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My personal stay-at-home abstract photography project for today.
Some cheesecloth was used because it is broadly woven and it is easy to see the threads. Some slightly warm toning was added, and there is a little "glow" as well.
Copyright Stan farrow FRPS
Une forme de tulipe et une couleur des plus classique mais toujours tellement agréable à contempler sur les quais de Montreux
THE ULTIMATE FORM BY LINDER STERLING... one of the exhibits currently at the Hepworth... wonderful :-)
Northern & Mid river pylon's (Form Traveller now raised to the Hammerhead on northern pylon)...............Please note ALL pictures on this Photostream are Copyright Protected
Green Forms. © Copyright 2019 G Dan Mitchell - all rights reserved.
Green foliage in spring light.
There are two photographers in our household, and one specializes in close-up photography, especially featuring the plant world. I'm not that photographers. (She would be Patricia Emerson Mitchell, my wife.) Recently I've tagged along a few times when she went to photograph at a couple of botanical gardens, and the exercise stretching by "seeing" skills in interesting ways.
In person you might not have found this plant to be all that interesting. The light was tricky (I used a diffuser to control it) and only a small section of the plant seemed to produce a decent composition. But I moved in close, used a macro lens, and found something that focuses on the gestures of the plant's shape, and on a small, very green world.
G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.
A fortified manor house in Stokesay, Shropshire.
It was built in the late 13th century by Laurence of Ludlow, then the leading wool merchant in England, who intended it to form a secure private house and generate income as a commercial estate.
Laurence's descendants continued to own the castle until the 16th century, when it passed through various private owners. By the time of the outbreak of the English Civil War in 1641, Stokesay was owned by William Craven, the first Earl of Craven and a supporter of King Charles I.
After the Royalist war effort collapsed in 1645, Parliamentary forces besieged the castle in June and quickly forced its garrison to surrender. Parliament ordered the property to be slighted, but only minor damage was done to the walls, allowing Stokesay to continue to be used as a house by the Baldwyn family until the end of the 17th century.
In the 18th century the Baldwyns rented the castle out for a range of agricultural and manufacturing purposes. It fell into disrepair, and the antiquarian John Britton noted during his visit in 1813 that it had been "abandoned to neglect, and rapidly advancing to ruin".
Restoration work was carried out in the 1830s and 1850s by William Craven, the second Earl of Craven. In 1869 the Craven estate, now heavily in debt, was sold to the wealthy industrialist John Derby Allcroft who paid for another round of extensive restoration during the 1870s. Both of these owners attempted to limit any alterations to the existing buildings during their conservation work, which was unusual for this period. The castle became a popular location for tourists and artists, and was formally opened to paying visitors in 1908.
Allcroft's descendants fell into financial difficulties during the early 20th century, however, and it became increasingly difficult for them to cover the costs of maintaining Stokesay. In 1986 Jewell Magnus-Allcroft finally agreed to place Stokesay Castle into the guardianship of English Heritage, and the castle was left to the organisation on her death in 1992. English Heritage carried out extensive restoration of the castle in the late 1980s.
Architecturally, Stokesay Castle is "one of the best-preserved medieval fortified manor houses in England", according to historian Henry Summerson.
The castle comprises a walled, moated enclosure, with an entrance way through a 17th-century timber and plaster gatehouse. Inside, the courtyard faces a stone hall and solar block, protected by two stone towers.
The hall features a 13th-century wooden-beamed ceiling, and 17th-century carved figures ornament the gatehouse and the solar. The castle was never intended to be a serious military fortification, but its style was intended to echo the much larger castles being built by Edward I in North Wales.
Originally designed as a prestigious, secure, comfortable home, the castle has changed very little since the 13th century, and is a rare, surviving example of a near complete set of medieval buildings.
#abfav_spring
forming a flower-carpet, they are out, for sale now, all waiting for the transplant in someone’s much loved garden.
