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Set Laxenburg www.flickr.com/photos/arjuna/sets/72157594541128811/
de.wikipedia.org/wiki/Laxenburg
Laxenburg ist eine Marktgemeinde in Niederösterreich, etwa 20 km südlich von Wien im Bezirk Mödling an der Schwechat. Bekannt ist der Ort vor allem für Schloss, Schlosspark und Franzensburg.
en.wikipedia.org/wiki/Laxenburg
Laxenburg is a place in Lower Austria, near Vienna, with approximately 2,800 inhabitants.
History
The place is well-known for its castle, Schloss Laxenburg, which, beside Schönbrunn, was the most important summer seat of the Habsburg dynasty.
This castle became a Habsburg possession in 1333 and was extended in the 17th century by Lodovico Burnacini. The Blauer Hof (German for: blue court) or Neues Schloss (German for: new castle) was built around 1745 during the reign of empress Maria Theresia and has a Rococo interior.
The church of Laxenburg, which was the first building north of the Alps containing swung facade components (characteristics of the high baroque), was built between 1693 and 1703 by Carlo Antonio Carlone and continued between 1703 and 1724 by Matthias Steinl.
After 1780, the castle garden was rearranged as an English landscape garden. It contains several artificial ponds, and, on an island, the Franzensburg castle, named after emperor Franz I, can be found.
In 1849, the current political municipality was founded. In 1919, the city of Vienna took over the war-damaged castle. Since then, the city of Vienna became the property owner of the park area of Laxenburg.
After the Anschluss of Austria in 1938, the municipality of Laxenburg became part of the city Vienna. In 1954, the place became independent again and was returned to Lower Austria.
The International Institute for Applied Systems Analysis (IIASA), a non-governmental research organization, has been located in Laxenburg since 1975.
El dissabte 15 de maig del 2010, diversos components de Fotoaficionats Algemesí, ens desplacem al barri del Cabanyal, València, i acompanyats per membres del col·lectiu "Salvem el Cabanyal", passejant pels seus carrers i entre explicacions i comentaris sobre la problemàtica del barri, ens dediquem al nostre: fotografiar. Aquesta és una selecció del meu reportatge.
Shutter power module.
The external VS14s shutter need an 65V @4 ms pulse to close into 3.5ms. This powermodule make the 65V from the 7.2V battery. During camera focus adjusting, I need near 20V to close the shutter and 5V to hold the shutter open. This circuit has a fet to limit the 65V to 20V in adjust mode.
A lot of security functions are need, to drive the DC/DC convertor an AVR controller ATtiny26 is used.
Sun Temple, Modhera
The Sun Temple is a Hindu temple dedicated to the solar deity Surya located at Modhera village of Mehsana district, Gujarat, India. It is situated on the bank of the river Pushpavati. It was built in 1026-27 AD during the reign of Bhima I of the Chaulukya dynasty. No worship is offered now and is protected monument maintained by Archaeological Survey of India. The temple complex has three components: Gudhamandapa, the shrine hall; Sabhamandapa, the assembly hall and Kunda, the reservoir. The halls have intricately carved exterior and pillars. The reservoir has steps to reach bottom and numerous small shrines.
The Sun Temple was built during the reign of Bhima I of Chaulukya dynasty in 1026-1027 (Vikram Samvat 1083). Earlier, during 1024-25, Mahmud of Ghazni had invaded Bhima's kingdom, and a force of around 20,000 soldiers had unsuccessfully tried to check his advance at Modhera. Historian A. K. Majumdar theorizes that the Sun Temple might have been built to commemorate this defence.
The temple is built on 23.6° latitude (approximately near Tropic of Cancer). The place was later known as Sita ni Chauri and Ramkund locally. No worship is offered here now. The temple is Monument of National Importance and is maintained by Archeological Survey of India.
The temple complex is built in Maru-Gurjara style (Chaulukya style). The temple complex has three axially aligned components; the shrine proper (garbhagriha) in a hall (gudhamandapa), the outer or assembly hall (sabhamandapa or rangamandapa) and a sacred reservoir (kunda).
The sabhamandapa is not in continuation with gudhamandapa but is placed little away as a separate structure. Both are built on paved platform. Their roofs have collapsed long ago leaving behind few lower-most courses. Both roofs are 15' 9" in diameter but are constructed differently. The platform or plinth is inverted lotus shaped.
Gudhamandapa and garbhagriha
The Gudhamandapa measures 51 feet 9 inches by 25 feet 8 inches. It is almost equally divided into Gudhamandapa, the hall and garbhgriha, the shrine proper. Both are rectangular in plan with one projection on each of the smaller sides and two projections on each of the longer sides. This projections on the smaller sides form the entrance and the back of shrine. The three projections of outer wall of Gudhamandapa had windows on each side and the east projection had the doorway. These windows had perforated stone screens; the northern is in ruins and the southern is missing. Pradakshinamarga is formed by the passage between the walls of garbhgriha and the outer walls of gudhamandapa. The roof of passage has stones slabs carved with rosettes. The Shikhara of the it no longer exists.
