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These components are just for show. Except for the lightbulb, they don't actually connect to the circuits of the radio and are glued in place.
Two functional components in this assembly have been removed. They are the steel rods that make the circuit to connect the radio in the base to the speaker in the top.
More info about these bad boys on my blog:
cyclingwmd.blogspot.com/2009/02/introducing-vallie-compon...
Modified body, M42 adapter to create a tread in the body. Helicoil, Lens with modified M42 lens cap to mount the lens.
pneumatic control, vacuum component, Festo products, Burkert Products, Baumer
Products, Electro pneumatic drives, Semi rotary drives, gripper cylinder, Pneumatic
Cylinders, Rodless cylinders, compact cylinders, Solenoid Valves, Process Valves,
Control valves, Mass flow controller, Angle Seat Valve, Sensors for industrial
applications, Absolute Encoder, Label Sensor, Copy Counter, high speed adhesive application, Industrial sensors, Incremental Encoder, Safety switches, istance sensors, Barcode Reader, Windmill Sensor, Sensor for shipping and port, Sensor for construction Machinery, Cylinders with piston rod, Rodless cylinders, Tandem, Stopper cylinders, Clamping cylinders, Bellows cylinders, Sick Products
Vacuum tubes, resistors, diodes, a Tube Screamer guitar pedal, transistors, terminal strips and more!
Featuring: Accessories, Animations/Poses/Props, Avatar Components, Avatar Enhancements, Builds, Clothing, Cosmetics/Nails, Hairs, Home and Garden, Shapes, Skins, Tattoos
Event Opening Date: November 25, 2024
Event Closing Date: December 22, 2024
Teleport to Uber
Teleport to Uber Cam Sim 1
Teleport to Uber Cam Sim 2
This event is in one location
www.seraphimsl.com/2024/11/25/even-old-man-winter-cant-ge...
Students sorting out the resistors, capacitors, transistors, IC chips, LEDs, speakers and on-off switches for making the biometric device. They were able to stay calm and collected through this very complex and difficult process
Stuck one of my 2 temperature probes on the main heatsink, just to make sure my fiddling doesn't cause any fatal cooling problems.
Sun Temple, Modhera
The Sun Temple is a Hindu temple dedicated to the solar deity Surya located at Modhera village of Mehsana district, Gujarat, India. It is situated on the bank of the river Pushpavati. It was built in 1026-27 AD during the reign of Bhima I of the Chaulukya dynasty. No worship is offered now and is protected monument maintained by Archaeological Survey of India. The temple complex has three components: Gudhamandapa, the shrine hall; Sabhamandapa, the assembly hall and Kunda, the reservoir. The halls have intricately carved exterior and pillars. The reservoir has steps to reach bottom and numerous small shrines.
The Sun Temple was built during the reign of Bhima I of Chaulukya dynasty in 1026-1027 (Vikram Samvat 1083). Earlier, during 1024-25, Mahmud of Ghazni had invaded Bhima's kingdom, and a force of around 20,000 soldiers had unsuccessfully tried to check his advance at Modhera. Historian A. K. Majumdar theorizes that the Sun Temple might have been built to commemorate this defence.
The temple is built on 23.6° latitude (approximately near Tropic of Cancer). The place was later known as Sita ni Chauri and Ramkund locally. No worship is offered here now. The temple is Monument of National Importance and is maintained by Archeological Survey of India.
The temple complex is built in Maru-Gurjara style (Chaulukya style). The temple complex has three axially aligned components; the shrine proper (garbhagriha) in a hall (gudhamandapa), the outer or assembly hall (sabhamandapa or rangamandapa) and a sacred reservoir (kunda).
The sabhamandapa is not in continuation with gudhamandapa but is placed little away as a separate structure. Both are built on paved platform. Their roofs have collapsed long ago leaving behind few lower-most courses. Both roofs are 15' 9" in diameter but are constructed differently. The platform or plinth is inverted lotus shaped.
