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That is the result of an experiment i did earlyer in the year with my large format camera: it's a pano made of two 6x7 shots, so more or less a 6x14 pano (with about 200 megapixels) :)
It isn't perfect, but i will try out this method again!
e100g + Linhof Kardan Master TL + Schneider Symmar 150mm
maybe you check out this shot on my blog: robertjmayer.wordpress.com/2011/09/26/dandelion-analog-pa...
1905 Korona View - Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Toyo Field 4 3/4 x 6 1/2 Sakai Special
Fujinon W 125mm f/5.6
HP5 Plus 400
11:00 in Rodinal 1:50 @ 20ºC
2025005-03
Recognized as the oldest surviving train station in Ontario, the King City Station is part of the original track that ran from Toronto to Collingwood and was among the first stations built using local labour. The station became a prototype and template for FW Cumberland, and many other stations were made to this same spec. The station was never replaced and saw continued use under Grand Trunk and Canadian National until 1967 when passenger service ceased. The station fell into disrepair, and King City got a couple of offers to salvage the station, including Black Creek Pioneer Village. Eventually, the local King Twp. Museum rescued the station in 1989, where it remains today.
Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
This picture was shot with a Kodak Master 8x10" view camera and the legendary Super Angulon 165mm lens on Fuji AD-M xray film. The exposure lasted 140 minutes at f/8.
When I shoot nightscapes, I usually choose the day I'll go out taking into account the phase of the Moon.
You can't imagine the illumination even a 4 day moon gives to the foreground when you do hour(s) long exposures.
On Sunday it was a new Moon, so the foreground turned out almost completely dark.
The camera was facing NE towards the rising constellation of Perseus.
It was developed for 30'min in an 11x14 flat bottom tray in 60ml RO9 and 75ml FX39II in a liter of distilled water at 24°C.
The negative is rather thin, but with scanning and post processing, this image emerges.
1905 Korona View - Agfa Repromaster 150mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
Commerical Ektar really shines here.
Given the strong agricultural background of Trafalgar Township, the earliest industries in Oakville were mills, with the Sixteen Mile Creek becoming home to many mills from the Dundas Road to Speers Road. While there are no real remains of any of those mills. But this steam fly wheel from Oakville Basket Company reminds both of Oakville's industrial and agricultural past.
Graflex Crown Graphic - Fuji Fujinon-W S 1:5.6/150 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Ever since arriving at Wuyishan I had envisioned to shoot an image of the tea plantations scattered throughout the national park area. So after a couple of scouting sessions I settled on this location. This scene was really better suited for sunset light but I do not regret my choice shooting this at sunrise. The low fog was persistent that morning while the high cloud cover opened up briefly to allow some light on the peak in the distance. I couldn't have asked for more.
The shot was made using the Rodenstock Apo-Sironar-S 240mm f/5.6 with a 2-stop soft grad. The film used was Foampan 100, home developed in ADOX Rodinal 1+25 dilution then scanned on an Epson V850 flatbed.
Opened in 1908, the Oakville-Trafalgar Memorial High School is a stunning historic building with a rather sad ending. The students of the school served the the war efforts by growing crops on the sports fields or served in the military. As the population grew, so did the school becoming a warren of hallways and rooms. By 1988 the school was too old to continue and a new school opened in 1992. The additions were stripped away, leaving only the original building standing.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Logjam in the Skagit Bay Estuary on Fir Island in Washington State.
Photographed with a Zeiss Ikon Maximar 9X12cm camera. The film is Fomapan 100 developed in Rodinal 1:50.
©2016 Gary L. Quay
White River Falls, near Tygh Valley, Oregon.
Camera: Sinar Alpina 4x5
Lens: 150mm Fujinon
Film: Ilford FP4+ developed in Clatyon F76+
Uploaded better version 1/28/23.
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Rollei RPX-25, 4" x 5", 25 iso, Normal development in Perceptol developer, 1:1, 8:45minutes, 24C. Taken April 2017. Ebony SV45TU. Rodenstock Grandagon-N 90mm.
Abandoned Farmhouse, Lamont County.
©2021 Gary L. Quay
I was out and about with the Deardorff in late November. The sky was a bit blank, but it wasn't bad other than that. The shadows on the hills are pretty good.
I'm still having a little trouble with uneven development, but it's getting better.
Camera: Deardorff V8
Lens: 12" Goerz Dagor
Film: Bergger Panchro 400 developed in Ilfotec-HC
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My Website and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
My stock portfolio on Alamy
My stock portfolio on Dreamstime
Feel free to join my Flickr groups
and Mosier, Oreogn
The Rock River looking south (downstream) from the Jefferson Street bridge. Rockford, Illinois.
Graflex Graphic View 4x5 / Zeiss Tessar 13.5cm in Compur shutter. Polaroid Instant 4x5 film back.
Polaroid Type 55 Positive/Negative film.
Well the 4x10 is finally finished. As with most of my project cameras, it is a compilation of bits and pieces from around the house, and the web. The focus rail and lens support is from a Fuji GX680, the lens board assembly comes from a a Polaroid copy camera, the bellows are modified from a Beselar 45 enlarger, the back is a Kodak Empire 8x10 back that has been split and converted to 4x10. I did make the wooden box that ties it all together from scratch. The camera will accommodate lenses from 120mm Super Angulon through a 240mm, though I think based on past experience, the 210 Nikkor that I have mounted will work just fine.
