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A combination of straight lines, circle arcs and s-curves on a circle divided in 10.
I know that morning glories are five-sided, but they have a pronounced crease in the middle of each side.
By the late 1970s, [SC]RTD developed a Preferred Alternative Route which started at Union Station went through downtown Los Angeles, out Wilshire Boulevard and then took a dog leg up Fairfax and back towards Hollywood before heading out to the San Fernando Valley. This was basically a combination of every previous Valley and Wilshire proposal.
In 1980 voters passed Proposition A, a half-cent sales tax to fund the construction of the system and expand bus service.
The stations were simple except for the mezzanine ends and the entrance portals would be shaped like one-half of the RTD logo introduced in 1980 and designed by Saul Bass. A pylon also in the shape of the new logo would be placed at each portal.
This "dog leg" plan went far into the planning stages until a Ross Dress for Less exploded due to seeping underground methane in 1985 and the line was routed up Vermont and west on Hollywood.
To this day, I still don't understand why the 1979 preferred plan didn't at least extend one stop east to Mariachi Plaza and didn't head west on Ventura Boulevard to Studio City instead of heading to North Hollywood.
The badge of Queensland developed from the need to include a seal or badge in the design of the state flag.
The badge was adopted as part of the state flag on 29 November 1976. It is officially described as "On a Roundel Argent a Maltese Cross Azure surmounted with a Royal Crown".
It was designed by William Hemmant, the then Queensland Colonial Secretary and Treasurer. It is not known why this was chosen as a suitable badge.
However, it is interesting to note that a Maltese Cross is the final stop on the legend band around the Great Seal of Queensland (1859). The Royal Crown also appears on this seal.
It was last altered in 1963, after Queen Elizabeth II decided to reproduce the Crown during her reign.
Description source:
View the original record at the Queensland State Archives:
© All Rights Reserved. Please do not use or reproduce this image on Websites/Blog or any other media without my explicit permission.
Developing a sense of identity can be challenging for young Nigerian women. They’re taught to know their place, and there are rigid expectations about which careers they should choose. Photographer Phillis Kwentoh, 25, rejects that. “Many people have told me that I should have been born a boy. I won’t hinder myself because of someone else’s opinion,’’ she says.
Her parents expected Phillis to be a doctor, but at the University of Connecticut, she switched her major from pre-med to print journalism to photojournalism. For a whole semester, she didn’t tell her parents. When they found out, they weren’t pleased. Her mother told her she was going to end up homeless and living in a box. “Nigerian parents don’t understand the liberal arts world,” Phillis explains. “They want their children to pursue something practical and safe.”
“I showed my mother some of my writings in college about Hurricane Katrina and my mother said, ‘I hope you know you can’t have the kind of journalism career in Nigeria that you can have in America. They will kill you’,” Phillis says, describing the corruption and lack of equality rampant in Africa. “It’s that serious there.”
But Phillis was inspired to become a photographer when she saw Robin Romano’s Stolen Childhood photos about child labor while interning at the William Benton Museum of Art, which specialized in human rights work.
Ambitious but still uncertain about her abilities, she bought a digital SLR camera and returned to her native Nigeria later that summer. Originally born in Texas, it had been fifteen years since she had been back. She was captivated by the vibrancy of her homeland and developed her photos into a series about Africa. “I just felt everything around me was so beautiful and that was reflected in the pictures. Even when I went to the market, even shooting the poor people out there, there’s a beauty in them and there was color everywhere.”
The museum later exhibited her work and after a successful first show in Brooklyn curated by Kareem Black at Harriet’s Alter Ego, she decided photography more than print journalism was the path she wanted to take. “I’m into portraits because they capture who a person is in that moment and it’s great storytelling. That’s part of the reason why I wanted to be a photojournalist. I think storytelling is what attracted me to journalism in the first place. It’s true when they say a picture says a thousand words. Actually it says way more.”
Currently, Phillis works for Essence Magazine shooting street fashion and as production assistant on cover shoots. Her work has also been featured in Parlour Magazine and Vogue Italia. “I’m very picky about how I shoot for Street Style. I’m not so much into fashion, but I really love style - how someone adorns themselves and accessories themselves. Its not a façade that they put on, it’s a dressing up of who they are. Fashion is here and now and style is timeless. But no matter what they are wearing, she always tells her subjects to be natural. Better than posing, be yourself. I just want to capture who you are.”
After four years of shooting professionally, she still feels new in the game and hopes to use her voice and creativity to become an international philanthropist. “In America there is a definite struggle for the poor but there are so many government programs that can help you. In Nigeria if you’re poor, you are shit out of luck. There’s no welfare, there’s no WIC. There are people who live in dirty dug out ditches on the side of the road.”