Gudhamandapa and garbhagriha
The Gudhamandapa measures 51 feet 9 inches by 25 feet 8 inches. It is almost equally divided into Gudhamandapa, the hall and garbhgriha, the shrine proper. Both are rectangular in plan with one projection on each of the smaller sides and two projections on each of the longer sides. This projections on the smaller sides form the entrance and the back of shrine. The three projections of outer wall of Gudhamandapa had windows on each side and the east projection had the doorway. These windows had perforated stone screens; the northern is in ruins and the southern is missing. Pradakshinamarga is formed by the passage between the walls of garbhgriha and the outer walls of gudhamandapa. The roof of passage has stones slabs carved with rosettes. The Shikhara of the it no longer exists.
Garbhagriha
The Garbhagriha, the shrine proper or sanctum sanctorum is square measuring 11 feet from inside.
The shrine had two cells; a cell below the level of upper cell. The floor of upper cell is now fallen which once housed the image of deity. The seat of image is now in pit. The lower cell was probably used for storage.
The walls inside shrine is plain and outer wall is decorated. The doorway has carved figures of seated Surya in panels surrounded by dancers and amorous couples. All figures are mutilated and the images on the door-lintel is completely destroyed.
The sanctum sanctorum is designed in a way that the first rays of rising sun lit up the image of Surya during solar equinox days and on summer solstice day, the sun shines directly above the temple at noon casting no shadow.
Base mouldings
The outer walls of shrine is highly decorated. The base and walls of the shrine and hall are divided into several stretches with unique carvings. the pitha or adhisthana, base has the two square members called bhat followed by a cymarecta carving (lower part convex and upper part concave). It is followed by padma or padmaka, the moulding in form of inverted lotus. The next is antarita, a fillet or an astragal with a sharp edge between two recesses. Above this is patta having thin moulding called chhaja at its lower edge. The next is another chhaja separated by neck, alinga. The next broad band, patti, is gajathara carved with elephants. The following band narathara has figures of men in different attitudes.
Mandovara or wall mouldings
Mandovara, the wall mouldings starts with kumbha, a pitcher. It has a broad undecorated band at lower part while middle part is decorated with oval discs. It is followed by kalasha, a pitcher. The next is broad band with chaitya-windows called kevala followed by similar called manchi. These two bands are separated by a deep band. There is a thin fillet above which the major paneled face of wall called jangha exist. This panels are decorated with figures of gods but the figures of Surya are placed prominently than others as the temple is dedicated to him. Other panels are decorated with dancers and other figures.
The figures of Surya are prominently carved on three niches of shrine proper as well as on the each side of three windows in the outer wall of Gudhamandapa. The figures of Surya is in standing position with two arms holding lotuses and driven by seven horses. It has some Persian influences. The walls have 12 niches showing the different aspects of Surya in each month. Other figures include eight Dikpals, Vishwakarma, Varuna, Agni, Ganesha, Saraswati.
Every figure in panel has a small cornice over it surmounted with triangular pediment consisting of chaitya-window which is called udgam. The next projecting band with chaitya-window and kirtimukha is called malakval. The top most is the major cornice called chhajli.
This is followed by shikhara which no longer exist. The Vimana had horizontal geometrical and figurative bands which rising to create the Mount Meru-like shikhara. The central spire had Urushringa, the miniature shrines. It is judged by the shrines on the steps of Kunda.
Mandapa
The Mandapa, a hall was roofed by a dome which probably rose in concentric manner. It is supported by eight principal pillars below arranged in an octagon, four pillars in front of shrine proper and two each in the recesses of windows and door.
Sabhamandapa
Sabhamandapa or Rangamandapa, the assembly hall or dancing hall is parallelogram in plan with rows of pillars opening entrance on each side diagonally. The extensively carved exterior has series of recessed corners giving impression of the star like plan of it. There are 52 intricately carved pillars. Madhusudan Dhaky has suggested that the sabhamandapa may has been later addition based on style and construction.
Base mouldings
The pitha is almost similar to the Gudhamandapa but smaller as two courses of fillets are omitted. The padma is carved richly here with floral ornamentation.
Wall mouldings
Above the Narathara, there is a band with figures of dancers and gods known as rajasena. The next is vedi which correspond to jangha of mandovara decorated with large panels of gods, goddesses and floral designs. The next is cornice called asinot. It followed by kakshasana which slopes outwards and forms the back-rests of the bench, asana which runs round the hall. There are erotic figures on it interrupted by rail-patterns.
