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We do learn and develop when we are exposed to those who are greater than we are. Perhaps this is the chief way we mature. - Madeleine L'Engle
Most of the nearly two–billion children in the developing world are inadequately educated, or receive no education at all. One in three does not complete the fifth grade.
The individual and societal consequences of this chronic global crisis are profound. Children are consigned to poverty and isolation—just like their parents—never knowing what the light of learning could mean in their lives. At the same time, their governments struggle to compete in a rapidly evolving, global information economy, hobbled by a vast and increasingly urban underclass that cannot support itself, much less contribute to the commonweal, because it lacks the tools to do so.
It is time to rethink this equation.
Given the resources that developing countries can reasonably allocate to education—sometimes less than $20 per year per pupil, compared to the approximately $7500 per pupil spent annually in the U.S.—even a doubled or redoubled national commitment to traditional education, augmented by external and private funding, would not get the job done. Moreover, experience strongly suggests that an incremental increase of “more of the same”—building schools, hiring teachers, buying books and equipment—is a laudable but insufficient response to the problem of bringing true learning possibilities to the vast numbers of children in the developing world.
Standing still is a reliable recipe for going backward.
Any nation's most precious natural resource is its children. We believe the emerging world must leverage this resource by tapping into the children's innate capacities to learn, share, and create on their own. Our answer to that challenge is the XO laptop, a children's machine designed for “learning learning.”
XO embodies the theories of constructionism first developed by MIT Media Lab Professor Seymour Papert in the 1960s, and later elaborated upon by Alan Kay, complemented by the principles articulated by Nicholas Negroponte in his book, Being Digital.
Extensively field-tested and validated among some of the poorest and most remote populations on earth, constructionism emphasizes what Papert calls “learning learning” as the fundamental educational experience. A computer uniquely fosters learning learning by allowing children to “think about thinking”, in ways that are otherwise impossible. Using the XO as both their window on the world, as well as a highly programmable tool for exploring it, children in emerging nations will be opened to both illimitable knowledge and to their own creative and problem-solving potential.
OLPC is not, at heart, a technology program, nor is the XO a product in any conventional sense of the word. OLPC is a non-profit organization providing a means to an end—an end that sees children in even the most remote regions of the globe being given the opportunity to tap into their own potential, to be exposed to a whole world of ideas, and to contribute to a more productive and saner world community.
Find out more at laptop.org/
Sometimes it's not working out with developing but still a nice result. Shot with a Mamiya 645M on Kodak Porta 400
Pacific Northwest National Laboratory's scientists are developing low enriched nuclear fuels that can be used in conventional nuclear reactors. These developments are key to proliferation countermeasures. This cross-section of an irradiated fuel plate, taken with a remote operated Nikon 200MA inverted microscope, shows uranium-molybdenum metal grains resting on aluminum cladding material below a layer of zirconium.
Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory." Please use provided caption information for use in appropriate context.
Camera: Agfa Isolette L
Test Roll after rebuild and calibration of focus.
A very obscure format of 3cm wide by 6cm tall is available in this camera by way of a built-in mask that flips onto the film plane.
Normally the camera is a 6x6 format camera and 12 photos per roll. I was able to squeeze out 25 photos at 3x6 format.
Developed using 60 minute stand in Caffenol CL:
9.6g washing soda
6g vitamin C
42g iodized salt
24g instant coffee
600mL water
Ilford Fixer
Shanghai GP3 100 (type 120) film shot on Agfa Isolette L, 3x6 built-in mask.
Scanned on Epson V600 @ 3200dpi
© All Rights Reserved. Please do not use or reproduce this image on Websites/Blog or any other media without my explicit permission.
Tea service with Ogasawara's way. Rose garden, Iwamizawa park, Iwamizawa, Hokkkaido.
Canon AV-1, FD 135mm F2.5, S.C, negative for cinema ISO 64 ( F64D ), expired, exposed as ISO 50, developed with P1R ( color paper developer ) for 4min 45sec at 28Deg.C.
Heliconia Lodge Trail, Amazon, Maynas Province, Loreto Region, Peru
19:15 15 June 2014
Phylum Arthropoda
Class Insecta
Order Hemiptera - True Bugs
Here's my first attempt at unfolding the sphere and an homage to this work of Seb Przd's, "Cut and fold..." I think I'm finally beginning to get this. This, too, can be printed out and folded together with no distortion (i.e., it's developable). Images output exclusively with Hugin and laid out with Photoshop (to add the pretty stroke and drop shadow).
For some reason, the final 3D object struck me as resembling a Pringles potato chip snack packs, hence the name.
[FYI: the shot is the lobby of my office. I haven't posted this pano yet. It's a 360°x180° view].
©2008 David C. Pearson, M.D.