Her advice to aspiring photographers: Don’t call yourself aspiring. Either you’re doing it or you’re not. If you’re serious then, pick up a camera and shoot. “I definitely believe all my experiences were a part of my destiny and I made the right decision in not becoming a doctor. I know my parents are still a little nervous but they see that I’m consistent about it and I am successful so they support me and I’m truly grateful.”
On December 25, 2011 a sect known as Boko Hakram bombed a Catholic church in Lagos, Nigeria killing at least 39 people with the majority dying on the steps of the church after celebrating Christmas Mass. Boko Haram has carried out increasingly sophisticated and bloody attacks in its campaign to implement strict Shariah law across Nigeria, a multiethnic nation of more than 160 million people. The group, whose name means "Western education is sacrilege", is responsible for at least 504 killings this year alone, according to an Associated Press count. Phillis' story is dedicated to the lives lost, Nigeria’s unseen beauty and hopes for a more peaceful future.
Words by fayemi shakur & Images by Phillis Kwentoh
In May 2013, Albania passed a new law promoting solar energy in the country.
The country wants to develop the local electricity market, including independent power producer.
Read our blogpost: Here comes the sun: Albania passes law on renewable energy
Learn more about energy and environment in Europe and Central Asia
Metcheck said 67 % cloud cover for sunrise , it also said rain would stop 30 minutes before sunrise BANG ON ME WEATHER MAN
It's better with a paraboly thing than a circle arc. For those of you keeping score at home, the top of the curve is one quarter of the height of its triangle.
PDF of the crease pattern.
Hey, Goran, I made this with you and copper in mind. (In my mind, there was a lot of verdigris, but that's kind of status quo.)
HPD pupils are developing concept models as part of their Developing Design Proposals Unit. As usual lighting remains a popular choice. Pupils are also developing proposals on themes as diverse as seating, kitchen utensils and sportswear equipment.
Good to see evidencs of great strides being made in quich modeling techniques using materials like plasticine, copper wire, plywood and foam. The glue gun gets a lot of use at the moment as does the bandsaw and fretsaw.
Fortunately, Cathy, our cleaner has been very understanding. The mess at times you would not believe!
Good work everybody. Have a great Christmas break, get some rest. You'll need all your energy for the new year!
Sadako Sasaki (佐々木 禎子), January 7, 1943 – October 25, 1955) was a Japanese girl who lived near Misasa Bridge in Hiroshima, Japan when the atomic bomb was dropped on Hiroshima. Sadako was only two years old on August 6, 1945 when she became a victim of the atomic bomb.
At the time of the explosion Sadako was at home, about 1 mile from ground zero. By November 1954, chicken pox had developed on her neck and behind her ears. Then in January 1955, purple spots had started to form on her legs. Subsequently, she was diagnosed with leukemia, which her mother referred to as "an atom bomb disease." She was hospitalized on February 21, 1955 and given, at the most, a year to live.
On August 3, 1955, Chizuko Hamamoto — Sadako's best friend — came to the hospital to visit and cut a golden piece of paper into a square and folded it into a paper crane. At first Sadako didn't understand why Chizuko was doing this but then Chizuko retold the story about the paper cranes. Inspired by the crane, she started folding them herself, spurred on by the Japanese saying that one who folded 1,000 cranes was granted a wish. A popular version of the story is that she fell short of her goal of folding 1,000 cranes, having folded only 644 before her death, and that her friends completed the 1,000 and buried them all with her. This comes from the book Sadako and the Thousand Paper Cranes. An exhibit which appeared in the Hiroshima Peace Memorial Museum stated that by the end of August, 1955, Sadako had achieved her goal and continued to fold more cranes.
With her family around her, Sadako died on the morning of October 25, 1955.
Art for the Soul by Richard Lazzara
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This work is licensed under a Creative Commons Attribution-Share Alike 3.0 United States License
Entire contents copyright Shankar Gallery © 2009
Copyright - All Rights Reserved - Black Diamond Images
Family : Rubiaceae
A shrub or small tree often found in cultivation and endemic to Queensland. The species occurs in NEQ and CEQ at an altitudinal range from sea level to 1200 m. Grows as an understory tree in well developed rain tropical forest on a variety of sites.
apps.lucidcentral.org/rainforest/text/entities/atractocar...
