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Dressed up for another meal in Sydney.
Cardigan from Target
Top from a bargain rack somewhere
Trousers from Next
Gold pumps from K-Mart
Necklace from Medieval Disco
Bangles from Dorothy Perkins and Something For Doris
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© Copyright 2013 Francisco Aragão
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"SAO LUIS DO MARANHAO - 400 ANOS" / Sao Luis - Maranhao - 400 years!
## Ligado a diversos episódios da história do Maranhão, sendo o mais importante ocorrido em 1643, quando serviu de abrigo aos portugueses durante a expulsão dos holandeses.
##Foi um antigo convento dos frades Carmelitas e hoje é habitada pelos Franciscanos Capuchinhos.
Portuguese
São Luís é um município brasileiro, capital do estado do Maranhão localizado ao norte do estado, fundada por franceses no dia 8 de setembro de 1612 posteriormente, foi invadida por holandeses mas terminou por ser colonizada por portugueses. Localiza-se em uma ilha Upaon-Açu, no Atlântico Sul, entre as baías de São Marcos e São José de Ribamar. Quando em 1621 o Brasil foi dividido em duas unidades administrativas - Estado do Maranhão e Estado do Brasil - São Luís foi a capital da primeira unidade administrativa.
A capital maranhense tem um desenvolvido setor industrial por conta de grandes corporações e empresas de diversos áreas que se instalaram na cidade pela sua privilegiada posição geográfica entre as regiões Norte e Nordeste do país, seu litoral estrategicamente localizado bem mais próximo de grandes centros importadores de produtos brasileiras como Europa e EUA que permite economia de combustíveis e redução no prazo de entrega de mercadorias provenientes do Brasil pelo Porto de Itaqui que é o 2º mais profundo do mundo e um dos mais movimentados, sofisticados e bem estruturados para o comércio exterior no Brasil. Tudo isso aliado a ligação por linha férrea da capital São Luís ao interior do estado, e aos estados vizinhos do Pará, Tocantins e Piauí o que facilita e barateia a escoação agrícola vinda do interior do país para o porto de Itaqui, sendo que com a conclusão de Ferrovia Norte-Sul a cidade vai estar interligada a todas as regiões brasileiras (NO, NE, CO, SE e S) por ferrovias, por rodovia a ilha já é servida pela BR-135 que a liga ao continente, e por ar conta com o Aeroporto Internacional Marechal Cunha Machado com capacidade de atender mais de um milhão de passageiros por ano, e que já opera com demanda quase saturada pelo movimento intenso de passageiros não somente da cidade de São Luís mais também por servir como porta de entrada por ser o maior e mais movimentado aeroporto próximo ao Parque Nacional dos Lençóis Maranhenses.
O clima em São Luís é geralmente quente e abafado, tropical e semi-úmido. Isso se deve ao fato da cidade esta localizada proxima a Zona de Convergência Intertropical (ZCIT). A cidade apresenta grande quantidade de coqueiros e muita vegetação litorânea. A também pedaços da Floresta Amazônica na cidade protegidas por Parques Ambientais. Pequenos rios nascem na cidade, o Rio Bacanga é um dos mais importantes pois é muito util para a pesca.
Em 2010 o Instituto Brasileiro de Geografia e Estatística (IBGE) contou a população em 1,027,098 o que a torna o décimo-quinto município mais populoso do Brasil entre os 5 565 municípios brasileiros, 13° entre as capitais, 4º da região Nordeste e 1° do Maranhão. Sua área é de 831,7 Km², e desse total 157,5656 Km² estão em perímetro urbano. O município faz parte da Mesorregião do Norte Maranhense e Microrregião da Aglomeração Urbana de São Luís localizada a norte do estado do Maranhão. O Índice de Desenvolvimento Humano do municipio é de 0.778, alto comparado ao IDH do Maranhão.
English
São Luís (Portuguese pronunciation: [sɐ̃w luˈis], Saint Louis) is the capital of the Brazilian state of Maranhão. The city is located on São Luís island in the Baía de São Marcos (St Marcus Bay), an extension of the Atlantic Ocean which forms the estuary of Pindaré, Mearim, Itapecuru and other rivers. Its coordinates are 2.53° south, 44.30° west. The city proper has a population of some 986,826 people (2008 IBGE estimate). The metropolitan area totals 1,227,659 (ranked as the 16th largest in Brazil).
São Luís is the only Brazilian state capital founded by France (see France Équinoxiale) and it is one of the three Brazilian state capitals located on islands (the others are Vitória and Florianópolis).
The city has two major sea ports: Ponta da Madeira and Porto do Itaqui, through which a substantial part of Brazil's iron ore, originating from the (pre)-Amazon region, is exported. The city's main industries are metallurgical with Alumar, and Vale do Rio Doce. São Luís is home of the Federal University of Maranhão.
São Luís was the home town of famous Brazilian samba singer Alcione, Brazilian writers Aluísio Azevedo, Ferreira Gullar and Josué Montello, Belgian-naturalised soccer player Luís Oliveira, the musician João do Vale and Zeca Baleiro, a Música Popular Brasileira (MPB) singer.
Originally the town was a large village of the Tupinambá tribe. The first Europeans to see it were the French, in 1612, who intended to make it the centre of a French colony named Equinoctial France. They built a fort named Saint Louis after St Louis, King of France, as a compliment to his successor King Louis XIII. The settlement was conquered for Portugal by Jerônimo de Albuquerque in 1615, when it was renamed São Luís. There had been little time for the French to build a city. This has led to some controversy as to the actual date of the founding of the city, whether by the French or the Portuguese. In 1641, the city was invaded by the Dutch. They stayed until 1645 and did not manage to influence the city's architecture or to leave any sign of their invasion, mainly because they were kept too busy with the challenges to their occupation. In 1677, the city was made the seat of the new Roman Catholic Diocese of São Luís do Maranhão.
Only when those invasions ceased permanently did the colonial government decide to create the state of Grão-Pará e Maranhão, independent from the rest of the country. By that time, the economy was based on agriculture, particularly the exportation of sugar cane, cacao and tobacco. Conflicts amongst the local elites would lead to the Beckman's Revolt.
Soon after the outbreak of the American Civil War, the region started to provide cotton to Great Britain. The wealth generated by this activity was used to modernize the city; to bring religious men to come and teach in its schools; and supplement the water supply. The city came to be the third most populous city in the country. By the end of the 19th century, agriculture was in decay and since then the city's population has been searching for other ways to make a living.
Nowadays, São Luís has the largest and best preserved heritage of colonial Portuguese architecture of all Latin America. The island is known as the "Island of Love" and as "the Brazilian Athens", due to its many poets and writers, such as Sotero dos Reis, Aluísio Azevedo, Graça Aranha, Gonçalves Dias (the most famous), Ferreira Gullar, among others.
The ancestral composition of São Luís, according to an autosomal DNA study, is 42% European, 39% Native American and 19% African.
Portuguese is the official national language, and thus the primary language taught in schools. But English and Spanish are part of the official high school curriculum.
Wikipedia
James Turrell. Born USA 1943. Within-without-2010
Lighting installation, concrete and basalt stupa, water, earth.
National Gallery of Australia
{Défi du 3 au 17 février 2011} Self sans-tête / without head Self
Accès au groupe défi self!
Always diptychs, the colors of the night, my vision of story... My Stories
I last visited St Paul Without one day, years ago, and on the only occasion finding it unlocked, that inside was the annual Kent Women's Union meeting, fair.
I was made welcome enough, but it was also packed with people, so got some general shots and thought I would return.
At some point.
Years go by, and after reposting shots on Twitter and FB, I realise I have to go back. Anyway, Sunday and we were in Canterbury for a walk, and I take us down past St Paul, not expecting it to be open, but it was Sunday morning, the door was open and the congregation was gathering.
I go in and:
he young man by the door greets us: is it OK if I take some shots? I ask.
Sure, you're not that chap off the Facebook Churchcrawling group, er, Jones?
Bishop Brian Jones, I ask?
Yes.
Yes, that is me, I admitted.
You're very prolific, great shots.
Fame at last.
So, with some people, but not crowded, I went round to snap the details, memorials and nooks of the church.
-------------------------------------------
Why ‘St. Paul’s without the Walls’? The word ‘without’ once meant ‘outside’. This Church was built ‘without’ (outside) the city walls now just across the ring road. We refer to it here also as just ‘St. Paul’s’.
The origins of St. Paul's Church and the reason for its existence lie in the proximity of the ruins of the Abbey (now called St. Augustine’s). It is believed that it was built as a chapel by the abbey for local people and overseen by them as a place of worship and instruction.
In 1300 however there was a controversy between the Abbey and the Archbishop in regard to the right to present a priest to the ‘living’ (install a priest paid to minister here).
The Archbishop seems to have won. Parishioners had the right to be buried in the Abbey cemetery and in 1591 a burial area was created in Longport (now closed and since 1951 an open space at the bottom of St. Martin’s Hill).
Sometime in the last quarter of the 13th century the Church was enlarged eastwards creating the space now occupied by our organ ( built in 1901).
In the organ space and sadly no longer visible there is another piscina and a three tiered seat or sedilia for the priest and deacons.
A further extension took place around 1320 southwards creating a second larger aisle and a great east window. The south wall was pulled down to be replaced by purbeck marble pillars and a further wall.
Dissolution of the Monasteries c1540 had a serious economic effect on the City of Canterbury. The destruction of Thomas Becket’s tomb meant no more pilgrims and a great loss of income. In 1570 a Visitation (inspection by senior clergy) recorded that there were 90 houses in this Parish and 243 communicants. In 1681 St. Paul's was united with the ancient church of St. Martin.
The worshippers at St. Martin’s were ordered to view St. Paul’s as ‘their proper church’ (fortunately they seem to have stayed at St. Martins!) (Both parishes continued side by side until the 1970s when the Parish of St.
Martin & St. Paul was formed with one Parochial Church Council). By the early 19th Century St. Paul’s was described as ‘a small, mean building’ and in poor repair. All that would change with the advent of William Chesshyre!
The print of St. Paul's in 1828 shows a rather shabby building in a busy street. In 1842 William John Chesshyre arrived as Parish Priest. He was a wealthy man who resided in his mother’s house at Barton Court (now Barton Court Grammar School on St. Martin’s Hill/Longport).
Chesshyre died in his fifties in 1859 but in his seventeen years in the Parish he oversaw a dramatic extension and refurbishment of St. Paul's under George Gilbert Scott as well as the founding of St. Paul's School (closed and demolished in the 1960s).
The tower was substantially rebuilt and a third aisle built southwards creating the space we enjoy today. An elaborate altarpiece was created in the sanctuary with the choir seated in the traditional chancel under a decorated ceiling. A new font replaced the ancient one now stored in the Church cellar in three pieces. Whatever nave seating existed was replaced by pews provided under a national church scheme to help clergy pew their churches.
n 1985 Canon Reg Humphriss oversaw a reordering (programme of interior changes) project that brought the altar forward, removed the altarpiece and moved the choir to the north aisle. The font was also moved from its traditional place at the back of the Church to its present position. This opening up of space reflected changes in worship patterns but it meant the loss of the chapel and the positioning of the choir rather close to the very powerful organ. In 2012-2013 a further reordering took place.
The key element of this was the replacement of the fixed pews with modern seating allowing creative use of space and the restoration of the chapel. New choir stalls enabled the choir to be positioned further from the organ. In line with current developments new technology has been installed including a screen that descends electronically from the tie beam over the chancel. The chancel itself was levelled and extended and recarpeted and new digital lighting installed. We are now able to offer traditional and innovative worship and welcome people to use the church for concerts and conferences using also the Parish Centre built in 2005.
Without the Taxi it could be somewhere out in Great Britain... So I made it a cutout to put the focus on the proof it must be in manhattan ;-)
(Upper West Side)
Hoy, vuelve a tocar Eden. Esta pequeña niña francesa a robado mi corazón.
No se por que, las nenas y nenes adoptados, desde que llegan a mi casa, es como que tienen un lugar especial para mí. Creo que es porque comprendo que antes tubieron otros dueños. Que no siempre es sencillo tener que venderlos. Y creo que, en el lejano caso de tener que vender alguno, me costaria que fuesen ellos.
Tengo sesiones pendientes de los nenes que he ido completando... es que sigo esperando a la cámara!!!! (y a saberla usar ^^u)
Mañana me toca la última exposición del año. Y va a ser muy complicada, porque es de la asignatura que llevo peor de todo el curso... T_T ojalá me salga bien!
Y hablando de completar a nenes.... tengo ganas de ver completa a Nirvana, la BRH que adopté! Es preciosa! pero salvo la ropa, aún me queda conseguirle su peluca y sus ojos!!! *^* algún dia...!!!
9/30
Sorry didn't manage to post this on the correct day (yesterday). Was a little busy!
This is Benfleet Creek which seperates Benfleet from Canvey Island.
This image may not be used in any way without prior permission
© All rights reserved 2016
Mississauga, Ontario, Canada
Toronto Pearson International Airport CYYZ
RA-76952
Volga-Dnepr
Ilyushin Il-76TD-90VD
2093422743 / 94-06
Twitter: @TomPodolec
This is the Hospital of St John Without the Barrs and Chapel in Lichfield.
Found it hard trying to take shots of it from the road - too much traffic. This is the best I could get.
Some shots include the Ford Tempest car showroom opposite.
On St John Street.
Grade I listed.
Hospital of St John Without the Barrs and Chapel, Lichfield
LICHFIELD
SK1109SE ST JOHN STREET
1094-1/8/167 (South West side)
05/02/52 Hospital of St John without the
Barrs and Chapel
(Formerly Listed as:
ST JOHN STREET
(South West side)
St John's Hospital, including
Master's House and Chapel)
GV I
Almshouses and chapel. Founded 1135, by Bishop Roger de
Clinton; refounded 1495, by Bishop William Smith, when the
almshouse range was built; alterations and additions,1929, and
large addition of 1966-7 by Louis de Soissons; chapel extended
1829 and restored 1870. Brick with ashlar dressings; tile
roof; ashlar chapel.
PLAN: long range with later ranges forming U-plan, with chapel
to north. 2 storeys; 9-window range.
EXTERIOR: facade articulated by 8 large projecting stacks with
offsets, now disused; offset buttress to right end. Entrance
between 6th and 7th stacks has Tudor head in architrave with
label mould battened door with strap hinges; oval plaque
above, erected 1720, records the refounding of 1495, a
cartouche above with the arms of Bishop Smith. Most windows
are small, with brick sills, chamfered jambs and ashlar
lintels, and leaded glazing; larger window to left of
cartouche, windows to right of entrance are larger, that to
ground floor with brick label, that to 1st floor has 2-light
casement with small-paned glazing; right end has 2 small
windows to ground floor and later gabled oriel above, with
1:3:1-light single-chamfered-mullioned window.
Right return next to chapel has blocked elliptical-headed
window and leaded light. Left end has 1929 additions forming
canted angle and wing to rear, 1966 additions of single-storey
return wing and 2-storey rear wing.
Rear elevation has 4-centred entrance to cross-passage with
brick arch and niche above with C19 statue. 2-light, 3-light
and single-light windows to left; to right are six 2-storey
canted bays of 1929 with 1:2:1-light windows.
INTERIOR: some flat joists with runout stops; front corridor
inserted 1929. Chapel has single-vessel nave and sanctuary,
with north aisle of 1829.
East end: coped gable with kneelers and offset angle
buttresses to right; segmental-pointed window of 5
double-cusped lights, small window of pointed arch above and
enriched C19 rainwater head to left; blind return has cornice.