Ceiling and torana
The roof was in shape of stepped pyramid but it no longer exists. Inside, the walnut-shaped ceiling rises in tiers which has numerous floral girdles. It is 23 feet high. It is supported by pillars arranged in an octagon. These pillars have stilts which supports the lintels. Torana or the decorated cusped arches arise from the lower brackets of the pillars and touch the lintels in middle. There are two types; semicircular and triangular. The semicircular arches has cusped arches with tips while triangular arches has round apex and wavy sides. Both types has broad band decorated with figures and tips which are now defaced and damaged. The lower brackets has makara which gives the name of makara-torana while decoration gives name of chitra-torana.
Pillars
The pillars of Sabhamandapa and Gudhamandapa are of two types; short and tall. The short pillars rests on walls and supports the roof. The tall pillars rise from the floor.
Short pillars
The shaft is square in shape till half of its height followed by vase and then followed by octagonal shaft. It is surmounted by a capital and a bracket. The square part has floral design in circle on each side of faces. The vase is decorated similarly on its corners. The octagonal part have four bands; the top most has kirtimukha. The capital has three annulets.
Tall pillars
They arise from square or octagonal base, kumbhi, with triangular ornamentation on each face. Above it is kalasha. It is followed by a deep band and the next is kevala decorated with chaitya-windows. the next is kirtimukha. The next is triangular pediment with chaitya-windows.
The next is beginning of shaft. It is first decorated with standing figures, mostly dancers, on all eight faces enclosed in ringed pilasters. The next band with scenes of men and beasts is separated from it by round pillow-like band. It is followed by still smaller band with sixteen standing human figures separated by small annultet below. The next is band of leaves. Then the shaft becomes circular and had three or four bands having row of male warriors, lozenges, circles and kirtimukha at last. The kirtimukhas are separated by chain and bell ornamentation.
It follows capital similar to small pillars crowned with makara brackets if eight stilted pillar and dwarfs in the rests. the eight stilted pillars have one more shaft and similar type of capital which is crowned with brackets of volutes and pendant leaves.
Iconography
The panels on the Gudhamandapa is decorated with Surya centrally which indicates that the temple is dedicated to Surya. These images wears peculiar West Asian (Persian) boots and belt. The other corners and niches are decorated with figures of Shiva and Vishnu in various forms, Brahma, Nāga and goddesses. The depicted scenes on small flat ceilings and lintels of sabhamandapa are from epics like Ramayana.
Kirti-torana
There was a kirti-torana, the triumphant arch, in front of sabhamandapa. The pediment and torana no longer exists but two pillars remains. The moulding and decoration is similar to that of walls of sabhamandapa and pillars. There were two more kirti-torana on each side of the kunda of which only one exists without upper part.
Kunda, a tank or reservoir is known as Ramakunda or Suryakunda. The flight of steps through kirti-torana leads to the reservoir. It is rectangular. It measures 176 feet from north to south and 120 feet from east to west. It is paved with stones all around. There are four terraces and recessed steps to descend to reach the bottom of the tank. The main entrance lies on west. There are steps to reach from one terrace to another on right angle to terrace. These steps are rectangular or square except the first step of each flight of steps which is semicircular. Several miniature shrines and niches in front of terrace-wall have images of gods including many Vaishnavite deities and goddesses such as Shitala.
Stepwell
The stepwell on the west of Kunda has one entrance and two pavilion-towers. It is moderately ornamented. The door-frame has lotus and leaves and the ruchaka type pilasters indicate it belongs to 11th century. The small mandapa above the ground level and located on the second kuta of stepwell may belong to 10th century.
This "U.S. Army Traditions" custom spinning rod is designed with ranger elite fishing rod components to include: spinning guides forged from solid stainless steel with stealth black ceramic guide rings, a perfectly engineered 6'6" Cajun Fiber X-Treme™ CFX-664MB-IM (Medium Power | Extra Fast Action | 6-12 lb line weight | 1/8-1/2 oz lure weight) raw carbon rod blank, CCR's Deluxe Grade 4A Portuguese cork full grip handle with high density cork inlay and tapered butt cap, an ergonomic spinning reel seat with cushioned black hood/comfort finish, "U.S. Army Black, Olive Drab, and Gold" threads, a Dept. Of The Army and a "GO ARMY!" die cut decal. If you're "Army Strong, a hard-core angler, and expect only the best when it comes to performance in your next custom fishing rod … then Cajun Custom Rod® has the best fishing rod for you!" At Cajun Custom Rods®, you design the performance custom fishing rod of your dreams ... we build your confidence! "Go Army!"
