Acrylic, 12x12 canvas

I used variation in line and focal point in my composition.

My inspiration came from my porch flooring, I wanted to reproduce the wood grain. I really enjoy macro photography, so I decided to go in close and take advantage of larger brush strokes on my smallish canvas.

**pushing feedback welcome**

Boulevard Richard-Lenoir, des filets autour d'un arbre

shallow depth of field

Composition sous pavé de verre.

Dance Composition 4/25

salah satu rangkaian prosesi perayaan Ulangtahun Wonosobo -24 Juli 2007

Abstract composition , acrylic on paper A3

interior composition "Toadstools"

Negative Space

i love to arrange my bunches on this gray plate on my little commode!

21x29 cm

In this photo I used the compositional techniques of leading lines, point of view, and rule of thirds. In Lightroom I increased the warmth of the photo to create a sunny feeling and look.

Dance Composition 4/25

Composition

Photo art. 2020.

Asakusa, Tokyo Japan

Voici un paysage typique des Maritimes à Caraquet

Negative Space

Focal point

I'm not sure if I've posted this picture or not. I love composition notebook and acrylic paints!!

Art

Still Life 1

Composition culinaire

Symmetry

Dance Composition 4/25

Aprile 2011 Berlin 001_3 (97)

nuclear imaging device, cardiac imaging lab, Broad&Race, Philadelphia, PA

Thanks to the tech who let me take this.

Generative Art

Asymmetric balanced composition. I see a sort of near-vertical line between the devil and the upside-down man, the tree/antler the devil is on follows that same line.

--irregular rhythm, the antlers coming sideways(!) from the sideways heads of deer. The deer on the lower part of the page are closer together,

--The heads of the deer are a graduated rhythm, I think the density of the deer heads at the bottom might be in balance with the devil's arm.

There are Antlers rising from bottom of page too (deer beyond frame?)

Man caught in tangle, upside down. He looks as if he is falling, he looks also as if he is still, caught in the bramble of antlers. There's a sort of which-way-is-up idea, the man or the devil or the animals?

All those antlers are a lot of line directions using all the space. It reminds me of lace because it's complicated. Despite the feeling of upside-down caught in it, there's a lot of resting space, and almost a stillness as if resting, a still frame from the struggle, it has a peacefulness to me. I believe this cover is an example of harmony.

I wonder at the choice of a font that almost disappears, despite the use of color to pick it out from the picture. I would have chosen something heavier.

Thinking about the spacing and orientation of objects on a canvas ...

These visualizations illustrate a collection of patterns for programmatically arranging visual objects in 2D space.

It´s not my favourite picture but i like the sepia colours and the simplicity of the forms. Yust a fork and a knife. Please give coments.