Compositions
View allAll Photos Tagged composition
Took this on 30th Dec. Sometimes wild days are the best ones.
My daughter, Caroline was over from UK for a few days, so it made it even more special for me.
When it comes to compositions in Photoshop, all that limits us is our imagination! I know someone who would be curious as to what I would do with the samples they let me have.
Early autumn and the last of the Rose Hip fruit and Roses present themselves for a final display. If it's possible, I always try to get flowers with a sky background and whatever background you have at the time, in Photoshop, it is so easy to replace.
One thing Computers will never be able to reproduce is the beautiful scent from these roses. Absolutely gorgeous and I am sure it will linger with me for always.
Un carrelet est une cabane de pêcheurs, les pieds dans l’eau, construite en bois sur pilotis et reliée à la côte par un ponton.
Le grand filet carré, suspendu à un mât, est descendu et remonté à l’aide d’un treuil avec contrepoids.
On trouve les carrelets le long de l’estuaire de la Gironde et sur le littoral charentais.
the mysterious with a feeling of serenity and joy. Luis Barragan.
NO TRIPOD USED, HANDHELD ONLY AND THEY CAME OUT PERFECTLY ALIGNED. I TOOK ONLY THREE PICTURES TO MAKE THIS PANORAMIC.
Liu Fang Yuan, the Garden of Flowing Fragrance, is one of the largest Chinese gardens
outside China. Designed to create, preserve, and promote the rich and complex traditions of Chinese
culture, this authentic garden is a special place for visitors to feel inspired by the elegant harmony
of nature and poetry. Thanks to visionary landscape architects and artisans from China and the
United States, inspired historians, expert gardeners, and generous benefactors, Liu Fang Yuan
reflects today an exceptional combination of learning and beauty.
A Chinese garden is often compared to a work of art: It is like a scroll painting composed of carefully arranged scenes. As you stroll through the pathways and pavilions of Liu Fang Yuan, new vistas are revealed as if a scroll were being slowly unrolled. In the garden, as in a painting, several key elements play an important part in creating balance, meaning, and beauty in the composition.
Huntington Library and Botanic Gardens. San Marino. California.
Une partie des éléments de décoration sur le meuble de salle à manger. C'est une vraie mandarine et de vrais œufs. La mandarine a quatre ans et les œufs trois ans. A l'époque ils étaient bien frais. Aujourd'hui, ils continuent de décorer mon meuble.
Click on Image to Enlarge !!!
The composition of this image was achieved IN CAMERA using an Apple iPhone 4S. Post capture processing was indeed done, but only involving the treatment of light and colour. By "breaking the rules" of the iPhone's panoramic function, the image can be skewed, splintered or fragmented into a multi-planarity that could, perhaps be called a form of "Millennial Cubism".
Please see the Flickr group "PANO-Vision" to view a gallery of images created by 20 artists ( and counting ) who are deliberately working in this mode of image creation.
© Richard S Warner ( Visionheart ) - 2015. All Rights Reserved. This image is not for use in any form without explicit, express, written permission.
Dąbrówka
It's evening, the sun has already hidden behind the horizon. My wife and I drive slowly along our country roads, and at the end of our first journey during the ending epidemic and the necessary isolation we want to look at the Drzewicki reservoir from the Dąbrówka side. Suddenly we noticed a stork walking majestically through the field. I am slowly driving along a dirt road without stopping the engine - he does not run away, looks and continues to search for his delicacies. I have to hurry, but in order not to scare him away, he is close and there is a great atmosphere, you need to capture her. It is already quite dark and in these conditions I try to get the most out of the equipment. I take the first photos with high ISO sensitivity, burned, I automatically change to the native ISO sensitivity - photo - and I see that a dark photo, I do not have time to think about it, I raise it to ISO 800, then 1250, 1600. I don't know if I have anything, but this moment was extraordinary. Finally, the stork estimates that there is too much traffic around and breaks away, it flies further to the center of the field and we can not see it anymore. I had to wait until the next day to assess what pictures we have - unfortunately, practically all the pictures were out of focus (too long exposure time in difficult conditions despite raising the ISO, with the aperture open to the maximum), I almost gave up, but I remembered that I still have dark photo - this is the photo.
Now I am thinking about how to optimize the technique of taking pictures with this relatively dark lens in order to maximize the quality of the received pictures. I chose it because of the focal lengths, and because it is over 6 times (x 6.44) cheaper than the bright M.Zuiko 300mm f / 4.0, in the hope that in good light I will take great photos with it, and in low light - well well what can be squeezed. But by accident it may turn out that relatively low ISO - maybe not native but something between ISO 400 - 800, combined with the short times required to freeze fast moving objects - will give dark photos that can be easily processed in post-production. I can't wait for the next locations
Maybe this picture is not yet perfectly sharp and technically exemplary, but the pictures are not taken literally, the most important are emotions, mood and narration.
Eye Site - Mt Airy, Philadelphia - USA (Sony a7 Mark II - Voigtlander 110mm F2.5 APO Macro + Atomos Shinobi External Monitor + A Bit of Self Reflection)
Compositionally Challenged Week 35 - Layered Abstracts
The osteospermum photo from my yard today, layered with a layered photo from 8/29 comprised of reflections on a lake with a shot of little flowers in the park garden, using the Ribbet editor.
Here you can have a whole book preview
(cover: a midsummer night’s dream)
I have been thinking about this book for a long time, and I also have been working on it for a quite long time! - the week end has been busy, but now I'm ready - hope you like it as I do, this is really something that .. "belongs to me" .
have a nice week, you all :-)
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.