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Proprietary Red is a full-grain, single hide, vegetable dyed calfskin cover. It is the result of a collaboration with a Master Napa Valley Winemaker to create a durable, tasteful cover for his wine tasting and wine blending notebooks. The covers fit the standard size composition books whose hardcovers and sewn-in pages are preferred by winemakers and authors who require stable, long-lived medium for archiving their work.
•Premium calfskin, Limited 500 Pieces
•Hand cut full-grain, single hide
•Hand dyed with vegetable dyes
•For composition books 7.5” by 9.75”
This is my first project that I did at university. Its is a composition explaining the relation between different levels of society and how they are connected to each-other.
The project was limited to using cubes and Hexagonal prism. Each Hexagonal prism had to be connected to 3 cubes to make a unit. The composition is created by connecting those units.
Composition shot from inside a crevasse, halfway up a mountain, overlooking a populated coastline and island.
7.Patterns
Rule of composition:
It's patterns as the wall design shows constant design of rhombic shape through to the photo.
Why it’s a good photo?
The lighting is from right side to left side and it creates a great combination the color of gold and black and the shape is unique and exclusive.
How could it be improved?
It could be more improve if there could be more shapes of rhombic, and also if the picture was taken on a better angle to avoid the subject look lighter than the other side it could be better.
sabato 26 aprile 2008 | 28° Festival Internazionale degli Aquiloni | Tagliata | Pinarella | Cervia | Forlì | Emilia Romagna | Italia
For this piece I used a mixture of mediums and devised an expressive and meaningful composition for a potential larger scale drawing as my final piece. For the background I used simple red and orange watercolours to make the polyblock lightblue print stand out over it. I then used a marker pen to draw the cathedral window frame, this displays very detailed texture to the piece because of my mark-making skills. I used a graphite stick to sketch the gate of the cathedral and blue and green acrylic paint to show forms of fragmentation throughout the piece, because of the way I layered elements of the piece over and under each other.