IDENTIFYING AUSTRALIAN RAINFOREST PLANTS,TREES & FUNGI - Flick Group --> DATABASE INDEX
FIELD GUIDE : FLOWERING TREES of the WORLD ----> Scientific Names DATABASE
Canon AE1-Program
Canon FD 50mm, f1.4
Kodak Vision3 50D
Tetenal Colortec C41 kit
Reflecta RPS 10M
Colorperfect, Photoshop, Lightroom.
05/05/2023. London, United Kingdom. Anne-Marie Trevelyan, Minister of State for Foreign Affairs greets Suriname Honorary Consul Amwidhker Jethu-Ramkrishan at the Small Island and Developing Nations Coronation Event at Lancaster House. Picture by Lauren Hurley / DHSC
Photo: POH
Public Art, Creative Therapy, Civic Leadership, and Community Engagement
Portraits of Hope has involved tens of thousands of children and adults in huge civic collaborations - in the U.S. and abroad – that have strikingly transformed everything from airplanes, buildings, and the New York City taxi fleet to blimps, tugboats, race cars, and the Los Angeles beach lifeguard towers, by working with organizations from NASA to NASCAR.
Conceived and developed by Ed Massey and Bernie Massey,
Founders of Portraits of Hope
Developed initially for seriously ill and physically disabled children, the
501 (c)(3) program creates one-of-a-kind motivational art projects that
merge the production of dynamic public art works with creative therapy
for hospitalized children and civic education for students of all ages.
More than 900 hospitals, schools, and social service agencies have
directly participated in Portraits of Hope projects in addition to a
broad array of adult civic groups and colleges.
For children in hospitals and persons with disabilities, participation in the
projects serves as creative therapy. Special Portraits of Hope brushes
and methods have been developed for children and adults with physical
disabilities, including telescope brushes for those in wheel chairs, shoe
brushes for people unable to manipulate a brush with their hands, and
fruit-flavored mouth brushes for kids and adults with limited or no movement
in their limbs.
In schools, Portraits of Hope’s interdisciplinary, project-based learning
program focuses on social issues education, with an emphasis placed
on how youth would integrate their personal ambitions with broader
societal objectives. During the sessions the kids learn about the importance
of civic education, creativity, and teamwork in achieving both individual
and societal goals. They then experience the power of teamwork by
engaging in collaborative sessions for the creation of the vibrant, large-scale
public works.
The high-profile civic projects culminate in tangible feats that instill a powerful
sense of pride and achievement in all participants, and provides children with
an opportunity to say, “I did that!” – often on the national and world stage.
Art panels from the large-scale exhibitions are donated to beautify social service
institutions everywhere – senior centers, child service centers, women’s shelters,
transitional housing units, schools, and many other community facilities, including
communities recovering from natural disasters.
Every demographic group has been involved in Portraits of Hope,
highlighting the power of teamwork, collaboration, and achievement for all.
Summer of Color, Soaring Dreams Airship,, Garden in Transit, Soaring Dreams NASCAR,
Project 9865 - Tower of Hope, Garden in Transit Airborne, Chelsea Piers Project, Ice at
Santa Monica, 212 S. State Street Project
Developing a novel way of mapping coral reefs with laser and underwater photography.
Harbour School x MakerBay
Ths.edu.hk
MakerBay.org
Designer: Huang Zongrui (黄宗瑞)
1980, September
Develop the spirit for the bitter struggle of doing pioneering work
Fayang jianku fendoude chuangye jingshen (发扬艰苦奋斗的创业精神)
Call nr.: E13/303 (Landsberger collection)
More? See: chineseposters.net
Canonet QL17, Ilford HP5 Plus, self developed at カメラのアマノ. These are the store scans, which are low resolution. I do not know what I am gonna get out of this roll when I scan it at hope, as I am used to working with chromogenic XP2 Super.
What does the future hold. For these, hopefully some juicy grapes that will be picked and eaten. The growth of plants is not unlike the growth of our students and children and grandchildren. Incremental. For those us who are now principals at the elementary level (as I was, though not now) these days see the start of school and the arrival of the kindergarten students, many of whom will will watch move through the classes for many years until they head to middle or high school. For the classroom teacher, in a small district like ours, some of the students they enroll as school starts this year will be children they have watched grow for as many as three years. For those of us who are parents and still provide help, assistance, guidelines to our adult children, the time has flown as we have watched them grow and develop. It is not only about simply watching the growth though, there is a lot about nurturing and caring. As I look forward to my work with teachers and students and my own staff over the next number of months, I hope to see wonderful changes occur.
