposure: 1/8th second @ F22.
Development: Self Developed film in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 13 minutes @ 20 degrees Celsius. Tap water stop bath. Ilford Rapid Fixer. Photo-Flo. Hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.
HPD pupils are developing concept models as part of their Developing Design Proposals Unit. As usual lighting remains a popular choice. Pupils are also developing proposals on themes as diverse as seating, kitchen utensils and sportswear equipment.
Good to see evidencs of great strides being made in quich modeling techniques using materials like plasticine, copper wire, plywood and foam. The glue gun gets a lot of use at the moment as does the bandsaw and fretsaw.
Fortunately, Cathy, our cleaner has been very understanding. The mess at times you would not believe!
Good work everybody. Have a great Christmas break, get some rest. You'll need all your energy for the new year!
© All Rights Reserved. Please do not use or reproduce this image on Websites/Blog or any other media without my explicit permission.
Developed by Fritz B. Burns Research Division for Housing
Architects: Walter Wurdeman and Welton Becket
Landscape Architects: Eckbo, Royston & Williams
Metcheck said 67 % cloud cover for sunrise , it also said rain would stop 30 minutes before sunrise BANG ON ME WEATHER MAN
05/05/2023. London, United Kingdom. Anne-Marie Trevelyan, Minister of State for Foreign Affairs greets Suriname Honorary Consul Amwidhker Jethu-Ramkrishan at the Small Island and Developing Nations Coronation Event at Lancaster House. Picture by Lauren Hurley / DHSC
Why do these look so odd? Did you know you need to develop Velvia in E6? Well I do now!
These are my attempt at saving the batch.
Camera: Nikon F90x
Lens: 85mm Nikkor
Film: 35mm Velvia 100
Developed in C41 (yup...)
Scanned with Epson v600
It's better with a paraboly thing than a circle arc. For those of you keeping score at home, the top of the curve is one quarter of the height of its triangle.
PDF of the crease pattern.
Hey, Goran, I made this with you and copper in mind. (In my mind, there was a lot of verdigris, but that's kind of status quo.)
developed some old Polypan F rolls that were taking up space in the fridge.
Even though shot in a different camera than I'd used before they still have the same lengthwise scratches in the same places as the other rolls, which would suggest the bulk loader is scratching the film or the film was faulty from get go -spent about an hour in PS cloning out major scratches - too much of a PitA to use as a serious film.
A pity really as it comes up nicely in stand developed rodinal and caffinol
This roll of Kodakcolor-X (CX-620. C-22 color-process) was found inside the Kodak Brownie Target Six-20. when I brought the camera. It appeared exposures were made on the roll since it was wind all the way to the end (on the take-up 620 metallic spool) while inside the camera.
From the research I have made on what C-22 is all about, there are only a few labs around who has the capability of processing C-22, which requires a long turn-around time plus a rather costly fee (for what is it) to do so. So I have decided to use B/W film developing chemicals to process it, and hope I am able to get something out of the roll.
• 8 minutes in Ilford Ilfosol S developer 1:9 dilution. 68˚.
• 15 minutes water stop bath/wash.
• 10 minutes Formula 763 rapid film fixer w/hardener.
I had no idea what was on the mystery roll, half expected (and hoping for... haha!) a weird scene. I am guessing the pictures were taken back in the late 60's early 70's based on the girls outfits--since C-22 films were discounted before 1974--I am happy to see that I was able to get images from the cross-processing.
Does anyone out there know where the pictures were taken? I am guessing it's around the Golden Gate Heights neighborhood in San Francisco.
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Note: Image scanned with color negative setting.
The Barchetta was developed between 1990 and 1994 under the project name Tipo B Spider 176. It was designed by Andreas Zapatinas and Alessandro Cavazza under the supervision of Peter Barrett Davis and other car designers at the Fiat Centro Stile, and prototyping was carried out by Stola.