North aisle has coped west gable with kneelers and gabled bell
cote, angle buttresses; 3-light west window has intersecting
tracery; north return has similar windows flanking
buttress/stack.
South elevation has offset buttresses; double-chamfered
pointed entrance to left end; 2-light plate tracery window,
lancet, 3-light window and 2-light square-headed window both
with Perpendicular tracery, and traceried lancet to right end.
INTERIOR: roof has cusped arch braces to collars and queen
struts; sanctuary has blocked 3-light square-headed window to
north; 3-bay arcade to north aisle has octagonal piers and
head stops to hoods; north aisle has king post roof; west end
has vestibule with re-used panelling. Fittings: sanctuary has
bolection-moulded fielded panelling, fluted frieze and
cornice, large central panel with frieze with grapes and
wheat; piscina to south with arch over restored bowl; gabled
tabernacle to north; encaustic tiles. Aisle has organ to west
end and small octagonal font.
Monuments to members of the Simpson family to west end and C19
stained glass to south; 1984 east window by John Piper.
The hospital was founded as a place of refuge for pilgrims
after the city gates were closed, run by a community of
Augustinian brothers and sisters; it was refounded as an
almshouse and school in 1495, the school becoming the Grammar
School in the C16.
(Victoria History of the County of Stafford: Oxford: 1970-:
P.279-89; Clayton H: St John's Hospital Lichfield: Lichfield:
1984-).
Listing NGR: SK1176909160
One of the chimneys.
Please don't use my images on websites, blogs or other media without my explicit permission.
© All rights reserved - Use without permission is illegal!
Quando la pubblicità è fatta in questo modo è bella ^ ^ Per voi : "Stay Curious"
Taken without looking through the viewfinder, focusing done by guessing the distance. Only slightly off!
The grain on the Kodak Portra 800 is amazingly smooth! Based on one roll, I can say I prefer Kodak Portra 800 over Fuji Pro 800Z, definitely.
6x4 postcard size card. This is my card to MMM-challenge. Theme was stitches.
Acrylic paints, paper image, ink, sewing string, tulle, colored pencil, oil pastels and rub ones.
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.
taking a break from conceptual photography. Doesn't keep the ideas from constantly rushing in though.
"Everything is blooming most recklessly; if it were voices instead of colors, there would be an unbelievable shrieking into the heart of the night."
~Rainer Maria Rilke
© all images copyright of Karen Wyatt and any use without permission is illegal
Wikipedia
1580 crisis, Iberian Union and decline of the Empire
On August 4, 1578, while fighting in Morocco, young King Sebastian died in battle without an heir and his body was not found.[47] His death lead to a dynastic crisis. The late king's elderly granduncle, Cardinal Henry, became king.[48] Henry I died a mere two years later on January 31, 1580.[49] Portugal was worried about the maintenance of its independence and sought help to find a new king.
Philip II of Spain was on his mother's side the grandson of King Manuel I, and on that basis claimed the Portuguese throne. He was opposed by António, Prior of Crato, the illegitimate son of one of the younger sons of Manuel I. As a result, following Henry's death Spain invaded Portugal and the Spanish king became Philip I of Portugal in 1580. The Spanish and Portuguese Empires came under a single rule.
This did not, however, end resistance to Spanish rule. The Prior of Crato held out in the Azores until 1583, and continued to actively seek to recover the throne until his death in 1595. Impostors claimed to be King Sebastian in 1584, 1585, 1595 and 1598. "Sebastianism", the myth that the young king will return to Portugal on a foggy day, has prevailed until modern times.
After the 16th century, Portugal gradually saw its wealth decreasing. Portugal was officially an autonomous state, but, in actuality, the country was under the rule of the Spanish from 1580 to 1640.[50] The Consejo de Portugal independent inasmuch as it was one of the key administrative units used by the Castilian monarchy, on legally equal terms with the Consejo de Indias.[51]
The joining of the two crowns deprived Portugal of a separate foreign policy, and Spain's enemies became Portugal's. England had been an ally of Portugal since the Treaty of Windsor in 1386. War between Spain and England led to a deterioration of the relations with Portugal's oldest ally, and the loss of Hormuz. From 1595 to 1663 Dutch-Portuguese War led to invasions of many countries in Asia and commercial interests in Japan, Africa and South America. In 1624, the Dutch seized Salvador, the capital of Brazil.[52] In 1630, the Dutch seized Pernambuco in northern Brazil.[53] The Treaty of 1654 returned Pernambuco to Portuguese control.[54] Both the English and the Dutch continued to aspire to dominate both the Atlantic slave trade and the spice trade with the Far East.
The Dutch intrusion into Brazil was long lasting and troublesome to Portugal. The Seven Provinces (the Dutch) captured a large portion of the Brazilian coast including the entire coasts except that of Bahia and much of the interior of most contemporary Northeastern states (Bahia, Sergipe, Alagoas, Pernambuco, Paraíba, Rio Grande do Norte and Ceará), while Dutch privateers sacked Portuguese ships in both the Atlantic and Indian Oceans.
This was reversed, beginning with a major Spanish-Portuguese military operation in 1625. This laid the foundations for the recovery of remaining Dutch controlled areas. The other smaller, less developed areas were recovered in stages and relieved of Dutch piracy in the next two decades by local resistance and Portuguese expeditions. After the dissolution of the Iberian Union in 1640, Portugal would reestablish its authority over some lost territories of the Portuguese Empire.
Portuguese Restoration War (1640–1668)
At home, life was calm and serene with the first two Spanish kings; they maintained Portugal's status, gave excellent positions to Portuguese nobles in the Spanish courts, and Portugal maintained an independent law, currency and government. It was even proposed to move the Spanish capital to Lisbon. Later, Philip IV tried to make Portugal a Spanish province, and Portuguese nobles lost power.
Because of this, as well as the general strain on the finances of the Spanish throne as a result of the Thirty Years War, on 1 December 1640, the Duke of Braganza, one of the great native noblemen and a descendant of King Manuel I, was proclaimed king as John IV, and a war of independence against Spain was launched. Ceuta governors did not accept the new king; they maintained their allegiance to Spain. Although Portugal had substantially attained its independence in 1640, the Spanish continued to try to reassert their control for the next twenty-eight years, only accepting Portuguese independence in 1668.
In the 17th century the Portuguese emigrated in large numbers to Brazil. By 1709, John V prohibited emigration, since Portugal had lost a sizable fraction of its population. Brazil was elevated to a vice-kingdom.
Pombaline era
In 1738, Sebastião de Melo, the talented son of a Lisbon squire, began a diplomatic career as the Portuguese Ambassador in London and later in Vienna. The Queen consort of Portugal, Archduchess Maria Anne Josefa of Austria, was fond of Melo; and after his first wife died, she arranged the widowed de Melo's second marriage to the daughter of the Austrian Field Marshal Leopold Josef, Count von Daun. King John V of Portugal, however, was not pleased and recalled Melo to Portugal in 1749. John V died the following year and his son, Joseph I of Portugal was crowned. In contrast to his father, Joseph I was fond of de Melo, and with the Queen Mother's approval, he appointed Melo as Minister of Foreign Affairs. As the King's confidence in de Melo increased, the King entrusted him with more control of the state.
By 1755, Sebastião de Melo was made Prime Minister. Impressed by British economic success he had witnessed while Ambassador, he successfully implemented similar economic policies in Portugal. He abolished slavery in Portugal and in the Portuguese colonies in India; reorganized the army and the navy; restructured the University of Coimbra, and ended discrimination against different Christian sects in Portugal.
But Sebastião de Melo's greatest reforms were economic and financial, with the creation of several companies and guilds to regulate every commercial activity. He demarcated the region for production of Port to ensure the wine's quality, and this was the first attempt to control wine quality and production in Europe. He ruled with a strong hand by imposing strict law upon all classes of Portuguese society from the high nobility to the poorest working class, along with a widespread review of the country's tax system. These reforms gained him enemies in the upper classes, especially among the high nobility, who despised him as a social upstart.
Disaster fell upon Portugal in the morning of 1 November 1755, when Lisbon was struck by a violent earthquake with an estimated Richter scale magnitude of 9. The city was razed to the ground by the earthquake and the subsequent tsunami and ensuing fires. Sebastião de Melo survived by a stroke of luck and then immediately embarked on rebuilding the city, with his famous quote: "What now? We bury the dead and feed the living."
Despite the calamity, Lisbon suffered no epidemics and within less than one year was already being rebuilt. The new downtown of Lisbon was designed to resist subsequent earthquakes. Architectural models were built for tests, and the effects of an earthquake were simulated by marching troops around the models. The buildings and big squares of the Pombaline Downtown of Lisbon still remain as one of Lisbon's tourist attractions: They represent the world's first quake-proof buildings.[citation needed] Sebastião de Melo also made an important contribution to the study of seismology by designing an inquiry that was sent to every parish in the country.
Following the earthquake, Joseph I gave his Prime Minister even more power, and Sebastião de Melo became a powerful, progressive dictator. As his power grew, his enemies increased in number, and bitter disputes with the high nobility became frequent. In 1758 Joseph I was wounded in an attempted assassination. The Távora family and the Duke of Aveiro were implicated and executed after a quick trial. The Jesuits were expelled from the country and their assets confiscated by the crown. Sebastião de Melo showed no mercy and prosecuted every person involved, even women and children. This was the final stroke that broke the power of the aristocracy and ensured the victory of the Minister against his enemies. Based upon his swift resolve, Joseph I made his loyal minister Count of Oeiras in 1759.
Following the Távora affair, the new Count of Oeiras knew no opposition. Made "Marquis of Pombal" in 1770, he effectively ruled Portugal until Joseph I's death in 1779. However, historians also argue that Pombal’s "enlightenment," while far-reaching, was primarily a mechanism for enhancing autocracy at the expense of individual liberty and especially an apparatus for crushing opposition, suppressing criticism, and furthering colonial economic exploitation as well as intensifying book censorship and consolidating personal control and profit.[55]
The new ruler, Queen Maria I of Portugal, disliked the Marquis (See Távora affair), and forbade him from coming within 20 miles of her, thus curtailing his influence.
Spanish invasion of Portugal (1762)
In 1762 France and Spain tried to force Portugal to join the Bourbon Family Compact, by asserting that Britain had become too powerful. Joseph refused to accept this and protested that his 1704 alliance with Britain was no threat.
In spring 1762 Spanish troops invaded Portugal from the north as far as the Douro, while a second column captured Almeida and threatened to advance on Lisbon. The arrival of a force of British troops helped Portugal, blocking the Spanish advance and driving them back across the border following the Battle of Valencia de Alcántara. At the Treaty of Paris in 1763 Spain agreed to hand back Almeida to Portugal.
Crises of the nineteenth century
In 1807 Portugal refused Napoleon Bonaparte's demand to accede to the Continental System of embargo against the United Kingdom; a French invasion under General Junot followed, and Lisbon was captured on 8 December 1807. British intervention in the Peninsular War restored Portuguese independence, the last French troops being expelled in 1812. The war cost Portugal the province of Olivença,[56] now governed by Spain. Rio de Janeiro in Brazil, was the Portuguese capital between 1808 and 1821. In 1820 constitutionalist insurrections took place at Oporto (24 August) and Lisbon (15 September). Lisbon regained its status as the capital of Portugal when Brazil declared its independence from Portugal in 1822.
The death of John VI in 1826 led to a crisis of royal succession. His eldest son, Pedro I of Brazil, briefly became Pedro IV of Portugal, but neither the Portuguese nor the Brazilians wanted a unified monarchy; consequently, Pedro abdicated the Portuguese crown in favor of his 7-year-old daughter, Maria da Glória, on the condition that when of age she would marry his brother, Miguel. Dissatisfaction at Pedro's constitutional reforms led the "absolutist" faction of landowners and the church to proclaim Miguel king in February 1828. This led to the Liberal Wars in which Pedro, eventually forced Miguel to abdicate and go into exile in 1834, and placed his daughter on throne as Queen Maria II.
In 1890 the British government made an ultimatum delivered on 11 January 1890, to Portugal, forcing the retreat of Portuguese military forces in the land between the Portuguese colonies of Mozambique and Angola (most of present-day Zimbabwe and Zambia). The area had been claimed by Portugal, which had included it in its "Pink Map", but this clashed with British aspirations to create a railroad link between Cairo and Cape Town, thereby linking its colonies from the north of Africa to the very south. This diplomatic clash leading to several waves of protest, prompted the downfall of the Portuguese government. The 1890 British Ultimatum was considered by Portuguese historians and politics at that time, the most outrageous and infamous action of the British against her oldest ally
Mariah Carey - Touch My Body
Mariah Carey (born March 27, 1969 or 1970) is an American singer, songwriter, record producer, and actress. In 1990, she rose to fame with the release of "Vision of Love" from her eponymous debut album. The album produced four chart-topping singles in the US and began what would become a string of commercially successful albums which solidified the singer as Columbia's highest selling act. Carey and Boyz II Men spent a record sixteen weeks atop the Billboard Hot 100 in 1995–96 with "One Sweet Day," which remains the longest-running number-one song in US chart history. Following a contentious divorce from Sony Music head Tommy Mottola, Carey adopted a new image and traversed towards hip hop with the release of Butterfly (1997). In 1998, she was honored as the world's best-selling recording artist of the 1990s at the World Music Awards and subsequently named the best-selling female artist of the millennium in 2000.
Carey parted with Columbia in 2000, and signed a record-breaking $100 million recording contract with Virgin Records America. In the weeks prior to the release of her film Glitter and its accompanying soundtrack in 2001, she suffered a physical and emotional breakdown and was hospitalized for severe exhaustion. The project was poorly received and led to a general decline in the singer's career. Carey's recording contract was bought out for $50 million by Virgin and she signed a multi-million dollar deal with Island Records the following year. After a relatively unsuccessful period, she returned to the top of music charts with The Emancipation of Mimi (2005). The album became the best-selling album in the US and the second best-seller worldwide in 2005 and produced "We Belong Together," which became her most successful single of the 2000s, and was later named "Song of the Decade" by Billboard. Carey once again ventured into film with a well-received supporting role in Precious (2009), and was awarded the "Breakthrough Performance Award" at the Palm Springs International Film Festival.
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"A man was brought to Jesus, a dumb demoniac. And when the devil was cast out, the dumb man spoke and the people were amazed. ‘Nothing like this has ever been seen in Israel’ they said. But the Pharisees said, ‘It is through the prince of devils that he casts out devils.’
Jesus made a tour through all the towns and villages, teaching in their synagogues, proclaiming the Good News of the kingdom and curing all kinds of diseases and sickness.
And when he saw the crowds he felt sorry for them because they were harassed and dejected, like sheep without a shepherd. Then he said to his disciples, ‘The harvest is rich but the labourers are few, so ask the Lord of the harvest to send labourers to his harvest.’"
– Matthew 9:32-37, which is the Gospel for the 14th Tuesday in Ordinary Time.
Detail from 'Our English Coasts' (Strayed Sheep), c.1852 by William Holman Hunt, housed in the Tate Britain gallery in London.
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Portuguese
A Igreja de Nossa Senhora do Rosário, a Matriz de Pirenópolis, é um templo católico, localizado na cidade de Pirenópolis, Goiás.
Para o povo goiano a Igreja de Nossa Senhora do Rosário é o maior centro da fé católica, e ainda daquelas que, pelo sincretismo, têm no local o ponto máximo da religião. É a mais tradicional igreja católica estado de Goiás, dedicada a Nossa Senhora do Rosário, padroeira dos pirenopolinos. A imagem de Nossa Senhora do Rosário veio para Pirenópolis em 1727, sendo a padroeira da cidade.
