View allAll Photos Tagged composition
This is my best example of simplicity because it is very simple and not a whole lot of a story being told in this photo. It is minimal and doesn't really have a focal point.
_Con todas las palabras generadas en clase creamos una composición tras digitalizarlas y corregir los errores.
This was one of my best photos from the composition assignment. I saw this sign at a cafe in utah and decided i could make it look cool. I tire bed the exposure way down and basically everything else to make the image have more shadows and make the sign less bright. Fortunately I was able to make everything else dark and the sign pops in the photo which makes it look really cool.
Monday 9th December 2013 - Friday 13th December 2013
LOD, Ghent
During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).
This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.
Photos - Kurt Van der Elst ©
Shooting a Mini Cooper at "eye level" makes it cooler. Here's two more ideas for good story telling composition: ipsphoto.co/2013/03/3-guides-for-story-telling-compositions
Learn photography through the IPS blog, online classes, and live workshops. Check out our website at ipsphoto.co for more information!
In Digital Photography class we were to take pictures of different composition ideas that a photographer might use. My teacher gave us different options. The ones shown here are Vertical Pictures, Rule of 3rds, Worms-eye view and Shadows.
This is a medium shot of Segui in front of the shed. I like the way the medium shot allows us to see some details in his face, like his dripping nose and slightly squinting eyes, as well as some detail on his back (like the shedding hair). In terms of composition, I like the soft vertical lines in the background, and the diagonal line that my dog is positioned in. I think the use of lines helps draw attention to his face in a nice way.
上野・国立西洋美術館は、常設展の入場料が学生130円と実にリーズナブル。
20世紀絵画の部屋は天井照明が美しい
@国立西洋美術館(The National Museum of Western Art), tokyo, japan
YASHICA Mat-124G
Fujifilm REALA ACE 100
~ A set of clothes that hanged on those fancy 'fashion hangers' you would see in movies concerning movies. When I happened to move to Serbia, I had one in my room outside of my closet. I used to put clothes I either hated or loved. It'd change all the time.
I miss that room. I can't imagine what it'd be like to visit it again.. Oh gosh.
I think it's called a 'Clothes' rack' I'm not sure
What first hit me as really strange was the notion of objects discussing when reading art critique. It took several years of study to appreciate the animism or animist metaphors embedded in those analyses of how an artwork is situated in the space and time and how it approaches, allures or rejects the one who is experiencing it.
After studying the animist phenomenology, it's hard to imagine a world without it. It'd seem so cold, mechanical and uninteresting. One could not hear the different ceramic objects discussing on the top of the poetry shelf.
Gerard Holmens (Ostend, 1934 - Moulins (F), 1995) was a Belgian sculptor and draftsman who lived in Vieuzos in France since 1981. His work belongs to the abstract modernism. From 1955 on, Holmens started from a stylized figuration: vegetable compositions and imaginary animals; his search led to mobile stone sculptures in 1965. Later his sculptures emerged from a kind of neo-romantic or neo-symbolistic figuration, around the theme of table, chair, vehicle, and loaded with the symbolism of life and death, meaning and meaninglessness, eroticism, fatum, horror…;
Title of the work: Rhinoceros
This work can be admired at the Middelheim open air museum at Antwerp: www.middelheimmuseum.be/en
Gerard Holmens ( Oostende, 1934 – Moulins ( F ), 1995) was een Belgisch beeldhouwer en tekenaar die sedert 1981 woonde in Vieuzos in Frankrijk. Zijn werk behoort tot de strekking van het abstract modernisme. Vanaf 1955 vertrok Holmens van een gestyleerde figuratie: vegetale composities en imaginaire dieren; zijn zoeken leidde in 1965 tot mobiele steensculpturen. Later ontstonden zijn beelden uit een soort neoromantische of neosymbolistische figuratie, rond de thematiek van tafel, stoel, voertuig, en beladen met de symboliek van leven en dood, zin en zinloosheid, erotiek, fatum, verschrikking…;
Dit werk kan bewonderd worden in het openlucht museum Middelheim in Antwerpen:
Meer over dit werk: search.middelheimmuseum.be/details/collect/148216
Gerard Holmens (Ostende, 1934 - Moulins (F), 1995) était un sculpteur et dessinateur belge qui vivait à Vieuzos en France depuis 1981. Son travail relève du modernisme abstrait. A partir de 1955, Holmens part d'une figuration stylisée: compositions végétales et animaux imaginaires; sa recherche débouche sur des sculptures mobiles en pierre en 1965. Plus tard, ses images sont issues d'une sorte de figuration néo-romantique ou néo-symbolique, autour du thème de la table, de la chaise, du véhicule, et chargées du symbolisme de la vie et de la mort, du sens et du vide , érotisme, fatum, horreur…;
Titre de l’oeuvre: Rhinocéros
Cette oeuvre peut être admiré au Middelheimmuseum en plein air à Anvers: www.middelheimmuseum.be/fr
Composition 2.78
Gouache on paper
9.5 x 8.5 inches, 2011
Tom Burtonwood is a Chicago based artist who creates systems based geometric paintings, reliefs, sculpture and digital art works. This set contains currently available pieces from the "Color Studies / Composition 2" series. Please email tburtonwood@gmail.com for more information.
In July 2011 I published a book documenting all 100 Color Studies. For further information about the book please click this link: tomburtonwood.com/color-study-book/
To see more images of my other works please visit my website tomburtonwood.com .