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This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Talkin Tarn Country Park Brampton Cumbria
Talkin Tarn is a glacial lake and country park near Brampton, Cumbria, England. The lake is a kettle hole lake, formed 10,000 years ago by mass glacial action.
The name is of Brittonic origin. The Brittonic dialect known as Cumbric was formerly spoken in the area. The first element, tal, means "brow" or "end" in Brittonic and modern Welsh, Cornish, and Breton. The second element is unclear. It may come from the Brittonic word which appears in Welsh and Old Cornish as can ("white") and Breton as kann ("bland, brilliant"). Talkin may be a hill-name meaning "white brow".
'Tarn' is derived from Old Norse 'tjǫrn' and then Middle English 'terne' meaning 'small mountain pool' or 'small lake'.
Talkin Tarn Country Park is owned and maintained by Carlisle City Council. It is home to the Boat House Tea Rooms, Brampton Sailing Club, and Talkin Tarn Amateur Rowing Club. The profits from the Tea Rooms and the pay and display car parking are reinvested in the up keep and improvement of the site.
Rowing is an activity at Talkin Tarn. The rowing club, Talkin Tarn Amateur Rowing Club, celebrated its 150th anniversary in 2009. Rowing races were first held on Talkin Tarn in the 1850s, and the Rowing Club was formed in 1859 by local townsfolk, several descendants of whom still live in the area. It is the oldest rowing club in the North of England, with the exception of Tyne Rowing Club, and is the 14th oldest non-university club in the country. Talkin Tarn Annual Regatta has grown considerably in recent years from a total entry of 20 in 1946 and 97 in 1988 to what it is today – very successful and one of the largest one-day regattas outside of London with total entries now in excess of 400.
On 9th November 1983 an Aerospatiale Gazelle Helicopter (reg G-SFTB) crashed into the tarn during a low level training flight from Carlisle Airport. The single occupant escaped the crash but the helicopter, once raised from the bottom, was damaged beyond repair.
Research on climate change carried out at Talkin Tarn was published in 2004.
Old buckles, stone axes, and urns have been found in the area.
More photos of Talkin Tarn here: www.flickr.com/photos/davidambridge/albums/72157633050144969
Castilleja praeterita, yellow form, Big Meadow, southern Sierra Nevada, Tulare Co., CA, 9 Jun 2017.
Most plants in this population were not yet in flower on this date, but a few were. I photographed this population in previous years, and many more photos are available in the C. praeterita album.
Anish Kapoor in Pitzhanger Manor, optical tricks with mirrors and metal
Anish Kapoor
(March to August 2019)
Within the newly restored gallery, with its three circular skylights, Kapoor’s sculptures challenge our traditional notion of form and space by disorientating the viewer and transforming their surroundings.
These sculptures echo Soane’s complex use of mirrors and light and will enable visitors to Pitzhanger to see Soane’s architecture from a fresh perspective.
[Pitzhanger Manor & Gallery]
Pitzhanger Manor was bought by Sir John Soane (1753-1837) in 1800. He demolished most of George Dance's building but retained the southern extension, replacing the main block with one of his own design. In the same year Soane employed John Haverfield to produce new designs for the grounds which were delivered by September 1800 (guidebook). The new mansion was used to display Soane's art collection and for entertaining, his Lincoln's Inn house being retained as the family residence. By 1809 Soane was only occasionally at Pitzhanger and in June of that year he instructed James Christie to sell the house and the estate. Once again the property passed through a series of owners until, in 1843, it was sold to the politician Spencer Walpole and became the home of his four unmarried sisters-in-law, the daughters of the Rt Hon Spencer Perceval. Prior to the death aged ninety-five of the last-surviving Perceval sister, Frederika, in May 1900, her nephew, Sir Spencer Walpole, had begun negotiations with Ealing District Council for the sale of the house and the estate. The sale negotiations were completed early in January 1900 and, following Miss Perceval's death, alterations were carried out. The then Borough Surveyor, Charles Jones, was responsible for the designs for the alterations to the house and grounds and in April 1902 the building was opened as a public library. At the time of the sale, the property was variously referred to as Manor House Park (Middlesex County Times, 19 May 1900) and Perceval Park (Middlesex County Times, 28 July 1900). The name Walpole Park was adopted after communications between the last owner and Ealing Borough Council towards the end of 1900.