English
Pirenópolis is a town located in the Brazilian state of Goiás. It is well known for its waterfalls and colonial architecture, and a popular festival involving mounted horses called Festa do Divino Espírito Santo which takes place 45 days after Easter.
The history of Pirenópolis begins in 1727 when it was founded with the name of Minas de Nossa Senhora do Rosário de Meia Ponte, Meia Ponte (half a bridge) because half of the bridge over the Almas River was swept away in a flood. The first colonizers were Portuguese who came for the gold easily found in the Rio das Almas. From 1750 to 1800 there was a golden age when four churches were built and Pirenópolis competed with Vila Boa (present day Cidade de Goiás) as the richest town in the province. After 1800 a downturn over gold mining was set and the part of the population emigrated. With the change of commercial routes to Anápolis, the city became economically isolated. The first newspaper in the province, the Matutina Meiapontense, was published in Meia Ponte in 1830 by Joaquim Alves de Oliveira. In 1890 the city changed its name from Meia Ponte to Pirenópolis, the city of the Pireneus, the mountains located nearby. In 1960 with the construction of Brasília there was an intensive exploitation of the famous Pedra de Pirenópolis (quartzite-micáceo). In the 1980s the hippies arrived with their alternative communities and production of handicrafts. Pirenópolis was born again with a huge influx of tourists, especially from Brasília. Churches were restored and all the electrical wiring was put underground.
Pyrenópolis (archaic orthography), later Pirenópolis , means “the City of the Pireneus”. Its name comes from the mountain range that surrounds the city, that is Mountain range of the Pireneus . According to local tradition, the mountain range received this name for having in the region immigrant Spaniards, probably Catalans. Because of some similarity with their native Pyrenees of Europe, a mountain chain situated between Spain and France, they had then given this mountain range the Latin name of Pireneus.
Listed as an architectural, urbanistic, landscape and historical heritage for IPHAN - the Institute of National Historic and Artistic Heritage, in 1989, the city has a Historical Center with large, ornate houses and churches of the 18th century, such as: First Church of Our Lady of the Rosary (1728–1732), Churches of Our Lady of the Carmo (1750–1754) and the Church of Our Lord of the Bonfim (Pirenópolis) (1750–1754), and buildings such as the Theater of Pirenópolis, a hybrid style between colonial and neo-classic, of 1899, and the Cine-Pireneus, built in the art-deco style, of 1919 and the House of Chamber and Jail constructed in 1919 as an identical restoration of the 1733 original.
The climate is humid sub-tropical with two well-defined seasons: the rainy season, which goes from October to March, and the dry season, which goes from April to September. Parts of the municipality are mountainous and maintain some climatic variations due to altitude.
The economy is based on agriculture (coffee, citrus fruits, soybeans, and corn), cattle raising (130,000 head in 2006), services, public administration, and small transformation industries. There are several small food, clothing, and furniture industries.
Major attractions include Igreja Nossa Senhora do Rosário de Meia Ponte, the oldest church in Goiás, and the church Igreja Nosso Senhor do Bonfim. It also has a hippie-like colony which markets clothing and silverwork.
Today Pirenópolis is known all over Brazil for its popular festivals, especially the "Cavalhadas", introduced in 1826, in which horsemen representing Moors and Christians recreate a battle fought by Charlemagne. This tradition, part of the Festival for the Holy Spirit (Festa do Espírito Santo), was brought to the town by Portuguese settlers.
The Festas de Cavalhadas feature a parade beginning with a bugle fanfare announcing the knight's pages, then the mounted knights displaying their colors. Wearing fantastic papier-maché helmets, the Christian knights wear blue, the Moors wear red.
The battle lasts for three days and attracts thousands of visitors to the town. The Cavalhadas take place in medieval costume, with the highlight being the mock battle, performed in the city's bullring. The Moors, of course, are defeated and convert to Christianity. For information on the cavalhadas (in Portuguese) see Cavalhadas
The town has been restored artistically with its stone paved streets and colonial houses (casarões). The Almas River, a tributary of the Tocantins River which flows north to form the Serra da Mesa artificial lake, passes near the town and is crossed by a restored wooden bridge. There is an old theater, cinema, and a museum of the cavalhadas.
Waterfalls are the primary tourist attraction for Pirenopolis and Corumba. Around the town, in a distance of 15 km., there are more than twenty spectacular waterfalls with pristine water. Some of them are enormous such as the Salto de Corumba (which disappeared for decades when prospectors diverted the waters for dredging). Other waterfalls are formed by a series of cascades. Many are on private property and are operated as a business. Other falls can be found on hiking trails. One of the longest rivers in the state of Goiás, the Corumbá River has its source near Pirenópolis.
A new attraction to Pirenopolis is the small ecovillage and permaculture design institute located a few kilometers outside of town called the IPEC or The Institute of Permaculture and Ecovillage of the Cerrado. Bringing in foreign students through study abroad programs such as Living Routes, visitors get a first-hand account of the possibilities of sustainable living.
Wikipedia
one for one.
for every pair you purchase, TOMS gives a new pair of shoes to a child in need.
hundreds of millions of children are at risk of injury, infection, and soil-transmitted diseases that most can't afford to prevent and treat.
- paraphrased/taken from the TOMS website.
go barefoot on april 5 to raise awareness about the cause! find out more at one day without shoes. :)
The exploitation rights for this text are the property of the Vienna Tourist Board. This text may be reprinted free of charge until further notice, even partially and in edited form. Forward sample copy to: Vienna Tourist Board, Media Management, Invalidenstraße 6, 1030 Vienna; media.rel@wien.info. All information in this text without guarantee.
Author: Andreas Nierhaus, Curator of Architecture/Wien Museum
Last updated January 2014
Architecture in Vienna
Vienna's 2,000-year history is present in a unique density in the cityscape. The layout of the center dates back to the Roman city and medieval road network. Romanesque and Gothic churches characterize the streets and squares as well as palaces and mansions of the baroque city of residence. The ring road is an expression of the modern city of the 19th century, in the 20th century extensive housing developments set accents in the outer districts. Currently, large-scale urban development measures are implemented; distinctive buildings of international star architects complement the silhouette of the city.
Due to its function as residence of the emperor and European power center, Vienna for centuries stood in the focus of international attention, but it was well aware of that too. As a result, developed an outstanding building culture, and still today on a worldwide scale only a few cities can come up with a comparable density of high-quality architecture. For several years now, Vienna has increased its efforts to connect with its historical highlights and is drawing attention to itself with some spectacular new buildings. The fastest growing city in the German-speaking world today most of all in residential construction is setting standards. Constants of the Viennese architecture are respect for existing structures, the palpability of historical layers and the dialogue between old and new.
Culmination of medieval architecture: the Stephansdom
The oldest architectural landmark of the city is St. Stephen's Cathedral. Under the rule of the Habsburgs, defining the face of the city from the late 13th century until 1918 in a decisive way, the cathedral was upgraded into the sacral monument of the political ambitions of the ruling house. The 1433 completed, 137 meters high southern tower, by the Viennese people affectionately named "Steffl", is a masterpiece of late Gothic architecture in Europe. For decades he was the tallest stone structure in Europe, until today he is the undisputed center of the city.
The baroque residence
Vienna's ascension into the ranks of the great European capitals began in Baroque. Among the most important architects are Johann Bernhard Fischer von Erlach and Johann Lucas von Hildebrandt. Outside the city walls arose a chain of summer palaces, including the garden Palais Schwarzenberg (1697-1704) as well as the Upper and Lower Belvedere of Prince Eugene of Savoy (1714-22). Among the most important city palaces are the Winter Palace of Prince Eugene (1695-1724, now a branch of the Belvedere) and the Palais Daun-Kinsky (auction house in Kinsky 1713-19). The emperor himself the Hofburg had complemented by buildings such as the Imperial Library (1722-26) and the Winter Riding School (1729-34). More important, however, for the Habsburgs was the foundation of churches and monasteries. Thus arose before the city walls Fischer von Erlach's Karlskirche (1714-39), which with its formal and thematic complex show façade belongs to the major works of European Baroque. In colored interior rooms like that of St. Peter's Church (1701-22), the contemporary efforts for the synthesis of architecture, painting and sculpture becomes visible.
Upgrading into metropolis: the ring road time (Ringstraßenzeit)
Since the Baroque, reflections on extension of the hopelessly overcrowed city were made, but only Emperor Franz Joseph ordered in 1857 the demolition of the fortifications and the connection of the inner city with the suburbs. 1865, the Ring Road was opened. It is as the most important boulevard of Europe an architectural and in terms of urban development achievement of the highest rank. The original building structure is almost completely preserved and thus conveys the authentic image of a metropolis of the 19th century. The public representational buildings speak, reflecting accurately the historicism, by their style: The Greek Antique forms of Theophil Hansen's Parliament (1871-83) stood for democracy, the Renaissance of the by Heinrich Ferstel built University (1873-84) for the flourishing of humanism, the Gothic of the Town Hall (1872-83) by Friedrich Schmidt for the medieval civic pride.
Dominating remained the buildings of the imperial family: Eduard van der Nüll's and August Sicardsburg's Opera House (1863-69), Gottfried Semper's and Carl Hasenauer's Burgtheater (1874-88), their Museum of Art History and Museum of Natural History (1871-91) and the Neue (New) Hofburg (1881-1918 ). At the same time the ring road was the preferred residential area of mostly Jewish haute bourgeoisie. With luxurious palaces the families Ephrussi, Epstein or Todesco made it clear that they had taken over the cultural leadership role in Viennese society. In the framework of the World Exhibition of 1873, the new Vienna presented itself an international audience. At the ring road many hotels were opened, among them the Hotel Imperial and today's Palais Hansen Kempinski.
Laboratory of modernity: Vienna around 1900
Otto Wagner's Postal Savings Bank (1903-06) was one of the last buildings in the Ring road area Otto Wagner's Postal Savings Bank (1903-06), which with it façade, liberated of ornament, and only decorated with "functional" aluminum buttons and the glass banking hall now is one of the icons of modern architecture. Like no other stood Otto Wagner for the dawn into the 20th century: His Metropolitan Railway buildings made the public transport of the city a topic of architecture, the church of the Psychiatric hospital at Steinhofgründe (1904-07) is considered the first modern church.
With his consistent focus on the function of a building ("Something impractical can not be beautiful"), Wagner marked a whole generation of architects and made Vienna the laboratory of modernity: in addition to Joseph Maria Olbrich, the builder of the Secession (1897-98) and Josef Hoffmann, the architect of the at the western outskirts located Purkersdorf Sanatorium (1904) and founder of the Vienna Workshop (Wiener Werkstätte, 1903) is mainly to mention Adolf Loos, with the Loos House at the square Michaelerplatz (1909-11) making architectural history. The extravagant marble cladding of the business zone stands in maximal contrast, derived from the building function, to the unadorned facade above, whereby its "nudity" became even more obvious - a provocation, as well as his culture-critical texts ("Ornament and Crime"), with which he had greatest impact on the architecture of the 20th century. Public contracts Loos remained denied. His major works therefore include villas, apartment facilities and premises as the still in original state preserved Tailor salon Knize at Graben (1910-13) and the restored Loos Bar (1908-09) near the Kärntner Straße (passageway Kärntner Durchgang).
Between the Wars: International Modern Age and social housing
After the collapse of the monarchy in 1918, Vienna became capital of the newly formed small country of Austria. In the heart of the city, the architects Theiss & Jaksch built 1931-32 the first skyscraper in Vienna as an exclusive residential address (Herrengasse - alley 6-8). To combat the housing shortage for the general population, the social democratic city government in a globally unique building program within a few years 60,000 apartments in hundreds of apartment buildings throughout the city area had built, including the famous Karl Marx-Hof by Karl Ehn (1925-30). An alternative to the multi-storey buildings with the 1932 opened International Werkbundsiedlung was presented, which was attended by 31 architects from Austria, Germany, France, Holland and the USA and showed models for affordable housing in greenfield areas. With buildings of Adolf Loos, André Lurçat, Richard Neutra, Gerrit Rietveld, the Werkbundsiedlung, which currently is being restored at great expense, is one of the most important documents of modern architecture in Austria.
Modernism was also expressed in significant Villa buildings: The House Beer (1929-31) by Josef Frank exemplifies the refined Wiener living culture of the interwar period, while the house Stonborough-Wittgenstein (1926-28, today Bulgarian Cultural Institute), built by the philosopher Ludwig Wittgenstein together with the architect Paul Engelmann for his sister Margarete, by its aesthetic radicalism and mathematical rigor represents a special case within contemporary architecture.
Expulsion, war and reconstruction
After the "Anschluss (Annexation)" to the German Reich in 1938, numerous Jewish builders, architects (female and male ones), who had been largely responsible for the high level of Viennese architecture, have been expelled from Austria. During the Nazi era, Vienna remained largely unaffected by structural transformations, apart from the six flak towers built for air defense of Friedrich Tamms (1942-45), made of solid reinforced concrete which today are present as memorials in the cityscape.
The years after the end of World War II were characterized by the reconstruction of the by bombs heavily damaged city. The architecture of those times was marked by aesthetic pragmatism, but also by the attempt to connect with the period before 1938 and pick up on current international trends. Among the most important buildings of the 1950s are Roland Rainer's City Hall (1952-58), the by Oswald Haerdtl erected Wien Museum at Karlsplatz (1954-59) and the 21er Haus of Karl Schwanzer (1958-62).
The youngsters come
Since the 1960s, a young generation was looking for alternatives to the moderate modernism of the reconstruction years. With visionary designs, conceptual, experimental and above all temporary architectures, interventions and installations, Raimund Abraham, Günther Domenig, Eilfried Huth, Hans Hollein, Walter Pichler and the groups Coop Himmelb(l)au, Haus-Rucker-Co and Missing Link rapidly got international attention. Although for the time being it was more designed than built, was the influence on the postmodern and deconstructivist trends of the 1970s and 1980s also outside Austria great. Hollein's futuristic "Retti" candle shop at Charcoal Market/Kohlmarkt (1964-65) and Domenig's biomorphic building of the Central Savings Bank in Favoriten (10th district of Vienna - 1975-79) are among the earliest examples, later Hollein's Haas-Haus (1985-90), the loft conversion Falkestraße (1987/88) by Coop Himmelb(l)au or Domenig's T Center (2002-04) were added. Especially Domenig, Hollein, Coop Himmelb(l)au and the architects Ortner & Ortner (ancient members of Haus-Rucker-Co) by orders from abroad the new Austrian and Viennese architecture made a fixed international concept.
MuseumQuarter and Gasometer
Since the 1980s, the focus of building in Vienna lies on the compaction of the historic urban fabric that now as urban habitat of high quality no longer is put in question. Among the internationally best known projects is the by Ortner & Ortner planned MuseumsQuartier in the former imperial stables (competition 1987, 1998-2001), which with institutions such as the MUMOK - Museum of Modern Art Foundation Ludwig, the Leopold Museum, the Kunsthalle Wien, the Architecture Center Vienna and the Zoom Children's Museum on a wordwide scale is under the largest cultural complexes. After controversies in the planning phase, here an architectural compromise between old and new has been achieved at the end, whose success as an urban stage with four million visitors (2012) is overwhelming.
The dialogue between old and new, which has to stand on the agenda of building culture of a city that is so strongly influenced by history, also features the reconstruction of the Gasometer in Simmering by Coop Himmelb(l)au, Wilhelm Holzbauer, Jean Nouvel and Manfred Wehdorn (1999-2001). Here was not only created new housing, but also a historical industrial monument reinterpreted into a signal in the urban development area.
