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Composition A (1923) by Piet Mondrian, a classic De Stijl painting.

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Camera Iskra

film Kodak portra 400

scan epson v850

Third Eye Sixth Sense

 

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www.youtube.com/watch?v=9EX7Ps9_OXE

Observed by art critic Liz.

Mid-20th century. Composition head on a very firmly stuffed cloth body. Beautifully dressed in fine cotton clothes with cotton shoes, all trimmed with dainty braid and with tiny pearl buttons. Her jacket has an unusual pattern of white cats and ducks. The wheeled wooden panda is a modern German Erzgebirge (Iron Mountains) miniature. The figure of a girl on a fish is a novelty pencil sharpener from China, made of a clay-like material.

Bois de tilleul, lisianthus, fougères, pittosporum panaché.

Composition: Patterns/Repetition

Monday 9th December 2013 - Friday 13th December 2013

LOD, Ghent

 

During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).

 

This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.

 

Photos - Kurt Van der Elst ©

This is my best example of simplicity. I really like the mood that this photo gives. To create contrast in my image I increased the highlights, shadows, and whites. I decreased the blacks, changed the point curve, increased the texture, and made the vignette darker. I was trying to create a dark and mysterious mood.

This is the first composition of my son George (2yrs) who carefully selected and arranged the cubes and stones by himself and then,even better, he mounted them on the top of the armchair rest

Thumbnails in pencil showing various types of "balance" in design: symmetrical, approximate, radial, and asymmetrical.

There's something about this composition that I really like and I am not entirely sure what it is.

 

Muted down the greens and yellow since I wasn't too pleased with them and this is the result.

 

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