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The line forms outside the Apple Store for the release of Mac OS X - Leopard. The line grew as it got closer to 6pm - they had 500 shirts to give away, but they still had some left by the time I left after I made my purchase. There was still a good line outside for people waiting to get in. You can see the iPod Nano displays in the window with some big popcorn pieces hanging near them.

Forms of Recreation (@lu_lu on drums!) and some other bands played, we played some pool, it was a mini-PTUB.

Balade sur le GR34 à Plouhinec entre Plozévet et Audierne en Bretagne

kar-ISS-uh -- Latinized form of Indian vernacular name for this genus ... Dave's Botanary

kuh-RAN-das or ka-RAN-duhz -- Latinized form of the Konkani / Marathi name (करांदा karanda) of this plant ... compiled from the web

 

commonly known as: Bengal currant, karanda • Ahom: কৰ্জা টেঙা karja tenga • Assamese: কৰ্জা টেঙা korja tenga • Bengali: করমচা karamcha • Dogri: बड्डा गरना badda garna, बागी गरना baagi garna • Gujarati: કરમદી karamdi • Haryanvi: करौंदा karaunda • Hindi: बलालक balalak, डिण्डिम dindim, करौंदा karaunda, कृष्ण krishna, पाकफल pak-phal, सुषेण sushen • Kannada: ಅವಿಗ್ನ avigna, ಗರ್ಜಿ garji, ಹರೀಕಳಿವಿ harikalivi, ಕಳವೆ kalave, ಕಮರಿಕೆ kamarike, ಕಣಬೆ kanabe, ಕರಮರ್ದ karamarda, ಕರಂಡ karanda, ಕರವಡೀ karavadi, ಕರಿಚೆ kariche, ಕವಳ kavala, ಕೊರಿಂಡ korinda, ಕೃಷ್ಣಪಾಕಫಲ krishna-paakaphala, ಸುಷೇಣ sushena • Kol: कनुवान kanuwan • Konkani: ಕಾರಾಂಜ kaaraanja, काण्टां kantam, करवंदी karvandi • Kurukh: कनुवान কনূবান କନୁୱାନ kanuwan • Malayalam: കാരക്ക kaarakka, കാരപ്പഴം kaarappazham, കളാവു kalaavu, കരണ്ടകം karantakam, കരിമുള്ളി karimulli, കറുത്തചെറി karuthacheri, ക്ലാവ് klavu • Marathi: करांदा karanda, कारिंदा karinda, करवंद karvanda • Nepali: करौँदा karaundaa, करौँजि karaunji • Odia: ଆଙ୍କୁକୋଳି ankukoli, କରମର୍ଦ୍ଦ karamardda, କରନ୍ଦା karanda, ନଳିନ nalina, ପାକ କୃଷ୍ଣpaka krushna, ରୋଚନ rochana, ସକଣ୍ଟକ sakantaka, ସୁଷେଣ sushena, ସୁଷ୍ମ sushma • Pahari: गारींगा garinga, गोठो gotho, गुरणा gurna, करौंदा karaunda, तिमुखिया timukhia • Punjabi: ਕੌਂਦਾ karaunda • Rajasthani: करोंदा karonda • Sanskrit: अविग्न avigna, डिण्डिम dindima, करमर्द karamarda, करमर्दी karamardi, कराम्बुक karambuka, कृष्ण krshna, कृष्णपाक krshnapaka, क्षीरफल kshiraphala, नलिनदल nalinadala, पाककृष्ण pakakrshna, पाकफल pakaphala, पाणिमर्द panimarda, फलकृष्ण phalakrshna, फलपाक phalapaka, सुषेण shushena, वनामल vanamala, वरालक varalaka, वराम्र varamra, वारिवर varivara, वश vasha, विघ्न vighna • Santali: ᱡᱟᱹᱱᱩᱢ janum, ᱠᱟᱸᱲᱣᱟᱠ karwak, ᱠᱟᱸᱲᱣᱟᱛ karwat • Tamil: களாக்காய் kalakkay, பெருங்களா perunkala • Telugu: కలివెచెట్టు kalive-chettu, ఓకచెట్టు oka-chettu, పెద్దకలివి pedda kalivi, పెద్దవాక్కాయ pedda vaaka-kaaya, వాకకాయ vaaka-kaaya • Tulu: ಕರಂಡೆ ಪುಳಿಮರ karande pulimara • Urdu: بلالك balalak, ڐنڐم dindim, کروندا karaunda, کرشن krishna, پاک پھل pak-phal, سشين sushen