New Neighborhood
In recent years, the major railway stations and their surroundings moved into the focus of planning. Here not only necessary infrastructural measures were taken, but at the same time opened up spacious inner-city residential areas and business districts. Among the prestigious projects are included the construction of the new Vienna Central Station, started in 2010 with the surrounding office towers of the Quartier Belvedere and the residential and school buildings of the Midsummer quarter (Sonnwendviertel). Europe's largest wooden tower invites here for a spectacular view to the construction site and the entire city. On the site of the former North Station are currently being built 10,000 homes and 20,000 jobs, on that of the Aspangbahn station is being built at Europe's greatest Passive House settlement "Euro Gate", the area of the North Western Railway Station is expected to be developed from 2020 for living and working. The largest currently under construction residential project but can be found in the north-eastern outskirts, where in Seaside Town Aspern till 2028 living and working space for 40,000 people will be created.
In one of the "green lungs" of Vienna, the Prater, 2013, the WU campus was opened for the largest University of Economics of Europe. Around the central square spectacular buildings of an international architect team from Great Britain, Japan, Spain and Austria are gathered that seem to lead a sometimes very loud conversation about the status quo of contemporary architecture (Hitoshi Abe, BUSarchitektur, Peter Cook, Zaha Hadid, NO MAD Arquitectos, Carme Pinós).
Flying high
International is also the number of architects who have inscribed themselves in the last few years with high-rise buildings in the skyline of Vienna and make St. Stephen's a not always unproblematic competition. Visible from afar is Massimiliano Fuksas' 138 and 127 meters high elegant Twin Tower at Wienerberg (1999-2001). The monolithic, 75-meter-high tower of the Hotel Sofitel at the Danube Canal by Jean Nouvel (2007-10), on the other hand, reacts to the particular urban situation and stages in its top floor new perspectives to the historical center on the other side.
Also at the water stands Dominique Perrault's DC Tower (2010-13) in the Danube City - those high-rise city, in which since the start of construction in 1996, the expansion of the city north of the Danube is condensed symbolically. Even in this environment, the slim and at the same time striking vertically folded tower of Perrault is beyond all known dimensions; from its Sky Bar, from spring 2014 on you are able to enjoy the highest view of Vienna. With 250 meters, the tower is the tallest building of Austria and almost twice as high as the St. Stephen's Cathedral. Vienna, thus, has acquired a new architectural landmark which cannot be overlooked - whether it also has the potential to become a landmark of the new Vienna, only time will tell. The architectural history of Vienna, where European history is presence and new buildings enter into an exciting and not always conflict-free dialogue with a great and outstanding architectural heritage, in any case has yet to offer exciting chapters.
Info: The folder "Architecture: From Art Nouveau to the Presence" is available at the Vienna Tourist Board and can be downloaded on www.wien.info/media/files/guide-architecture-in-wien.pdf.
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La 3500 GT è un modello di autovettura Maserati costruita dal 1957 al 1964. Siglata internamente Tipo 101, la 3500 GT è stata la prima Maserati costruita su larga scala. Il capo progettista della Casa del Tridente Giulio Alfieri sviluppò due prototipi per il Salone di Ginevra 1957, entrambi coupé, una carrozzata dalla milanese Touring, un'altra dalla torinese Allemano. La meccanica comprendeva: motore derivato dalla 350S, 6 cilindri in linea bialbero di 3,5 litri e 3 carburatori Weber 42 DCOE (220 CV a 5500 giri); accensione meccanica Magneti Marelli, doppia candela e doppia pompa della benzina; cambio 4 marce ZF; 4 freni a tamburo Girling; frizione monodisco a secco; trazione posteriore con differenziale; sospensioni anteriori con molloni, posteriori con balestre semiellittiche; ruote da 16" con pneumatici Pirelli 6.50-16. Pochi cambiamenti vennero effettuati dall'entrata in produzione della coupé per la quale fu scelta la versione di Touring (dal peso di 1420 kg) alla fine del 1957. Freni a disco all'anteriore e differenziale a slittamento limitato divennero optional dal 1959, di serie dall'anno successivo; i freni a disco al posteriore arrivarono nel 1962. Venivano offerte come optional anche le ruote a raggi Borrani e pneumatici 185-16 radiali. Di serie le vetture avevano interni in pelle e strumentazione Jaeger. Nel 1959 venne presentata la 5000 GT, derivata dalla 3500 GT. Due prototipi con carrozzeria spider, disegnati da Michelotti e da Vignale vennero presentati al Salone di Parigi 1959. La versione di Vignale entrò in produzione nel 1960, col nome di 3500 GTs o "Spider Vignale", più corta della coupé da cui traeva origine (lunghezza 4,45 m, larghezza 1,64 m, altezza 1,31 m, passo 2,5 m, peso 1380 kg). Nel 1961 vennero introdotte le versioni a iniezione (GTI) della coupé e della spider (con un impianto fornito dall'inglese Lucas), prima auto italiana ad iniezione: la potenza saliva a 235 CV. Arriva di serie un cambio ZF a 5 marce e freni a disco con servofreno su tutte le ruote. La carrozzeria viene aggiornata, la linea del tetto leggermente ribassata la fa sembrare più lunga; altri cambiamenti minori riguardano la griglia, la fanaleria anteriore e posteriore e altre parti esterne come le porte. Nel 1962 viene presentata la Sebring, con telaio derivato da quello della 3500 GTs. L'anno migliore per le vendite della 3500 GT fu il 1961, con 500 esemplari. Complessivamente vennero costruiti circa 2250 esemplari, di cui 1402 coupé Touring, 250 spider e 591 Sebring; le restanti erano fuoriserie costruite da diversi carrozzieri (tra cui Allemano, Moretti, Frua e Bertone).
Al termine della stagione sportiva 1957, gli organizzatori del Campionato Mondiale Vetture Sport, anche sull'onda della generale costernazione causata dalla "tragedia di Guidizzolo", per aumentare la sicurezza nelle competizioni limitarono a 3.000 cm³ la cilindrata massima delle vetture in gara. L'improvvisa eliminazione della "Classe Sport 5000" mise in grossa difficoltà il reparto corse Maserati che, nei mesi precedenti, aveva investite ingenti risorse per approntare e sviluppare il potente modello "450S", ancora in fase di piena evoluzione. In seguito a tale disposto, Adolfo Orsi decise il ritiro della Maserati dalle competizioni ufficiali, restringendo l'attività del reparto corse alla costruzione e assistenza delle macchine per dei molti piloti privati forniti dalla casa del tridente. Molti di questi, per forza di cose, furono costretti a disdire gli ordinativi per il modello "450S", interrompendo la produzione di motori tipo 54, decine dei quali erano già terminati o in attesa di assemblaggio. Alcuni di questi vennero rialesati per portare le cilindrate a 5.700 e 6.400 cm³, allo scopo di equipaggiare scafi destinati a competizioni motonautiche. L'occasione per un nuovo utilizzo automobilistico si presentò l'anno successivo, con la visita in azienda dello Scià di Persia Reza Pahlavi, in cerca di un autotelaio sportivo da completare con carrozzeria Touring Superleggera. Data l'esclusività e il prestigio del cliente, Orsi e Alfieri proposero di approntare un nuovo chassis, derivato dal modello "3500 GT" e dotato del motore da competizione della "450S", dopo averlo adeguato alle necessità dell'uso stradale. La proposta venne subito accolta dal sovrano di Persia, grande appassionato di automobili sportive. Per quella prima "5000 GT", internamente denominata con la sigla di progetto "Tipo 103", l'ing. Alfieri calcolò una maggiorazione dimensionale sul telaio della "3500 GT", sia in larghezza che in lunghezza, in modo da poter ospitare l'ingombrante "8V" e, contemporaneamente, offrire la base per un abitacolo spazioso e un aspetto imponente. Il propulsore fu "addomesticato" con modifiche minimali che consistettero nel rialesaggio per aumentare leggermente la cilindrata, oltre alla decisa diminuzione del rapporto di compressione, allo scopo di ridurre del 20% la potenza, con un'erogazione più fluida ai bassi regimi. La carrozzeria di tipo coupé, in alluminio, venne approntata dalla Touring, così come gli interni, con finiture di particolare pregio. La verniciatura fu eseguita in blu brillante, con interni in pelle crema e molti particolari, solitamente cromati, in oro zecchino. Curioso il sistema di illuminazione posteriore, formato da due serie di tre cerchi, dalle circonferenze gradualmente ridotte verso i lati della coda, le cui luci esterne erano azionabili tramite chiave separata, per indicare la presenza del sovrano a bordo.
Per quanto riguarda la meccanica, la "5000 GT" vantava: motore V8 derivato dalla 450 S, 4937 cm³, 4 alberi a camme, 340 CV a 5500 giri, 4 carburatori Weber DCOE 45, trazione posteriore, accensione Magneti Marelli, due candele per cilindro, doppia pompa della benzina, cambio 4 marce, freni a disco all'anteriore, a tamburo al posteriore. La prima "5000 GT", telaio n. AM-103-002, fu consegnata allo Scià verso la fine del 1958 e divenne immediatamente celebre in tutto il mondo, anche per il fatto che l'illustre committente si trovava in quel periodo sotto i riflettori dell'informazione, a causa del suo divorzio con la principessa Soraya, che occupava stabilmente le prime pagine della stampa rosa internazionale. Le numerose richieste di informazioni sulla vettura, da parte del jet set, convinsero Orsi a programmare la costruzione in piccola serie del modello, su ordinazione. In pochi mesi fu approntato un secondo prototipo pre-serie della "5000 GT", telaio n. AM-103-004, egualmente carrozzato e rifinito dalla Touring, anche se verniciato in verde e privo delle modanature in oro zecchino. Visto che ormai era famosa come "l'auto dello Scià di Persia", la vettura fu presentata al Salone dell'automobile di Torino del 1959 con la denominazione ufficiale Maserati 5000 GT "Persia". L'esemplare venne acquistato dal magnate sudafricano Basil Read, proprietario del circuito di Kyalami, al quale venne consegnato dopo il tour espositivo nei saloni di quell'anno. Nel frattempo, l'ing. Alfieri era già al lavoro per ulteriormente depotenziare e, soprattutto, addolcire l'erogazione della potenza, anche prevedendo componenti più adatti all'uso non competitivo. Nel 1960 il motore acquistò l'iniezione (della inglese Lucas) al posto dei carburatori, venne abbandonata la complessa lubrificazione a carter secco per la più tradizionale a carter umido e furono sostituiti i comandi a ingranaggi dei 4 alberi a camme con meno delicate catene di distribuzione, per una potenza di 325 CV. In seguito furono adottati i freni a disco sulle 4 ruote e il cambio a 5 marce. Oltre alle 3 carrozzerie realizzate dalla Touring, il principale produttore fu la carrozzeria torinese Allemano, con 22 vetture di cui almeno una in versione convertibile. Altre "5000 GT" vennero realizzate da Frua, Monterosa, Pininfarina, Ghia, Michelotti e Bertone. La "5000 GT" era un'auto costruita "su misura" dei desideri di chi la ordinava, con un costo almeno doppio rispetto a una "3500 GT" (in America costava circa 17.000 dollari), destinata a personaggi importanti come Ferdinando Innocenti (telaio n. AM-103-018), il presidente della Repubblica messicana Adolfo López Mateos (telaio n. AM-103-022) o Aga Khan Karim, la cui vettura (telaio n. AM-103-060) realizzata nel 1962 da Pietro Frua, venne scelta dalla Maserati per improntare la linea della "Quattroporte". Tra i primi acquirenti l'allora gaudente playboy Gianni Agnelli, che fece "vestire" l'autotelaio (n. AM-103-008) da Pininfarina, con linea pressoché identica alla Ferrari 400 Superamerica, commissionata allo stesso carrozziere pochi mesi prima, e senza i segni distintivi della marca e del modello. Il 34º e ultimo esemplare della Maserati 5000 GT "Persia" (telaio n. AM-103-090) fu carrozzato dalla Touring per la casa reale Saudita, nel 1965.
Korn
Ippodromo del Galoppo - Milano
24 Giugno 2013
Jonathan Davis – Vocals
James “Munky” Shaffer - Guitars
Reginald “Fieldy” Arvizu – Bass
Ray Luzier - Drums
© Mairo Cinquetti
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Korn will never forget where they came from: a dark place where salvation arrives in the form of twisted, throbbing guitar riffs, syncopated chaotic funk beats, a schizophrenic bass thump and an unmistakable cathartic howl. Emerging from the depths of Bakersfield, California with a sound unlike any other in 1994, Korn have been able to cement themselves as one of the most important bands in rock n' roll history.
Over the course of eight full-length releases, Korn have sold in excess of 30 million albums and played countless sold-out shows worldwide. They've won two Grammys—one for Best Short Form Video for "Freak on a Leash" from 1998’s Follow the Leader and one for Best Metal Performance for "Here to Stay," from 2002’s Untouchables—and have launched a massively successful festival of their own, The Family Values Tour. However, despite all their massive success and accolades, Korn haven't lost hold of the savage, raw energy that made them such a crucial band for diehard rock and metal fans. Korn are one of the preeminent voices of this generation.
Their ninth offering, Korn III —Remember Who You Are, is their first effort for brand new label home, Roadrunner Records, and it bursts at the seams with that very feeling that defined the band from the get-go. Each song unleashes an uneasiness reminiscent of Korn's earliest and most unbridled material, but there’s also a modern refinement that's epic in its execution. Korn definitely don't lose sight of their roots on Remember Who You Are, but they also venture into uncharted darkness. All that truly matters is where they're going. The album strikes a balance between their past and their future, as it finds the band reuniting with producer Ross Robinson, who manned the boards for their first two records, all the while joining forces with Roadrunner Records, the world’s leading rock label.
With Korn III – Remember Who You Are, it's their time...
Korn bleed with unsettling and unpredictable aggression on Remember Who You Are's 10 tracks. "Oildale (Leave Me Alone)" buzzes with an eerie clean guitar that slowly gives way to a steamrolling bass and riff assault. "Move On" morphs from a myriad of creaking tones into an explosive vocal freak-out that's impossible not to connect with it on a visceral level. Then there's the neck-snapping "Fear Is A Place to Live" tempering deadly guitar dissonance with an unforgettable chorus. This is Korn reborn.
"This album is a reflection of us being a band since 1993," says vocalist Jonathan Davis. "We worked hard on the previous records, and we experimented a lot. For Remember Who You Are, the four of us got together in a small room with the intention of writing an old school Korn record. This album is a perfect mixture of everything we've done, and this version of the band is the best ever." It's as if Korn revisited their storied beginnings, but as a wiser, tighter and more precise outfit blessed with the benefit of experience.
In order to tap into the chaos that made their self-titled debut a modern classic, the band enlisted the help of the man who helmed Korn and Life is Peachy—producer Ross Robinson, whose goal was to bring Korn back to square one. He undoubtedly succeeded. Davis had an intense and invigorating recording session. "Ross helped us remember what we used to do this for," the singer says. "It was more psychological than anything. Ross was right there pushing me and he drove me insane. I sing about a lot of things that hit really close to my heart and he knew how to trigger that. I nearly fucking broke down at the end of almost every song, but I got it all out."
For guitarist James "Munky" Shaffer, the experience was no different. He elaborates, "Teaming up with Ross has brought that raw, emotional feeling back to the music. Ross is the only person in the world that's ever been able to draw us to that place. He reminds us why we're here, why these songs are important to our fans and why what we do as a band relates. He made us remember how our music saves lives, and he came into the picture at the perfect time. We had no record label and just wanted to make a great album. Ross stepped in at the right moment to hit the reset button."