Metcheck said 67 % cloud cover for sunrise , it also said rain would stop 30 minutes before sunrise BANG ON ME WEATHER MAN
Director Theophilus Raynsford Mann
~ a Taiwanese social reformer, philosopher, photographer, and film director
“Do Everything for My People”
馬天亮導演
~ 臺灣的社會改革者，哲學家，攝影師，和電影導演
《造福人民》
SUMMARY
Theophilus Raynsford Mann is a naturalist, occultist, Buddhist and Taoist. In 1982, Mann developed a technique for abstract photography, applied “Rayonism” into photographic works. Mann staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Mann’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Mann’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Mann’s works have been quoted by the scholars many times, making Mann one of the highly cited technological, artistic, and managing public administrators in the academia. Mann was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
Theophilus Raynsford Mann possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Mann about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Mann takes great pride in his roots, which go back 150 years (since 1864); Mann’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Mann obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Mann’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Mann’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Mann instituted Mann’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Mann studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Mann completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013 www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Mann immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Mann is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand Theophilus Raynsford Mann. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Mann just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Mann understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As Theophilus Raynsford Mann’s saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣？
這是個什麼樣子的社會？
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡？誰可以看到？你看到了嗎？
Jurisprudence and Political Philosophy and Perspectives
Mann ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Mann will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Mann’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Mann had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Mann studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Mann would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Mann really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Mann has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Mann settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Mann was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Mann had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Mann developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Mann was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
Theophilus Raynsford Mann Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
Theophilus Raynsford Mann Photographic Exhibition of Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展（個人展32場）1983〜1985年.
Mann staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Mann was the first exhibitor around the country. All of the invited displays were by the Taiwan’s Government, cultural and artistic organisations, and sponsors. Mann’s earliest exhibition took place in the National Taiwan Arts Education Center (Museum) on 19 December 1983 when Mann was 25 years old; Mann was the youngest exhibitor in the history of the Center in any solo exhibitions. The Center that was opened in March 1957, kept a collection of Mann’s work. It is currently updating the Center’s internal organisation and strengthening co-operation with leading centers and museums around the world. Meanwhile, it widened the center’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Mann’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Mann may sprout, grow and bloom. Mann aims to provide an educational stimulus for society by introducing his works - Mann can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Mann believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Mann should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, Theophilus Raynsford Mann completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Mann was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Mann’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Mann was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “Theophilus Raynsford Mann Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Mann’s writings.
Authorship
Mann’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Mann was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Mann one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Mann’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Mann is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original 「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “Theophilus Raynsford Mann Photographic Exhibitions of Rayonnisme” © May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」(individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Mann’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Mann’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Mann’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Mann’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Member of The Kaohsiung Life Line Association since 11 January 1979, an association established in the USA.
Member of The Society of Youth Writers, Tien (Catholic) Educational Center, Taipei since 1980.
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Mann promoted and founded the Consortium Juridical Person Mr. Theophilus Raynsford Mann Social Benefit Foundation 財團法人馬天亮先生社會公益基金會籌備處 (Social Charity 社會慈善事業) in Taiwan.
near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Mann was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and filmmaking.
教學與研究：
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ，視覺藝術和製作影片。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯：
移民事務，翻譯和法律服務。
Computer Hardware & Networking Engineer at Mann Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板，顯示器，電源供應器，光碟機/光盘驱动器，不斷電系統，硬碟/硬盘，硬盤數據恢復，基本輸入輸出系統編程，以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director and Photographer at Shapely Studio of Creative and Cultural Industries, 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。Theophilus Raynsford Mann (TianLiang Maa) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Mann was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
mtltwp.pixnet.net/album/set/1265208
www.facebook.com/sonate1c/info
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
catalog.hathitrust.org/Record/006237256
WorldCat® Identities
www.worldcat.org/search?q=au%3AMa%2C+Tianliang%2C&dbl...
www.worldcat.org/wcidentities/np-ma,%20tianliang$1958
Google Books
books.google.co.uk/books?id=PkyaAAAAIAAJ&redir_esc=y
books.google.co.uk/books?id=JfxnMwEACAAJ&dq=editions:...
scholar.google.com/scholar?cluster=3569983911138966023&am...
National Bibliographic Information Network (NBINet)
nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...
192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE
National Yang Ming University 國立陽明大學
library.ym.edu.tw/search~S7*cht?/tThe+Soul%27s+and+sentim...
National Taiwan University of Science and Technology 國立臺灣科技大學
millennium.lib.ntust.edu.tw/record=b1016706~S1
Wikimedia Commons 維基共享資源
commons.wikimedia.org/w/index.php?search=TianLiang+Maa+%E...
commons.wikimedia.org/wiki/File:TianLiang_Maa_馬天亮.jpg
commons.wikimedia.org/wiki/File:馬天亮_TianLiang_Maa.jpg
國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引
readopac3.ncl.edu.tw/nclJournal/search/search_result.jsp?...
聲音藝術的審美角度, 大學雜誌, 天然
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...,
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...
為文化中心把脈, 幼獅文藝
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...,
科學家與守財奴, 中國地方自治
weblib.exam.gov.tw/ccdb2/Result_List.asp?idx_id=CCVOL&...
Yahoo, Bing, Google Search
www.google.com/search?q=Theophilus+Raynsford+Mann
www.google.com/search?q=TianLiang+Maa
images.search.yahoo.com/search/images;_ylt=AwrB8pGXJyVTVm...
www.bing.com/images/search?q=tianliang+ma&go=&qs=...
Atomzone
atomzone.co.uk/images/search/Theophilus+Raynsford+Mann
lurvely.com www.lurvely.com/photographer/77438197_N03/
www.flickriver.com/photos/mtltwp/
www.flickriver.com/photos/mtltwpprof/
Nature - National Library Board Singapore
snap.nl.sg/searchflickr.aspx?q=Theophilus+Raynsford+Mann&...
画像検索
flickr.akitomo.net/Theophilus+Raynsford+Mann/1
Japan Photos and Pictures
japan.pictures-photos.com/professor-tianliang-maa%E2%80%A6
summer.pictures-photos.com/professor-tianliang-maa%E2%80%A6
far-east-movement - Blogcu (Turkey)
far-east-movement.blogcu.com/professor-tianliang-maa/1226...