Production began in February 1995 and lasted until June 2005, with a brief pause due to the bankruptcy of coachbuilder Maggiora. The Barchetta was based on the chassis of the Mark 1 Fiat Punto. The Barchetta has 1,747 cc DOHC petrol engine fitted with variable camshaft timing, used for the first time in a Fiat production car, after being patented in 1970. The engine has 132 PS (97 kW; 130 hp) and 164 N·m (121 lb·ft) of torque. The Barchetta weighs 1056 kg (2328 lb) without air conditioning and can accelerate to 100 km/h (62 mph) in 8.9 seconds and has a top speed of 200 km/h (124 mph). It came in various trim levels which offered different features, for example, diamond cross stitch - patterned red leather instead of the standard black leather or fabric seats, alloy wheels instead of steel wheels, or fog-lights as an option. Arguably one of the biggest external cosmetic changes was made by the addition of the third brake light, first introduced by Fiat on the Lido and Riviera in 2000, and on sub models thereafter.
The Barchetta was revised in 2003, for its relaunch the following year, with some alterations inside and out. The most notable changes were the revised front spoiler and rear bumper. Production of the car eventually stopped in June 2005.
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Airesflex
Ilford Pan F Plus 50
Developed in Rodinal (1:50)
The recent rise in sovereign debt vulnerabilities in many developing countries merits attention, especially in the context of a new creditor landscape and rising shares of domestic, non-concessional and collateralized debts. Key policy questions include: How can sovereigns increase their resilience to exogenous shocks? Can state-contingent debt help? What role can official and private creditors play in preventing and resolving unsustainable debt situations?
Must say I'm jolly impressed with the results I've had from Fuji Acros Neopan 100 developed in Ilford DD-X. I think the Fuji may become my film of choice for the summer half of the year. I keep telling myself to "standardise" on a particular film/developer combination, but I can't resist the temptation to keep trying different permutations. Much of the summer's output has gone down the toilet because I thought I'd give Promicrol a go. It's a "speed increasing" developer. I didn't know this when I bought it and, frankly, I'm not sure what it means. Do the published development times take the "speed increase" into account, or do I have to make the adjustment? I bought a batch of Fomapan film and got crap results whatever I did. But only yesterday I was reading that the trade-off with speed increase is a loss of sharpness and contrast ...so perhaps it wasn't entirely my incompetence after all. I'd like to have a crack at the 400ASA version of Neopan for winter use, but find it no longer available in 120 size. Bummer. I'm happy with Ilford Delta 400 though ...it also comes up very well in DD-X (unfortunately rather expensive in that it is diuted 1+4)... and I've just stocked up for the coming season of gloom.
This was a film user-upper shot taken as I walked back to the car after taking the "Freight on the Fens" pic, a few places back in my photostream. You can see the railway line advancing across the horizon. I'm not fond of these rolled-up bales of hay, which are visibly the product of a mechanised process. Mrs B and I call them "rolos". I prefer "squareos", which are, of course, no less the product of a mechanised process. My preference is merely a prejudice. I am too young to remember proper "stooks" of hay, although they were still around in my boyhood.
(En référence avec la photo plus bas....)
La construction des bâtiments est terminer a 98%. Mis a part quelques détails sur ces bâtiments résidentiels, il reste que les terrains a terminer, les clôtures, l'asphaltage de la rue et le mobilier urbain a installer (il y aura un petit parc au fond dans le coin).
Les gens ont déjà commencer a habiter l'endroit et d'ici l'été prochain tout devrait être terminer. La phase suivante sera maintenant de remettre la maison Dubois en étât afin de la transformer en endroit publique où aura lieu des expositions d'art par exemple.
A suivre....
Designer: Huang Zongrui (黄宗瑞)
1980, September
Develop the spirit for the bitter struggle of doing pioneering work
Fayang jianku fendoude chuangye jingshen (发扬艰苦奋斗的创业精神)
Call nr.: E13/303 (Landsberger collection)
More? See: chineseposters.net