Hitting that "reset button" involved stripping down the process. There would be no Pro-Tools, no tracking separately and no heavy post editing. In order to conjure Remember Who You Are's claustrophobic yet wholly organic chaos, Korn recorded on two-inch tape and locked themselves inside a 10x10 room buried within their Los Angeles studio, nicknamed "The Cat Box." Being in such close proximity to one another stirred up a torrent of explosive music. Bassist Reggie "Fieldy" Arvizu remembers, "In that room, even if I turned my bass head, it would hit somebody. Getting back in there was like a family reunion. We felt like brothers again. Being older and setting egos aside, we were able to focus on making the best record we could."
Davis dug deep for cuts like "The Past" and "Never Around." About "The Past," the singer says, "A lot of people dwell on the past, and they feel guilt. There's nothing you can do about the past because it's gone and it's blown up. We're here now." On Korn III – Remember Who You Are, Davis is fully present and at his most vitriolic, violent and vibrant on the likes of "Move On" and "Are You Ready to Live?"
He goes on, "I let everything flow, while I was coming up with lyrics. They're about me living my life for others when I shouldn't, people-pleasing all of the time, stress, guilt and all kinds of emotions we live with everyday that destroy us and tear us down. I write about all of the fake people around us and how I always try to fix other people's problems. I write what I feel, and it comes out naturally. I've got a lot of shit built up inside me; that doesn't go away."
Even though Korn went back to square one, they continue to break new ground. In a career marked by innovation, they still smash boundaries. Munky even fingerpicks certain instrumental passages, while trying out new tones on echo-y soundscapes. "The heavier I play, the more you can hear the aggression. The lighter I pick, the lighter the mood is,” he said. “I used vintage guitars, echos, long delays and reverbs. When we did the first two records, we broke the music down to a completely emotional beast. Through the years, we started to experiment with vocal harmonies and more orchestrated pieces. Recording this album, we brought that knowledge into the raw emotion of what we already knew. You hear the melodies and layers, but it still comes from a very primitive Korn."
That primitive Korn includes drummer Ray Luzier, who became Korn's touring drummer in late 2007 and was made an official member in 2009. On cuts like the deadly "Fear Is A Place To Live," he propels the aggression. Fieldy says, "Ray is like the missing Korn member we never had. He just fits so well. When we found him, it just clicked because his playing sounds like Korn. He plays with me, and the way that he plays is exactly what I needed. We know what we're doing on stage with each other, and everybody's on the same page. I've waited my whole career for Korn to sound like we do now."
Korn may have changed members with Brian "Head" Welch and David Silveria departing in 2005 and 2006 respectively, but Jonathan, Munky, Fieldy and Ray capture the feeling that was there in the beginning.
For Davis, the album name covers it all. "It comes down to one question: 'Who the fuck am I?' It's about remembering where we came from. The title sums up everything I'm talking about lyrically. During the first two records, we were kids, and we didn't have anything. We were making music, having fun and not worrying. I went back to that place where I wasn't worried. I wanted to be completely honest with my feelings, express myself and let them out. People get so wrapped up in social communities, the Internet and technology that they forget who they are and what life's really about. I fucking forgot who I was until I did this record. This album is just a bass, a guitar, drums and my vocals. I look at the records we've done as slots in time, and I believe Remember Who You Are is very special."
The album captures the band's legendary performance style that's ignited crowds worldwide on stages ranging from OZZfest and Projekt Revolution to Woodstock and Download. It's the same spirit that gave pop culture hits such as "Blind," "A.D.I.D.A.S.," "Got the Life," "Falling Away from Me" and "Twisted Transistor." It’s clear, however, that Korn III – Remember Who You Are is another thrilling chapter being etched into Korn’s already impressive history.
"There's that timeless space that we enter where nothing else matters on stage," says Munky. "It's us, the crowd and the music. We lose track of where we are and who we are, and it's just a timeless shared space between us and the audience. We lose ourselves in the music. I want fans to lose themselves in the new music by forgetting about any problems or anything going on in their minds and let their hearts hear it. It's the same experience that I get when I'm on stage."
The process brought them back to the beginning, but it also encouraged serious growth. Everyone is locked in like never before. Fieldy adds, "We want to take you on a rollercoaster with this record. There are spacey and weird parts where the bass can breathe and there are some heavy moments. On Remember Who You Are, I'm doing what I really wanted to do on our first record."
In the end, this is for the people that made Korn—the millions of kids worldwide that buy every record, wear every shirt and never miss a show. Davis concludes, "I love doing what I do. I love helping kids. I love hearing fans say, 'You got me through this or that.' It makes me feel like I've done something positive. I want kids to feel what I'm saying and really hear it. I'd love for the new songs to provoke them to think about what goes on around them. We're very fortunate to keep doing what we're doing, still be relevant and create music that invokes feelings from people."
With music this powerful, no one will ever forget who Korn are.
ⓒRebecca Bugge, All Rights Reserved
Do not use without permission.
Black satin shoe from Italy or France, 1770-1785
Victoria and Albert museum, named after the British queen and her consort, was founded in 1852. It has the world's greatest museum of decorative art and design, with a permanent collection spanning over 5 000 years and including 4 500 000 objects. The museum is divided into 145 galleries and houses objects of marble, iron, glass, ceramics among others. The collection of Italian Renaissance objects is the largest outside of Italy. But there is also collections of Asian artifacts. And everything is neatly divided into collections - be it plaster-castings or Chinese art.
The museum is often abbreviated V&A.
without the border, I think this is SOOC. I know it's not even but oh well, I just figured out how to do it so...shuttie.
more from yesterday with Elizabeth and Mary! this is Mary. check out her photostream!
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view this large or it's kinda pointless lol
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Link to Cincinnati Zoo's Web Site ..............
"Link to the Cincinnati Zoo's Flickr photostream".
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Gladys was born at the Gladys Porter Zoo on January 29, 2013. After birth, mother, 14 -year-old “Kiazi,” didn’t respond well and rejected the infant. This behavior, which occasionally happens in first-time mothers, resulted in keepers from the Gladys Porter Zoo stepping in to hand-rear the infant until they had a plan in place. Unfortunately, all of the viable surrogates there already had young gorillas, so they began to look elsewhere. After countless phone calls with the Gladys Porter Zoo, the Association of Zoos & Aquariums (AZA) Ape Taxon Advisory Group (TAG) Maternal Management Committee and the Western Lowland Gorilla Species Survival Plan (SSP) Committee, the Cincinnati Zoo was determined to be the best home for the baby. Gladys is currently being hand raised by a group of approximately 10 human surrogates, until she can transition to a gorilla surrogate in the coming months.
There are about 765 gorillas in zoos worldwide including approximately 360 in the AZA’s SSP. The Cincinnati Zoo is now home to eight Western lowland gorillas, including Silverback Jomo and his family of Samantha, M’Linzi, Asha and Anju.
Western lowland gorillas are critically endangered in the wild, with less than 175,000 individuals. Due primarily to habitat destruction caused by logging, mineral mining and agricultural expansion, wild gorilla numbers continue to shrink. The bushmeat trade – the killing of wild animals to be used as human food – is also a major threat to the western lowland gorilla population throughout the Central African rainforests. Over 1,000 gorillas are illegally poached for the bushmeat trade each year. The Cincinnati Zoo supports wild gorilla conservation efforts like the Mbeli Bai Study in Nouabalé-Ndoki National Park in the Republic of Congo. The Mbeli Bai Study is the longest running research being done with wild western lowland gorillas. Through research, local education programs, publications and documentaries, the Mbeli Bai Study is raising international awareness for gorillas and their struggle for survival.
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Have a wonderful Monday & week everyone!
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Il bacino di Arcachon è un bacino di acqua salata, comunicante con l'Oceano Atlantico, situato in Francia nel dipartimento della Gironda, tra le città di Arcachon e Lège-Cap-Ferret. Fa parte delle Landes della Guascogna. A differenza degli stagni delle Landes, il bacino comunica con l'Oceano Atlantico tramite un passaggio, attraverso il quale la marea oceanica sposta quotidianamente una quantità considerevole d'acqua. L'alta marea si produce regolarmente ogni 12 ore circa. Durante la bassa marea, il bacino si riduce ad un'unione di canali navigabili. I canali ed i banchi di sabbia evolvono nel tempo sotto l'influenza della marea: circa 370 milioni di metri cubi d'acqua sono scambiati quotidianamente tra bacino e oceano, con una velocità media di circa 2 m/s, portando con sé molta sabbia. I sedimenti sabbiosi mobili che caratterizzano questo bacino sono distribuiti principalmente delle correnti di marea, che formano canali e barre secondo una tipica configurazione di piana di marea. Il passaggio con l'Oceano, la cui navigazione è resa problematica dalle numerose correnti, è dominato a sud dalla duna del Pyla e a nord dal Cap Ferret. La duna è imponente e ben visibile da gran parte dei comuni che si affacciano sul bacino: Arcachon, Lège-Cap-Ferret, Arès, Andernos-les-Bains, La Teste-de-Buch, Gujan-Mestras. Al centro del bacino si trova l'île aux oiseaux (isola degli uccelli): l'isola, che non ha corrente elettrica, ospita soltanto alcune palafitte e case in legno usate dagli ostricoltori. L'estensione dell'isola aumenta considerevolmente con la bassa marea.
Il bacino è inoltre alimentato di acqua dolce dal fiume Leyre, che è all'origine della sua formazione. Il bacino attira ogni estate un numero considerevole di turisti, che vi praticano la pesca e numerosi sport nautici. La principale attività del bacino (ed anche risorsa economica, assieme al turismo) è però l'ostricoltura: la presenza regolare della marea infatti permette di costruire delle strutture in cui coltivare le ostriche che, nel corso della giornata, vengono periodicamente sommerse dall'acqua. A sud-est del bacino vi è inoltre la riserva ornitologica del Teich, parco visitabile, che offre la possibilità di osservare da vicino, nel loro habitat naturale, una gran quantità di uccelli marini e non, stanziali e migratori.
Le bassin d’Arcachon (Laca d'Arcaishon en gascon) est une lagune mésotidale située dans les Landes de Gascogne, en Gironde, entre les villes de La Teste-de-Buch au sud, Lège-Cap-Ferret à l’ouest et le delta de la Leyre à l’est. Lui seul interrompt le cordon dunaire de 250 km de la Côte d’Argent, qui s'étend de l’estuaire de la Gironde au fleuve Adour. À la différence des grands lacs landais, il est largement ouvert sur l’océan Atlantique par l’intermédiaire des passes du bassin d’Arcachon et constitue une petite mer intérieure de 155 km² à marée haute et de 40 km² à marée basse. On y pratique l’ostréiculture, la pêche et la navigation de plaisance. Depuis le 8 juin 2014, il abrite le parc naturel marin du bassin d'Arcachon. Le bassin d'Arcachon fait partie du Pays de Buch, il est situé au cœur des Landes de Gascogne, à mi-chemin entre la pointe de Grave et Capbreton, au sud-ouest du département de la Gironde à une cinquantaine de kilomètres de Bordeaux. Le bassin est de forme triangulaire, délimité par plus de 80 km de côtes plates ou dunaires boisées. Le pourtour du bassin commence, dans le sens trigonométrique (antihoraire) au Pyla-sur-Mer puis remonte au nord vers Arcachon oblique à l'est puis au sud et à nouveau à l'est au niveau de La Teste-de-Buch. Il remonte au nord-ouest au niveau du delta de la Leyre puis à partir de Lège descend au sud-ouest jusqu'au Cap-Ferret, en face du Pyla-sur-Mer. Au centre du bassin se trouve « l'île aux oiseaux » et ses cabanes tchanquées. En plus de recevoir à La Hume de l'eau en provenance du lac de Cazaux (via le canal de Cazaux), à Lège celle venant du lac de Lacanau (via le canal des Étangs) et sur tout son pourtour des eaux de ruissellement via plusieurs ruisseaux ou quelques crastes, le Bassin est aussi alimenté en eau douce par l'Eyre. Ce petit fleuve côtier de 80 km de long, issu de la forêt des landes, est à l'origine de la formation du bassin d'Arcachon. En apportant un flux continu d'eau, il contribue à empêcher l'obstruction des passes par les sables venus de l'océan. L'ouverture sur l'océan Atlantique se fait par un accès unique, les « passes », un ensemble de chenaux d'environ trois kilomètres de large permettant la circulation de l'eau entre le bassin et l'océan. La force des courants de flux et de reflux rendent délicats les franchissements de ces passes, surtout aux marées de grands coefficients pour la navigation ; des accidents mortels de marins expérimentés sont régulièrement constatés. La localisation et la structure des passes suivent une évolution cyclique dont la période est d'environ 80 ans: les passes sont en fait deux chenaux grosso modo parallèles (la Passe sud et la Passe nord) dont le tracé se déplace en direction du sud-est (du Cap-Ferret vers la dune du Pilat). Quand la passe la plus au sud atteint la plage au pied de la dune, elle se rétrécit puis « disparait » alors qu'une nouvelle passe se forme vers le nord, du côté du Cap, transformant ainsi l'ancienne « Passe nord » en une nouvelle « Passe sud ». Le balisage (bouées de navigation) est sans cesse corrigé et les cartes marines nécessitent une mise à jour permanente. À la différence des grands lacs landais (Hourtin et Carcans, Lacanau, Cazaux et Sanguinet, Biscarosse et Parentis) cet écosystème original est largement ouvert sur le golfe de Gascogne et la marée fait pénétrer et sortir deux fois par jour des masses d'eau considérables. Le bassin est partiellement isolé de l'océan par un cordon dunaire comprenant notamment le Cap Ferret, la dune du Pilat et le banc d'Arguin (classé réserve naturelle). Des bancs de sable mobiles charriés par les courants marins en modifient sans cesse le tracé et favorisent les organismes aquatiques non fixés dans les passes et sur les bancs de sable qui évoluent au cours du temps particulièrement lors de fortes tempêtes mais aussi plus simplement et inexorablement sous l'effet des marées (environ 370 millions de mètres cubes d'eau sont échangés entre le bassin et l'océan chaque jour, à une vitesse moyenne d'environ 2 m/s, emportant le sable se trouvant sur les bords des passes) et du courant marin (longeant le littoral du nord vers le sud, il charrie environ 600 000 mètres cubes de sable par an). Localement les herbiers de zostères (Zostera noltii) accueillent, accueillaient ou pourraient accueillir une riche faune ou microflore épiphyte. Le en tant que vaste zone humide et pour son caractère original, ce bassin occupe une place importante dans la Trame verte et bleue nationale, mais le bon état écologique n'y est pas atteint. En particulier des algues vertes prolifèrent anormalement et les zostères, pour des raisons mal comprises et probablement multifactorielles y sont en forte régression ce qui est préoccupant car en tant qu'herbier aquatique elles fixent le fond et sont un abri et une source de nourriture pour un grand nombre d'autres espèces. L'azote et les pesticides agricoles et urbains apportés par les pluies et eaux de ruissellement10, ainsi que les biocides des antifoolings sont suspectés. Le bassin d'Arcachon jouit d'un climat doux avec un ensoleillement important tout au long de l'année (2100 heures en moyenne sur le bassin). Les hivers y sont pluvieux mais rarement rigoureux. Il neige toutefois une ou deux fois par an en général. En revanche, les tempêtes d'automne et d'hiver soufflent souvent avec force sur le bassin, rendant les passes impraticables. On a relevé plus de 170 km/h lors du passage des tempêtes Klaus en 2009 et Martin en 1999. Les étés y sont secs et chauds, et rarement caniculaires. La brise thermique se lève en effet souvent l'après-midi, les épisodes de fortes chaleurs ayant du mal à persister dans la durée. De violents orages venus du golfe de Gascogne touchent épisodiquement le bassin (juin 1987, juillet 2003, septembre 2004), occasionnant parfois d'importants dégâts. Les températures maximales moyennes varient de 11 ou 12 °C en hiver à 25 ou 26 °C l'été. La température de la mer dans le bassin est de 13 ou 14 °C alors qu'elle est en moyenne de 10 ou 11 °C dans l'océan en hiver. En été, le bassin se réchauffe pour atteindre jusqu'à 22 ou 23 °C alors qu'elle atteint 19 à 21 °C sur l'Atlantique.
