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© Brian Callahan 2010 All rights reserved.
Once again blood for art. On my way home from Lansing, I saw a good sky developing. With it fading fast, I raced into Island Park, down this fishing road and set up quickly. Mosquitoes descended on me in squadrons. If the sun had been a bit higher I might have needed a transfusion.
The UP-Site tower was developed by Atenor and inaugurated in 2014. It is the tallest residential tower in Belgium with 140 m height, 42 floors and 251 apartments, all with balconies.
It is unpopular in the Brusilia which previously held the title of tallest residential tower in Belgium.
Photo shot in 2021 from the top of the Brusilia Residence.
Azimuth 269.0°, 1.89 km away (1.17 mi), height 140 m (459 ft).
Address: Quai des Péniches 69, 1000 Brussels
FR : Tour UP-Site à Bruxelles (a.m.)
La tour UP-Site a été développée par Atenor et inauguré en 2014. C'est la plus haute tour résidentielle de Belgique avec 140m de haut, 42 étages et 251 appartements, tous avec balcons.
Elle est impopulaire au Brusilia qui détenait auparavant le titre plus haute tour résidentielle de Belgique.
Photo prise en 2021 du haut de la Résidence Brusilia.
Azimut 269.0°, distance 1.89 km, hauteur 140 m.
Adresse : Quai des Péniches 69, 1000 Brussels
NL: UP-Sitetoren in Brussel (a.m.)
De UP-Site toren werd ontwikkeld door Atenor en ingehuldigd in 2014. Het is de hoogste woontoren van België met 140m hoogte, 42 verdiepingen en 251 appartementen, allemaal met balkon.
Het is niet populair in de Brusilia die eerder de titel van hoogste woontoren van België had.
Foto genomen in 2021 vanaf de top van de Brusilia Residentie.
Azimut 269.0°, 1.89 km ver, 140 m hoog.
Adres: Quai des Péniches 69, 1000 Brussels
Copyright © Jacques de Selliers 2021 – All rights reserved.
Reproduction prohibited without my written consent.
Reproduction interdite sans mon accord écrit.
Reproductie verboden zonder mijn schriftelijke toestemming.
Ref.: 210423 UP-Site-pano1
Gouthwaite.
Pately Bridge.
Crappy old Ricoh 500G with grass in the viewfinder.
The first shot on a roll of Ilford FP4 at iso 250.
Developed with Ilfotec stopped and fixed then and hung above a bath after the missus had showered.
Walked the Dog.
Had a beer.
a few more.
Went to bed. Next day, scanned Neg.
Given pretentious sepia tone.
Zzzzz
This trail was developed to provide a 3.5-mile soft surface venue for hikers and joggers. The naturalist might find it difficult to believe that this extensive site, with its remarkable diversity of habitat, was created for humans and not wildlife. One of the three interconnecting trail loops encircle a 34-acre beaver pond and incorporates a 1,000-foot boardwalk with an observation deck overlooking the water. Red-headed woodpeckers and ospreys share nesting rights to the snags flooded by this pond, and waterfowl use it as a resting area during migrations
Develop your senses- especially learn how to see. Realize that everything connects to everything else.
Copenhagen, Denmark, 2019. Leica iif, 50/2 Jupiter-8. Fomapan100 (ei 200) developed in homemade Agfa 17 stock.
Some shots of the setup and trialling different lighting. The left side were early pics with a slightly bigger bot; I slimmed it down so that I felt it resembled Odex more (and it fit the space a lot better as well). Some of the early pics suggest more of a warehouse interior which would be cool to try to develop more next time.
since I've got the walls built, I'll attempt to mix them up a little and get some more shots out of them if I can, I'm running pretty low on 1-wide white and light bley now so will have to build with 2-wide. As long as the camera doesn't see it, it won't matter.
lilies
hydrangea
these are from the old diana mini roll I just developed. dunno when they were taken.
