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manlylivingrooms.com/Man-cave-ideas/
Build a wonderful Beer Downstairs room
ale hard drive -Yes, “beer cellar” is usually a real period, and many are because complex because wines cellars. Beer lovers can be as certain because wines lovers. But perhaps the ale attic is usually a suburban basement, the cavern underneath the mansion, or perhaps the fridge inside shed, three widespread components fixed the expectations pertaining to saving ale: time period, lighting as well as temperature.
Featuring: Accessories, Avatar Components, Avatar Enhancements, Builds, Clothing, Cosmetics/Nails, Footwear, Home and Garden, Shapes, Skins, Tattoos
Event Opening Date: April 24, 2024
Event Closing Date: May 12, 2024
Gothcore Gallery
Teleport To Gothcore
This event is in one location
www.seraphimsl.com/2024/04/24/get-your-gothy-fix-at-gothc...
To make a seal for our REHAB chamber. Clockwise from bottom: catalyst, silicone rubber, silicone mould-release spray, acetone, the mould
O Bloco Me Esque é um bloco de carnaval de rua do Rio de Janeiro, que sai durante o pre-canaval. É um bloco que tem como forte a sua bateria e a alegria de seu componentes.
The Hertz HSK135 components complete with crossover were mounted in the front doors. We used a 5x7 adapter to put the 5.25" and the tweeter close together for better imaging. We covered the entire area of the plastic bracket with Dynamat to seal it up better but I forgot to take a picture of it when done. This was an important step to better deaden and seal the area around the speaker.
For more information on what Mobile Edge offers, please check out our website at www.MobileEdgeOnline.com
Terreno di gara le strade dei comuni di Cuasso al Monte e di Valganna che, divise in tratti da 500 metri, hanno offerto “tesoro” da raccogliere ai cinque componenti di ogni squadra che si sono aggiudicati il favoloso premio di una vacanza per tutti. Per vincere non è bastato trovare tanta spazzatura ma differenziarla il meglio possibile, dividendola tra plastica, vetro e secco.
Le squadre si sono iscritte scegliendo il turno preferito per gareggiare (domenica 14, 21 o 28 aprile alle 09.30 o alle 14.30) e la zona di raccolta (Cuasso al Monte o Valganna).
Il 21 aprile Spazzatura Kilometrica ha ospitato anche una gara a coppie dedicata agli amanti della mountain bike, organizzata da ValceresioBike con un regolamento un po’ bizzarro, tra sport e gioco. Solo uno dei due concorrenti ha gareggiato con la bici, mentre l’altro a piedi. Il podio è spettato alla coppia che ha raccolto più spazzatura ben differenziata, registrando anche il miglior tempo nelle fasi di velocità disputate dal concorrente in mountain bike. Divertimento assicurato e alla coppia vincitrice una bellissima vacanza di una settimana a Ischia offerta da Imperatore Travel.
La premiazione sia della gara su strada che off road, si è tenuta invece sabato 4 maggio alle 20.30 al Palacuasso. Erano esposti i lavori che i bambini e i ragazzi delle scuole di Cuasso e Valganna hanno realizzato nei laboratori organizzati da ON nel mese di Marzo e, in attesa che sul palco salissero Max Laudadio e 100% Brumotti ( accompagnato dalla bellissima Giorgia Palmas! ) per scoprire i vincitori della seconda edizione di Spazzatura Kilometrica, gli ospiti hanno gustato pizza, birra, affettati e formaggi. Dopo tre giornate di gara, 24 i chilometri di strada ripulita e un’enormità di sacchi di spazzatura raccolta e differenziata. Un ottimo risultato!
…. e per finire, tutti gli iscritti maggiorenni sono stati invitati da Striscia La Notizia ad assistere alla diretta di giovedì 11 Aprile!
HS POSEIDON arrives to participate in NOBLE JUSTIFICATION in Rota, Spain, Oct. 14, 2014. (photo by FSGT C.ARTIGUES - HQ MARCOM)
One of the ceramic post insulators supporting the pantograph frame on the cab 1 end of 92023 has been replaced with a different type of insulator to the one it was originally fitted with.
Components from the Finnish edition of The Mysteries of Old Peking. An overdose of the Chop Suey font, that's for sure.
Vacuum tubes, resistors, diodes, a Tube Screamer guitar pedal, transistors, terminal strips and more!
This pic was taking in Downtown, Beijing, China. A sanitation man was sitting there thinking about something and waiting for the next cleaning round. When I took the shot, there was accidentally passing by lady who was also a sanitation worker. Behind them were traditional Chinese buildings. The title "behind downtown" here actually means any famous, gorgeous, prosperous place are full of many different components, not only the prosperous buildings, but also the people behind them.