It is still early in the year, and they tremble in the chilly wind. The flowers still quite hidden, frightened to come out.
The word primula is the Latin feminine diminutive of primus, meaning first (prime), applied to flowers that are among the first to open in Spring.
Hope this brings a bit of joy again, have a good day and thanx for your visit, so very much appreciated, Magda, (*_*)
For more of my work, visit here: www.indigo2photography.com
Please do not use this image on websites, blogs or any other media without my explicit permission. © All rights reserved
A large and cumbersome weapon, it is technically a carbine.
Stripped down from its former assault carbine form, the owner bastardised its stock and barrel to form a very powerful machine pistol.
Spray and Pray people.
Done in 0.6
Here's a photo of my freshly molted 5th Instar Cecropia Caterpillar (Hyalophora cecropia). I've seen this one through since just after hatching and It's been one of the most incredible transformations I've had the opportunity to witness. It won't be long before it forms its cocoon and sleeps for the fall/winter. Hopefully it makes a triumphant emergence in late spring of 2019
Here is a little taster of a series I'm editing at the moment, went for a Sin City / Noir theme!
Please check out my Facebook page at - www.facebook.com/seancrottyartwork
Photo by Sean Crotty
I've not seen this coach in preserved form before, but have to say that it's great to see one of this once common type again, particularly in this condition. Once the backbone of Britain's 'National Express' network, the Duple or Plaxton bodied Leyland Leopard is grossly under represented in preservation, and this Duple Dominant example UTF 732M will make a welcome addition to the ranks.
The dire weather predictions for the area didn't materialise, and by home time (as usual!) the day had become exceedingly pleasant.
The picture was taken on the site of the now demolished Leyland Farrington Works.
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Project 52 Week 10
“I spent my life folded between the pages of books.
In the absence of human relationships I formed bonds with paper characters. I lived love and loss through stories threaded in history; I experienced adolescence by association. My world is one interwoven web of words, stringing limb to limb, bone to sinew, thoughts and images all together. I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction.”
― Tahereh Mafi, Shatter Me
There comes a time when you have to choose between turning the page and closing the book.
–Josh Jameson
Laura New Myers is an expressive artist who describes her collaboration with photographers "...to gratify a new flourishing requisition that I had come to find existed in this new age of chaos emerging personal expression... to persuede and promote divine intervention in the sense of ones "higher self", independent thinking, moral/ethical consideration, and scholastics through the art of silent, expressive, and allegorical story telling and last but not least to connect Arists from far and wide." Model, Makeup, Wardrobe: Laura New Myers.
Broken Hill Proprietary Ltd. (BHP), formed in 1885, faced technical and logistical challenges in mining and processing ore bodies in far west New South Wales.
Broken Hill grew quickly. A population of 17000 in 1889 had more than doubled to 35,000 in 1914, putting it on the map as the then third-largest city in New South Wales. In today's terms, it could be described as Australia's most multicultural city of the time.
Trade Unions quickly formed around the mine and extraction processing industries. The Trades Hall, built between 1891 and 1905, became the first building in Australia owned by unions, who also purchased the local newspaper 'The Barrier Times' in 1908. This strong union tradition permeated all aspects of life in Broken Hill. The city's unionists won a 35-hour week in 1920, the first to do so in Australia.
The struggle of working people for equitable pay arrangements and safe working conditions is a major theme of the story of Broken Hill. During the 19th and 20th centuries Broken Hill became synonymous with industrial action, union organisation, and the cause of socialism. The great industrial disputes of 1892, 1909, and 1919 - 1920 are well remembered in Broken Hill and beyond. Workers' heroes such as Tom Mann and Percy Brookfield are memorialised in various ways all over the town and the story of Broken Hill's mining unions is closely connected with the story of mining unionism in Australia.