Arcachon Bay (in French, the Bassin d'Arcachon, and known locally simply as "le Bassin") is a bay of the Atlantic Ocean on the southwest coast of France, situated between the Côte d'Argent and the Côte des Landes, in the region of Aquitaine. The bay covers an area of 150 km² at high tide and 40 km² at low tide. Some of its geological features are natural preservation areas. The general shape of the Bassin d'Arcachon is that of an equilateral triangle pointing north, the southwest corner of which is open to the sea, between Cap Ferret and the town of Arcachon (more specifically, its suburb Pyla-sur-Mer), through a 3 km narrow channel (Les Passes). On the north shore is the town of Arès, then Andernos-les-Bains on the northeast. Just south of the entrance is The Great Dune of Pyla. Nearly in the middle of the bay is a very particular island: L'île aux Oiseaux (Isle of the Birds). The Bassin still has a link to the sea perhaps because of the Eyre river that runs from the Landes forest and has its mouth (Delta de l'Eyre) in its southeast corner. Otherwise the Bassin would have become blocked by the sandbanks built up by the tides. In the past, similar areas became lakes (called in French lacs or étangs) and are nowadays filled with fresh water. On the French Atlantic coast, running north-south between the Gironde estuary to the Adour river mouth, are the Lac d'Hourtin-Carcans, the Lac de Lacanau, the Étang de Cazaux et de Sanguinet, the Étang de Biscarrosse et de Parentis, the Étang d'Aureilhan, the Étang de Léon, the Étang de Soustons, the Étang Hardy, the Étang Blanc and the Étang de Garros. Arcachon Bay is the last water area that remains open to the ocean.
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La quinta edizione del festival organizzato da Wired Italia. Due lunghi fine settimana in cui vivere l’innovazione nell’economia, nella scienza, nella politica, nell’intrattenimento, nella cultura. Milano e Firenze si trasformano per un fine settimana nel luna park della scienza e della tecnologia. Oltre 150 relatori, performance artistiche, laboratori di stampa 3D, droni in volo, videogame, film, documentari, speed date sul lavoro, maratone di coding e workshop per tutte le età. A Milano da venerdì 26 a domenica 28 maggio ai Giardini Indro Montanelli.
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ore 10:00
Come si combatte l’Isis (sui social)
Speaker
Abdalaziz Alhamza - Fondatore Raqqa is Being Slaughtered Silently
Abdalaziz Alhamza, nato a Raqqa nel 1991, è un giornalista e attivista siriano, che oggi vive a Berlino. È fondatore e portavoce del progetto Raqqa is Being Slaughtered Silently (RBSS), gruppo di citizen journalism fondato dall’esilio in Turchia, che informa sulle violenze compiute da Isis in Siria, grazie alle informazioni passate da cittadini rimasti all’interno della città. Nel gennaio 2016 l’International Business Times ha descritto RBSS come “la più credibile fonte di informazioni dall’interno di Raqqa”.
Alhamza è laureato in biologia e da studente ha organizzato numerose proteste contro il governo siriano. È stato arrestato varie volte dal regime e più volte ha ricevuto minacce per la sua attività da Isis. RBSS ha vinto nel 2015 l’International Press Freedom Award dal Committee to Protect Journalists e il premio del Foreign Policy Global Thinkers Award.
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ore 10:30
Tra calcio e futuro
Speaker
Diletta Leotta - Conduttrice Sky Sport
Giulia Diletta Leotta, 1991, è conduttrice a Sky Sport. Si è laureata in Giurisprudenza alla LUISS di Roma con una tesi dal titolo Il contratto di lavoro sportivo. Ha iniziato la sua carriera televisiva nel 2010, a diciannove anni, sulla rete locale Antenna Sicilia, affiancando Salvo La Rosa nella conduzione dell’11º Festival della nuova canzone siciliana e nel programma di intrattenimento Insieme. L’anno successivo è passata a Mediaset dove ha condotto la trasmissione Il Compleanno di La5 sull’omonima rete digitale. Nel 2012 diventa una delle conduttrici di Sky Meteo 24.
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ore 12:30
Serie internazionale
Speaker
Salvatore Esposito - Attore
Salvatore Esposito nasce a Napoli il 2 febbraio 1986. Sin da bambino nutre la passione per la recitazione. Raggiunta la maggiore età inizia i suoi studi di recitazione presso la Scuola di cinema di Napoli per poi trasferirsi a Roma dove studia con l’acting trainer Beatrice Bracco.
Ha fatto il suo esordio televisivo nel 2013 con Il clan dei camorristi, interpretando il ruolo di Domenico Ruggiero. Nel 2014 arriva il successo al grande pubblico con Gomorra – la serie, Salvatore interpreta Genny Savastano.
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ore 13:00
Lavoro e ricchezza nell’epoca dell’ Intelligenza Artificiale
Speaker
Jerry Kaplan - Esperto di Intelligenza Artificiale e Imprenditore
Jerry Kaplan è un esperto di Intelligenza Artificiale noto in tutto il mondo, un innovatore, seriael entrepreneur, educatore, futurista e autore di best sellers. Ha fondato quattro startup della Silicon Valley, due delle quali sono divenute società di fama, e insegnato alla Stanford University. Hanno parlato di lui tutti i principali quotidiani in lingua inglese e le riviste specializzate di tutto il mondo
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ore 14:00
La strada della musica
Speaker
Michele Bravi - Cantante
Michele Bravi esordisce nel 2013 con la vittoria di XFactor Italia.
Portato alla vittoria da Morgan e presentato al grande pubblico con un pezzo scritto per lui da Tiziano Ferro e Zibba, Michele pubblica il suo EP di debutto “La Vita e la Felicità”. A Gennaio 2014 il primo singolo “La Vita e la Felicità” viene certificato disco d’oro.
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ore 14:30
Il tocco vincente
Speaker
Mara Maionchi - Produttrice discografica
Mara Maionchi (Bologna, 22 aprile 1941) è una produttrice discografica e personaggio televisivo italiano.
Attualmente considerata la figura femminile di maggiore spicco nella discografia italiana, producendo sia per conto di major come Sony e Warner che come produttrice indipendente attraverso la sua etichetta, sostenendo tuttavia in numerose dichiarazioni che la vera scena musicale – intensa e multisfaccettata – è all’estero e che in Italia “si fa quel che si può”.
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ore 15:00
Maniaca di SerieTV
Speaker
Miriam Leone - Attrice
Nasce a Catania. Ha frequentato il Liceo Classico Gulli e Pennisi ad Acireale e la Facoltà di Lettere e Filosofia dell’Università degli Studi di Catania. Studia contemporaneamente recitazione. Nel 2008 partecipa e vince sia la fascia di Miss Italia che quella di Miss Cinema.
Nel 2010 debutta come attrice sia sul grande schermo con il film Genitori & figli – Agitare bene prima dell’uso, di Giovanni Veronesi, con Silvia Orlando e Margherita Buy, sia sul piccolo schermo con il film TV Il ritmo della vita, diretto da Rossella Izzo e trasmesso su Canale 5.
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ore 15:30
Indie a chi?
Speaker
Lo Stato Sociale - Musicisti
Nel 2012 esce il loro primo album, Turisti della democrazia, al quale fa seguito un tour di 200 concerti in Italia ed in Europa. Nel 2013, ad un anno dalla prima pubblicazione, Turisti della democrazia viene ripubblicato in edizione deluxe, in formato doppio CD. Il primo CD presenta la tracklist originale mentre il secondo CD comprende tutti gli 11 brani del disco originale coverizzati da 11 artisti, oltre a tanti remix e inediti. Alla ripubblicazione dell’album, segue un lungo tour dello spettacolo di teatro-canzone Tronisti della democrazia, nel quale le canzoni dell’album d’esordio sono alternate a monologhi e sketch a formare “un minicorso in 5 atti di buone maniere”. Con Turisti della democrazia, tra i più discussi album usciti in ambito indie rock in Italia, la band bolognese ha ricevuto la Targa Giovani Mei e il Premio SIAE “Miglior Giovane Talento dell’Anno” e altri riconoscimenti.
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ore 16:00
L’uomo che ha dato forma al pc
Speaker
Mario Bellini - Architetto
Mario Bellini è un architetto e designer noto in tutto il mondo. Ha ricevuto il Premio Compasso d’Oro otto volte e 25 delle sue opere sono nella collezione permanente del MoMA di New York, che gli ha dedicato una retrospettiva nel 1987. È stato direttore della rivista Domus (1985-1991). Ha progettato numerose mostre d’arte e di architettura sia in Italia, sia all’estero, l’ultima a Palazzo Reale con i capolavori di Giotto (2015).
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ore 16:00
C’è risata e risata
Speaker
Saverio Raimondo - Stand Up Comedian e conduttore CCN
Saverio Raimondo, 33 anni, comico satirico, è stato definito sulle pagine di Repubblica “l’unico stand up comedian italiano che sembra vero” e “il comico più bravo in circolazione” da Aldo Grasso del Corriere della Sera. È il comico di punta di Comedy Central Italia (canale 124 di Sky) per il suo show CCN – Comedy Central News, striscia satirica di grande successo di pubblico e critica, giunta alla terza stagione – attualmente in corso, in onda tutti i mercoledì alle 22 – e per la quale ha vinto il Premio Satira Politica per la Tv Forte Dei Marmi.
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ore 16:30
Il suono dal caos
Speaker
Levante - Musicista
Levante nasce a Caltagirone e cresce a Palagonia (Catania) in una famiglia affollata da menti creative. A nove anni scrive le prime canzoni e soltanto ad undici inizia a suonare la chitarra, rubandola al fratello, per la pura esigenza di musicare i propri testi. Dopo la morte del padre, lei e la madre si trasferiscono nella magica città di Torino. Qui tante sono le collaborazioni, i contratti andati male, i dischi mai usciti e gli anni di manifestazioni musicali, provini e gavetta.
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ore 17:00
Non è bello ciò che è bello, ma che bello che bello che bello
Speaker
Maccio Capatonda - Attore e Regista
Nino Frassica - Comico e Presentatore
Maccio Capatonda, pseudonimo di Marcello Macchia, è un attore, regista e comico italiano. Ha partecipato ai programmi televisivi Mai dire Lunedì e Mai dire Martedì. Precedentemente aveva fondato a Milano la Shortcut Productions, insieme a Enrico Venti, suo storico amico, anche lui di Chieti. Ha lavorato per AllMusic e lavora stabilmente sul web, affianco all’attività televisiva. Nel 2013 è ideatore, regista e interprete principale della serie televisiva Mario. In un primo tempo si è dedicato (accompagnato dal suo inseparabile gruppo) alla produzione di finti reality televisivi, come il Divano Scomodo e il Gabinetto.
Nel 1985 Arbore coinvolge Nino Frassica nel varietà “Quelli della notte” nei panni di frate Antonino da Scasazza, organizzatore di un improbabile concorso a premi. Seguono “Indietro tutta” dove veste i panni del bravo presentatore e mette in scena una spassosa parodia del tipico conduttore televisivo. Partecipa successivamente a “Fantastico”, “Domenica In”, “Scommettiamo che…?”, “I Cervelloni”, “Acqua calda”, “Colorado Cafè” e “Markette” condotto da Piero Chiambretti. Nel 1999 inizia l’avventura della fiction televisiva “Don Matteo” con Terence Hill, Flavio Insinna e successivamente Simone Montedoro, giunta ormai alla decima serie. Nino interpreta il ruolo del maresciallo dei Carabinieri Nino Cecchini.
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ore 17:30
Comicità all’italiana
Speaker
Herbert Ballerina - Attore e Comico
Maccio Capatonda - Attore e Regista
Herbert Ballerina, pseudonimo di Luigi Luciano, nato a Campobasso il 7 marzo 1980, è un attore, comico, conduttore radiofonico e produttore cinematografico italiano. Dopo essersi laureato al DAMS di Bologna si trasferisce a Milano entrando a far parte della Shortcut Productions di Marcello Macchia ed Enrico Venti (in arte Maccio Capatonda e Ivo Avido), inizialmente come assistente e poi come attore e autore. Con Marcello Macchia è protagonista, con lo pseudonimo di Herbert Ballerina, di numerosi trailer umoristici trasmessi all’interno dei programmi televisivi Mai dire Lunedì e Mai dire Martedì.
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ore 18:00
La democrazia della rete
Speaker
Luigi Di Maio - Vicepresidente della Camera
Nato a Avellino il 6 luglio 1986, ha conseguito il diploma di liceo classico ed è giornalista pubblicista. Eletto nella circoscrizione XIX (CAMPANIA 1) nel 2013 alla Camera dei Deputati con il Movimento Cinque Stelle, diventa il più giovane Vicepresidente della Camera. È uno dei volti di punta del Movimento Cinque Stelle, per molti naturale candidato alle prossime elezioni.
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ore 18:30
Non smetto più
Speaker
Sydney Sibilia - Regista, Sceneggiatore e Produttore cinematografico
Luigi Di Capua - Regista, sceneggiatore e attore
Francesca Manieri - Sceneggiatrice
Sydney Sibilia, nato a Salerno nel 1981, è un regista, sceneggiatore e produttore cinematografico italiano. Sydney Sibilia inizia a realizzare cortometraggi insieme all’amico Fabio Ferro nella loro natìa Salerno. Nel 2007 si trasferisce a Roma e successivamente realizza un cortometraggio che ottiene numerosi riconoscimenti, Oggi gira così (2010), prodotto dalla Ascent Film e scritto insieme a Valerio Attanasio.
Sempre con Valerio Attanasio, scrive la sceneggiatura della sua opera prima Smetto quando voglio. Il film, prodotto dalla Fandango di Domenico Procacci, dalla Ascent FIlm di Matteo Rovere e da Rai Cinema, viene distribuito nelle sale cinematografiche nel febbraio 2014, riscuotendo un successo sorprendente e ottenendo 12 candidature ai David di Donatello 2014. Nel 2017 è nelle sale il seguito, Smetto quando voglio – Masterclass, in attesa del terzo episodio.
Regista, sceneggiatore e attore. Insieme a Matteo Corradini e Luca Vecchi è il fondatore del collettivo The Pills, nato nell’estate del 2011. Il collettivo è diventato celebre grazie alla web serie omonima che ha debuttato su YouTube nello stesso anno, diventando immediatamente fenomeno del web. Dopo il successo ottenuto anche con la seconda stagione, nel 2014 la serie approda su Italia 1. Nello stesso anno, The Pills sono autori insieme a Matteo Rovere, Luca Ravenna, Sydney Sibilia e Daniele Grassetti della serie tv Zio Gianni in onda su Rai2. Il 21 gennaio 2016 esce nelle sale il loro primo film, The Pills – Sempre meglio che lavorare.
Sceneggiatrice tra le più apprezzate in Italia, è laureata in filosofia.
