View allAll Photos Tagged composition
I've found a direction I want to explore and finally a B+W conversion tool that works although I can't quite afford to buy it yet. I've always loved working in monochrome but getting good results has always been a struggle, just trying to get that wonderful silver effect from film. Compositionally this was a bit of a challenge and I'm still not absolutely happy with it.
Taken with Canon XTi 400D in manual exposure and manual focus modes.
One of my favorite hats, a Canon lens, and a Diet Pepsi bottle.
Thinking about the spacing and orientation of objects on a canvas ...
These visualizations illustrate a collection of patterns for programmatically arranging visual objects in 2D space.
In this photo I used the compositional techniques of leading lines, point of view, and rule of thirds. In Lightroom I increased the warmth of the photo to create a sunny feeling and look.
I choose this photo because the book is placed on a third and the heart is the framing the letters and the background. The pages forming the heart represents leading lines.
Composition, 1929
Maurice Tabard (French, 1897–1984)
Gelatin silver print
© 2000–2012 The Metropolitan Museum of Art
Steve Allison's Drawing and Composition class stationed themselves on Memorial Chapel Hill on May 1, 2018, and used the campus environs, the Connecticut River Valley and the Northfield Hills as inspiration for their impressions in charcoal. Photography by Glenn Minshall.