A Story of Professor Theophilus Raynsford Mann
spirehim.com/3450/a-story-of-professor-tianliang-maa-theo...
Sports Wallpapers
www.gosportwallpaper.com/photos/8c8e0fd510/photographer-a...
www.gosportwallpaper.com/photos/obey-tumblr.html/page/57
Travel Splash
travel-splash.com/photos/view.php?id=13397167315&sear...
Country profile Taiwan
atomzone.co.uk/images/search/Country+profile+Taiwan
itpints
www.itpints.com/?q=TianLiang+Maa&sources%5b%5d=flickr...
AskJot
askjot.com/search/Theophilus-Raynsford-Mann
Who is talking
whotalking.com/flickr/Theophilus+Raynsford+Mann
University of California, Berkeley period
atomzone.co.uk/scaffold/images/search/University%20of%20C...
University of Michigan period
atomzone.co.uk/scaffold/images/search/University%20of%20M...
University of Oxford period
atomzone.co.uk/scaffold/images/search/University%20of%20O...
www.wer-ist.org/person/Oxford_Archaeology
University of Glamorgan period
atomzone.co.uk/images/search/University+of+Glamorgan+period
www.worldofbuildings.worldofbuildings.org/flickr/wob_flic...
www.wer-ist.org/person/Glamorgan_University
University of Huddersfield period, UK. Huddersfield period
atomzone.co.uk/scaffold/images/search/Huddersfield%20period
art galleries uk
artgalleriesuk.blogspot.co.uk/2012/08/bigandtall-stores-s...
Mitrasites system
sites.google.com/site/mitrasites/system/app/pages/customS...
articles.whmsoft
articles.whmsoft.com/related_search.php?keyword=Tianliang...
pantieslace-forwomen.blogspot.co.uk/2012/08/motherhood-ma...
3piece-suits.blogspot.co.uk/2012/07/nursing-shawl-become-...
3piece-suits.blogspot.co.uk/2012/08/body-briefers-childre...
modeling-agencies-inboston.blogspot.co.uk/2012/08/black-a...
www.flickriver.com/search/%E6%BC%A2%E5%AD%B8+OR.../intere...
www.flickriver.com/search/%E8%AB%96%E6%96%87+OR.../recent/
German
www.wer-ist.org/person/Jin_Mann
www.pediatr.org.tw/DB/News/file/1913-1.pdf
atomzone.co.uk/images/search/Director+Theophilus+Raynsfor...
HOMEPAGE
Tumblr tmanntw.tumblr.com/
Facebook facebook.com/tmanntw
Google Profile
plus.google.com/+TheophilusRaynsfordMann/about
plus.google.com/photos/+TheophilusRaynsfordMann/albums
photos.www.orkut.com.br/m/viewAlbum?uname=100043686407630...
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Flickr
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Behance be.net/mtltwp
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VideoRes
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Webs mtltw-com.webs.com/
NOWnews blog.nownews.com/mtl
blog.nownews.com/profile.php?bid=43616
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Blogger mtltwp.blogspot.co.uk/
LiveJournal
mtltwp.livejournal.com/profile
Scribd
www.scribd.com/TianLiang%20Maa%20%E9%A6%AC%E5%A4%A9%E4%BA%AE
yam 天空部落
blog.yam.com/mtltwp&act=profile
痞客邦 PIXNET mtltwp.pixnet.net/profile
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Tel +44 (0)7575 288 016
It's better with a paraboly thing than a circle arc. For those of you keeping score at home, the top of the curve is one quarter of the height of its triangle.
PDF of the crease pattern.
Hey, Goran, I made this with you and copper in mind. (In my mind, there was a lot of verdigris, but that's kind of status quo.)
Canon AE1-Program
Canon FD 50mm, f1.4
Kodak Vision3 50D
Tetenal Colortec C41 kit
Reflecta RPS 10M
Colorperfect, Photoshop, Lightroom.
Kode 57 Developed and Designed by Ken Okuyama at Concorso Italiano 2016 - Monterey Car Week
DSC06836 20160831.1080
Block Arcade Melbourne
VHR citation
BLOCK ARCADE
Location
280 - 286 COLLINS STREET 96 - 102 ELIZABETH STREET MELBOURNE, Melbourne City
Google Maps and Google Streetview
Victorian Heritage Register (VHR) Number
H0032
Heritage Overlay Number
HO596
a Level of Significance
Registered
Extent of Registration 1. All the building known as the Block Arcade marked B1 on Diagram 32 held by the Executive Director.
2. All the land marked L1 on Diagram 32 held by the Executive Director, being the land described in Certificate of Titles Vol. 4645 Fol. 875, part of Vol. 9409 Fol. 669, Vol. 9924 Fol. 206, Vol. 9409 Fol. 669 and Vol. 4645 Fol. 874.
Statement of Significance
What is significant?