Ruiqing Wang
The plastic lugs were a bit loose so i thought I could pop them out with a file like I did on the Dart that became RB 11. They refused and disintegrated slowly as I levered them up. Instead I excavated them both out until only the narrow bit was left at the top where I could not get. Then I got some pliers and gripped the metal pole end that I had uncovered and twisted it as I pulled on the upper deck. This loosened the final part of the plugs and they fell out and the bus came apart. It came into these parts.
Description: Connecting Rod
Application: Rod for Hydraulic Hedge Mowers
Materials:Alloy Steel Q345
Specification:GB
Function:connecting rod for bar
Finish:Investment Casting
http://castingmanufacturers.com/products-552/china-Agricultural-Machinery-Components-Bracket.html
http://castingmanufacturers.com/products-552/china-Agricultural-Machinery-Components-Bracket.html
http://castingmanufacturers.com/products-550/china-Agricultural-Machinery-Components-Spacer-.html
http://castingmanufacturers.com/products-54E/china-Agricultural-Machinery-Components-Pipe-Clamp.html
Presented by the Josephine B. Scheffenacker Education Trust.
One of the most exciting components of A+ Partners in Education, Battle of the Books gets fifth grade students excited about reading. A lively academic competition, Battle of the Books improves reading comprehension, builds vocabulary, and teaches teamwork and good sportsmanship. The 2015 competition runs concurrently at Howard, Mt. Hebron, Oakland Mills, River Hill and Wilde Lake high schools.
Teams of five students and one adult coach each read the same 16 pre-assigned books over four months. Selected by HCLS instructors and HCPSS media specialists, titles include a wide range of reading levels and subjects. Thanks to generous sponsors, all teams receive a set of books. In addition to reading the books, teams choose a team name then dress accordingly.
During the "battle" (a 50-question exam), a moderator asks questions that relate to one of the following: a direct quote from one of the book characters; a statement about something that happens in the book; a passage taken directly from the book; details about an illustration or picture. Winning teams receive prizes.
Sherwood starting to build bee hive. Their hunting camp was invaded by Africanized honey bees -- in the wall of the cabin!
Los componentes de la Promoción han acudido a un aula de la Facultad de Ciencias y han mantenido un breve diálogo con los alumnos
Technical Meeting on Advanced Techniques for Equipment Testing Under Field Conditions (BRD TM). Division of Nuclear Security, IAEA Seibersdorf. 13 June 2019
Figure 48. Internal components from one the tested backpack radiation detectors.
Photo Credit: Dean Calma / IAEA
Presented by the Josephine B. Scheffenacker Education Trust.
One of the most exciting components of A+ Partners in Education, Battle of the Books gets fifth grade students excited about reading. A lively academic competition, Battle of the Books improves reading comprehension, builds vocabulary, and teaches teamwork and good sportsmanship. The 2015 competition runs concurrently at Howard, Mt. Hebron, Oakland Mills, River Hill and Wilde Lake high schools.
Teams of five students and one adult coach each read the same 16 pre-assigned books over four months. Selected by HCLS instructors and HCPSS media specialists, titles include a wide range of reading levels and subjects. Thanks to generous sponsors, all teams receive a set of books. In addition to reading the books, teams choose a team name then dress accordingly.
During the "battle" (a 50-question exam), a moderator asks questions that relate to one of the following: a direct quote from one of the book characters; a statement about something that happens in the book; a passage taken directly from the book; details about an illustration or picture. Winning teams receive prizes.
Again, a very, VERY tiny example of the vast array of electronic & electro-mechanical parts and components to be found here. You name it, it is probably here, parts-wise (resistors, capacitors, transistors, varistors, heat sinks, diodes of all shapes & sizes, LEDs, etc -- enough to load a large truck).
Note the blown can cap in the right side of the photo! I think the rolled paper is a bunch of pin-up girls (but, then it could be blueprints for some one-off system Dad built for a sawmill in the 1960s) ;)
The Optoelectronic Component and Materials Laboratories (or OCM Labs) is a collection of graduate students, post doctoral fellows, visiting scientists and research staff who are engaged in investigating an enormous variety of phenomena and devices related to electronic materials and optics. Some of the work involves the basic physics of new semiconductor and organic materials, some focuses on devices using these materials, and yet other work looks at the system impact of optical devices and structures. The unifying goal of our work is the realization of practical optoelectronic devices.
Photo by James M Rotz for the College of Engineering Office of Communications and Marketing
Upper West Side, Manhattan, New York City, New York, United States
Summary
The 354 Central Park West House is one of a group of five neo -Renaissance style houses, designed by Gilbert Schellenger and built in 1892-93 for Edward Kilpatrick. It is a component of one of two surviving rows of houses on Central Park West and the only one of the two that is intact, recalling a period when there were still many undeveloped blockfronts along Central Park West and the adjacent side street parcels were still only sparsely developed. This house is a rare survivor of the earliest development of Central Park West where there was a mixture of many building types ranging from small wooden shacks to small apartment houses and flats to individual single family houses.