Across the developing world, some 70 million girls under the age of 18 are married. Most of these girls have been taken out of school, are pregnant or parenting, and face a greater risk of being a victim of gender-based violence and contracting sexually transmitted infections, including HIV. While we know of their risks, there is much that we do not know about the daily lives of these girls or how to better meet their health care needs.
Join USAID’s Office of HIV/AIDS, the International Center for Research on Women, CARE, and Pathfinder International as they present findings on their work with married adolescent girls living in Bangladesh, Ethiopia, West Africa, and other low-resource regions.
Read more: www.wilsoncenter.org/event/underage-addressing-reproducti...
The Rise
Regency Square Mall was originally developed in the mid-to-late 1960s. The project was initiated by Regency Centers, a now-powerful retail real estate trust based in Jacksonville that was at the time just getting started.
The mall was constructed at a cost of $12 million upon a giant clump of sand dunes, and opened its doors to the public in 1967. It featured three anchor stores – JC Penney, Furchgott’s, and May-Cohens – as well as an adjacent movie theater.
Regency quickly became a hit, owing a lot of its success to its location. At the time the Arlington area was among Jacksonville’s fastest-growing neighborhoods, and Regency Square Mall was by far the closest retail hub for its residents as well as shoppers coming into town from the beaches. It also helped that the mall was built in an era where shopping malls were quickly becoming a ubiquitous part of life in America.
The surrounding area experienced a development boom, with shopping centers, car dealers, office parks, and restaurants popping up all along neighboring stretches of Atlantic Blvd. Some of this was a result of continued growth in Arlington, but much was the direct result of traffic brought in by Regency’s success.
By the late ’70s, Regency was one of the country’s most active malls, and completely dominated the Jacksonville shopping landscape. The only “nearby” mall that could claim to compete with Regency’s offerings at the time, Orange Park Mall, was over 24 miles away.
Naturally, the mall’s ownership wanted to capitalize on this success, so around this time plans were developed to double the size of the mall at a cost of around $30 million.
Bizarrely, developers opted to tack on the additional space to the opposite side of May-Cohens, creating two wings divided by an anchor store. Ivey’s and Sears became the anchors of the newly-opened west wing.
Shortly thereafter, the east wing would get upgrades in the form of an AMC theater and a large food court.
All the while, business continued to boom at Regency Square, perhaps more so than ever.
The Fall
There’s an old proverb based on a Bible passage that states, “Pride comes before a fall.”
In the mid ’80s, Furchgott’s announced their merger with Stein Mart. While most of the chain’s stores were converted to the Stein Mart branding, Regency’s operators proudly believed the brand to be too low-class for their mall and opted to pursue a replacement anchor.
At the turn of the decade, Regency faced stiff new competition in the form of The Avenues. This new two-story mall, constructed along the intersection of Philips Highway and Southside Blvd., offered a slightly more upscale shopping experience and threatened to lure customers from the then-thriving Baymeadows area away from Regency.
Around this same time, cracks began to show in the foundation at Regency. The mall changed ownership, being sold off to Chicago-based General Growth Properties.
A couple of anchor stores began a decade-long game of musical chair. Dillard’s moved to yet another new wing, vacating the former Ivey’s, which would then become a Montgomery Ward. May-Cohens would become a Gayfer’s, then later a Belk.
Most significant, however, was the rapidly-growing issue of crime. By the early ’90s, yearly crime reports at the mall reached quadruple digits. Over the following decade, the mall rapidly developed a reputation among locals as “the sketchy mall”.
The mall’s management made attempts to fix their reputation, but for the most part the damage had been done. The addition of a JSO substation in 1998 did little to curb the crime epidemic, and the addition of an aggressively-enforced mall dress code the next year only served to alienate its remaining customers.
It seemed clear that despite the mall’s shortcomings, its management felt as though it was still an elite retail hub. In other words, they let pride take the place of rationality.
Another round of renovations in the late ’90s brought an upgraded food court and theater. When Montgomery Ward left in 2001, management pursued big-name anchors rather than simply looking to fill the vacated spot. As a result, Ward’s spot stayed empty for five years.
In 2005, the opening of the St. Johns Town Center made Regency’s survival even less likely. The Town Center now catered to the upscale crowd, with The Avenues’ savvy management team rolling out renovations around the same time to keep up appearances.
Meanwhile, Regency’s crime rate grew worse and vacancies began piling up within its corridors.
By the late 2000s, it was clear that the mall was dying. Crimes at Regency outpaced those at The Avenues and St. Johns Town Center combined.
The mall’s west wing became a ghost town. Dillard’s converted their location to a clearance center. A shooting in 2008 involving an off-duty JSO officer only served to further solidify the mall’s reputation as a bad place. Many locals refused to shop at the mall by themselves, or after dark.