The Block Arcade was developed by financier Benjamin Fink. The Collins Street section of the building was completed in February 1892 and is similar in style to the Milano Galleria Vittorio Arcade in Italy. The new shopping arcade was designed by David.C.Askew of the architectural firm Twentyman and Askew. The cost of erection was £46 233. The bluestone footings for the building came from the original structure on the site, the Briscoe & Company Bulk Store. The site of 96-102 Elizabeth Street was purchased by the City Property Company Ltd in January 1892. Architect David Askew was called upon to continue his style for the arcade and this area was completed in October the following year. The Block Arcade comprises of arcade shops with mezzanine levels above for social rooms and offices, shops to Collins Street, Block Place and Elizabeth Street and four levels of office space above. The arcade forms an L-shape with a polygonal planned space with a glazed roof at the corner of the L. The kink in the plan was due to the shape of the original block subdivision and the location of Block Place, the lane behind. Linking the two spaces is an elaborately patterned mosaic floor of tiles, which were imported from Europe. When the arcade was constructed the Building and Engineering Journal noted that the flooring contained the largest area of mosaics yet laid down in Australia. In 1907, scenic artist Philip Goatcher for the Singer Sewing Machine Company decorated the ceiling of their premises on the east corner of the Collins Street entry to the arcade. The other shop to Collins Street, which housed the first Kodak shop in Melbourne contains an elaborate pressed metal ceiling. The facades to Collins and Elizabeth Street are designed in the Victorian Mannerist style with elaborate stucco decoration. Particular facade elements include; triangular and segmental pediments; rustication and an exaggerated cornice with brackets. Features of the upstairs office spaces include timber joinery around lift entries, tessellated tiles to the lobby spaces, elaborate leadlight windows and decorative plasterwork to arches in the corridors. There is also one surviving communal timber telephone box situated in a corridor.
How is it significant?
The Block Arcade is of architectural, aesthetic, social and historical importance to the State of Victoria.
Why is it significant?
The Block Arcade is of architectural and aesthetic importance as an excellent intact example of a shopping arcade. The design draws on early and influential European models and as such is important in its ability to demonstrate the essential and typical qualities of those designs and the continuity of the tradition of covered shopping streets. The Elizabeth and Collins Street facades are fine examples of the Mannerist style demonstrating many of the characteristic elements, such as a combination of triangular and segmental pediments and rustication. The Block Arcade is of architectural and aesthetic significance as it features lavish interior decoration, including an extraordinary mosaic tile floor. Based on the Milan Galleria Vittoria, it has a glass roof over the arcade with a glass dome at is corner. Its internal spaces, with their high quality finishes, have been maintained and the arcade remains a grand and prestigious retailing precinct. Attention to detail has also been carried through to the office spaces on the levels above the arcade.
The Block Arcade is of social and historical importance as the grandest and most fashionable amongst what became an extensive network of retail arcades that provided an alternative pedestrian route to Melbourne's major streets. Many of the arcades constructed in Melbourne before the turn of the century have not survived or have been altered considerably. The Block Arcade is important as an essential element in the social institution of doing The Block. This was a friendly expression referring to the stylish shopping trend of the late 19th century which involved starting in Collins Street at Swanston, then moving west to Elizabeth, north to Little Collins Street and back to Swanston. The Block was the place to be seen and those who frequented the popular thoroughfare, its shops and tea houses were often recorded by caricaturists in the city's social pages.
Year Construction Started 1891
Architectural Style Victorian Period (1851-1901) Mannerist
Heritage Act Categories Heritage place
Municipality MELBOURNE CITY; MELBOURNE CITY
VHR H0032 Statement of signficance
What is significant?
The Block Arcade was developed by financier Benjamin Fink. The Collins Street section of the building was completed in February 1892 and is similar in style to the Milano Galleria Vittorio Arcade in Italy. The new shopping arcade was designed by David.C.Askew of the architectural firm Twentyman and Askew. The cost of erection was £46 233. The bluestone footings for the building came from the original structure on the site, the Briscoe & Company Bulk Store. The site of 96-102 Elizabeth Street was purchased by the City Property Company Ltd in January 1892. Architect David Askew was called upon to continue his style for the arcade and this area was completed in October the following year. The Block Arcade comprises of arcade shops with mezzanine levels above for social rooms and offices, shops to Collins Street, Block Place and Elizabeth Street and four levels of office space above. The arcade forms an L-shape with a polygonal planned space with a glazed roof at the corner of the L. The kink in the plan was due to the shape of the original block subdivision and the location of Block Place, the lane behind. Linking the two spaces is an elaborately patterned mosaic floor of tiles, which were imported from Europe. When the arcade was constructed the Building and Engineering Journal noted that the flooring contained the largest area of mosaics yet laid down in Australia. In 1907, scenic artist Philip Goatcher for the Singer Sewing Machine Company decorated the ceiling of their premises on the east corner of the Collins Street entry to the arcade. The other shop to Collins Street, which housed the first Kodak shop in Melbourne contains an elaborate pressed metal ceiling. The facades to Collins and Elizabeth Street are designed in the Victorian Mannerist style with elaborate stucco decoration. Particular facade elements include; triangular and segmental pediments; rustication and an exaggerated cornice with brackets. Features of the upstairs office spaces include timber joinery around lift entries, tessellated tiles to the lobby spaces, elaborate leadlight windows and decorative plasterwork to arches in the corridors. There is also one surviving communal timber telephone box situated in a corridor.
How is it significant?
The Block Arcade is of architectural, aesthetic, social and historical importance to the State of Victoria.
Why is it significant?
The Block Arcade is of architectural and aesthetic importance as an excellent intact example of a shopping arcade. The design draws on early and influential European models and as such is important in its ability to demonstrate the essential and typical qualities of those designs and the continuity of the tradition of covered shopping streets. The Elizabeth and Collins Street facades are fine examples of the Mannerist style demonstrating many of the characteristic elements, such as a combination of triangular and segmental pediments and rustication. The Block Arcade is of architectural and aesthetic significance as it features lavish interior decoration, including an extraordinary mosaic tile floor. Based on the Milan Galleria Vittoria, it has a glass roof over the arcade with a glass dome at is corner. Its internal spaces, with their high quality finishes, have been maintained and the arcade remains a grand and prestigious retailing precinct. Attention to detail has also been carried through to the office spaces on the levels above the arcade.