Garbhagriha
The Garbhagriha, the shrine proper or sanctum sanctorum is square measuring 11 feet from inside.
The shrine had two cells; a cell below the level of upper cell. The floor of upper cell is now fallen which once housed the image of deity. The seat of image is now in pit. The lower cell was probably used for storage.
The walls inside shrine is plain and outer wall is decorated. The doorway has carved figures of seated Surya in panels surrounded by dancers and amorous couples. All figures are mutilated and the images on the door-lintel is completely destroyed.
The sanctum sanctorum is designed in a way that the first rays of rising sun lit up the image of Surya during solar equinox days and on summer solstice day, the sun shines directly above the temple at noon casting no shadow.
Base mouldings
The outer walls of shrine is highly decorated. The base and walls of the shrine and hall are divided into several stretches with unique carvings. the pitha or adhisthana, base has the two square members called bhat followed by a cymarecta carving (lower part convex and upper part concave). It is followed by padma or padmaka, the moulding in form of inverted lotus. The next is antarita, a fillet or an astragal with a sharp edge between two recesses. Above this is patta having thin moulding called chhaja at its lower edge. The next is another chhaja separated by neck, alinga. The next broad band, patti, is gajathara carved with elephants. The following band narathara has figures of men in different attitudes.
Mandovara or wall mouldings
Mandovara, the wall mouldings starts with kumbha, a pitcher. It has a broad undecorated band at lower part while middle part is decorated with oval discs. It is followed by kalasha, a pitcher. The next is broad band with chaitya-windows called kevala followed by similar called manchi. These two bands are separated by a deep band. There is a thin fillet above which the major paneled face of wall called jangha exist. This panels are decorated with figures of gods but the figures of Surya are placed prominently than others as the temple is dedicated to him. Other panels are decorated with dancers and other figures.
The figures of Surya are prominently carved on three niches of shrine proper as well as on the each side of three windows in the outer wall of Gudhamandapa. The figures of Surya is in standing position with two arms holding lotuses and driven by seven horses. It has some Persian influences. The walls have 12 niches showing the different aspects of Surya in each month. Other figures include eight Dikpals, Vishwakarma, Varuna, Agni, Ganesha, Saraswati.
Every figure in panel has a small cornice over it surmounted with triangular pediment consisting of chaitya-window which is called udgam. The next projecting band with chaitya-window and kirtimukha is called malakval. The top most is the major cornice called chhajli.
This is followed by shikhara which no longer exist. The Vimana had horizontal geometrical and figurative bands which rising to create the Mount Meru-like shikhara. The central spire had Urushringa, the miniature shrines. It is judged by the shrines on the steps of Kunda.
Mandapa
The Mandapa, a hall was roofed by a dome which probably rose in concentric manner. It is supported by eight principal pillars below arranged in an octagon, four pillars in front of shrine proper and two each in the recesses of windows and door.
Sabhamandapa
Sabhamandapa or Rangamandapa, the assembly hall or dancing hall is parallelogram in plan with rows of pillars opening entrance on each side diagonally. The extensively carved exterior has series of recessed corners giving impression of the star like plan of it. There are 52 intricately carved pillars. Madhusudan Dhaky has suggested that the sabhamandapa may has been later addition based on style and construction.
Base mouldings
The pitha is almost similar to the Gudhamandapa but smaller as two courses of fillets are omitted. The padma is carved richly here with floral ornamentation.
Wall mouldings
Above the Narathara, there is a band with figures of dancers and gods known as rajasena. The next is vedi which correspond to jangha of mandovara decorated with large panels of gods, goddesses and floral designs. The next is cornice called asinot. It followed by kakshasana which slopes outwards and forms the back-rests of the bench, asana which runs round the hall. There are erotic figures on it interrupted by rail-patterns.
Ceiling and torana
The roof was in shape of stepped pyramid but it no longer exists. Inside, the walnut-shaped ceiling rises in tiers which has numerous floral girdles. It is 23 feet high. It is supported by pillars arranged in an octagon. These pillars have stilts which supports the lintels. Torana or the decorated cusped arches arise from the lower brackets of the pillars and touch the lintels in middle. There are two types; semicircular and triangular. The semicircular arches has cusped arches with tips while triangular arches has round apex and wavy sides. Both types has broad band decorated with figures and tips which are now defaced and damaged. The lower brackets has makara which gives the name of makara-torana while decoration gives name of chitra-torana.
Pillars
The pillars of Sabhamandapa and Gudhamandapa are of two types; short and tall. The short pillars rests on walls and supports the roof. The tall pillars rise from the floor.