The history of trade unionism in Broken Hill goes back to the early days of mining on the Line of Lode. In September 1884 a public meeting was held at the Adelaide Club Hotel at Silverton to form the Barrier Miners' Association. By '1886 the headquarters of the Association had moved to Broken Hill where it was reconstituted as the Barrier Branch of the Amalgamated Miners' Association. By 1889 the Association, whose programme of reforms included and eight-hour day and compensation for injured workers, had achieved agreement for compulsory union membership.
The economic depression of the 1890s led mining companies to consider the arbitrary imposition of contract labour rates for stoping in the mines. This brought them into direct conflict with the Amalgamated Miners' Association. The Association withdrew labour from the mines in 1892 and mining company efforts to import non-union labour were bitterly resisted. Union leaders Herman Heberle, E.J. Polkinghorne, Robert A. Hewitt, Dick Sleath, W.J. Ferguson and John Bennetts were arrested and gaoled for periods of up to two years. The industrial action was unsuccessful and by 1896 union membership had dropped from approximately 6000 to 300.
During the 1890s and early years of the 20th century the Association consolidated its position, establishing its own newspaper The Barrier Daily Truth in 1898 and the Barrier Social Democratic Club in 1903. In 1902 British Socialist and former miner Tom Mann visited Broken Hill. Under the auspices of the Burke Ward Parliamentary Labour League Mann addressed a large crowd from the rotunda of the Hillside Reserve, expounding Marxist ideology and the goals of socialism. Mann so impressed union leaders that in 1908 he was invited by the Combined Unions to return as an organiser to assist in a dispute with BHP.
In that year BHP attempted to reduce wages on the expiration of an existing industrial agreement. In response, the unions commenced a recruitment campaign and began agitation for increased wages. Following an agreement on conditions, BHP closed its mines and announced that it would re-open 'after the Christmas period with rates reduced by 12.5 percent. The company eventually re-opened with non-union labour. In response, the unions picketed the mine and battles with police ensued. The lockout lasted 20 weeks with many miners defecting from the union ranks.
Following World War I the unions, who had recovered from the 1909 strike and consolidated their position, campaigned for a reduction in hours and improved safety. Extended industrial action in 1919 - 1920 led to the introduction of a 35 hour working week. The Barrier unions continued to campaign aggressively throughout the 20th century for improvements in the working conditions of their members.
In 2023, the Broken Hill Trades Hall was endorsed for inclusion on the UNESCO World Heritage Tentative List, following the backing of its preliminary nomination by both the New South Wales and Australian Governments.
Source: New South Wales Heritage Register & New South Wales Department of Planning and Environment.
Stoneborough, set in the Eagle's Eye pass in the Dragonscale mountains of Central Lenfald, is a naturally a well defensible city. It is protected by steep rock cliffs which form natural walls. The surrounding landscape is broken and rocky, crossed by swift mountain streams and ravines, and covered in dense pine forest.
However, the man-made walls which protect the city had fallen into disrepair over the years, particularly during the period of the Queen's rule.
When the the ambitious new Duke, Eberhard Strong, rose to power after the queen's overthrow, he began a massive project to rebuild and strengthen the walls. Funded by investments in the new colonies and money from the high Lord, the skilled Stoneborough masons have replaced damaged portions of the wall, and added new towers, as well as several feet to the entire height of the wall.
This scene shows a typical section of the wall on the southwest of the city. It shows the addition to the wall, the new battlements and one of the towers. It also shows one of the several mountain streams which run through the city, providing fresh water.
Duke Eberhard Strong is riding out to hunt along a wooden causeway which leads down from one of the city gates, smoothly crossing ravines and streams.
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This is only my third attempt at proper medieval fortifications, and I'm quite happy with how it turned out.
The basic inspiration came from this large and impressive build. I liked but he did with the rock cliffs around the city, but I didn't want to simply copy what had already been done, and I had my own ideas about how the wall should look. Therefore, in keeping with the theme of the LC, I had the idea of showing later additions to the wall. The lower mostly light gray section is meant to represent the original wall, and the dark bluish gray the additions.