 

known for / parts made use of: fruits, roots, leaves, bark, milky latex, the thorns & whole shrub (living fence) ... compiled from the web

 

botanical names: Carissa carandas L. ... homotypic synonyms: Arduina carandas (L.) Baill. • Jasminonerium carandas (L.) Kuntze • Capparis carandas (L.) Burm.f. ... heterotypic synonyms: Carissa salicina Lam. • Echites spinosus Burm.f. • Jasminonerium salicinum (Lam.) Kuntze ... and more at POWO, retrieved July 29, 2026

 

~~~~~ KNOWN DISTRIBUTION in INDIA ~~~~~

Native to the west coast, Western Ghats and sub-Himalayan foothills; thrives naturally in drought-resistant pocket regions of tropical and subtropical scrub, dry-deciduous forest fringes; cultivated elsewhere.

 

Names compiled / updated at Names of Plants in India.

Le Maroc (en arabe : « المغرب », al-Maġrib ; en berbère : « ⵍⵎⵖⵔⵉⴱ »1,11, l-Meġrib), ou depuis 1957, en forme longue officielle, le Royaume du Maroc, dit préalablement Empire chérifien, est un État unitaire régionalisé — dont le régime politique est une monarchie constitutionnelle — situé en Afrique du Nord. Sa capitale est Rabat et sa plus grande ville Casablanca.

Géographiquement, il est notamment caractérisé par des zones montagneuses ou désertiques et est l'un des seuls pays — avec l'Espagne et la France — à comporter des rives sur la mer Méditerranée d'un côté et l'océan Atlantique de l'autre. Sa population est de près de 34 millions d'habitants (recensement de 2014) et sa superficie de 710 850 km²12 (47,51 hab./km²), ou de 446 550 km² quand on n'y inclut pas le Sahara occidental — ex-« Sahara espagnol », considéré comme un territoire non autonome par l'Organisation des Nations unies2 — dont il administre de facto environ 80 % et qu'il revendique dans sa totalité, tout comme le Front Polisario. Sa culture est berbéro-arabe, avec des influences africaines et européennes, et les Marocains sont essentiellement de confession musulmane.

Par ailleurs, il fait partie de l'Organisation des Nations unies, de la Ligue arabe, de l'Union du Maghreb arabe, de l'Organisation de la coopération islamique, de l'Organisation internationale de la francophonie, du Groupe des 77 et de l'Union pour la Méditerranée.

Sommaire

Meissen, Mokkatasse, Espressotasse, Moccatasse, B-Form, B, Kobalt, Blau, Streublümchen, Historismus

Del 23 de febrero al 1 de abril de 2018. Centro de Residencias Artísticas de Matadero Madrid.

 

YEMA es el título que han elegido de forma colaborativa los cuatro creadores portugueses y españoles que han compartido espacios de trabajo durante las últimas seis semanas en el nuevo Centro de residencias artísticas de Matadero Madrid. Una muestra que forma parte de El Ranchito. Un programa de residencias de Matadero Madrid y la Agencia Española de Cooperación Internacional para el Desarrollo (AECID), dos instituciones públicas que desde el año 2013 trabajan juntas con el objetivo de fortalecer los lazos internacionales del tejido artístico local y su movilidad en el exterior. En este caso se trata de un intercambio entre Matadero Madrid, Galerias Municipais - EGEAC y Zé Dos Bois de Lisboa (Portugal).

 

Presentamos con ilusión esta edición especial de El Ranchito Lisboa, que cuenta con la participación de los artistas portugueses Pedro Henriques, Ana Manso y los españoles Rubén M. Riera y Cristina Mejías. Además, contamos con la colaboración de las comisarias Margarida Mendes (Portugal) y Virginia Torrente (España).

 

A las relaciones y posibles colaboraciones que surgen, crecen y se nutren en el contexto de la residencia se suman las visitas privadas de profesionales vinculados a la cultura, agentes, comisarios y críticos que han pasado por el Centro de residencias artísticas para conocer el trabajo de los creadores.

 

El viernes 23 de febrero, en el contexto de ARCO, se presentan públicamente los resultados de sus trabajos que se podrán ver hasta el 1 de abril en el Centro de residencias artísticas de Matadero Madrid.

No âmbito do Programa Erasmus +/mobilidade de docentes, a Professora Slavica Vrsaljko, da Universidade de Zadar, Croatia, proferiu no Auditório 2 do IPBeja, a 14 de abril de 2015, o Seminário “Forms of Communication: formal and informal”

 