Short pillars
The shaft is square in shape till half of its height followed by vase and then followed by octagonal shaft. It is surmounted by a capital and a bracket. The square part has floral design in circle on each side of faces. The vase is decorated similarly on its corners. The octagonal part have four bands; the top most has kirtimukha. The capital has three annulets.
Tall pillars
They arise from square or octagonal base, kumbhi, with triangular ornamentation on each face. Above it is kalasha. It is followed by a deep band and the next is kevala decorated with chaitya-windows. the next is kirtimukha. The next is triangular pediment with chaitya-windows.
The next is beginning of shaft. It is first decorated with standing figures, mostly dancers, on all eight faces enclosed in ringed pilasters. The next band with scenes of men and beasts is separated from it by round pillow-like band. It is followed by still smaller band with sixteen standing human figures separated by small annultet below. The next is band of leaves. Then the shaft becomes circular and had three or four bands having row of male warriors, lozenges, circles and kirtimukha at last. The kirtimukhas are separated by chain and bell ornamentation.
It follows capital similar to small pillars crowned with makara brackets if eight stilted pillar and dwarfs in the rests. the eight stilted pillars have one more shaft and similar type of capital which is crowned with brackets of volutes and pendant leaves.
Iconography
The panels on the Gudhamandapa is decorated with Surya centrally which indicates that the temple is dedicated to Surya. These images wears peculiar West Asian (Persian) boots and belt. The other corners and niches are decorated with figures of Shiva and Vishnu in various forms, Brahma, Nāga and goddesses. The depicted scenes on small flat ceilings and lintels of sabhamandapa are from epics like Ramayana.
Kirti-torana
There was a kirti-torana, the triumphant arch, in front of sabhamandapa. The pediment and torana no longer exists but two pillars remains. The moulding and decoration is similar to that of walls of sabhamandapa and pillars. There were two more kirti-torana on each side of the kunda of which only one exists without upper part.
Kunda, a tank or reservoir is known as Ramakunda or Suryakunda. The flight of steps through kirti-torana leads to the reservoir. It is rectangular. It measures 176 feet from north to south and 120 feet from east to west. It is paved with stones all around. There are four terraces and recessed steps to descend to reach the bottom of the tank. The main entrance lies on west. There are steps to reach from one terrace to another on right angle to terrace. These steps are rectangular or square except the first step of each flight of steps which is semicircular. Several miniature shrines and niches in front of terrace-wall have images of gods including many Vaishnavite deities and goddesses such as Shitala.
Stepwell
The stepwell on the west of Kunda has one entrance and two pavilion-towers. It is moderately ornamented. The door-frame has lotus and leaves and the ruchaka type pilasters indicate it belongs to 11th century. The small mandapa above the ground level and located on the second kuta of stepwell may belong to 10th century.
This is used to connect a Source to the Receiver such as a DVD player. However, our example is the Nintendo Wii.
Adm. Paul Zukunft, commandant of the Coast Guard, delivers remarks during the 2014 Coast Guard Enlisted Persons of the Year Banquet at Joint Base Anacostia-Bolling in Washington, D.C., May 7, 2015. During the ceremony, Petty Officer 1st Class Ryan Olson was recognized as the Coast Guard's Enlisted Person of the Year - Reserve Component, and Petty Officer 3rd Class Giacomo Terrizzi was recognized as the Enlisted Person of the Year - Active-Duty Component. (U.S. Coast Guard photo by Chief Petty Officer Kyle Niemi)
AJE's component of the month for April 2014—a gorgeous handcrafted button clasp from Lesley Watt!
Read all about it on my blog here: www.treewingsstudio.com/2014/04/aje-april-2014-com-challe...
Maha Shivaratri is the most auspicious night for the worship of the Lord of Destruction, whom we see as the key component for transformation. The old must be destroyed to make way for the new! During the 2019 Maha Shivaratri celebrations, Paramahamsa Vishwananda conducted a full abhishekam to the Hari Poorna Bhakta Shiva deity in the morning and we all venerated Lord Shiva throughout the entire night with bhajans, ceremonies and satsang.
paramahamsavishwananda.com
bhaktimarga.org
Componentes de la Coral Universitaria de la Universidad de La Laguna, sin fecha, en Cuenca.
Cedida por Dª Cristina Calvo
Archivo: Alumni ULL
To make a seal for our REHAB chamber. Clockwise from bottom: catalyst, silicone rubber, silicone mould-release spray, acetone, the mould
The Hertz HSK135 components complete with crossover were mounted in the front doors. We used a 5x7 adapter to put the 5.25" and the tweeter close together for better imaging. We covered the entire area of the plastic bracket with Dynamat to seal it up better but I forgot to take a picture of it when done. This was an important step to better deaden and seal the area around the speaker.
