View allAll Photos Tagged composition
Uma pequena sátira sobre a compra de câmeras
(Fragmentos...)
Diálogo 1
— Queria comprar uma câmera. Alguém pode indicar um modelo?
— Compre uma DSLR. Elas tem mais recursos, você pode trocar lentes, são mais rápidas. Você vai se apaixonar.
— Mas será que eu preciso de tudo isso?
— Todo mundo precisa. Câmera de verdade é DSLR.
Diálogo 2
— Quero comprar uma câmera para minha avó. Ela só sabe apertar o botão.
— Compre uma DSLR.
— Mas ela só vai usar a câmera no automático total!
— Compre uma DSLR e deixe no quadradinho verde.
Diálogo 3
— Quero comprar uma câmera, mas só tenho trezentos reais.
— Compre uma DSLR.
— Mas eu só tenho trezentos! Essas câmeras custam dois mil reais!
— Junte mais mil e setecentos e compre uma DSLR.
Diálogo 4
— Quero comprar uma câmera compacta.
— Compre uma DSLR.
— Você entendeu o que eu disse? C-O-M-P-A-C-T-A.
— Compacta não tem ISO alto nem troca lente. Compre uma DSLR.
Diálogo 5
— Você não está me entendendo. Quero uma câmera pequena pra carregar na bolsa, sabe? Compacta.
— Compactas são péssimas. Já pensou fazer um casamento com uma compacta?
— Não sou profissional e nem quero “fazer casamentos”.
— Todo mundo quer fazer casamentos. E todo mundo quer uma DSLR. Compre uma DSLR.
Diálogo 7
— Já tenho uma DSLR e quero comprar outra câmera.
— Compre uma DSLR.
— Mas eu já tenho uma!
— Compre outra. DSLR nunca é demais.
Diálogo 8
— Quero comprar uma câmera para fazer fotos bem simples, como flores, pôr-do-sol, essas coisas.
— Compre uma DSLR. É ótima pra eventos.
— Mas eu não vou fotografar “eventos”. Vou fotografar flores e pores-do-sol.
— Compre uma DSLR. É ótima pra esportes também.
Diálogo 9
— Alguém pode me indicar um bom celular?
— Uma DSLR. Câmeras de celular são muito ruins.
— Mas eu quero um celular pra fazer ligações, não pra fotografar.
— Compre uma DSLR. Com uma câmera dessas, você não vai precisar mais falar com ninguém.
Diálogo 10
— Estou pensando em comprar uma DSLR, mas não sei se quero gastar tanto.
— Compre uma DSLR. E não é gasto, é investimento. Nós investimos em câmeras e lentes.
— Mas eu não trabalho com a câmera. Não ganho nada com ela. Os equipamentos só se desvalorizam. Como posso chamar isso de investimento?
— Fica mais fácil explicar assim pra esposa. E pro gerente do banco também, na hora de pedir o empréstimo. Compre uma DSLR.
Diálogo 11
— Ok, ok, aceitei o seu conselho e finalmente comprei uma DSLR. E agora?
— Agora você precisa investir em lentes, grip, bateria, flash, cartões de memória, tripé, filtros…
— Não, não quero comprar mais nada! Quero saber e agora, e a fotografia?
— Fotografia? Ah, não é comigo… Não sei nada sobre isso.
This is "Composition No.3".
-Copyright 2005 JINMO-
Thank you very much for visiting, my friends.
Please enjoy the details in LARGE size.
JINMO
This picture was taken up close on a pond. Rather than have the lilypads around the flower take away from its beauty, I decided to frame the flower. The reason I did not fill the frame was because I wanted the viewer to notice that this flower was in water and not land. I tried to use the rule of thirds when taking this photo.
Location: Byron Lake Park: Oakdale, NY
Former home of James McAlpine Tait, a printing compositor in the 1850s and later a newspaper owner. See his entry in the Notables Database:
collingwoodhs.org.au/resources/notable-people-2/collingwo...
© Pat Miller
The sweep of the trunk and the glittering crest of a '53 Cadillac Eldorado takes on a surreal quality in this shot.
A new set of Body Composition scales, and my statistics ain't the best...
And my metabolic age? Oh dear!
...
See my Tumblr for a second image. Thanks!
Follow Me On Twitter
Adam Taylor @ Posterous This will feature all my photographs taken on the iPhone!
© Adam Taylor Photography 2010
Just a simple comment would be nice no big logos...thank you!
I loved the rich, special feeling of the Moleskine notebooks for carrying around in your purse or pocket, but couldn't quite see dropping $6 to $10 dollars for one. Instead I bought .77 cent mini composition books and made them special...my own 'faux' Moleskine's
Some of the work from the teen photo class at the Avenue Road Arts School.
For more info visit: www.avenueroadartsschool.com/classes/kids&teens/kids&...
Monday 9th December 2013 - Friday 13th December 2013
LOD, Ghent
During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).
This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.
Photos - Kurt Van der Elst ©
Kinetic night photography = lights + long exposure camera settings + artistic flair.. and then see what you get.
This photo meets the Composition requirements for this project because the bars are framing the subject's face. I took this photo by laying on the ground and putting a prop for a child's play in front of my face. I made the shutter time extremely long so I could move during the photo and get a slight blurred effect. I moved the lamp I was using to put half of my face in shadow and I put on heavy eye makeup as well. In Photoshop, I added a cooling filter, curved the darks, and created contrast. I increased the hue to a blue filter and finally I cropped the photograph to make sure there was no distracting background.
Overall, I'm not quite sure how I feel about this photo. I enjoyed taking it and editing this to create a sort of mysterious mood. I enjoy the idea that it seems as though I'm "behind bars" when I am literally just laying on the floor behind a stage at an elementary school. If I could change anything it would be to not have used the long shutter time because it sort of made this look unprofessional.
Studio portrait of Shavonna Holman, Research Assistant Professor, Educational Administration. CEHS Faculty / Staff photo shoot. February 10, 2014, Photo by Orville Friesen, Instructional Design Photographer.== File Name: 140210_Holman_S_460.jpg — 5.5MB — 20140210 — 10 — 10 — 11 — 11 — 110319-0500 — 2/10/14 — 1103 - modified 9/15/20 at 12:03:29 PM — now: 1:55:19 PM 9/15/20 —Tuesday.
Photo by Orville Friesen for the College of Education and Human Sciences, University of Nebraska.
NEX 7 test for adjust composition for example of close distance foreground is difficult and unpredictable adjust in RF camera.
This was captured on my phone at the beginning of a path that goes into town. This was perfect for composition as the trees and path create the effect of everything meeting at a center point and the photo is even on each side. This is visually pleasing and works very well for this method of photography. I took this photo onto photoshop and adjusted the brightness, contrast and vibrancy and lastly applied a slight vignette to hone in on the centre point that the photo shows.
Monday 9th December 2013 - Friday 13th December 2013
LOD, Ghent
During the first workshop in December 2013, the composers worked with the four highly experienced singers of VOCAALLAB (high soprano, mezzo/alto, low tenor, baritone) and Eva Reiter (viola da gamba, Paetzold bass recorder) on these pieces. The singers also presented topics from older and contemporary repertoire, in order to study and compare this material, to share their experiences, and show them different ways of singing and writing for the voice, including topics like the use of text, the different styles of vocalization (from bel canto to traditional or popular voices, world music, noises and new sounds made possible by amplification, the voice as pure instrument, speaking and transitioning from speaking to singing).
This workshop included a lecture by Wouter Snoei, regarding the question of how to use electronics in relation to voice.
Photos - Kurt Van der Elst ©