I just got the circa 1916 Bausch & Lomb 15 inch triplet brass lens back together again after cleaning it all up and reconditioning it and mounted it on a lens board. I stuck it on the Burke and James 5x7 with a 4x5 reducing back and went looking for a test subject. We've been having freezing rain all day today so going outside wasn't an option so I grabbed one of our garden statues from next to the pond and brought it inside next to a window and created this image. The lens doesn't have a shutter so I tried out the world famous, patented "Jim Galli Shutter" as shown in this video: www.youtube.com/watch?v=Baa8Bwnn9Sk Surprisingly, it worked really well. I took two shots like this and the exposure on each was right in the correct range of 1/30th (ish) at the lens's wide open aperture of approximately F6.7.
Now I just need to cure the issue with the rear standard on the Burke and James traveling on me while inserting the film holders and throwing things back out of focus. I'll have to pick up a set of clamps to lock the standard in place. It's too bad the locks that came with the camera are completely worthless as designed.
Technical details:
Burke and James 5x7" large format field camera with 4x5 reducing back.
15" (380mm) Bausch & Lomb triplet brass lens.
Ilford FP4+ B&W fim shot at 125 ISO.
Exposure was approximately 1/30th second at F6.7.
Lit by four fluorescent 80 watt bulbs inside a 28" Westcott Apollo softbox placed camera right and a 30" white reflector bouncing light back onto the statue from camera left.
Developed in Adox Rodinal 1:50 dilution for 10 minutes @ 20 degrees Celsius using a Beseler 8x10 print drum placed on Unicolor Uniroller 352 auto-reversing rotary base.
4x5" negative scanned with Epson V600.
Ikeda Anba 4x5
Kodak Ektar 203mm f/7.7
Ilford HP5 Plus
Developed at Northcoast Photographic Services,
Carlsbad, CA
1905 Korona View - Schneider G-Claron 240mm - f/64 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
This small rural parish has served the Nassagewya township since 1840. Their current building was completed in 1871, and was nearly destroyed on Good Friday in 1913. Reconstruction lasted until 1920 and it stands in that form still today.
Graflex Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Adox CHS 100 II @ ASA-100
Adox Atomal 49 (Stock) 5:45 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 200 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan
This image was taken on a Large Format View Camera with a Leaf Digital Back in the studio for my Senior Still life class. It's part of a collaboration I'm doing with a Designer who is a grad student here at OU.
©Patrick McCue 2010.
--All Rights Reserved--
website / tumblr / flickr / blog
This is my first large format photograph. It's something of a test shot, to prove that this 50+ year old camera still works ok.
It was taken on a huge road trip in South Australia recently, with my partner in crime woutervandevoorde.
I'm amazed by the sharpness and level of detail! I keep scrolling around in the zoom. I found a spider hanging from a frond, and you can clearly see every opening in the mesh roof.
There's quite a lot of motion blur from a gust of wind just as I pulled the cable release, but I don't think you should see too much of that at this resolution.
I wish I'd scanned it at a higher density, but at 100 megapixels and 450Mb, the file's already a bit much for my computer to handle :)
Dust spotting took forever! and attempts at detailed colour correction were too much to even consider.
I took the same photo on my medium format and on the Ricoh digital. The dynamic range on the large format absolutely smashes both of those others like you wouldn't believe.
Anyway, if I get near a big enough scanner sometime soon I'll post a couple of the other 4x5 photos I took, so hopefully more to come!
JH
December 2020.
Viewcamera with a I-51 21cm 4.5 Lens as seen in the window of the Ringfoto shop in Kevelaer (D).
So determining the lens was easy, it is a Russian Industar lens.
Determining the viewcamera is however something else. More information welcome !
The viewcamera is probably a Soviet build FKD 13x18.
The writing on the little piece of white paper is quite funny, freely translated this is written :
- No Sensor
- No Autofocus
- No Scene selection
- But for that you can have hours long exposure times
Tachihara 8x10
Schneider G-Claron 150mm f/9
Ilford Delta 100
Developed at Northcoast Photographic Services,
Carlsbad, CA
I describe the making of this photograph in an article on the on-line publication Photography Life.
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
©2012 Gary L. Quay
I took this picture in May of 2012 on a trip to the Oregon Coast. It was the last trip I took with my Volvo because it caught on fire the next week. That car's replacement has yet to suffer a similar fate. The Volvo actually survived, but I didn't feel safe driving it after that, and I didn't want to sink the money into it to fix the problem.
I posted this picture as a reminder Spring will be here in just a few months, and that everything looks better when the leaves are green, and the water is warm.
Camera: Speed Graphic 4x5
Lens: 135mm Wollensak
Film: Kodak Tri-X 320 developed in PMK Pyro.
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My Web Site and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
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Feel free to join my Flickr groups
and Flickr Today 2
July 2011
Union Bay
Porcupine Mountains State Wilderness Park, MI
4x5 View Camera
FujiChrome Velvia 50 Color Transparency Film
Nikon Super CoolScan 9000
The image above is a photogravure. This image called "Focusing" by Miss Emily V. Clarkson was printed by the NN Photogravure. company Since we are a couple absorbed in all things photographic we find this couple sharing a darkcloth especially poignant. Why, however, is he wearing that striped coat and cap?
18x24cm Agfa HDR xray film.
Symmar 240mm at f32 and 3'min
Rodinal 1+100 at 22C for 8min in glass plated 10x12" tray.
Scan from negative, finished in PS.
I find this area so full of mystery where the Anasazi Indians lived in the spot at Four Corners in the American Southwest. Some stories say that they believe that the Anasazi were in this area at about the time that Christ was born. Their cliff dwelling homes were a fortress against their enemies as they had to climb down the cliffs and then would pull their ladders down preventing anyone from following. There are different stories about why they left, weather could have been a contributing reason. But, I gotta say, if I had to take my groceries down this way I would have headed to the city pronto.
If you look closely you can see the tour groups which gives a perspective to the size.