For more information on what Mobile Edge offers, please check out our website at www.MobileEdgeOnline.com
After 6th Regiment, Basic Camp Cadets' graduation, band members of the U.S. Army Reserve Components were recognized by Brig. Gen. Antonio Munera, Deputy Commanding General, U.S. Army Cadet Command, some being presented with awards for their performance. | Photo by Madison Thompson, Cadet Summer Training Public Affairs Office
There is so much symmetry in nature, yet it is always sprinkled with a bit of asymmetry. The combination which is probably aligned with the golden ratio of 1.618 (just a guess though) makes everything in nature so aesthetically appealing and wonderful to experience with the visual and also the somatosensory components and systems divinely bestowed to our biological manifestations in reality.
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A friend at work ordered some magazines from the 80's on ebay and we had a laugh at many of the ads. I popped them on the light table and grabbed a few shots.
Components from the Finnish edition of The Mysteries of Old Peking. An overdose of the Chop Suey font, that's for sure.
A few fantastic, notable women in my life wear their glasses around their neck. I had to make some--for the sexy librarians, for funky art teacher types, for people who wear safety goggles while on a quick trip to the deli like a badge of honor (as to say, "Yes, I use dangerous power tools!").
All 10K Ohm jewelry is made of resistors, diodes, capacitors, voltage converters, and other components used in circuits. All components used are RoHS compliant--meaning that they DO NOT contain any hazardous materials such as lead (Pb).
AIA SEATTLE HONORS
AIA Seattle Medal of Honor
Marilyn Brockman AIA
Young Architect Award
Kjell Anderson AIA
Honorary AIA Seattle Membership
Vincent Martinez
John Blackham
Community Service Award
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Emerging Professionals Travel Scholarship
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Allied Organization Award
Historic Seattle
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AIA College of Fellows
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Bradley D. Leathley FAIA
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Architecture Firm Award
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Component Excellence Award
Seattle Design Festival
The plastic lugs were a bit loose so i thought I could pop them out with a file like I did on the Dart that became RB 11. They refused and disintegrated slowly as I levered them up. Instead I excavated them both out until only the narrow bit was left at the top where I could not get. Then I got some pliers and gripped the metal pole end that I had uncovered and twisted it as I pulled on the upper deck. This loosened the final part of the plugs and they fell out and the bus came apart. It came into these parts.
This is my MeKeVoRkA costume I made a few years ago. The chest plate is using an EL sequencer that has been modified to use a larger inverter. Unfortunately the photos don't show all the strands lit at once. There is a Basic Stamp microcontroller that is used to activiate a laser module and the red eyes in the mask. The mask also has a microphone that goes to a voice changer box and 10W audio amplifier. All the EL wire interferes with the audio, but I think it sounds kinda cool. There's a video with sound on YouTube, see above for the link.
The belt pack contains the audio amplifier + voice changer circuits, the Basic Stamp board, the hacked sequencer, three EL wire drivers and two sets of eight AA rechargable batteries to power it all for about 3 - 4 hours.
An equipment room houses the “head-end” components that include the Base Station Interface Unit or BIU, and Optical Distribution Unit or ODU and a DAS Management System.
Photo Credit: SoLID Technologies
This "U.S. Army Traditions" custom spinning rod is designed with ranger elite fishing rod components to include: spinning guides forged from solid stainless steel with stealth black ceramic guide rings, a perfectly engineered 6'6" Cajun Fiber X-Treme™ CFX-664MB-IM (Medium Power | Extra Fast Action | 6-12 lb line weight | 1/8-1/2 oz lure weight) raw carbon rod blank, CCR's Deluxe Grade 4A Portuguese cork full grip handle with high density cork inlay and tapered butt cap, an ergonomic spinning reel seat with cushioned black hood/comfort finish, "U.S. Army Black, Olive Drab, and Gold" threads, a Dept. Of The Army and a "GO ARMY!" die cut decal. If you're "Army Strong, a hard-core angler, and expect only the best when it comes to performance in your next custom fishing rod … then Cajun Custom Rod® has the best fishing rod for you!" At Cajun Custom Rods®, you design the performance custom fishing rod of your dreams ... we build your confidence! "Go Army!"
- Jaesen Yerger
Cajun Custom Rods®, Inc.
Sierra Component
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HP ProCurve Gigabit-LX-LC Mini-GBIC (J4859C)
ProCurve Gigabit-LX-LC Mini-GBIC is a small form factor pluggable (SFP) gigabit LX transceiver that provides a full-duplex gigabit solution up to 10 km (single mode) or 550 m (multimode).
Product Name ProCurve Gigabit LX-LC Mini-GBIC
Product Type SFP (mini-GBIC)
Application/Usage Data Networking
sierracomponent.com/product/hp-procurve-gigabit-lx-lc-min...