Further major alterations to the library building were completed by 1940 and then, in 1984, the Central Library was moved to new premises in Ealing. The following year a continuing programme of restoration and repair to both the mansion and the grounds began. The restored manor house was reopened as a museum and centre for cultural events in the late 1990s. The grounds continue (2000) in the ownership of the London Borough of Ealing.
[Historic England]
Qufu Shaolin Kung Fu School in China
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©Qufu Shaolin Kung Fu School.
Anish Kapoor in Pitzhanger Manor, optical tricks with mirrors and metal
Anish Kapoor
(March to August 2019)
Within the newly restored gallery, with its three circular skylights, Kapoor’s sculptures challenge our traditional notion of form and space by disorientating the viewer and transforming their surroundings.
These sculptures echo Soane’s complex use of mirrors and light and will enable visitors to Pitzhanger to see Soane’s architecture from a fresh perspective.
[Pitzhanger Manor & Gallery]
Pitzhanger Manor was bought by Sir John Soane (1753-1837) in 1800. He demolished most of George Dance's building but retained the southern extension, replacing the main block with one of his own design. In the same year Soane employed John Haverfield to produce new designs for the grounds which were delivered by September 1800 (guidebook). The new mansion was used to display Soane's art collection and for entertaining, his Lincoln's Inn house being retained as the family residence. By 1809 Soane was only occasionally at Pitzhanger and in June of that year he instructed James Christie to sell the house and the estate. Once again the property passed through a series of owners until, in 1843, it was sold to the politician Spencer Walpole and became the home of his four unmarried sisters-in-law, the daughters of the Rt Hon Spencer Perceval. Prior to the death aged ninety-five of the last-surviving Perceval sister, Frederika, in May 1900, her nephew, Sir Spencer Walpole, had begun negotiations with Ealing District Council for the sale of the house and the estate. The sale negotiations were completed early in January 1900 and, following Miss Perceval's death, alterations were carried out. The then Borough Surveyor, Charles Jones, was responsible for the designs for the alterations to the house and grounds and in April 1902 the building was opened as a public library. At the time of the sale, the property was variously referred to as Manor House Park (Middlesex County Times, 19 May 1900) and Perceval Park (Middlesex County Times, 28 July 1900). The name Walpole Park was adopted after communications between the last owner and Ealing Borough Council towards the end of 1900.
Further major alterations to the library building were completed by 1940 and then, in 1984, the Central Library was moved to new premises in Ealing. The following year a continuing programme of restoration and repair to both the mansion and the grounds began. The restored manor house was reopened as a museum and centre for cultural events in the late 1990s. The grounds continue (2000) in the ownership of the London Borough of Ealing.
[Historic England]
Luminosos - Letras de Caja - Corpóreos - Formas con Volumen - Letreros - Rótulos exterior - Textos con relieve
(Rótulos Bia) Pamplona-Navarra
Since 1936 Djurgårdens IF have played football at the Stockholm Olympic Stadium. It was built in 1912 and no longer meets Uefa's demands.
During the 2013 season we will have to move from our beloved home.
These photos were taken at various matches in 2012.
"A cascata das Aguieiras forma-se a partir da queda de água da ribeira homónima, que após percorrer Alvarenga cai vertiginosamente sobre as escarpas graníticas que ladeiam o Rio Paiva. O Alto do Pereiro (freguesia de Canelas) constitui um miradouro privilegiado para esta cascata, que é claramente condicionada pela fracturação ortogonal do maciço granítico, desconhecendo-se no entanto a existência de elementos estruturais associados ao granito que justifiquem o seu acentuado desnível. Além disso, este miradouro constitui um local de elevada beleza estética, pois daqui se vislumbra todo o vale de Alvarenga, com a Serra de Montemuro como cenário de fundo, destacando-se inequivocamente a majestosa cascata para o Rio Paiva.
O geossítio possui elevado interesse geomorfológico, o que lhe confere um potencial uso didáctico e turístico de âmbito regional. "
I used to follow this female photographer (on Flickr?) that had such cool abstracts of ice. She lived up on one of the Great Lakes so she got plenty of practice. But that was her thing. Beautiful images of ice bubbles, light through ice, rocks covered in ice. So here I am, searching all over a rock wall on the north side of Monte Sano for interesting bits covered in ice. Imitation is the sincerest form of flattery.