The Block Arcade is of social and historical importance as the grandest and most fashionable amongst what became an extensive network of retail arcades that provided an alternative pedestrian route to Melbourne's major streets. Many of the arcades constructed in Melbourne before the turn of the century have not survived or have been altered considerably. The Block Arcade is important as an essential element in the social institution of doing The Block. This was a friendly expression referring to the stylish shopping trend of the late 19th century which involved starting in Collins Street at Swanston, then moving west to Elizabeth, north to Little Collins Street and back to Swanston. The Block was the place to be seen and those who frequented the popular thoroughfare, its shops and tea houses were often recorded by caricaturists in the city's social pages.
Source Victorian heritage database: vhd.heritage.vic.gov.au/places/result_detail/730?print=true & vhd.heritage.vic.gov.au/vhd/heritagevic_new#detail_places...
Art for the Soul by Richard Lazzara
www.shankar-gallery.com/contact.html
shankar@shankar-gallery.com
www.myspace.com/richardlazzara
www.absolutearts.com/portfolios/s/shankargallery/
www.artscad.com/@/RichardLazzara
www.artscad.com/@/ShankarGallery
www.artmajeur.com/shankargallery/
www.absolutearts.com/portfolios/t/thangkashankarsalon/
art.la-passerelle.net/art_pages/richard_lazzara/index.html
For SALE Prints:
www.redbubble.com/people/richardlazzara
www.clustershot.com/richardlazzara
www.poosteers.com/P.nsf/Poster?Open&RA=SRVV-76LS9E
www.poosteers.com/P.nsf/Poster?Open&RA=SRVV-76LRXU
www.blurb.com/tags/shankargallery
www.blurb.com/bookstore/detail/106645
www.cafepress.com/shankargallery
www.absolutearts.com/portfolios/t/thangkashankarsalon/
shankargallery.imagekind.com/MemberProfile.aspx?MID=f122c...
shankargallery.imagekind.com/GalleryProfile.aspx?gid=6299...
NEW Blogs:
blog.myspace.com/richardlazzara
www.shankargallery.blogspot.com/
www.blogger.com/profile/08899740588935463472
shankargallery.livejournal.com/
richardlazzara.spaces.live.com/
www.bebo.com/Profile.jsp?MID=367137231&MemberId=40235...
www.friendster.com/shankargallery
profiles.friendster.com/49490627
shankargallery.blogs.friendster.com/my_blog/
richardlazzara.ning.com/profile/shankargallery
www.picturetrail.com/homepage/shankargallery
www.designerspace.com/portfolio/16146.html
www.facebook.com/profile.php?id=817065367
www.facebook.com/pages/Richard-Lazzara-wwwshankar-gallery...
www.bibli.ca/users/shankargallery
www.gogofrog.com/shankargallery
www.sanesociety.org/en/shankargallery/
www.bloglines.com/blog/shankargallery
www.bloglines.com/public/shankargallery/
blogshares.com/blogs.php?checkid=9836443
www.blogmarks.net/user/shankargallery
www.bumpzee.com/users/view/shankargallery
www.blogcatalog.com/user/shankargallery
www.mybloglog.com/buzz/members/shankargallery/
paik.absolutearts.com/cgi-bin/portfolio/art/blogs/view_ar...
Image Sites:
flickr.com/photos/shankargallery
www.zooomr.com/photos/shankargallery
www.tabblo.com/studio/view/tabblos/shankargallery/
jpgmag.com/people/shankargallery
www.richardlazzara.shutterchance.com/
s82.photobucket.com/albums/j248/shankargallery/
www.fotolog.com/shankargallery
photo.xanga.com/shankargallery
community.webshots.com/user/shankargallery
www.lightstalkers.org/shankargallery
www.shutterfly.com/lightbox/view.sfly?fid=36c6d7174b0ebf7...
my.photoshelter.com/richardlazzara
www.bighugelabs.com/flickr/dna.php?username=42437950@N00
martica.org/flickr/index.php3?offset=121&username=424...
api.flickr.com/services/feeds/photos_public.gne?id=424379...
flickr.com/people/shankargallery/
flickr.com/photos/shankargallery/favorites/
flickr.com/people/shankargallery/contacts/
www.fototickr.com/?username=shankargallery
www.flickriver.com/photos/shankargallery/
www.zooomr.com/zipline/shankargallery
www.zooomr.com/people/shankargallery
www.photoblogs.org/user/shankargallery/
richardlazzara.ning.com/photo/photo/slideshow
www.photoshelter.com/usr-show/U00007TMPweOLksc
slideroll.com/members/shankargallery/
www.slideroll.com/slideshows/members/shankargallery/
www.picturetrail.com/photos/shankargallery
www.picturetrail.com/homepage/shankargallery
www.pixelpost.org/forum/member.php?u=6048
photo.net/photos/Art for the Soul
www.slideshare.net/shankargallery
www.wish-stock.com/Wishstock_Link.cfm?phogid=884
webf.mypicturetown.com:80/P2PwebCmdController/share.jsp?x...