Tra i suoi lavori: Zanzibar. Una storia daAmore, di cui ha curato anche la regia, Passione sinistra, Il rosso e il blu, La foresta di ghiaccio, Vergine giurata, Veloce come il vento, Nemiche per la pelle, il corto Era ieri, Come fai sbagli e il successo Smetto quando voglio.
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ore 19:00
L’identità della bellezza
Speaker
Samuel - Cantante e Musicista
Samuel Umberto Romano, conosciuto semplicemente come Samuel (Torino, 7 marzo 1972), è un cantautore e chitarrista italiano. È il frontman del gruppo dei Subsonica, in cui è anche compositore e autore dei testi delle canzoni insieme a Max Casacci e Davide Dileo, meglio conosciuto come Boosta.
Nel 2016 ha annunciato attraverso le proprie pagine Facebook e Instagram di essere al lavoro sul suo primo album da solista, anticipato il 9 settembre 2016 dal suo primo singolo da solista, La risposta, seguito tre mesi dopo da Rabbia.
ⓒRebecca Bugge, All Rights Reserved
Do not use without permission.
The gatehouse was built in 1690 and the two men portrayed at the top are emperor Leopold and prince-elector Max Heinrich. Beneath them are the symbolic figures of Invidia (envy) and Fortuna (luck).
The baroque castle of Eringerfeld was built 1676-1699 after the previous castle had been destroyed by fire. It was built on order from Johann Gottfried and Rhabanus Christoph von Hörde by the architect Ambrosius von Oelde and the building-master Jobst Scheck aus Störmede. The castle was in the Hörde family until 1781 when Freiherrn Franz Lodolf Joseph von Hörde died and the castle was passed on to the families Decken and Ketteler.
During the time of Nazi power Dutch missionaries were kept here - and after the war it was for several years a novitiate for Jesuits. In 1961 it was turned into a boarding-school, one of the largest in Germany and in 1987 it was reworked into a hotel, which is still is.
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La quinta edizione del festival organizzato da Wired Italia. Due lunghi fine settimana in cui vivere l’innovazione nell’economia, nella scienza, nella politica, nell’intrattenimento, nella cultura. Milano e Firenze si trasformano per un fine settimana nel luna park della scienza e della tecnologia. Oltre 150 relatori, performance artistiche, laboratori di stampa 3D, droni in volo, videogame, film, documentari, speed date sul lavoro, maratone di coding e workshop per tutte le età. A Milano da venerdì 26 a domenica 28 maggio ai Giardini Indro Montanelli.
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ore 10:00
Come si combatte l’Isis (sui social)
Speaker
Abdalaziz Alhamza - Fondatore Raqqa is Being Slaughtered Silently
Abdalaziz Alhamza, nato a Raqqa nel 1991, è un giornalista e attivista siriano, che oggi vive a Berlino. È fondatore e portavoce del progetto Raqqa is Being Slaughtered Silently (RBSS), gruppo di citizen journalism fondato dall’esilio in Turchia, che informa sulle violenze compiute da Isis in Siria, grazie alle informazioni passate da cittadini rimasti all’interno della città. Nel gennaio 2016 l’International Business Times ha descritto RBSS come “la più credibile fonte di informazioni dall’interno di Raqqa”.
Alhamza è laureato in biologia e da studente ha organizzato numerose proteste contro il governo siriano. È stato arrestato varie volte dal regime e più volte ha ricevuto minacce per la sua attività da Isis. RBSS ha vinto nel 2015 l’International Press Freedom Award dal Committee to Protect Journalists e il premio del Foreign Policy Global Thinkers Award.
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ore 10:30
Tra calcio e futuro
Speaker
Diletta Leotta - Conduttrice Sky Sport
Giulia Diletta Leotta, 1991, è conduttrice a Sky Sport. Si è laureata in Giurisprudenza alla LUISS di Roma con una tesi dal titolo Il contratto di lavoro sportivo. Ha iniziato la sua carriera televisiva nel 2010, a diciannove anni, sulla rete locale Antenna Sicilia, affiancando Salvo La Rosa nella conduzione dell’11º Festival della nuova canzone siciliana e nel programma di intrattenimento Insieme. L’anno successivo è passata a Mediaset dove ha condotto la trasmissione Il Compleanno di La5 sull’omonima rete digitale. Nel 2012 diventa una delle conduttrici di Sky Meteo 24.
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ore 12:30
Serie internazionale
Speaker
Salvatore Esposito - Attore
Salvatore Esposito nasce a Napoli il 2 febbraio 1986. Sin da bambino nutre la passione per la recitazione. Raggiunta la maggiore età inizia i suoi studi di recitazione presso la Scuola di cinema di Napoli per poi trasferirsi a Roma dove studia con l’acting trainer Beatrice Bracco.
Ha fatto il suo esordio televisivo nel 2013 con Il clan dei camorristi, interpretando il ruolo di Domenico Ruggiero. Nel 2014 arriva il successo al grande pubblico con Gomorra – la serie, Salvatore interpreta Genny Savastano.
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ore 13:00
Lavoro e ricchezza nell’epoca dell’ Intelligenza Artificiale
Speaker
Jerry Kaplan - Esperto di Intelligenza Artificiale e Imprenditore
Jerry Kaplan è un esperto di Intelligenza Artificiale noto in tutto il mondo, un innovatore, seriael entrepreneur, educatore, futurista e autore di best sellers. Ha fondato quattro startup della Silicon Valley, due delle quali sono divenute società di fama, e insegnato alla Stanford University. Hanno parlato di lui tutti i principali quotidiani in lingua inglese e le riviste specializzate di tutto il mondo
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ore 14:00
La strada della musica
Speaker
Michele Bravi - Cantante
Michele Bravi esordisce nel 2013 con la vittoria di XFactor Italia.
Portato alla vittoria da Morgan e presentato al grande pubblico con un pezzo scritto per lui da Tiziano Ferro e Zibba, Michele pubblica il suo EP di debutto “La Vita e la Felicità”. A Gennaio 2014 il primo singolo “La Vita e la Felicità” viene certificato disco d’oro.
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ore 14:30
Il tocco vincente
Speaker
Mara Maionchi - Produttrice discografica
Mara Maionchi (Bologna, 22 aprile 1941) è una produttrice discografica e personaggio televisivo italiano.
Attualmente considerata la figura femminile di maggiore spicco nella discografia italiana, producendo sia per conto di major come Sony e Warner che come produttrice indipendente attraverso la sua etichetta, sostenendo tuttavia in numerose dichiarazioni che la vera scena musicale – intensa e multisfaccettata – è all’estero e che in Italia “si fa quel che si può”.
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ore 15:00
Maniaca di SerieTV
Speaker
Miriam Leone - Attrice
Nasce a Catania. Ha frequentato il Liceo Classico Gulli e Pennisi ad Acireale e la Facoltà di Lettere e Filosofia dell’Università degli Studi di Catania. Studia contemporaneamente recitazione. Nel 2008 partecipa e vince sia la fascia di Miss Italia che quella di Miss Cinema.
Nel 2010 debutta come attrice sia sul grande schermo con il film Genitori & figli – Agitare bene prima dell’uso, di Giovanni Veronesi, con Silvia Orlando e Margherita Buy, sia sul piccolo schermo con il film TV Il ritmo della vita, diretto da Rossella Izzo e trasmesso su Canale 5.
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ore 15:30
Indie a chi?
Speaker
Lo Stato Sociale - Musicisti
Nel 2012 esce il loro primo album, Turisti della democrazia, al quale fa seguito un tour di 200 concerti in Italia ed in Europa. Nel 2013, ad un anno dalla prima pubblicazione, Turisti della democrazia viene ripubblicato in edizione deluxe, in formato doppio CD. Il primo CD presenta la tracklist originale mentre il secondo CD comprende tutti gli 11 brani del disco originale coverizzati da 11 artisti, oltre a tanti remix e inediti. Alla ripubblicazione dell’album, segue un lungo tour dello spettacolo di teatro-canzone Tronisti della democrazia, nel quale le canzoni dell’album d’esordio sono alternate a monologhi e sketch a formare “un minicorso in 5 atti di buone maniere”. Con Turisti della democrazia, tra i più discussi album usciti in ambito indie rock in Italia, la band bolognese ha ricevuto la Targa Giovani Mei e il Premio SIAE “Miglior Giovane Talento dell’Anno” e altri riconoscimenti.
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ore 16:00
L’uomo che ha dato forma al pc
Speaker
Mario Bellini - Architetto
Mario Bellini è un architetto e designer noto in tutto il mondo. Ha ricevuto il Premio Compasso d’Oro otto volte e 25 delle sue opere sono nella collezione permanente del MoMA di New York, che gli ha dedicato una retrospettiva nel 1987. È stato direttore della rivista Domus (1985-1991). Ha progettato numerose mostre d’arte e di architettura sia in Italia, sia all’estero, l’ultima a Palazzo Reale con i capolavori di Giotto (2015).
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ore 16:00
C’è risata e risata
Speaker
Saverio Raimondo - Stand Up Comedian e conduttore CCN
Saverio Raimondo, 33 anni, comico satirico, è stato definito sulle pagine di Repubblica “l’unico stand up comedian italiano che sembra vero” e “il comico più bravo in circolazione” da Aldo Grasso del Corriere della Sera. È il comico di punta di Comedy Central Italia (canale 124 di Sky) per il suo show CCN – Comedy Central News, striscia satirica di grande successo di pubblico e critica, giunta alla terza stagione – attualmente in corso, in onda tutti i mercoledì alle 22 – e per la quale ha vinto il Premio Satira Politica per la Tv Forte Dei Marmi.
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ore 16:30
Il suono dal caos
Speaker
Levante - Musicista
Levante nasce a Caltagirone e cresce a Palagonia (Catania) in una famiglia affollata da menti creative. A nove anni scrive le prime canzoni e soltanto ad undici inizia a suonare la chitarra, rubandola al fratello, per la pura esigenza di musicare i propri testi. Dopo la morte del padre, lei e la madre si trasferiscono nella magica città di Torino. Qui tante sono le collaborazioni, i contratti andati male, i dischi mai usciti e gli anni di manifestazioni musicali, provini e gavetta.
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ore 17:00
Non è bello ciò che è bello, ma che bello che bello che bello
Speaker
Maccio Capatonda - Attore e Regista
Nino Frassica - Comico e Presentatore
Maccio Capatonda, pseudonimo di Marcello Macchia, è un attore, regista e comico italiano. Ha partecipato ai programmi televisivi Mai dire Lunedì e Mai dire Martedì. Precedentemente aveva fondato a Milano la Shortcut Productions, insieme a Enrico Venti, suo storico amico, anche lui di Chieti. Ha lavorato per AllMusic e lavora stabilmente sul web, affianco all’attività televisiva. Nel 2013 è ideatore, regista e interprete principale della serie televisiva Mario. In un primo tempo si è dedicato (accompagnato dal suo inseparabile gruppo) alla produzione di finti reality televisivi, come il Divano Scomodo e il Gabinetto.
Nel 1985 Arbore coinvolge Nino Frassica nel varietà “Quelli della notte” nei panni di frate Antonino da Scasazza, organizzatore di un improbabile concorso a premi. Seguono “Indietro tutta” dove veste i panni del bravo presentatore e mette in scena una spassosa parodia del tipico conduttore televisivo. Partecipa successivamente a “Fantastico”, “Domenica In”, “Scommettiamo che…?”, “I Cervelloni”, “Acqua calda”, “Colorado Cafè” e “Markette” condotto da Piero Chiambretti. Nel 1999 inizia l’avventura della fiction televisiva “Don Matteo” con Terence Hill, Flavio Insinna e successivamente Simone Montedoro, giunta ormai alla decima serie. Nino interpreta il ruolo del maresciallo dei Carabinieri Nino Cecchini.
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ore 17:30
Comicità all’italiana
Speaker
Herbert Ballerina - Attore e Comico
Maccio Capatonda - Attore e Regista
Herbert Ballerina, pseudonimo di Luigi Luciano, nato a Campobasso il 7 marzo 1980, è un attore, comico, conduttore radiofonico e produttore cinematografico italiano. Dopo essersi laureato al DAMS di Bologna si trasferisce a Milano entrando a far parte della Shortcut Productions di Marcello Macchia ed Enrico Venti (in arte Maccio Capatonda e Ivo Avido), inizialmente come assistente e poi come attore e autore. Con Marcello Macchia è protagonista, con lo pseudonimo di Herbert Ballerina, di numerosi trailer umoristici trasmessi all’interno dei programmi televisivi Mai dire Lunedì e Mai dire Martedì.
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ore 18:00
La democrazia della rete
Speaker
Luigi Di Maio - Vicepresidente della Camera
Nato a Avellino il 6 luglio 1986, ha conseguito il diploma di liceo classico ed è giornalista pubblicista. Eletto nella circoscrizione XIX (CAMPANIA 1) nel 2013 alla Camera dei Deputati con il Movimento Cinque Stelle, diventa il più giovane Vicepresidente della Camera. È uno dei volti di punta del Movimento Cinque Stelle, per molti naturale candidato alle prossime elezioni.
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ore 18:30
Non smetto più
Speaker
Sydney Sibilia - Regista, Sceneggiatore e Produttore cinematografico
Luigi Di Capua - Regista, sceneggiatore e attore
Francesca Manieri - Sceneggiatrice
Sydney Sibilia, nato a Salerno nel 1981, è un regista, sceneggiatore e produttore cinematografico italiano. Sydney Sibilia inizia a realizzare cortometraggi insieme all’amico Fabio Ferro nella loro natìa Salerno. Nel 2007 si trasferisce a Roma e successivamente realizza un cortometraggio che ottiene numerosi riconoscimenti, Oggi gira così (2010), prodotto dalla Ascent Film e scritto insieme a Valerio Attanasio.
Sempre con Valerio Attanasio, scrive la sceneggiatura della sua opera prima Smetto quando voglio. Il film, prodotto dalla Fandango di Domenico Procacci, dalla Ascent FIlm di Matteo Rovere e da Rai Cinema, viene distribuito nelle sale cinematografiche nel febbraio 2014, riscuotendo un successo sorprendente e ottenendo 12 candidature ai David di Donatello 2014. Nel 2017 è nelle sale il seguito, Smetto quando voglio – Masterclass, in attesa del terzo episodio.
Regista, sceneggiatore e attore. Insieme a Matteo Corradini e Luca Vecchi è il fondatore del collettivo The Pills, nato nell’estate del 2011. Il collettivo è diventato celebre grazie alla web serie omonima che ha debuttato su YouTube nello stesso anno, diventando immediatamente fenomeno del web. Dopo il successo ottenuto anche con la seconda stagione, nel 2014 la serie approda su Italia 1. Nello stesso anno, The Pills sono autori insieme a Matteo Rovere, Luca Ravenna, Sydney Sibilia e Daniele Grassetti della serie tv Zio Gianni in onda su Rai2. Il 21 gennaio 2016 esce nelle sale il loro primo film, The Pills – Sempre meglio che lavorare.
Sceneggiatrice tra le più apprezzate in Italia, è laureata in filosofia.
Tra i suoi lavori: Zanzibar. Una storia daAmore, di cui ha curato anche la regia, Passione sinistra, Il rosso e il blu, La foresta di ghiaccio, Vergine giurata, Veloce come il vento, Nemiche per la pelle, il corto Era ieri, Come fai sbagli e il successo Smetto quando voglio.