Taken with Leitz EPIS 400mm f4 on Linhof color with 5x7 Fomapan 200 developed in Fomadon LQN 1:10, then made positive by Fomaspeed 311 developed in Fomatol P.
Film: Kodacolor 200
Developed by: flash foto, München
Digitized with Sony a7RIII
Location: Venezia, Italia
Byzantine aesthetics had a developed theory of color symbolism to create an image of the Divine world. One of its cornerstones was the symbolism of golden light. In this symbolism, a special place was reserved for gold, it was the role of a kind of color module of the Divine world that belonged to it.
Нинішній сосново-липовий іконостас довжиною 25 м та висотою 21 м складається з п'яти ярусів і загалом відтворює пам'ятник часів Скоропадського.
«Збережений живопис українських православних храмів є віддзеркаленням розвитку естетичних поглядів від візантійського канону до модерну. На етнічних теренах України за часів правління Миколая І на державному рівні підтримувалась орієнтація на культурну спадщину Візантії. Візантійська естетика мала розвинуту теорію символіки кольору для створення образу Божественного світу. Однією з її наріжних засад була символіка золотого світла.
В цій символіці особливе місце відводила золоту, саме йому належала роль своєрідного колірного модуля Божественного світу. Золотий простір храму на візуально-чуттєвому рівні відтворював невимовно прекрасний Божественний світ, пронизаний Божою благодаттю, що сходила під час літургії, під час молитов. Золотий колірний модуль мозаїчних композицій створював надреальність, де перебували віруючі.
.......
Візантійську естетичну концепцію намагалися втілити в нових розписах Успенського собору Києво-Печерської лаври в 1894–1900 роках (В. Верещагін, В. Фартусов, Г. Попов та ін.). Маючи за мету наблизитися до стінопису візантійських церков ХІ–ХІІ століть, автори проекту (1894) побудували художній простір основного об‘єму храму за допомогою традиційного для сакрального мистецтва Візантії колірного модуля. На золотому тлі виконали композиції в центральній частині собору, яку вважали найдавнішою (нижні бічні приділи тоді не розписували). У головному квадраті церкви, в жертовнику і дияконнику від верху до рівня хорів, а в головному вівтарі – майже до підлоги, живопис було виконано на золотому тлі; таке ж тло мали плафони верхніх приділів Преображення Господнього та Андрія Первозваного. Нижче карнизів, що йдуть по лінії підлоги хорів, тло було виконано олійними фарбами із золотими вінчиками. Основний об‘єм та доступні для огляду знизу верхні компартименти собору вражали розкішшю і красою, нагадували про вічну красу Божественного світу і про далекі часи, коли церква була оздоблена мозаїкою грецькими художниками.»
/Бардік Марина Афанасіївна, кандидат мистецтвознавства,
Колірний модуль божественного світу в украінському сакральному стінописі 1850–1900-х років/
This is a close-up B&W photo of air bubble patterns in the river ice. The crystalline ice bubbles look like the gelatinous spheres of developing amphibian life forms.
Occupied and developed as a Royal residence from the mid 18th century onwards by George, the Prince of Wales, who later became the Prince Regent. Now a museum.
Wikipedia: The Panzerkampfwagen III (Pz.Kpfw. III), commonly known as the Panzer III, was a medium tank developed in the 1930s by Germany, and was used extensively in World War II. The official German ordnance designation was Sd.Kfz. 141. It was intended to fight other armored fighting vehicles and serve alongside and support the similar Panzer IV, which was originally designed for infantry support.
Production of the Panzer III ceased in 1943, but the StuG III assault gun, which was based on the Panzer III chassis, remained in production until the end of the war. About 18,000 vehicles based on the Panzer III chassis were produced between all variants --- by far the most of any German AFV design in World War II, and accounting for over a quarter of all tanks and assault guns produced by Nazi Germany.
And it seemed that many others weren't either.