Connect With Sites:
www.lijit.com/users/shankargallery
twitter.com/statuses/user_timeline/5972162.rss
pulse.xanga.com/shankargallery
www.linkedin.com/in/richardlazzara
www.zoominfo.com/people/Lazzara_Richard_-361473.aspx
www.xing.com/profile/Richard_Lazzara
www.trendhunter.com/shankargallery
walk2web.com/surf/http://shankar-gallery.com
www.aboutus.org/ShankAr-Gallery.com
www.socialurl.com/shankargallery
www.socializr.com/user/richardlazzara
www.talicious.com/?page=23&tal=318
members.nowpublic.com/shankargallery
www.plusmo.com/start/preview.shtml?pid=562457
upcoming.yahoo.com/user/225741/
mugshot.org/person?who=C4JHmBD7xGW0QH
mugshot.org/xml/userRSS?who=C4JHmBD7xGW0QH
www.mytowncolorado.com/group/boulderartists
www.mytowncolorado.com/profile/RichardLazzara
www.mahalo.com/member/Shankargallery
brightkite.com/people/shankargallery
www.tagworld.com/profile/RichardLazzara
www.meetup.com/members/7130906/
Vertical Artist Sites:
en.artoffer.com/richardlazzara
www.creativeshake.com/richardlazzara
shankargallery.deviantart.com/
www.humblevoice.com/richardlazzara
richardlazzara.artfaceoff.com/
community.ovationtv.com/shankargallery
www.behance.net/shankargallery
www.myartplot.com/users/richardlazzara/plot.mhtml
www.saatchi-gallery.co.uk/yourgallery/artist_profile/a/50...
www.myartspace.com/artistInfo.do?populatinglist=home&...
www.visionarygallery.com/artists/shankargallery/index.php/
dart.fine-art.com/dGallery.asp?i=10164
dart.fine-art.com/userprofile.asp?i=11582
www.etsy.com/profile.php?user_id=5050729
www.babelearte.it/tipoartista.asp?arid=357&lid=ita
www.mirolcentre.com/mirol/art/exhibition_richard_lazzara.htm
neemkarolibaba.com/component/option,com_weblinks/catid,61...
www.asianart.com/links/index.php?Temp=Search&IDs=35,2...
allartonline.com/A55A04/Painting-Gallery-Org.nsf/AW?Open&...
www.hometownartgallery.com/Gallery/ArtistView.aspx?Artist...
artlog.com/people/shankargallery
richardlazzara.artlogsites.com/
www.artlimited.net/member-profile.php?id=5477&lg=en
www.stylehive.com/person/shankargallery
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This work is licensed under a Creative Commons Attribution-Share Alike 3.0 United States License
Entire contents copyright Shankar Gallery © 2009
05/05/2023. London, United Kingdom. Anne-Marie Trevelyan, Minister of State for Foreign Affairs greets Suriname Honorary Consul Amwidhker Jethu-Ramkrishan at the Small Island and Developing Nations Coronation Event at Lancaster House. Picture by Lauren Hurley / DHSC
UN Women Executive Director Phumzile Mlambo-Ngcuka at Samoa Victim Support Group during a site visit at the UN 3rd Small Island Developing States Conference, Samoa 2014.
Photo: UN Women/ Olivia Owen
See more at: www.unwomen.org/en/news/in-focus/sids
The Rise
Regency Square Mall was originally developed in the mid-to-late 1960s. The project was initiated by Regency Centers, a now-powerful retail real estate trust based in Jacksonville that was at the time just getting started.
The mall was constructed at a cost of $12 million upon a giant clump of sand dunes, and opened its doors to the public in 1967. It featured three anchor stores – JC Penney, Furchgott’s, and May-Cohens – as well as an adjacent movie theater.
Regency quickly became a hit, owing a lot of its success to its location. At the time the Arlington area was among Jacksonville’s fastest-growing neighborhoods, and Regency Square Mall was by far the closest retail hub for its residents as well as shoppers coming into town from the beaches. It also helped that the mall was built in an era where shopping malls were quickly becoming a ubiquitous part of life in America.
The surrounding area experienced a development boom, with shopping centers, car dealers, office parks, and restaurants popping up all along neighboring stretches of Atlantic Blvd. Some of this was a result of continued growth in Arlington, but much was the direct result of traffic brought in by Regency’s success.
By the late ’70s, Regency was one of the country’s most active malls, and completely dominated the Jacksonville shopping landscape. The only “nearby” mall that could claim to compete with Regency’s offerings at the time, Orange Park Mall, was over 24 miles away.
Naturally, the mall’s ownership wanted to capitalize on this success, so around this time plans were developed to double the size of the mall at a cost of around $30 million.
Bizarrely, developers opted to tack on the additional space to the opposite side of May-Cohens, creating two wings divided by an anchor store. Ivey’s and Sears became the anchors of the newly-opened west wing.
Shortly thereafter, the east wing would get upgrades in the form of an AMC theater and a large food court.
All the while, business continued to boom at Regency Square, perhaps more so than ever.
The Fall
There’s an old proverb based on a Bible passage that states, “Pride comes before a fall.”
In the mid ’80s, Furchgott’s announced their merger with Stein Mart. While most of the chain’s stores were converted to the Stein Mart branding, Regency’s operators proudly believed the brand to be too low-class for their mall and opted to pursue a replacement anchor.
At the turn of the decade, Regency faced stiff new competition in the form of The Avenues. This new two-story mall, constructed along the intersection of Philips Highway and Southside Blvd., offered a slightly more upscale shopping experience and threatened to lure customers from the then-thriving Baymeadows area away from Regency.