-----------------------------
ore 19:00
L’identità della bellezza
Speaker
Samuel - Cantante e Musicista
Samuel Umberto Romano, conosciuto semplicemente come Samuel (Torino, 7 marzo 1972), è un cantautore e chitarrista italiano. È il frontman del gruppo dei Subsonica, in cui è anche compositore e autore dei testi delle canzoni insieme a Max Casacci e Davide Dileo, meglio conosciuto come Boosta.
Nel 2016 ha annunciato attraverso le proprie pagine Facebook e Instagram di essere al lavoro sul suo primo album da solista, anticipato il 9 settembre 2016 dal suo primo singolo da solista, La risposta, seguito tre mesi dopo da Rabbia.
The Cirneco dell'Etna is a small breed of dog originally from Sicily. This hound was historically used to hunt rabbits and can work for hours without food or water.The breed also has a keen sense of smell and is primarily built for endurance over harsh terrain such as that of Mount Etna. It is the smallest of the Mediterranean island hunting hounds, the others being the Pharaoh Hounds and Ibizan Hounds.Today they are increasingly kept for the sport of conformation showing and as pets, due to their low coat maintenance and friendly nature, although as an active hound they do need regular exercise. A Cirneco should measure from 43-51 cm (17-20in) and weigh between 10–12 kg (22-26lb). As with other breeds, those from hunting stock can lie outside these ranges.
The Cirneco dell'Etna is a small hound-type dog used in Sicily for rabbit hunting. It is found all over the Italian island and particularly in the area surrounding the active volcano, Mount Etna,where the dogs hunt on terrain formed by volcanic lava. Its presence in Sicily is noteworthy as one of the few ancient breeds that have undergone very little manipulation by man. Instead, the breed has been rigorously selected by nature for its ability to work for hours. The dog we have today is an extremely hardy breed. Affectionate and friendly, it is considered easier to train than some of its sighthound cousins. The Cirneco has been in Sicily for thousands of years. Most authors agree that the origins of the hound-type dog lie among ancient Egyptian prick-eared dogs. Bas-reliefs discovered along the Nile and dated around 4000 B.C. depict what could be the Cirneco today. Most probably, the Phoenicians spread these prick-eared, hound-type dogs as they sailed along their trade routes between Northern Africa and the Mediterranean coasts. Ancient records of hounds with upright ears and a pointed muzzle are found in many countries in that part of the world. The most vivid proof of the presence of the Cirneco dell’Etna in Sicily for at least the past 2500 years is the many coins minted between the 5th and 3rd centuries B.C. depicting exemplars of the breed. In particular, the Cirneco dell’Etna is used on coins minted at Segesta, with about 150 variations. In 400 B.C., Dionysus was said to have built a temple dedicated to the God Adranos on the south-western slope of the volcano, just outside the city of Adrano. Many dogs were bred there and legend claims that a thousand Cirnechi guarded the temple.The Cirneco was rarely seen and little known outside Sicily until 1932. Now Cirnechi have also been exported to many European countries where their elegant conformation has helped make them a success in the show ring and many have become FCI International Show Champions. The dog's affectionate temperament and adaptability make it an excellent family companion.
El cirneco del Etna es una raza de perro oriunda de Sicilia. Este tipo de lebrel de pequeño tamaño forma parte de un conjunto de razas caninas del Mediterráneo cuyo origen se encuentra en Egipto, y entre las que se encuentra el podenco Ibicenco. Se trata de un perro adaptado a terrenos difíciles, apto para la caza de conejos y liebres.Los machos miden entre 46 y 50 cm, y pesan de 10 a 12 kg, y las hembras miden entre 42 y 46 cm, pesando de 8 a 10 kg. La cabeza es alargada y estrecha y el hocico afilado y puntiagudo, con un stop muy poco pronunciado. La trufa es de color marrón claro, y los ojos, pequeños, pueden ser ocre claro, ámbar o grises. Las orejas, erguidas, son triangulares y puntiagudas, y están implantadas altas. El lomo es recto y largo, y el pecho no demasiado amplio, con la musculatura pectoral poco desarrollada, al contrario que las patas, fuertes y con una musculatura bien desarrollada. La cola, implantada baja, es gruesa y de diámetro uniforme. El manto, de color tostado o tostado y blanco, tiene un pelaje corto y espeso en la cabeza, orejas y patas y liso y semilargo en el tronco y la cola.Su nombre puede proceder del de la antigua ciudad de Cirene, donde Aristóteles, en De natura animalium, dice haber visto un perro cuya descripción coincide con la de este.Aunque parece claro que la raza es autóctona de Sicilia, es posible que fuese anterior a la civilización egipcia, y que hubiese sido llevado al norte de África por los fenicios. Esta hipótesis se vería confirmada por la existencia de una estatuilla hallada cerca de Siracusa, datada alrededor del 4000 a.c.Se encuentran representaciones del cirneco en monedas sicilianas del siglo Vl al siglo III a.c., y parece que se le tenía en gran consideración, como demuestra el hecho de que en una de las monedas halladas en la antigua ciudad siciliana de Segesta se le represente junto a una divinidad fenicia con facciones humanas. Desde entonces las características de la raza han permanecido prácticamente inalteradas, gracias en gran medida a los campesinos, que conservaron su pureza criándolo por su utilidad para cazar en las pendientes del Etna, de lava solidificada y difícilmente accesibles.
Der Cirneco dell’ Etna ist eine von der FCI anerkannte italienische Hunderasse, die von der Insel Sizilien stammt (FCI-Gruppe 5, Sektion 7, Standard Nr. 199).Frühere Studien gingen davon aus, dass der Cirneco dell'Etna von Jagdhunden abstammt, die zur Pharaonenzeit im Niltal gezüchtet wurden. Der Cirneco dell'Etna sei dann mit den Phöniziern nach Sizilien gekommen. Neueste Untersuchungen unterstützen allerdings eine andere Theorie: Der Cineco dell'Etna stammt ursprünglich aus Sizilien und lebte an den Abhängen des Ätna. Münzen und Gravuren aus der römischen Epoche belegen, dass Hunde dieses Typs bereits vor Christi Geburt auf Sizilien vorkamen.
Der Cirneco dell'Etna ist mittelgroß (bis zu 50 cm und bis zu 12 kg schwer), quadratisch gebaut, schlank, aber dennoch widerstandsfähig und robust. Das Fell ist kurz, sehr glatt und fest. Dabei ist das Fell auf dem Rumpf und der Rute ungefähr 3 cm lang. Die Fellfarbe ist falbfarben, von intensiv bis verwaschen, wie isabell-sandfarben. Weiße oder gescheckte Exemplare können vorkommen; in der Regel weist der Cirneco dell'Etna jedoch nur geringe weiße Abzeichen auf.Die Ohren sind auffällig groß und stehend typisch wie auch bei den Podencos.Der Cirneco dell'Etna wird zur Jagd auf Wildkaninchen verwendet. Sein Verbreitungsgebiet umfasst vor allem die Region um den Ätna, an dessen Abhängen er die Kaninchen im Gebüsch und Geröll aufstöbert. Er treibt die Kaninchen aus ihren Verstecken hervor, so dass die Jäger zum Schuss kommen können.
Le Cirneco de l'Etna (Cirneco dell’Etna) est un chien originaire de Sicile. La Fédération cynologique internationale l'a répertorié dans le groupe 5, section 7, standard n° 199.
Cirneco de l'Etna.....Chien de type lévrier bien qu'il soit classé dans le groupe 5. Chien adapté aux terrains difficiles qui chasse le lapin sauvage.Chien de nationalité italienne primitif qui descendrait des chiens de l’époque des Pharaons. Mais il pourrait s’agir d’une race autochtone d’origine sicilienne.
O cirneco do Etna (em italiano: Cirneco dell’Etna) é uma raça quase desconhecida fora da Itália, já que permaneceu isolada na Sicília por praticamente 2 000 anos. Em 1939 foi reconhecida como raça. Comum aos cães de raças antigas, estes têm dificuldade de adaptação ao mundo urbano, pois precisam de constante atividade e são difíceis de adestrar, embora sejam vistos como animais muito fiéis. Podendo pesar até 12 kg, tem como peculiaridade as grandes orelhas largas e eretas, o longo pescoço e a cabeça estreita.
Сицилийская борзая или Чирнеко дель Этна — порода собак. Происходит с Сицилии. Изначально выращивалась для охоты на зайца. Классические исследования собачьих пород, распространенных в Средиземноморском регионе, пришли к заключению, что Чирнеко Дель Этна происходят от античных охотничьих собак, выведенных в долине Нила в эпоху фараонов, собак, получивших достигших Сицилии благодаря Финикийцам. Но согласно последним исследованиям получила одобрения теория, согласно которой эта порода имеет непосредственно сицилийское происхождение, зародившись в окрестностях Этны. Монеты и гравюры доказывают, что Чирнеки существовали в этом регионе за много веков до нашей эр Собака примитивного типа, элегантного и утонченного сложения, среднего размера, не громоздкая, сильная и крепкая. По морфологическому сложению — собака удлиненных линий, легкого сложения; квадратного формата; шерсть тонкая.
Охотничья собака, выведенная для охоты на кролика по сложной местности; обладает большим темпераментом, но в то же время мягкая и привязчивая.
Cirneco dell’etna on italialainen koirarotu. Se on vinttikoiran tyyppinen pystykorvainen, alkukantainen ja harvinainen rotu. Cirneco dell’etnan tarkka alkuperä jää hämärän peittoon, mutta se on hyvin vanha rotu ja muuttunut vuosisatojen saatossa vain vähän. Rotu on saanut olla melko rauhassa, ja vasta viime vuosina sen jalostukseen on puututtu.Rotu on nykyisin lähinnä seura- ja harrastekoira. Italiassa sitä käytetään yhä villikaniinien metsästykseen. Cirneco on nopea koira, ja ketteränä se pystyy vaihtamaan suuntaa nopeasti esimerkiksi metsästyksen aikana. Cirneco käyttää metsästäessään kuuloaan, näköään ja hajuaistiaan.Cirneco dell’etna on luonteeltaan temperamenttinen, eloisa, ystävällinen, iloinen ja leikkisä koira. Cirnecon leikkisyys säilyy yleensä vanhoihin päiviin asti. Cirneco on myös hyvin läheisyyttä rakastava koira, ja sen lempipaikka onkin yleensä kainalossa sohvalla tai peiton alla omistajansa vieressä. Cirneco kiintyy voimakkaasti perheeseensä ja tulee yleensä hyvin toimeen ystävällisenä ja lempeänä koirana kaikenikäisten ihmisten kanssa. Miellyttämisenhalua cirnecolla ei ole kovin paljon, joten ilman hyvää motivointikeinoa se ei välttämättä aina tottele ainakaan ensimmäisellä käskyllä. Cirnecolla on kuitenkin miellyttämisenhalua enemmän kuin yleensä vinttikoirilla. Cirneco tarvitsee johdonmukaisen ja määrätietoisen peruskasvatuksen.
Cirneco dell’etna on ikivanha rotu, jonka juuret johtavat 1000-luvulle ennen ajanlaskun alkua. Joidenkin mielestä se polveutuu Egyptin viimeisten dynastioiden faaraoiden koirista ja niistä koirista, joita foinikialaiset kauppiaat toivat Italiaan. Tutkimukset antavat aiheen olettaa, että se olisi Sisilian alkuperäisrotu. Cirneconnäköisiä korkokuvia on löydetty faaraoiden haudoista, mm. Luxorista ja Ben-Hassanista. Sisiliasta on myös löydetty 45 cm korkea luuranko, joka muistuttaa cirnecoa suuresti. Luuranko on paikallistettu vuoteen 1400 eaa. Nykyisin kyseinen luuranko on nähtävissä Pigorini-museossa Roomassa. Myös vanhoista Sisiliasta löytyneistä kolikoista on löydetty cirnecoa esittäviä koiran kuvia.
Il cirneco dell'Etna è un cane appartenente ad una razza molto antica, che ha subito poche manipolazioni nel corso dei secoli.Le origini del cirneco risalgono al 1000 a.C. Si dice che questa razza derivi dai cani dei Faraoni egiziani delle ultime dinastie e da cani importati in Sicilia dai commercianti fenici. Successivi studi hanno indicato che molto probabilmente il Cirneco è una razza autoctona siciliana.Il cirneco dell'Etna appartiene alla classe dei cani da caccia di tipo primitivo; è un animale molto veloce e per questo viene utilizzato soprattutto nella caccia al coniglio selvatico e alla lepre.Si presenta con una figura molto snella, con gambe lunghe, orecchie dritte e con un corpo muscoloso ma nello stesso tempo molto elegante. Ha un fiuto eccezionale ed è agilissimo nel cambiare direzione durante l'inseguimento della preda. Da notare che, sebbene l'aspetto del cirneco ricordi quello dei levrieri, non caccia a vista ma usa l'olfatto, come un cane da cerca; secondo la classificazione della Federazione Cinologica Internazionale (F.C.I.), tutti i cani appartenenti alla razza dei "levrieri" appartengono al 10º gruppo, mentre il cirneco è inserito nel 5º Gruppo, quello delle razze di tipo primitivo.Generalmente raggiunge l'altezza di 46-50 cm al garrese negli esemplari maschi, mentre le femmine misurano dai 42 ai 46. Il peso del maschio si aggira intorno ai 10-12 kg, mentre le femmine raggiungono gli 8-10. La lunghezza del tronco è in media uguale all'altezza al garrese: il cirneco ha dunque una costruzione quadrata. È strutturato da una massa muscolare che comprende l'80% del corpo. Si presenta snello e, se nutrito in modo adeguato, mantiene una linea elegante e slanciata.Cane velocissimo e molto agile, è capace di raggiungere persino i 40/45 km/h nella corsa.I colori del mantello del cirneco dell'Etna vanno dal sabbia dorato al cervo scuro; non necessariamente devono essere presenti macchie bianche, ma possono essercene su tutto il corpo; sebbene molto rari, ne esistono colorati di bianco arancio (come nel setter inglese) e di bianco puro (pur non essendo propriamente albino). Il colore riconosciuto dagli standard di razza è il fulvo più o meno intenso, isabella e sabbia, con lista bianca in fronte, al petto, piedi bianchi, punta della coda bianca e ventre bianco.Dotato di grande intelligenza, è generalmente indipendente e solitario. Generalmente diffidente con gli estranei, si affeziona ad un solo padrone. Si può dire che abbia le sue simpatie e antipatie a pelle: con alcuni individui non socializza e alla loro vista abbaia; con altri inizialmente si mostra aggressivo ma poi socializza e con altri ancora prova un feeling immediato e socializza subito. È un cane che per il padrone darebbe tutto se stesso.Se correttamente socializzato da cucciolo, evidenzia un carattere molto disponibile e gioioso e privo di diffidenze anche verso le persone appena conosciute.Se cresce in un ambiente familiare, dove ha ricevuto tutti gli stimoli nei confronti dell'ambiente esterno, ama essere portato a spasso e incontrare altri cani e persone, anche se sconosciuti. Se lasciato libero, soprattutto in luoghi di campagna, cambia visibilmente espressione; tutti i muscoli si tendono, ama ispezionare l'ambiente circostante e, anche se all'inizio sembra indipendente, in realtà sa sempre dove si trova il suo padrone e puntualmente ritorna sotto la sua attenzione. Prima di liberare un cirneco in un luogo aperto occorre aver rafforzato un rapporto sereno e di fiducia. Il cirneco è un cane primitivo e rispetto ad altri animali domestici, molto spesso è un soggetto che porta rancore se trattato male, non dimentica facilmente uno sgarbo subito, non sopporta di essere rimproverato con eccessiva durezza.La vita media di questo cane è molto elevata, quindici anni circa, ma esistono esemplari che vivono anche venti anni.
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