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Easily Creating Beautiful Web Apps with Polymer and Paper Elements.
A demonstration that had only one default: giving me more desire to work with these components
As part of the LEV Components Special Exhibition at EUROBIKE 2016, copies of the ExtraEnergy Magazine will be available for you to take away free of charge on Stand FO-OG100.
Read the article: extraenergy.org/main.php?language=en&id=87713
Die LEV Komponenten Sonderausstellung finden Sie auf der EUROBIKE am Stand FO-OG100 im Foyer Ost.
Dort steht auch das ExtraEnergy Magazin mit insgesamt 72 Testergebnissen bis 4. September kostenfrei zur Mitnahme zur Verfügung.
Zum Artikel: extraenergy.org/main.php?language=de&category=&su...
Shutter power module.
The external VS14s shutter need an 65V @4 ms pulse to close into 3.5ms. This powermodule make the 65V from the 7.2V battery. During camera focus adjusting, I need near 20V to close the shutter and 5V to hold the shutter open. This circuit has a fet to limit the 65V to 20V in adjust mode.
A lot of security functions are need, to drive the DC/DC convertor an AVR controller ATtiny26 is used.
I've been doing some bread board prototyping for a microcontroller
based battery desulfator unit. At this point I am heating up a
inductor or the mosfet both of which are BAD. I think my pulse is
inverted so I'm working on fixing that today.
Plasti-Coil, Inc. is a leading manufacturer of injection molded plastic parts. We excel in providing top quality coil winding bobbins, components, and custom molded plastics at the best possible price. Our custom molded plastics include gears, electronic connectors, core cases, motor components, overmolded coils, and much more. www.plasticoil.com
AJE's component of the month for April 2014—a gorgeous handcrafted button clasp from Lesley Watt!
Read all about it on my blog here: www.treewingsstudio.com/2014/04/aje-april-2014-com-challe...
Gala 75 Aniversario Coros y Danzas "Villa de Madridejos"
VÍDEO en youtu.be/3ehb5TZVQ4A
El 75 aniversario de la Asociación de Coros y Danzas Villa de Madridejos reunió este fin de semana en el Pabellón Santa Ana a la mayoría de los componentes que han pasado por dicha asociación desde 1940 en una gala homenaje a las personas que tuvieron la iniciativa de crear el grupo y han sabido transmitir el saber popular hasta nuestros días.
La gala consistió en un recorrido por la historia de la asociación desde su creación hasta nuestros días documentada con vídeos y fotografías, e intercalada con distintos bailes regionales, propios de La Mancha, que interpretaron miembros antiguos de las asociación, el grupo actual compuesto por 48 personas y el grupo infantil.
La pieza clave de las actuación y que sirvió como colofón a la gala fue la ‘seguidilla de Madridejos’, considerada desde el alma del grupo como el himno de esta asociación. También se interpretaron fandangos, jotas y rondeñas.
Los antiguos componentes subieron al estrado para contar algunas de sus experiencias a su paso por la asociación o recibir obsequios en reconocimiento a su labor.
Al evento asistieron el Presidente de la Federación Española de Agrupaciones de Folclore, Pedro Asuar y el Presidente de la Federación Castellano-Manchega de Folclore, Jesús Moreno.
Asuar destacó la importancia de los grupos de folclore en cuanto al cuidado de la historia e idiosincrasia de los pueblos como defensores de los mismos. Y definió al folclore como «la salvaguarda de nuestro patrimonio cultural y material», añadiendo que «esta salvaguarda la ha sabido reconocer las Cortes Generales y así ha sido también reconocida a nivel Europeo».
Por su parte Jesús Moreno recordó con entusiasmo que las «seguidillas» serán declaradas Bien de Interés Cultural si el expediente que está en curso sale adelante, hecho del que dijo que tiene esperanza que así sea en 2016.
Sendos presidentes entregaron un obsequio a la asociación madridejense que fue recogido por su presidente, Pablo Gómez, con motivo de este 75 aniversario.