The construction of this house and the others of the row was the result of a restrictive agreement between the developer Edward Kilpatrick and the adjacent Scotch Presbyterian Church, an agreement which helped insure the survival of the houses. The use of light-colored Roman brick, stone and terra cotta and neo-Renaissance detail reflects the fashion for simplicity and discretely applied ornament, as in the classically-inspired carved ornament of the oriels.
The overall design composition of the house is part of an A-B pattern with an alternating rhythm of oriels. This treatment adheres to a tradition set with the houses Henry Hardenburgh designed for Edward Clark in 1882 on West 73rd Street.
Development of Central Park West
Central Park West, the northern continuation of Eighth Avenue bordering on the park, is today one of New York's finest residential streets, but in the mid-nineteenth century it was a rural and inhospitable outpost, notable for its rocky terrain, browsing goats and ramshackle shanties.
With the creation of Central Park in the 1860s, according to the 1857 design of Frederick Law Olmstead and Calvert Vaux, followed by Riverside Park , as well as a series of transportation improvements such as the Ninth Avenue Elevated Railroad , the Upper West Side experienced a period of intense real estate speculation. The 1880s were the first decade of major development, and generally set the pattern for the Upper West Side, where rowhouses line the side streets, and multiple dwellings, commercial and institutional structures are sited on the avenues, although Central Park West was an exception
Not surprisingly, those avenues closest to the parks, Central Park West and Riverside Drive, were immediately considered the most desirable.
The potential of the parkside avenues for development as prime locations led to an anticipatory increase in land values; prices rose to such extravagant heights that many speculative builders shied away from row house and tenement construction, from which they would realize relatively meager returns, while the very wealthy, who could afford to build mansions, for the most part remained on the more fashionable East Side.
As a result, the development of Central Park West, as well as immediately adjacent side street parcels, lagged behind the general development of the Upper West Side. In early 1893, Central Park West was described as another of the undeveloped avenues on the West Side. It fell asleep waiting for its possibilities. Scarcely anything was done on the avenue during [1891 - 92], certainly nothing of a determining nature. High prices and the lack of restrictions hold the thoroughfare from the builder's hand.
The stage had been set by two great monuments, the American Museum of Natural History between 77th and 81st Streets, , and the Dakota, the pioneering luxury apartments at 72nd Street . Yet a survey of roughly a decade later revealed that more than half the block fronts along the park from 60th to 96th Streets remained vacant or contained only old, modest frame houses.^
A few rather unprepossessing apartment hotels were constructed, among them the San Remo at 75th Street, designed in 1890 by architect Edward Angell, the Beresford at 81st Street, and the Majestic just south of the Dakota. Five-story flathouses were another residential building type. The same 1893 commentary suggested: "The improvements on the avenue thus far seem to point to its being occupied, from a residence point of view, mainly by first-class flats and apartment hotels. . . . A number of handsome residences will no doubt also creep in here and there."
Among the "handsome residences" built on Central Park West during this period were three group of rowhouses -- 235-239 Central Park West, five houses at the southwest corner of 84th Street, none of which survive; 241-249 Central Park West , nine houses between 84th and 85th Streets of which three survive; and 351-355 Central Park West , all of which survive. It was not until the turn of the century that Central Park West's construction boom began and it emerged as a boulevard of elegant tall apartments punctuated by impressive institutional buildings, thus making the five houses at 351-355 Central Park West -- constructed before the avenue's future was determined and when large sections of the avenue and the Upper West Side were still open land - - rare survivors of the earliest development of Central Park West.
The Development of the Houses at 351-355 Central Park West
Like many rowhouses built on the Upper West Side and other rapidly developing areas of the city in the 19th c entury, the five rowhouses at the northwest corner of Central Park West and 95th Street were constructed as a speculative development, in this case for sale to prosperous middle-class families.
The builder-developer Edward Kilpatrick , born in Ireland, immigrated to the United States at the age of 11 and learned the carpenter's trade. In the late 1860s Kilpatrick worked as a building subcontractor, establishing himself as a builder and developer on the Upper West Side by the 1880s. In the early 1890s Kilpatrick set up a lumber yard and factory for the making of interior trim at 42 West 67th Street. By this time he had under construction ten houses on the south side of 96th Street between Central Park West and Columbus and thirteen houses on West End Avenue between 97th and 98th Streets.
Kilpatrick's 96th Street site was adjacent to a parcel of land on Central Park West which extended along the blockfront between 95th and 96th streets, 201 feet, 4 inches long and 100 feet deep.
