View allAll Photos Tagged composition
some recent photos that i think demonstrate my understanding of strange perspective, framing and rule of thirds
Monday 9th December 2013 - Friday 13th December 2013
LOD, Ghent
During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).
This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.
Photos - Kurt Van der Elst ©
This photo meets the Composition requirements for this project because the bars are framing the subject's face. I took this photo by laying on the ground and putting a prop for a child's play in front of my face. I made the shutter time extremely long so I could move during the photo and get a slight blurred effect. I moved the lamp I was using to put half of my face in shadow and I put on heavy eye makeup as well. In Photoshop, I added a cooling filter, curved the darks, and created contrast. I increased the hue to a blue filter and finally I cropped the photograph to make sure there was no distracting background.
Overall, I'm not quite sure how I feel about this photo. I enjoyed taking it and editing this to create a sort of mysterious mood. I enjoy the idea that it seems as though I'm "behind bars" when I am literally just laying on the floor behind a stage at an elementary school. If I could change anything it would be to not have used the long shutter time because it sort of made this look unprofessional.
This was captured on my phone at the beginning of a path that goes into town. This was perfect for composition as the trees and path create the effect of everything meeting at a center point and the photo is even on each side. This is visually pleasing and works very well for this method of photography. I took this photo onto photoshop and adjusted the brightness, contrast and vibrancy and lastly applied a slight vignette to hone in on the centre point that the photo shows.
Monday 9th December 2013 - Friday 13th December 2013
LOD, Ghent
During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).
This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.
Photos - Kurt Van der Elst ©
Thinking about the spacing and orientation of objects on a canvas ...
These visualizations illustrate a collection of patterns for programmatically arranging visual objects in 2D space.
once more the same compostion for painting class. this time i had to open (try at least) the forms and paint with pastels. i have to take it tomorrow to school and see what the teacher says. i don't if it's what she'd want us to do. i'm not used to seeing the kind of art she wants in this exercise (Braque's style)
what do you think?
This is my best example of simplicity because it is very simple and not a whole lot of a story being told in this photo. It is minimal and doesn't really have a focal point.
_Con todas las palabras generadas en clase creamos una composición tras digitalizarlas y corregir los errores.
This was one of my best photos from the composition assignment. I saw this sign at a cafe in utah and decided i could make it look cool. I tire bed the exposure way down and basically everything else to make the image have more shadows and make the sign less bright. Fortunately I was able to make everything else dark and the sign pops in the photo which makes it look really cool.
Monday 9th December 2013 - Friday 13th December 2013
LOD, Ghent
During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).
This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.
Photos - Kurt Van der Elst ©
Shooting a Mini Cooper at "eye level" makes it cooler. Here's two more ideas for good story telling composition: ipsphoto.co/2013/03/3-guides-for-story-telling-compositions
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