El obsequio que la Federación Castellano Manchega de Folclore le entregó de manera simbólica a Pablo Gómez, consistió en la más alta distinción que puede recibir un grupo de folclore, la insignia de oro, que recibirá la Asociación de Coros y Danzas ‘Villa de Madridejos’ materialmente el próximo 15 de noviembre en Albacete.
El alcalde de Madridejos, José Antonio Contreras Nieves, también hizo entrega al presidente de la asociación de un obsequio que representaba el escudo de Madridejos y que ocupará un lugar en la vitrina de trofeos conseguidos por esta asociación.
El presidente de la Asociación de Coros y Danzas ‘Villa de Madridejos’, Pablo Gómez, intervino diciendo sentirse satisfecho con la herencia de este grupo y destacó algunos de los momentos más emblemáticos de esta asociación, e intervino en la tanda de agradecimientos a los actuales miembros de la asociación, los que han pasado por ella y en la mención que se hizo a título póstumo a los ya fallecidos.
El evento estuvo organizado por dicha asociación en colaboración con el Ayuntamiento de Madridejos y la Diputación de Toledo, y asistieron grupos de folclores de la Comunidad de Castilla La Mancha y Madrid.
De quinceañeras a un grupo cohesionado
La fecha exacta de creación del grupo se desconoce, aunque se ha recabado de un programa de festejos del Ayuntamiento de Madridejos que con motivo de la celebración de «el primer aniversario de la Victoria», el 1 de abril de 1940, la Asociación de Coros y Danzas ‘Villa de Madridejos’, entonces grupo, hacía su primera actuación en este municipio.
El grupo estuvo gestionado por la sección femenina en sus principios, con la peculiaridad de que las chicas no podían tener más de 20 años porque estaba mal visto y todas rondaban los quince años. Fue en 1967 cuando entró el primer grupo de chicos.
La actuación más importante del grupo, en sus inicios, tuvo lugar en 1947 en la muestra de bailes regionales que se ofreció el Toledo a Eva Perón en la visita que hizo a España.
El grupo participó en distintos concursos, que entonces se hacía entre los grupos de folclore, donde se medía la destreza e importancia del los grupos que participaban.
La asociación ha viajado dentro y fuera de España llevando el folclore de La Mancha e incluso fueron invitados por Televisión Española en el programa Gente Joven en la final de grupos de folk donde actuaron con una rondeña.
Con motivo de su 50 aniversario abrieron un chiringuito con motivo de las Ferias y Fiestas en honor al Santísimo Cristo del Prado de Madridejos con cuya recaudación consiguieron costear la sede que actualmente tienen.
El grupo mantiene, tras 75 años de trabajo, una cohesión que ha hecho historia en el municipio de Madridejos tal y como dejaron reflejado sus componentes en esta gala.
por Consuelo Sánchez para la Tribuna de Toledo
Autor: José-María Moreno García. Fotógrafo humanista y documentalista.Cronista Oficial de la Villa de Madridejos.
Una de las mejores formas de conocer la historia de un pueblo es a través de sus imágenes; en ellas se conserva no sólo su realidad tangible, calles, plazas, monumentos, si no también sus costumbres, fiestas, tradiciones, lenguaje, indumentaria, gestos y miradas, que nos dicen sin palabras como se vivía, cuales eran sus esperanzas y temores, qué había en su pasado, qué esperaban del futuro. Uno de los objetivos más ambiciosos es recuperar y catalogar todo el material gráfico existente en nuestra familia desde 1.915, para después ponerlo a disposición de vosotros, que la historia volviera a sus protagonistas, y los que aún siguen con nosotros pudieran disfrutar con ello. VISITA La colección "CIEN AÑOS DE FOTOGRAFÍA FAMILIA MORENO (1915-2015)" en www.josemariamorenogarcia.es y www.madridejos.net
SI ALGUIEN NO DESEA APARECER EN EL ÁLBUM POR FAVOR COMUNÍCALO A josemariamorenogarcia@gmail.com
Technical Meeting on Advanced Techniques for Equipment Testing Under Field Conditions (BRD TM). Division of Nuclear Security, IAEA Seibersdorf. 13 June 2019
Figure 47. Internal components and the handheld user interface of one the tested backpack radiation detectors.
Photo Credit: Dean Calma / IAEA