I felt particularly sorry for the bikers.
Committed to Kodak Tmax 100 using a Rolleicord Va. Developed using Ars-Imago R9 (rodinal) 1:49, dev. time as per the massive dev chart, and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning and final contrast in Photoshop.
First time trying Ferrania Orto 50. Shot in Saskatchewan with my Mamiya 7ii.
Hodgeville, Saskatchewan, Canada
Mamiya 7ii
Ferrania Orto 50
Dev; Adox Rodinal
Developed and scanned at home
film: ilford hp5
develop: (coffee) caffenol c-l, salt, stand, less soda, no pre soak
cam: Rolleiflex E2
place: Amsterdam, March 2022
Photo information:
ISO: 400
Film type: 120
Film name: Rollei Retro 400S
Developer: Kodak D-76
Process: 20°C.
Developer dilution: 1+1
Developing time: 16'
Scanner manufacturer: Epson Perfection V550 Photo.
A pigeon standing on the Danube embankment, with the Hungarian Parliament in the background.
Shot on **Fomapan 100** and developed at home with **Adox Adonal 1+50 at 20 °C for 8:30**. Stop bath: **Adostop ECO 1+19**, 30 seconds. Fixer: **Adofix Plus 1+9**, 4 minutes.
The negative was scanned with a **Samsung NX300** and converted to a positive in Lightroom.
First development of this Fomapan 100 roll with Adonal. The result has a distinctly classic black-and-white character, with visible grain and strong tonal separation.
Analogica con punta e scatta pentaxPC35AF, fomapan 400, sviluppo bellini hydrofen 1+39.
Scansione con reflex digitale eos 60D ed elaborazione/inversione con negative lab pro.
not really, just two phones.
when I was young we had one phone on a party line. which meant, to you young ones, that several people were able to use the same line. my parents didn't want to pay for a private line.
a lotta people, but very short phone numbers.
and heavy phones.
second photo in comments.
Large Format 4x5 Crown Graphic Special
Ilford MG FB warm toned paper
shot at f/4.7 for 30 seconds
home developed in eco pro for 2 minutes
I had a spell of little enthusiasm, over Christmas and my wife new that I needed to get out to find my mojo! She called me this morning, though the forecast was for heavy cloud and when I saw stars from the bedroom window, I realised it could be nice. Having broken her wide angle lens on Christmas Day, I thought Bev would want to borrow mine - she chose instead to use her new 18-135 mm zoom, saying it made her think more. Good luck to you all for a healthy and productive New Year.
Picture of the fire in the fire place my son took with a Canon A800 tonight. Little photog developing.
The day developed in such a way that the Ochrona appeared wherever we were. This was extremely unpleasant. We began to suspect that a transmitter had been attached under our car overnight. As a result, we decided to move our location to the east side of the complex. We parked the car in the shade near the eastern track entrance because we had seen that two locomotives were busy shunting there to bring fresh goods to the steelworks. And so the picture shown here emerged before the Ochrona approached again without contacting us. Clearly, we were supposed to be intimidated. And that worked and was more than enough for us; we calmly made our escape in the direction of Janaaul (=Жанааул).
Kasachstan, Казахстан
Oblast Karaganda, Temirtau, Карагандинская область, Темиртау
JSC Qarmet, АО «Кармет»
ТЭМ1-1918
Developing cumulonimbus is being pushed rapidly higher by the heat from the Mukluk wildfire and hot smoke plume. Within minutes the smoke pyrocumulus had overtaken the preexisting natural cloud formations high in the sky.
I need to say that no one has died as a result of this conflagration, though many have lost their homes and all their belongings, and there have been some non-life threatening injuries.
Friends and neighbors have proven themselves heroes, saving others' lives and properties, selflessly putting themselves at risk.
Through it all, the valiant and steadfast firefighters on the ground and in the air have been putting themselves in harm's way and working non-stop to save.. us.. all.