Mais reportagens fotográficas em: <a www.flickr.com/photos/40478366@N08/collections/

38° 00' 46.87''N

7° 52' 22.19''W

 

Form my weekend trip to Helsinki, Finland. uomenlinna, until 1918 Viapori (Finnish), or Sveaborg (Swedish), is an inhabited sea fortress built on six islands (Kustaanmiekka, Susisaari, Iso-Mustasaari, Pikku-Mustasaari, Länsi-Mustasaari and Långören), and which now forms part of the city of Helsinki, the capital of Finland.

Suomenlinna is a UNESCO World Heritage site and popular with both tourists and locals, who enjoy it as a picturesque picnic site. Originally named Sveaborg (Fortress of Svea), or Viapori as called by Finns, it was renamed Suomenlinna (Castle of Finland) in 1918 for patriotic and nationalistic reasons, though it is still also sometimes known by its original name. In Swedish-speaking contexts, the name Sveaborg is usually used.[1]

The Swedish crown commenced the construction of the fortress in 1748 as protection against Russian expansionism. The general responsibility for the fortification work was given to Augustin Ehrensvärd. The original plan of the bastion fortress was strongly influenced by the ideas of Vauban, the foremost military engineer of the time, and the principles of Star Fort style of fortification, albeit adapted to a group of rocky islands.

In addition to the island fortress itself, seafacing fortifications on the mainland would ensure that an enemy would not acquire a beach-head from which to stage attacks. The plan was also to stock munitions for the whole Finnish contingent of the Swedish Army and Royal Swedish Navy there. In the Finnish War the fortress surrendered to Russia on May 3, 1808, paving the way for the occupation of Finland by Russian forces in 1809.

Made in Lower Saxony, Germany, 13th century

Medium: Copper alloy

 

The rooster’s majestic tail feathers splay in rhythmic arcs as he crows, full-throated. The artist who modeled the bird boldly balanced the body on its tiny talons.

 

This elaborate water vessel was intended for handwashing. A specialty of metalworkers in German-speaking lands for centuries—from the twelfth to the fifteenth—they are called aquamanilia, from the Latin words for water (aqua) and hand (manus).

 

IMG_8060

This is the base of the form and will hold all the truncated hexagonal pyramids. Notice the holes letting the light through. These are where the honeycomb hexagons will be attached.

A Coleção fotográfica faz parte integrante da cobertura efetuada durante a mesa redonda, com João Rodrigues e António Mega Ferreira, que deu início ao ciclo de conferências e Workshops, organizados pelo curso de turismo da ESTIG do IPBeja, a 20 de outubro de 2016.

Todas as fotografias estão otimizadas para a internet e fazem parte do espólio do Instituto Politécnico de Beja. Nenhumas das fotografias podem ser reproduzidas, no seu todo ou parcialmente, de forma eletrónica ou impressas, sem a autorização do IPBeja. Para adquirir fotografias com maior resolução contacte o Gabinete de Imagem e Comunicação do Instituto Politécnico de Beja através dos seguintes mail:

gicom@ipbeja.pt

apassarinho@ipbeja.pt

jdomingos@ipbeja.pt

 

Site Institucional: WWW.ipbeja.pt

 

38° 00' 46.87''N

7° 52' 22.19''W

 

Hier mein Versuch, Kunst zu vereinigen: Das rote Tor am Eingang zum japanischen Garten des Westfalenparks vereinigt mit der "Horizontalen Form".

 

Ich ertrage die Weltsituation nach dem Angriff der USA und Israels auf den Iran nur noch, indem ich mich mit etwas Schönem ablenke.

In Anlehnung an Brecht: „Was sind das für Zeiten, wo ein Gespräch über Bäume fast ein Verbrechen ist, weil es ein Schweigen über so viele Untaten einschließt.“

(gutezitate.com/zitat/101128).

Oder: Wer in diesen Zeiten nicht depressiv wird, hat kein Herz.

 

Aquí está mi intento de unir el arte: la puerta roja a la entrada del jardín japonés del Westfalenpark se une con la «forma horizontal».