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A build for Lands of Rowia, a LEGO castle group in which members create a character and then use Lego builds to tell their in a shared LEGO castle world. LoR also features motivational contests and challenges. We are currently looking for new members, so come on over, pick a faction and join the fun!
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Comments and critique welcome.
Le triage de Delloye est construit en 1929. En 1950, pour 1100 tonnes de charbon extraites journellement, on obtient 620 tonnes de charbon brut trié. On crible alors deux qualités de charbon et quatre calibres.
artwork form blue thirty: Ratkiller
bluetapes.co.uk/product/blue-thirty-ratkiller
Pro-dubbed C35 with onbody printing and O-card
Cubist, electronic, jazz. Obliquely funky. Negative space as a bassline and panning analogue synth vocalisations as melodies.
Ratkiller’s music seems at once spontaneous and intricately plotted - it’s like a computer system grown fat on its own logic that has started to improvise with its own programming. Because it feels good. Because it’s testing the very barriers of what it is capable of, and rather than disguising its limitations, using them as accompaniment.
This exploratory, unhurried music is full of moment of subtle awe and wonderment. It’s abstract, for sure, but far from a difficult listen - the ear candy is sublime and, in its own way, kind of pop. It ripples and flutters with colour.
Even when the pieces across this album do indulge more familiar structures, for instance hooking themselves around a beat, rather than sabotage the rhythm the more aleatoric elements bounce along with it, batting it about and toying with it like two two unfamiliar species communicating through play.
This isn’t music for barbecues. Don’t play it when your friends are round. Curl up in a space with it where it can have your full attention. Curl up inside it. These are your friends now.
Praise for Ratkiller:
“Ratkiller, aka Mihkel Kleis, is a compelling artist. Someone, somewhere in this land, once wrote that Kleis “listens to music on the edge of human perception”. Quite what that entails, or whether he does is open to debate, though it certainly sounds shamanic enough.” - The Quietus
“There are always other words in a word, other texts in a text, but also other melodies in a melody, and other music in music. Ratkiller is a master of this musical intertextuality.” - Norient
"This has to be one of the best blasts of aural information we’ve heard come off a cassette in a while. Playful, noisy, weird – a mostly indefinable mess of squirmy ugly sexiness. Ratkiller doesn’t sound much like what you’d expect someone called Ratkiller – grindcore? goregrind? gorecore? – to sound like, and is therefore totally the most appropriate name for this project." - 20 Jazz Funk Greats
aufgegebenes Ferienheim der Siedlung Lichtenberg am alten Kirchsteig von Börnersdorf nach Liebstadt im Osterzgebirge
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The Friends of the Old Pier Society is a not-for-profit organisation formed in 1996 to save the magnificent Birnbeck Pier in Weston-super-Mare. Designed by legendary pier builder Eugenius Birch and opened in 1867, the pier is unique since it's the only British pier that links the mainland with an island. Sadly, the pier has been closed to the public since 1994 and is included on the 'At Risk' Register compiled by English Heritage. The pier was purchased in 2006 by Manchester-based property development company Urban Splash - responsible for a host of successful projects including the revamped Royal William Yard in Plymouth and The Rotunda in Birmingham - who are working with the society to regenerate the pier, island and its environs.
There are many ancient olive trees here.
Teos (Ancient Greek: Τέως) or Teo was an ancient Greek city on the coast of Ionia, on a peninsula between Chytrium and Myonnesus. It was founded by Minyans from Orchomenus, Ionians and Boeotians, but the date of its foundation is unknown. Teos was one of the twelve cities which formed the Ionian League. The city was situated on a low hilly isthmus. Its ruins are located to the south of the modern town Sığacık in the Seferihisar district of Izmir Province, Turkey.