Nikon D7500 — Nikon 18-300mm F6.3 ED VR
48mm
F8@1/13th
ISO 400
Polarizer
White Balance on Flash
DSB_6524.JPG
©Don Brown 2025
Introduced cool-season annual or biennial hairless C3 herb which initially forms a basal rosette of leaves and then erect slender stems to 50 cm tall. Basal leaves are persistent, 2.5-4 cm long, smooth, oval and sessile, with entire margins; stem leaves are oppositely arranged and decrease in size up the stems. Flowerheads are dense and regularly branched, with flowers in pairs. Petals are pale red to dark pink and form a tube, with five lobes 5-6 mm long; the tube is more than 1.5 times the length of the mostly 4-6 mm long sepals. Fruits are linear capsules. Germinates mostly in autumn and early spring and flowers mostly in spring and summer. A native of Europe and northern Africa, it is found in open, disturbed and often damp areas of grassy woodlands, grasslands, pastures. An indicator of disturbance and bare ground. A weed of threatened natural temperate grasslands in the ACT and in the New England region. Within grazed pastures, it is mostly found in low abundance along fence lines, around stockyards and other areas of low ground cover. Not selectively grazed by livestock and of little importance for grazing due to its low abundance and productivity. Sensitive to grazing; it increases in abundance after livestock are removed, as long as pastures are not too dense.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Soldiers form the 3d U.S. Infantry Regiment (The Old Guard), conduct a Twilight Tattoo performance on Whipple Field, Joint Base Myer Henderson-Hall, Va., July 09, 2013. Twilight Tattoo is an hour-long pageant, which showcases the U.S. Army through Old Guard Soldiers and The U.S. Army Band. (U.S. Army photo by Spc. Cody W. Torkelson)
Before our friend, June Patience Jones died on the 4th May, we promised her to go down to the caravan to go and collect some of her belongings back to her as she was incapable to travel. Unfortunately, this wasn't to be the case. We decided that raising funds and giving them to a cancer charity would be the next best option. Therefore, we carried on as normal and in september, we hope to raise funds for a cancer charity in memory of her and her fave second home.
This is of zeon7 having a coffee whilst getting ideas on what to shoot next. I done this shot by placing the camera on the table I was sitting at and just hoping it would take a good picture. Kinda like a voyeuristic look at him.
Colloque 'Formes : supports / espaces' du 28 juillet au 4 août 2014 au Centre Culturel de Cerisy-la-Salle www.ccic-cerisy.asso.fr/formes14.html
Puebloviejo
134 pequeños y medianos agricultores, que forman parte de 15 asociaciones productivas rurales de este cantón, fueron beneficiados con la entrega de 74 370 plantas de cacao de la variedad CCN51, en un acto especial que se desarrolló en las instalaciones del coliseo deportivo de la parroquia Puerto Pechiche.
Pampa Grande, El Cielito, Camino al Futuro, 18 de Marzo, San Ramón, Puerto Pechiche, Juntos Progresaremos, 2 de Marzo, Rancho Grande, La Paulina, Unidos por el Progreso, El Roble, Sin Barrera, Justino Cornejo y 25 de Enero, son las organizaciones campesinas que forman parte del proyecto de mejoramiento de la productividad cacaotera, que fomenta la Prefectura de Los Ríos en toda la Provincia y que busca mejorar las condiciones de vida de las familias campesinas riosenses.
Agradezco a Aníbal Bohórquez, presidente de la Junta Parroquial de Puerto Pechiche; a Cecibel Yépez, concejal de Puebloviejo; y, a Darwin Bajaña, concejal de Vinces, por la gentileza de acompañarme en este evento.
Inspired by design from the seventies, the Snackbowl really catches the eye. Its round shape offers prominent space for large-surface promotional messages. With the Snackbowl, snacking finally gets a new, stylish space: No more ugly peanut cans, no ripped-open chip bags with half the contents spilling out. The Snackbowl fits so well on every desk that snacking with it is guaranteed to be more fun!
This is a form of S. ellipticum with elongate leaves that occurs in arid non-coastal habitats.
Santalum ellipticum Gaudichaud
Common names: sandalwood
Hawaiian names: `iliahi, `iliahialo`e
Family: Santalaceae - the sandalwood family
Native.