By 2014, the mall’s occupancy rate slipped well under 50%. Belk, which occupied the anchor space that separated the east and west wings, announced that they planned to bolt to a standalone store further down Atlantic Blvd. General Growth Properties, finally accepting that they wouldn’t be the ones to save the mall, put it up for sale in 2013, and got rid of it just a year later.
When new ownership took over, they opted to close down the west wing and move any remaining tenants over to the east wing in hopes of saving at least one part of the mall.
This last of 4 images shows the original view (more or less). I love the light in this one. Ben Stack is now obliterated by the clouds and Handa Island on the far right is looking amazing.
Last year at Soundcamp, I was doing a cyanotype workshop as well as making odd pinhole shots of some of the visitors and developing them outside in dev tubes, talk about working blind. These are some of the shots I made between doing those activities, it was a gorgeous day on the peninsula at Rotherhithe near Stave Hill. The ecology park is very beautiful and you wouldn't think you were a stones throw from the city of London.
#Muay_Thai is also known as the "art of #eight_limbs" because it uses #hands, #elbows, #shins, and #knees to strike opponents. Originally, Muay Thai incorporated the use of the head, but as the martial art has developed, the use of the head has declined. #Learn this Art from #professionals by joining free trial of Muay Thai In Sydney. #Visit the #website online today.
This year, 2026 is the centenary of the formation of Zeiss Ikon, a major player in European camera manufacture in the 2nd and 3rd quarters of the 20th century.
To mark this anniversary, I've decided to use a different Zeiss Ikon camera every two weeks throughout the year, a project I'm calling “Twenty-six in Twenty-six”.
The following is taken from an article I wrote about the camera in Amateur Photographer magazine:
The square format has always been popular with fine art photographers, and is typically associated with medium format cameras, but there were a handful of 35mm models which shoot square negatives, and the Zeiss Tenax I is one such model.
Camera collecting can be confusing, sometimes cameras with very similar names can be quite different, for example the Tenax II, which also shoots square negatives, is a superbly built, but much heavier and bulkier camera, complete with coupled rangefinder. To add to the confusion even more, the Tenax II was released a year earlier than the Tenax I.
Although it was first produced before World War 2, mine is one of the post-war models made in East Germany by what was to become the VEB Pentacon company, perhaps best known for their Praktica range of entry level SLRs. My example is engraved with the inscription “In brüderliche Verbundenheit NEUES DEUTCHLAND 30.4-15.5 1952”, the first part translates as “In Fraternal Solidarity”, and “Neues Deutschland” was the official newspaper of the communist government, but what happened in that fortnight in Spring 1952 has so far eluded me, if any reader can enlighten me, I'd be very grateful.
Aside from the potential aesthetic advantage of the square format, there is the benefit that you get 50% more shots per roll, so a 36 exposure film gives 54 negatives, this may well have been a factor in the design of the camera, film was still relatively expensive after the war, one of the reasons for the boom in half-frame cameras during this era.
The Tenax I is a very neat, eminently pocketable camera. It uses a fold out frame viewfinder to compose the photo and has an unusual film wind system which comprises a prominent lever on the front of the camera. This is depressed using the left index finger, both winding on the film and cocking the shutter, which is then fired using the right index finger. Once you get the hang of it, shots can be fired quite rapidly, the manufacturer claimed 4 frames per second, but I think this is a little optimistic! Shutter speeds range from 1 second to 1/300th, with the f3.5 35mm Novar Anastigmat lens stopping down to f22 if required and focusses from 4 feet to infinity. I found it rather fiddly to adjust the shutter speeds and aperture, as the numbers are small and quite hard to see at times.
THe film is Kentmere 400, developed in used Rodinal for 14 minutes at 22 degrees.
Developing funnel cloud over the Gulf of Mexico 6:30 am. It never materialized into anything more than this (that I saw).
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The Royal Agricultural Station Inthanon is His Majesty the King Personal Project for eliminating opium growing. Established in 1979, the Station servers as a research centre for a wide variety of the highland fisheries, in order to develop the livelihood of the hill tribe farmers. It also serves as a centre to disseminate knowledge and new innovation derived from the research of the sustainable highland farming to other regions.
Royal Agricultural Station Inthanon located on National Park DoiInthanon in AmpherJomthong, Chaiangmai Province. And average point above sea level is 1,200 meters. The agricultural research area in the station over 513 rai and there are 8 villages that the Station take responsible and these villages are hill tribe of Hmong and Karen.