Solo soporto la situación mundial tras el ataque de EE. UU. e Israel a Irán distrayéndome con algo bello.

En referencia a Brecht: «¿Qué tiempos son estos en los que hablar de árboles es casi un delito, porque implica guardar silencio sobre tantos atropellos?».

(gutezitate.com/zitat/101128).

O bien: quien no se deprime en estos tiempos es que no tiene corazón.

 

Here is my attempt to unite art: the red gate at the entrance to the Japanese garden in Westfalenpark united with the ‘horizontal form’.

I can only bear the world situation after the attack by the USA and Israel on Iran by distracting myself with something beautiful.

In the words of Brecht: ‘What kind of times are these, when talking about trees is almost a crime because it implies silence about so many atrocities?’

(gutezitate.com/zitat/101128).

Or: Anyone who doesn't become depressed in times like these has no heart.

Esas formas aterradoras que avanzan, siento que la desesperación que me traen está viva. Ella se desliza en ese nudo de la vida luego del cual se abren las rutas de la eternidad. Es verdaderamente la separación para siempre. Deslizan su cuchillo hasta ese centro en el que yo me siento hombre, cortan las ataduras vitales que me ligan al sueño de mi lúcida realidad.

Banks Peninsula forms the most prominent volcanic feature of the South Island. Geologically, the peninsula comprises the eroded remnants of two large composite shield volcanoes (Lyttelton formed first, then Akaroa), and the smaller Mt Herbert Volcanic Group.These formed due to intraplate volcanism between approximately eleven and eight million years ago (Miocene) on a continental crust. The peninsula formed as offshore islands, with the volcanoes reaching to about 1,500 m above sea level. Two dominant craters formed Lyttelton and Akaroa Harbours.

 

After (prior) a long period of quiescence, activity recommenced from two centres, and two great mountains, which may be called the Lyttelton and the Akaroa cones, were constructed by normal volcanic processes, lava flows alternating with layers of fragmentary material, till they exceeded in height and volume the great volcanoes of the North Island. In all probability Lyttelton was slightly the earlier of the two but smaller in size. They show a remarkable similarity to each other in their mode of formation, in the character of the lavas they discharged, and even in unessential aspects of mountain construction and destruction. The actual centre of the Akaroa volcano was situated somewhere near the end of Onawe Peninsula and the cone extended with a seven mile radius on all sides, and reached north and east beyond the rocky wave-cut headlands which now terminate the spurs stretching in that direction, while to the south the flows ran as far as Birdling's Flat, and to the west they reached beyond Pigeon Bay and Kaituna Valley and overlapped those coming from Lyttelton. The base of this cone must have been twenty miles in diameter, and its height judging from the average angle of the lava streams must have exceeded ten thousand feet.

Shapped into a somewhat bowly bottom shape, at the same time, the walls are brought out the same distance. If everything was still centered up to this point, it's not too bad a step, the hard part is getting a bottom the shape you want. Of course there is room in this step for things to go off center.

Le arbres de la forêt de Perseigne non loin de la commune de Ballon dans la région du Mans offrent parfois des formes qui aident à imaginer.

Drachenrutschbahn ( Rutschbahn in Form eines Drachen ) in der Stadt Zug im Kanton Zug in der Schweiz

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Ausflug nach W.intert.hur mit A.ndre, M.äme und Ä.te am Samstag den 25. Januar 2014

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Mit dem Z.ug von B.ern - O.lten - A.arau - via R.eusst.al - R.otk.reuz

nach Z.ug

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S.paziergang durch die A.lts.tadt von Z.ug

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Von Z.ug mit der B.ahn via A.ffoltern - Z.ürich - M.eilen - R.appersw.il - St. G.allen - W.einf.elden - K.reuzlingen - S.tein am R.hein nach W.intert.hur

