View allAll Photos Tagged viewcamera
Old Cemetery, Church of the Brethren, Floyd County, Virginia.
Horseman VH camera with Horseman roll film back, Fujinon 180mm Soft Focus lens at f/5.6 (wide open), 1/125th second, Ilford Ortho film developed in homemade FX-37 1:4 6 minutes in a NIkkor tank.
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
William Henry Jackson shot the gang of fourteen USGS "1870 United States Hayden Geological Survey." The camera must have had a timer mechanism or there is a member of the party missing. It looks like they were heading further west following the completion of the Union Pacific. The plate was inscribed "20 EXPEDITION OF 1870." I am making this a parting Jackson series shot for now.
The USGS description: Wyoming. Group of all the members of the Survey, made while in camp at Red Buttes (downstream from Pathfinder reservoir) at the junction of the North Platte and Sweetwater Rivers. Standing left to right: John "Potato John" Raymond and "Val," cooks; Sanford R. Gifford, landscape painter; Henry W. Elliott, artist; James Stevenson, assistant; H.D. Schmidt, naturalist; E. Campbell Carrington, zoologist; L.A. Bartlett, General assistant; William Henry Jackson, photographer. Sitting left to right: C.S. Turnbull, secretary; J.H. Beaman, meteorologist; Ferdinand.V. Hayden, geologist in charge; Cyrus Thomas, agriculturist; Raphael, hunter; A.L. Ford, mineralogist. 1870. U.S. Geological and Geographical Survey of the Territories (Hayden Survey).
Apparently A.L. Ford, mineralogist was also a knife expert and is carving up a chunk of venison nagged by Raphael, hunter. The company's two doggies seem uninterested in the carcas. Was the carcass was a bit gamey?. Perhaps they already got their fill. I surely hope that they cleaned the prairie grass around the field stove. The gang's horses seemed to revel in the lush Wyoming territorial grasses.
with Conley 7" f:6.8 5x7 Anastigmat lens in Dial Set Ilex Universal shutter
Conley Camera Co
Rochester, MN 1903-1927
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Been rainy, but I still went out and made a photograph...
This small rural parish has served the Nassagewya township since 1840. Their current building was completed in 1871, and was nearly destroyed on Good Friday in 1913. Reconstruction lasted until 1920 and it stands in that form still today.
Graflex Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Adox CHS 100 II @ ASA-100
Adox Atomal 49 (Stock) 5:45 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Artist: Paul van Bueren
Model: Julie
Cambo SC-1
Fomapan 400
Find me on Bluesky: bsky.app/profile/paulvanbueren.bsky.social
Copyright by Paul van Bueren
Want to work with me? Just let me know!
1905 Korona View - Schneider G-Claron 240mm - f/64 - Fomapan 200 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Galvin 6x9 Pocket View Camera
65mm Schneider Angulon Lens
f/16 at 1/15 sec
Ilford Pan-F Film at ISO 25
Processed in Edwall Super 111
Digital Conversion with Nikon D500
Kodak TXP 4x5 sheet film.
This was a really, really hard photograph to make. I think I'm gonna retake it in brighter light, because this was a two minute exposure, and the negative was still so thin.
Looks slightly better on black.
The Rock River looking south (downstream) from the Jefferson Street bridge. Rockford, Illinois.
Graflex Graphic View 4x5 / Zeiss Tessar 13.5cm in Compur shutter. Polaroid Instant 4x5 film back.
Polaroid Type 55 Positive/Negative film.
This stand of Aspen adorned in peak fall color makes for an incredibly peaceful spot to relax and take in autumn sights and smells high in the crisp mountain air of the Eastern Sierra.
This is one of the first large format images from my Intrepid 4x5 view camera, and represents a major leap in quality for my work. The aesthetic quality, immense resolution, and fine grain structure of large format film give the images a look and a quality level that really shines in large prints and must be seen in person to be truly appreciated. I love the way the Velvia rendered this peaceful stand of Aspens high in the Eastern Sierra Nevada.
Details:
Intrepid 4x5 large format view camera
Fuji Velvia 100 color transparency film
Schneider-Kreusnach 90mm f/8 Super-Angulon lens
1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Foma Retropan 320 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
Johnston, Frances Benjamin,, 1864-1952,, photographer.
Gertrude Käsebier
[1905]
1 photographic print.
Notes:
Title from item.
Frances Benjamin Johnston Collection.