Santalum ellipticum is endemic to the Hawaiian Islands. It has been recorded from Laysan Island in the Northwestern Hawaiian Islands (extirpated), Ni`ihau, Kaua`i, O`ahu (Wai`anae Mountains, Ko`olau Mountains, the central plains between the two mountain ranges, and in certain coastal areas), Moloka`i, Lāna`i, Kaho`olawe (extirpated), Maui (West Maui, East Maui), and Hawai`i (Kohala Mountains to North Kona).
Forms
This is a form I use a lot. I have several here at home. I have family up in Canada and every time I send them something I have to fill out a USPS Form like this. I took this in my light box, I love it!
May - Divers 2018
KANAL - Centre Pompidou!
13 months of exhibitions and shows before conversion work begins
Before it becomes the largest cultural institution in Brussels, with 35,000 m2 devoted to artistic creation in all its forms, KANAL - Centre Pompidou proposes a unique cultural immersion in the buildings of the former Citroen garage.
Before conversion work begins, KANAL - Centre Pompidou will open its doors from May 2018 until June 2019 to allow the public to discover an exceptional cultural heritage, rich in history and preserved in its current state. Benefiting from the richness of the collections of the Centre Pompidou, the former Citroen garage will turn into a site hosting several exhibitions mixing visual arts, design, architecture, major installations and creations by Brussels-based artists, as well as a programme of performing-arts shows co-produced for this occasion with many of the city's cultural actors.
A future cultural hub
The ambition of KANAL - Centre Pompidou is to offer a centre of culture and exchange open to all, to put the creative scene of Brussels in the limelight, and to contribute to the capital's cultural appeal.
Driven by the Brussels-Capital Region, this ambitious project seeks to provide Brussels with a cultural hub favourable to the aura of the capital of Europe. In the context of a ten-year partnership with the Centre Pompidou, the future KANAL - Centre Pompidou will not only house a museum of modern and contemporary art, but also the rich collections of architecture and urbanism of the CIVA Foundation. It will also accommodate many public spaces with a range of functions, including several stages for the performing arts.
A wide-ranging programme
Events imagined in response to the identity of the site and its unique aesthetic qualities, but also its history
From 5 May 2018 until 10 June 2019, following a radically experimental approach, the former Citroen garage will turn into a platform open to a reflection on the stakes of the museum of the future. Curated by Bernard Blistene, the director of the Musee national d'art moderne, Centre Pompidou, a multidisciplinary programme will seek to fill the spaces that were recently emptied of their functions and left in their current state. Many of the proposals seek to echo the identity of the site, but also its human and social history, tangible across the different workshops and offices and in the different fittings of this vast complex.
Eager to integrate Kanal - Centre Pompidou in its context, the programme will let a vast audience have access, in one and the same venue, to a wide-ranging and unique cultural offer. The programme follows the rhythm of the Brussels cultural calendar, in partnership with, among others, Kunstenfestivaldesarts, BOZAR, Performatik Festival, Flagey, Kaaitheater and La Raffinerie (Charleroi Danse).
Photos of May 2018
Photos de mai 2018
( Diverses photos prisent en 2018 sans sujet reel.
Various pictures taken in 2018 without real subject. )
Braccialetto formato da vari anelli in metallo satinato e da un ciondolo a mezzaluna. E a far compagnia alla luna non possono mancare due stelle, una più grande in acciaio satinato e una più piccola nello stesso materiale della mezzaluna.
Learn more about Tuff Forms playground climbers! mrcrec.com/www/mrc-products/themed-playground-equipment/147
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
While in the building this time, we found a good number of forms on the floor of a room that was full to bursting with huge empty bookcases. These are shipping manifests and similar papers.
I can't figure out how they got there. Someone must have found a bunch of them, hidden somewhere out of the elements, and left them all over the floor.
Rather than see them get ruined sitting out in the open in a room with no windows where water clearly collects in rain, I straightened them up into a stack and took them with me. I have them saved in a folder.
Workshop Constrói um futuro + sustentável de forma criativa, no âmbito da Semana da Sustentabilidade 2022 do Iscte, a 3 de maio de 2022.
Explorar o conceito de sustentabilidade de forma criativa, dando asas à vossa imaginação para descobrirem como podem construir um futuro mais sustentável e alinhado com Objetivos de Desenvolvimento Sustentável.
Com Ana Simaens e a equipa do IPPS-Iscte.
Fotografia Hugo Alexandre Cruz