Teos, the important commercial harbour on the Ionian coast, was one of the most powerful cities of the region until the Hellenistic period. The remains of the city lie very close to the present Siğacik, within about 30 km from Smyrna. The name is Greek but its etymology remains unknown.1
Teos was founded during the Ionian colonisation, which must have started towards the 10th century BC at the latest. According to tradition,2 the first settler of the city was Athamas with his Minyans from the ancient Boeotian city of Orchomenus. The next settlers were the Ionians under Apoecus and shortly later a third group of immigrants from Athens under Damasus and Nauclus, the sons of Codrus, and from Boeotia under Geres settled there.
The city was one of the earliest members of the Ionian Dodecapolis, as indicated by the fact that colonists from Teos and Erythrae settled in Phokea, whose first inhabitants were Aeolians. Tradition says that the fall of Phokea to the Ionians from Teos and Erythrae was considered a submission of Phokea to the kings of the two above cities so that Teos could become a member of the Ionian union.3 Around 600 BC Thales of Miletus suggested that a political union of the Ionian cities should be based in Teos thanks to the ideal location of the city exactly in the middle of Ionia.
History
Pausanias writes that the city was founded by Minyans from Orchomenus under the leadership of Athamas, a descendant of Athamas the son of Aeolus. Later on they were joined by Ionians and more colonists from Athens and Boeotia.[1]
Teos was a flourishing seaport with two fine harbours until Cyrus the Great invaded Lydia and Ionia (c. 540 BC). The Teans found it prudent to retire overseas, to the newly founded colonies of Abdera in Thrace and Phanagoria on the Asian side of the Cimmerian Bosporus. The port was revived by Antigonus Cyclops. During the times of the Roman emperors, the town was noted for its wine, a theatre and Temple of Dionysus. These are positioned near the acropolis, which is situated on a low hill and had fortifications by the 6th century. A shipwreck near Tektaş, a small rock outcrop near Teos harbour, dates from the Classical period (around the 6th to the 4th centuries BC) and implies trading connections by sea with eastern Aegean Islands.
It was a member of the Lydian group of the Ionian League, one of the four groups defined by Herodotus, based on the particular dialects of the cities. It was the birthplace of Anacreon the poet, Hecateus the historian, Protagoras the sophist, Scythinus the poet, Andron the geographer, Antimachus the epic poet and Apellicon, the preserver of the works of Aristotle. Epicurus reportedly grew up in Teos and studied there under Nausiphanes, a disciple of Democritus.[2][3] Vitruvius notes Hermogenes of Priene as the architect of the monopteral temple of Dionysus at Teos.
An interesting rental agreement chiseled into stone was uncovered in 2016 in the ruins of Teos
Buttermere is a lake in the English Lake District in North West England. The adjacent village of Buttermere takes its name from the lake. Historically within the former county of Cumberland, the lake is now within the county of Cumbria. It is owned by the National Trust, forming part of their Buttermere and Ennerdale property.
The lake is 1.25 miles (2,010 m) by .25 miles (400 m) wide, and is 75 feet (23 m) deep.[1] It has an elevation above sea level of 329 feet (100 m). A place of considerable scenic value, it is situated towards the head of the valley of the River Cocker and is surrounded by fells, notably the High Stile range to the south west, Robinson to the north east, Fleetwith Pike and Haystacks to the south east and Grasmoor to the north west.
The village of Buttermere stands at the north western end of the lake, and beyond this is Buttermere's twin, Crummock Water. There is a path around the lake which is about 4.5 miles (7.2 km) long, and at one point runs through a rock tunnel beneath the locality of Hasness. Access is by road, from Cockermouth in the north west; from Borrowdale via the Honister Pass; or from Braithwaite and the Newlands Valley via Newlands Hause.