Photograph shows photographer Gertrude Käsebier, standing next to a tripod-mounted camera, an unidentified man is standing behind the camera.
Subjects:
Käsebier, Gertrude,--1852-1934--Journeys--Europe.
Cameras--1890-1930.
Photography--1890-1930.
Photographers--1890-1930.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA
Persistent URL: hdl.loc.gov/loc.pnp/ppmsca.31769
Call Number: LOT 11733-5b [item]
December 2020.
Viewcamera with a I-51 21cm 4.5 Lens as seen in the window of the Ringfoto shop in Kevelaer (D).
So determining the lens was easy, it is a Russian Industar lens.
Determining the viewcamera is however something else. More information welcome !
The viewcamera is probably a Soviet build FKD 13x18.
The writing on the little piece of white paper is quite funny, freely translated this is written :
- No Sensor
- No Autofocus
- No Scene selection
- But for that you can have hours long exposure times
©2021 Gary L. Quay
Gaia and I drove out to the Salmon River Road (near Mt. Hood) today to do a little scouting for pictures. It was raining, so we weren't going to go very far. We went down to the river at a few spots, and I decided to get a 4x5 camera out to test how a new film handles zone system expansion. The day was overcaset and very low contrast. I wanted to see if I could bring out some highlights. I rated the film at 50ASA to double exposure and bring out the shadows. Then I developed at N+1, which for which I use 20% increased developing time. It seems to have worked. The whites in the tree and on the rock were not there in real life. I actually had to cut down on the contrast to make it more pleasing, despite using no contrast filter when I took the picture. On the whole, I'd say it was a success.
Camera: Sinar Alpina 4x5
Lens: 180mm Caltar II
Film: Famous Format Atomic X developed in Kodak D76.
# #pnwexplored #sinar #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #salmonriver #filmphotography #pnwcrew #myoregon #largeformat #viewcamera
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Original shot taken with a Graflex GraphicView View Camera, Raptax 135mm f4,7 lens, Polaroid 550 Back on Fujifilm FP100c 45 instant Film 4x5' format, almost no post processing just scanned.
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (5x10 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan
Spring, 1994
Ikeda Wood View, 210mm Symmar S
Agfacolor Optima 125
From a backroad in Mt. Hood National Forest.
Cropped from scanned 4x5 negative.
I can't remember exactly the spot this was taken from. Must be not far off of Hwy 26 and E of Rhododendron and W of Mirror Lake Trail. Help from anyone in nailing this down w/b appreciated!
A fortunate combination of beautiful red light filtered by clouds on the eastern horizon ignites the Towers of the Virgin in Zion National Park with vivid neon orange alpenglow minutes after sunrise, flanked by some low-hanging clouds on the western horizon.
For this image, I take no artistic credit whatsoever. This is simply my own personal execution of a very popular composition of the cliffs known as the "Towers of the Virgin" in Zion National Park. There were about 20 other photographers set up at this spot when I made this image. I was, however, the only one working in film, let alone a wooden 4x5" view camera, and that garnered some puzzled stares and an array of questions from curious onlookers. As for why I went to this spot at all, well, lets just say I wanted to experience a sunrise at Towers of the Virgin at least once in my life, and since I was going to be there with my large format camera in the truck anyway, I figured I may as well take it out and make an image. So here it is.
Specifically, it was Alan Brock's image, "New Beginning" (Check it out here: www.alanbrockimages.com/lozopvezj0rtw46vwayzegse1jcr…) that motivated me to come out here and make this one. So I suppose I will give direct credit to him. He is another 4x5 large format film landscape photographer. I got to meet and spend some time with him while in Zion also, which was very fortunate, as he lives in Tennessee, which is around 2500 miles from where I live!
This is one of 3 total exposures I made on this scene. I made one on Fuji Velvia 100, which was fried, and two on Kodak Ektar 100, both of which came out great. So then I simply selected the one with the best light on the towers and scanned it, the result of which you see here.
Details: The Intrepid Camera Co. 4x5 Field Camera, Schneider 90mm Æ’/8 Super-Angulon lens, 2-stop ND grad to hold back the highlights some. 4s @ Æ’/22 , 8:05am.
Photographed with the Deardorff W/Kodak Ektar 12" lens; 1/2 second at f16. Film used: Ilford HP5+, processed in Rodinal 1:50
This is from a scan of the negative with some adjustments in Silver Efex Pro.
"Easter Greetings." An early twentieth-century postcard published by Raphael Tuck & Sons. For more photography-themed Easter postcards, see Easter Bunny Photographer and Photogenic Easter Bunny (below).