Around this same time, cracks began to show in the foundation at Regency. The mall changed ownership, being sold off to Chicago-based General Growth Properties.
A couple of anchor stores began a decade-long game of musical chair. Dillard’s moved to yet another new wing, vacating the former Ivey’s, which would then become a Montgomery Ward. May-Cohens would become a Gayfer’s, then later a Belk.
Most significant, however, was the rapidly-growing issue of crime. By the early ’90s, yearly crime reports at the mall reached quadruple digits. Over the following decade, the mall rapidly developed a reputation among locals as “the sketchy mall”.
The mall’s management made attempts to fix their reputation, but for the most part the damage had been done. The addition of a JSO substation in 1998 did little to curb the crime epidemic, and the addition of an aggressively-enforced mall dress code the next year only served to alienate its remaining customers.
It seemed clear that despite the mall’s shortcomings, its management felt as though it was still an elite retail hub. In other words, they let pride take the place of rationality.
Another round of renovations in the late ’90s brought an upgraded food court and theater. When Montgomery Ward left in 2001, management pursued big-name anchors rather than simply looking to fill the vacated spot. As a result, Ward’s spot stayed empty for five years.
In 2005, the opening of the St. Johns Town Center made Regency’s survival even less likely. The Town Center now catered to the upscale crowd, with The Avenues’ savvy management team rolling out renovations around the same time to keep up appearances.
Meanwhile, Regency’s crime rate grew worse and vacancies began piling up within its corridors.
By the late 2000s, it was clear that the mall was dying. Crimes at Regency outpaced those at The Avenues and St. Johns Town Center combined.
The mall’s west wing became a ghost town. Dillard’s converted their location to a clearance center. A shooting in 2008 involving an off-duty JSO officer only served to further solidify the mall’s reputation as a bad place. Many locals refused to shop at the mall by themselves, or after dark.
By 2014, the mall’s occupancy rate slipped well under 50%. Belk, which occupied the anchor space that separated the east and west wings, announced that they planned to bolt to a standalone store further down Atlantic Blvd. General Growth Properties, finally accepting that they wouldn’t be the ones to save the mall, put it up for sale in 2013, and got rid of it just a year later.
When new ownership took over, they opted to close down the west wing and move any remaining tenants over to the east wing in hopes of saving at least one part of the mall.
Developing a novel way of mapping coral reefs with laser and underwater photography.
Harbour School x MakerBay
Ths.edu.hk
MakerBay.org
Designer: Huang Zongrui (黄宗瑞)
1980, September
Develop the spirit for the bitter struggle of doing pioneering work
Fayang jianku fendoude chuangye jingshen (发扬艰苦奋斗的创业精神)
Call nr.: E13/303 (Landsberger collection)
More? See: chineseposters.net
Canonet QL17, Ilford HP5 Plus, self developed at カメラのアマノ. These are the store scans, which are low resolution. I do not know what I am gonna get out of this roll when I scan it at hope, as I am used to working with chromogenic XP2 Super.
EAC Armed Forces, police and civilians’ delegates develop concept for the EAC FTX Ushirikiano Imara 2024 | 17 July 23
What does the future hold. For these, hopefully some juicy grapes that will be picked and eaten. The growth of plants is not unlike the growth of our students and children and grandchildren. Incremental. For those us who are now principals at the elementary level (as I was, though not now) these days see the start of school and the arrival of the kindergarten students, many of whom will will watch move through the classes for many years until they head to middle or high school. For the classroom teacher, in a small district like ours, some of the students they enroll as school starts this year will be children they have watched grow for as many as three years. For those of us who are parents and still provide help, assistance, guidelines to our adult children, the time has flown as we have watched them grow and develop. It is not only about simply watching the growth though, there is a lot about nurturing and caring. As I look forward to my work with teachers and students and my own staff over the next number of months, I hope to see wonderful changes occur.
Sinar P / Schneider Symmar 150mm / Agfa MCP paper negative
I've written a few lines about this camera in my blog; I really would be honored if you went there and read:
This last of 4 images shows the original view (more or less). I love the light in this one. Ben Stack is now obliterated by the clouds and Handa Island on the far right is looking amazing.
The loss of Francis Gary Powers’ U-2A on 1 May 1960 underscored the fact that the U-2 was not as invulnerable to interception as originally hoped. If altitude was no longer a defense against Soviet air defenses, speed would be. Clarence “Kelly” Johnson, who had designed the U-2, was put to work with his legendary “Skunk Works” section of Lockheed to develop a very high-speed reconnaissance aircraft to supplement the U-2, named first the A-12—like the U-2’s use of the innocuous “utility” designation, the A-12 would use the outdated “attack” designation, though it carried no weapons. This designation was later changed as the design evolved, to the RS-71; this in turn was reversed to SR-71 by General Curtis LeMay, for strategic reconnaissance.
Work on the A-12/SR-71 was done in the strictest secrecy, although its existence was revealed in 1964 by President Lyndon Johnson. Virtually everything about the aircraft had to be invented on the spot, and even the tools used in its production had to be specially built first. The SR-71 was built of mostly light titanium, and design specifications were such that normal tools would damage the airframe. Emphasis was made on stealth and especially high speed: the SR-71’s intended normal operating speed was in excess of Mach 3, which at that time had only been achieved with the rocket-powered X-15. To reach this speed, the aircraft would use J58 ramjets: once at altitude, the SR-71 would be accelerated to the point that the airflow over its shock-cone intakes would be forced into the engines at above the speed of sound. At speed above Mach 3, the SR-71 was more or less pulling itself through the air by brute force, with the engines only providing thirty percent of the thrust.