There are two possible origins for the name "Buttermere":
One, that Buttermere means "the lake by the dairy pastures" (from the Old English "butere mere")
Two, that it is the corrupt form of a personal name. Robert Ferguson asserts in his 1866 work, "The Northmen in Cumberland and Westmoreland" that Buttermere derives from the Old Norse personal name "Buthar", as in "Buthar's mere" (lake). This accords with local tradition which says that the valley of Buttermere was part of the holdings of an 11th century Norse chieftain called "Buthar" (sometimes spelt "Boethar"). Large numbers of Vikings settled in Cumbria during the 9th and 10th centuries and many names in the area are of Norse origin; streams are termed becks, from the Old Norse bekkr, mountains are 'fells' from the Norse fjall, waterfalls forces "fos", ravines 'gills', valleys "dales" from the ON dalr, and small lakes are termed tarns which derives from tjorn, meaning teardrop.
From his hidden stronghold at Buttermere, it is said that Jarl Buthar conducted a campaign of running resistance against the Norman invaders, from the time of William the Conqueror's Harrying of the North in 1069 right up until the early 12th century. In 1072 King William set up a garrison at Carlisle, but the isolated garrison needed constant reinforcement and supplies. For almost half a century it's claimed that the Cumbrians fought a guerrilla war against the Normans, attacking supply wagons, ambushing patrols and inflicting great losses upon them in terms of money, matériel and men.
The extent to which Jarl Buthar is a semi-mythological figure is unclear. He is apparently mentioned in 12th century Norman documents, but much of his story appears to be based on local legend and archaeology, later enhanced by Nicholas Size's popular dramatized history (see below).
Jarl Boethar's campaign and a final battle at Rannerdale (c.f. Ferguson, "Ragnar's dale") between the Normans and the Anglo-Scandinavian Cumbrians led by the Jarl is the subject of a dramatized history by Nicholas Size, called "The Secret Valley: The Real Romance of Unconquered Lakeland" (pub. 1930)
Rosemary Sutcliff's YA novel "Shield Ring" (pub. 1956) imagines the lives of Jarl Buthar and his band of Cumbrian rebels, and their last stand against the forces of a Norman army under the command of Ranulf le Meschin, Lord of Carlisle and later Earl of Chester, nearly 50 years after the 1066 Norman Conquest of England. It was clearly inspired by Nicholas Size's history, which it closely follows.
Mary Robinson (1778–1837), known as the "Maid of Buttermere" and the subject of Melvyn Bragg's novel of that name, was the daughter of the landlord of the Fish Inn in Buttermere village.
3 differing forms of stock movement along the Hume Highway heading south towards Yass.
(1/3) Single drive Southern Cross Horse Transport MAN with the bloodstock on board.
(2/3) The great small and local transporter, FUSO, unbranded livery but doing its job well.
(3/3) Ross Smith Livestock Transport out of Wagga with the woolies in tow behind the KENWORTH.
New South Wales, Australia.
Il sogno è vedere le forme invisibili della distanza imprecisa, con sensibili movimenti della speranza e della volontà cercare
sulla fredda linea d'orizzonte
l'albero, la spiaggia, il fiore, l'uccello, la fonte: i baci meritati della Verità. (Fernando Pessoa)
Corsica : Coast of Balagna seen from the beach of Nonza (Capi Corsu)
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Visit my Waldorfschool/Steinerschool related pinboards here!
The Gullfoss Waterfall forms one of the three main stops along Iceland's famed Golden Circle; along with Þingvellir National Park and the geothermal gesyer area in Haukadalur. Located in the canyon of the Hvítá river, Gullfoss translates to the “Golden Falls” and is where the Golden Circle derives its name. Sadly the weather that day wasn’t compliant in allowing us to see exactly why!
The wide Hvítá rushes southward, and about a kilometre above the falls it turns sharply to the right and flows down into a wide curved three-step "staircase" and then abruptly plunges in two stages into a crevice. As one first approaches the falls, the edge is obscured from view, so that it appears that the river simply vanishes into the earth.
(Iceland, 2016)