An old Texaco Fire Chief gas pump provides a nice foreground element for this Autumn scene I shot on 11-2-2013 at the Berks Heritage Center in Reading, Pennsylvania. Texaco introduced the "Fire Chief" brand in 1932 with claims that the purity and octane levels met the requirements for fire engines. In 1982 they re-branded the line of gasoline as "Texaco Regular".
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter.
Exposure: 1/8th @ F11. Metered with Pentax 1 degree spot meter.
Film: Kodak Ektar 100 C41 Color Negative Film
Development: Self Developed film using Tetenal C41 color development press kit in a Paterson Universal Tank using taco method, hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass.
Viewing this photo online does it no justice. There is so much detail in this shot it's just wasted on a compressed JPG viewed in a browser. Large format film is such a beautiful thing when you shoot it and process it right.
Arca-Swiss 4x5 F-Line & Universalis hybrid, Schneider Super Symmar XL 110mm, Fujichrome Provia 100f 4x5
Camera: Zeca by Zeh-Camera Dresden,Germany
Lens: Jos. Schneider & Co. Kreuznach Zecanar Anastigmat 4.5/10.5
Film: Ilford FP4+ (4x5 cut to fit homemade back)
Exposure: f/16 30 sec.
D-76 1:1 11 min. @ 68 degrees
Continuous rocking of tray.
Scanned from caffenol print
on Adorama RC Perle
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/23384200886/in/datepos...
On Gansevoort Street I ran into a well know photographer named Robert Kalman. What he is doing here at Flickr is interesting and the same project he was working on when I ran into him on Saturday.
I've lusted after the rosewood and leather of Deardorff for so long that instead of documenting Robert Kalman at work, I asked if I could take pictures of the camera.
CN Locomotive 6167 started life in 1940, completed by Montreal Locomotive Works. It is a Northern Type 4-8-4 Locomotive. It spent the early part of its career in Eastern Canada, running troops, munition, and supply trains to support the allied war effort in Europe. In 1943, they survived a head-on collision with another locomotive. Both were repaired and returned to service to support the war. Following the war, it continued to serve as a mixed-use locomotive. In 1961 it was retired from service and brought to Ontario as a tourist locomotive and earned fame as the most photographed locomotive in Canada. However, its usefulness was short, ending in 1964 due to extensive repairs needed and the end of the tourist service by CNR. Sadly the locomotive languished, painted every so often, and by the 1990s had been set on fire and vandalized. Efforts to preserve the locomotive started in 2002 and, by 2020, now fully restored, was moved to a new home in John Galt Park, where it sits today. It would end up in Guelph in 1967, donated by CNR to the city for Canada's Centennial.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
The Algodones Dunes
Sonoran Desert
Imperial County, CA, USA
Ikeda Anba 4x5
Nikkor-M 300mm f/9
Ilford Delta 100
Developed at Northcoast Photographic Services,
Carlsbad, CA
I describe the making of this photograph in an article on the on-line publication Photography Life.
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Turn a Fujifilm GFX camera into a digital back for your 4x5 view camera with our new 4x5 GFX Stretch Stitching Adapter! Learn more: fotodioxpro.com/products/4x5-gfx-pro
Having some small inconsistent light leak issues. Guess I need to be more diligent about draping my dark cloth over the film holders during exposure.
Toyo Field 4 3/4 x 6 1/2 Sakai Special
CM Fujinon W S 125mm f/5.6
Ilford HP5 plus @ 400iso
B+W 550/040 Orange filter
11:00 min in HC-110 (dil-h) 1:62 @ 20ºC.
Epson V800
2024012-1b
1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Shanghai 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
Karlos No.56. 6x6 pinhole camera sporting a Kiev film back and brass viewfinder (for the 90mm pinhole). The camera has three pinhole pannels for the focal ranges of 50mm, 90mm and 145mm and they take 52mm filters. The back is slide and lock and the front extends via slide with friction control. Cloth bellows and walnut / aluminium body, brass knobs and brass 1/4 tripod mount. The viewfinder is fitted to a stranded accessory shoe so it can be replaced with wider / longer VFs.
Pinhole Data:
50mm @ 0.3mm = f166
90mm @ 0.4mm = f225
145mm @ 0.5mm = f290
To see more of my food images check out my blog here:
blog.karenwise.com/karen-wise-photo-blog/food-and-still-l...