At these speeds, heat was a real problem, as the fuselage would rapidly heat up. Titanium sheds heat better than most metals, and the SR-71 was designed with corrugated “skin” that would easily expand and contract with changing airspeed, heat, and altitude. Panels in the aircraft were deliberately designed to be loose on the ground and contract at altitude; fuel leaks on SR-71s were so commonplace that they were not remarked upon. Even the fuel and black paint scheme (actually a very dark blue) were placed and applied to diffuse heat away from leading edges.
The A-12, and the short-lived YF-12 interceptor, lacked the extended chines of the SR-71; these were used to enhance the aircraft’s stealth techniques to reflect away radar. While in practice this did not work—Soviet radars could easily track the SR-71 through its heat plume—it actually made the aircraft more controllable and gave it increased lift. The SR-71 was not an easy aircraft to fly, but it was considerably easier than the U-2, and was generally reliable unless it lost an engine: the high speeds of the aircraft occasionally caused engine disintegration, which would usually destroy the SR-71. It was also very unstable in bad weather, should it run into any after takeoff or on approach. Because of its high speed, the approach “pattern” for SR-71s to land at their home base of Beale AFB, California, had to begin at St. Louis, Missouri. The navigation system was adapted from that of the Skybolt air-launched nuclear missile, while cameras and side-looking radar was carried in the nose or the chines; these could be swapped out as the mission required. Extensive electronic countermeasures were also carried.
The SR-71 first flew in December 1964 and entered service in 1966—only six years after being ordered, an impressive achievement given its highly advanced nature. It was immediately committed to service over Vietnam under Operation Giant Scale, where its operations were meant to be “secret,” though everyone, including the North Vietnamese, were aware of its presence. Soviet attempts to intercept the SR-71 were not successful: MiG-25 Foxbat interceptors could reach Mach 3, but Foxbat pilot Viktor Belenko later related the “ridiculous ease” that SR-71s could leave behind even the speedy MiG-25. Even later variants of SAMs and increasingly more sophisticated Soviet aircraft still could not intercept the SR-71, which quickly acquired the nickname Blackbird for its paint scheme; its snakelike chines earned it the nickname (and later callsign) Habu from Okinawans around Kadena airbase, where SR-71s often operated from, after the habu pit viper.
One thing that the Blackbird could not outrace was the cost of operation: it required special JP-7 fuel, which in turn required specialized KC-135Q tankers to refuel them. The tooling for the aircraft had been destroyed on the order of Secretary of Defense Robert McNamara in 1967, which meant the 32 operational SR-71s had to be maintained by cannibalizing either the retired A-12 fleet or other Blackbirds to stay operational. It survived several attempts at forced retirement in the 1980s until the breakup of the Communist Bloc finally brought an end to SR-71 operations in 1989, though developments were underway to equip the Blackbird with synthetic-aperture radar and even more advanced engine designs that could propel it up to Mach 6.
This retirement proved to be short-lived: during the First Gulf War, the USAF keenly felt the loss of the SR-71, which could provide better coverage of Iraq than satellites and was not as vulnerable as other reconnaissance platforms. Over heavy opposition from the USAF (which wanted to channel increasingly lower budget money towards the B-2 Spirit and development of the RQ-4 Global Hawk), three SR-71s were returned to service in 1993. After annual fights between the USAF, Congress, and President Bill Clinton over keeping the Blackbird in service, it was finally retired for good in 1998, except for two aircraft to be handed over to NASA for flight testing. NASA’s two aircraft only lasted a few years longer, with the end finally coming in 1999.
Of the 32 SR-71s produced (including SR-71A operational aircraft, SR-71B conversion trainers, and the single SR-71C “hybrid” trainer, converted from an A-12), 12 were lost in accidents. The remaining 20 aircraft have all been preserved in museums around the world.
This is SR-71A 61-7973, which entered service in 1964, initially flying from Edwards AFB, California to test SR-71 systems; one of the pilots on its first flight was Darryl Greenamyer, who was to later become a famous air racer. It joined the 9th Strategic Reconnaissance Wing at Beale AFB, California in 1968, and took part in both Operation Glowing Heat sorties over North Vietnam (forward deployed to Kadena, Okinawa) and Senior Crown missions on the periphery of the USSR (forward deployed to RAF Mildenhall, UK). In July 1987, 61-7973 was flying in an airshow at Mildenhall when the crew accidentally overstressed the airframe. The decision was made to withdraw 61-7973 from service and it was flown back to Edwards. It was repaired and placed in storage, but when the SR-71 went through its first retirement in 1990, 61-7973 made one last flight: it captured the transcontinental flight record from New York to Edwards in 68 minutes. It was then retired to the Blackbird Airpark at the entrance to the Skunk Works' Plant 42 in Palmdale, California.
Because the Blackbird Airpark was closed by the time we got to Palmdale in May 2021, I had to shoot over the fence, which means this isn't the best picture of 61-7973. It is probably the first time I was able to get a full side-on shot of a SR-71, however, along with one of the J58 turbojets alongside. 61-7973 is painted as it would have been during Glowing Heat missions, with only the tail number in red and no USAF markings.
EDIT (June 2023): A slightly better shot of this aircraft, taken in 2023, without the fence in the way.