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A.bendessen in der A.ltstadt W.intert.hur und Besuch des K.onzert vom G.ospelt.rain F.elsb.erg bei W.intert.hur

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Mit dem Z.ug von W.intert.hur über Z.ürich zurück nach B.ern

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Hurni140125 AlbumZZZZReisenachW.intert.hur KantonZug StadtZug AlbumStadtZug

 

E - Mail : chrigu.hurni@bluemail.ch

 

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Letzte Aktualisierung - Ergänzung des Textes : 200122

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NIF

Black and white paint

Form

Unity

Shallow depth of field

West

Photos taken at a friend's costume shop.

1972 school disco at St. Joseph's Grammar Technical school, Hebburn. Before the days when the school disco was rebranded a prom ('cause we all wish we were American, don't we?).

Originally built as a ballroom, the Gothic Ridderzaal (a great hall, literally Knight's Hall) today forms the centre of the Binnenhof. Every third Tuesday of September, on Prinsjesdag, this is where the King holds his annual Speech from the Throne. Other buildings shape a rectangle around the Ridderzaal, creating a large courtyard in front of the building, and a smaller square behind it. A gilt Neo-Gothic fountain adorns the courtyard and a statue of King William II, one of few Dutch equestrian statues, guards its gate, the Stadtholder's Gate, which dates from 1620.

I went to Yarner Wood knowing that the Pied Flycatchers were there. I also knew of the Wood Warblers but had no expectation of seeing them because they seem to spend all their time singing in the tree canopy. This one hopped on to a sapling in front of me then disappeared before I could even pick it up on camera. I waited and sure enough the song started; ti ti ti ti ti tik tik trrrrrrrrrrrrrrrrrrrrrr. Then it moves. Another burst of song. Another move, Another burst........ Finally I saw the movement and about three song bursts later and having to use manual focus I got these. Not the highest quality but really satisfying. Photographing Swifts the day before was easier than this!

Form Us With Love created the flower concept. The Botanic flowers were made from Bolon carpets and was created by Anton Thorsson.

   

www.bolon.com/flooring/#/EN/news/latest_news/new_collecti...

This version developed using Aperture. Previous upload used ACR and PSE, but it was much easier to achieve the desired effect (with a better result) using Aperture and Tiffen Dfx.

 

Raynox DCR-250 macro converter. Raw developed and converted to B&W using Aperture 2 and Tiffen Dfx 2.

Las montañas Cairngorms forman el Parque Nacional más grande de Gran Bretaña y la zona más extensa de paisaje ártico montañoso en las islas británicas. Este fascinante lugar es también considerado como el último gran espacio salvaje de Europa. El corazón del Parque Nacional está formado por una impresionante cadena montañosa que contiene 4 de las 5 montañas más altas de Escocia. También alberga el 25% de los pájaros, animales y plantas en peligro de extinción del Reino Unido. Incluye áreas montañosas de un gran valor ecológico y antiguos bosques, ríos, lagos, valles y páramos que constituyen frágiles ecosistemas de una gran biodiversidad.

 

La espectacular meseta central está dividida por diferentes valles donde se encuentran los últimos reductos de los bosques primigenios de pino rojo que cubrían todas las Highlands en la antigüedad. Estos bosques son el hogar de innumerables especies animales como la ardilla roja, el urogallo, la marta, el gato montés, el corzo o el tejón, entre otras. También habitan en las proximidades grandes manadas de ciervos rojos o venados, un rebaño de renos y el grupo más numeroso de águilas reales del Reino Unido.

 

No podemos olvidarnos de la rica herencia cultural que tiene el P.N. Cairngorms y que contribuye a hacer de este espacio un lugar único, mágico y encantador.

 

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