The Scotch Presbyterian Church was interested in the site and wished to build both a new church building and a school building. The church and Kilpatrick entered into an agreement in July 1892 to allow him to develop the southern portion of the Central Park West frontage with the proviso that as long as nothing was built on the church's Central Park West parcel except the church edifice and one private one-family dwelling , Kilpatrick would restrict construction on his parcel to "private dwelling houses of not more height than four stories with basement and designed for the use of one family."^
Because of these restrictions the houses would be lower than the adjacent church tower. The rowhouse commission was given to Gilbert A. Schellenger, who also worked with Kilpatrick on other Upper West Side projects, and construction was completed in June 1893.
Kilpatrick began to sell the houses in March 1894: No. 351 to John G. Gerken, sold again to tobacco merchant and manufacturer Solomon Schinasi in 1903; No. 352 to Emilie Schumacher; No. 353 to James P. Cahen; No. 354 to Julius P. Cahen; and No. 355 to Catherine C. Carroll. The restrictions governing the church and Kilpatrick were also contained in the deeds and ultimately helped insure the survival of the houses.
Gilbert A. Schellenger
The education, training, and background of Gilbert A. Schellenger are obscure, but he was a major contributor to the development of the Upper West Side. Based on records of his work as listed in the Department of Buildings he was active between about 1882 and 1904 and specialized in residential architecture, designing rowhouses, tenements, flathouses, and small apartment buildings.
A skilled designer, he followed contemporary stylistic trends: Romanesque Revival in the 1880s and early 1890s; Queen Anne in the late 1880s; neo-Renaissance in the 1890s; and Beaux-Arts at the turn of the century. His rowhouse designs may be found on the Upper East Side, in Carnegie Hill and Harlem, while examples of his apartment houses may be seen in Greenwich Village. He was particularly active on the Upper West Side; over 200 buildings designed by him remain extant.
These were usually not single buildings designed in isolation but rows of houses or groups of tenements. Occasionally, as in the group of eight houses and three tenements seen at the southeast corner of 69th Street and Columbus Avenue, he designed the two building types in conjunction. Four houses of Schellenger's design, Nos. 17-23 West 95th Street, were under construction when he received the Central Park West commission.
These 95th Street houses employ both Romanesque Revival and neo-Renaissance detail , are faced in brownstone, and have facades dominated by their oriels. Other examples of his work designed in 1891/92 are similar. These include a group of tenements at 448-454 Amsterdam, and rows of houses at 27-51 West 70th Street, 8-20 West 71st Street, and 14-16 West 82nd Street.
The Design of the Houses at 351-355 Central Park West
Schel lenger's Central Park West group may be seen as a continuation and outgrowth of his earlier rowhouse designs. There is a shift in materials, light-colored Roman brick rather than brownstone, , in keeping with the new contemporary preference for lighter material palates in the wake of the World's Columbian Exposition.
The detail is neo-Renaissance, not used in combination with Romanes que Revival, again reflecting the current fashion for simplicity and discretely applied ornament, as seen in the classically-inspired carved ornament of the oriels and double-arched corner house entrance. All of the houses feature prominent oriels. Four of the five houses were designed to be four stories above high basements with entrance stoops from Central Park West . In their overall design composition, they are grouped in an A-B pattern with an alternating rhythm of oriels.
This treatment adheres to a tradition set with the houses Henry Hardenburgh designed for Edward Clark on West 73rd Street between Central Park West and Columbus Avenue in 1882. The fifth, corner house, No. 351, is five stories with a low American basement and a ground level entranceway on West 95th Street. This kind of corner entrance is rare on the Upper West Side because of the commercial nature of Columbus and Amsterdam, and the redevelopment of many corner sites on West End Avenue with apartment buildings.
Description
This house, an example of the "A" type in the group of four at Nos. 352-355 Central Park West, was designed with four stories above a high basement which was later converted to a ground floor. The ground floor is faced with rusticated limestone and contains two low window openings and a non-original entrance.
The limestone-faced parlor floor contains three arches outlined by a drip molding with foliate corbels, each arch with an arched opening. The one to the right originally contained the entrance and was later converted to a window. The upper three stories are faced with buff-colored Roman brick and dominated by three-sided angled oriel of terra cotta placed in the left portion of the facade.
The oriel rises two stories from a full-width foliate corbel, terminating in a parapet with foliate panels at the base of a wide terra-cotta framed a fourth story window. Single terra-cotta framed window openings are placed to the right of the oriel and the fourth story window. A deep modillioned cornice above a rosette-paneled frieze terminates the facade.
- From the 1987 NYCLPC Landmark Designation Report
M42 Orion Nebula central region photographed in 3 emission lines: Ha at 656nm (900 seconds), SII at 672nm (1560 seconds) and OIII at 501nm (2220 seconds). Night of 28 January 2019, London UK.
Scope: SW 150mm/F5 achromat refractor at prime focus
Camera: 1004x monochrome PAL board camera, long exposure modified
Imges aligned, stacked and stretched in registax, further processed in Photoshop Elements