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1897 Ak-sar-ben Camera - Eskofot Ultragon 305mm - f/45 - Fomapan 200 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
As I've mentioned before, cats are weird people.
They have the habit of choosing a hangout spot to claim their own – which they also change regularly throughout the year, so they don't get bored.
For the past few weeks, our oldest cat has been spending his afternoons in this (seemingly rather awkward) position.
The picture on the wall is from my book "Nicosia in Dark and White".
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Kodak Master View 8x10" camera with Fujinon 180 lens.
1"sec exposure at f16 on 18x24 Agfa HDR xray film.
Developed in 1+50 Ilford MG paper developer for 8.5'min in a glass plated 10x12" tray.
Scan from negative, finished in PS.
Yosemite National Park, California
May 1978
Ikeda Wood View, 210mm Symmar S
Tri-X in HC110B
Taken in my naive youth when I was studying to be the next Ansel Adams.
Rolling out of the Montreal Locomotive Works in 1910, T,H&B Locomotive 103 is a 2-8-0 Consolidation locomotive that operated mainly as a freight hauler between Hamilton and Welland. In its fourty-four years of service it never had an accident. Retired in 1954 it lived in Hamilton's Gage Park from 1956-1977 when it was moved to its current home at Westfield Heritage Village.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scaner: Epson V700
Editor: Adobe Photoshop CC
8x10 paper negative
Pre-flashed Ilford Multigrade RC Pearl rated at 50 ISO
Bausch and Lomb Tessar F/4.5 @ 4.5
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
“Bad Hair Day”
As I hiked through the deep, fresh powder in Zion National Park looking for compositions, I couldn’t help but notice how beautiful and striking the various desert flora looked under a blanket of snow. It seemed so out of place to see things like slot canyons, Yuccas, Junipers, Pinon Pines and other desert denizens in such a wintery context.
One of my earlier compositions featured one of these spiny Yuccas buried in snow as a foreground element. As I hiked back out to my truck, I came across this beautiful Yucca plant buried in snow on a small hillside which made for a nice composition surrounded by snow. It was tricky to get the whole Yucca in frame and no other distracting elements. I extended my tripod quite high and looked up to the ground glass to focus, using my 90mm lens to get the whole plant in the frame. I made the exposure on Fuji Provia 100F to get the subtle blues of the blue hour sky reflected in the snow along with the soft greens of the Yucca. I like the way it rendered the scene. This was a relaxing and meditative image to scan and process, I greatly enjoyed staring at it for a long time. I think it would make a nice print for a relaxing room.
12/28/2016 5:15pm
@intrepidcameraco 4x5” Field Camera
Fuji Provia 100F
Schneider-Kreuznach 90mm ƒ/8 Super-Angulon
4s @ ƒ/45
Scanned at 180 megapixels
“Perhaps art can help us to look beyond the immediate beauty with all its puzzles, and to glimpse that new creation which makes sense not only of beauty but of the world as a whole, and ourselves within it … The artist can then join forces with those who work for justice and those who struggle for redemptive relationships, and together encourage and sustain those who are reaching out for a genuine, redemptive spirituality.”
– N. T. Wright
1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
©2021 Gary L. Quay
Gaia and I drove out to the Salmon River Road (near Mt. Hood) today to do a little scouting for pictures. It was raining, so we weren't going to go very far. We went down to the river at a few spots, and I decided to get a 4x5 camera out to test how a new film handles zone system expansion. The day was overcaset and very low contrast. I wanted to see if I could bring out some highlights. I rated the film at 50ASA to double exposure and bring out the shadows. Then I developed at N+1, which for which I use 20% increased developing time. It seems to have worked. The whites in the tree and in the forest were not there in real life. I used no contrast filter when I took the picture. On the whole, I'd say it was a success.
Camera: Sinar Alpina 4x5
Lens: 180mm Caltar II
Film: Famous Format Atomic X developed in Kodak D76.
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Taken near the Skyline Trailhead just above the Lodge. Circa 1978.
Printed 32x45 inches
Sinar F 4x5 View Camera, 135mm Schneider Symmar lens with an orange filter
Kodak Super XX developed in Edwall Super 111 developer.
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Tropical Cacti Garden.
For this year's Pinhole Day, I converted my Kodak Master View 8x10 to a pinhole!
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Kodak Master 8x10 camera, fitted with a 0.46mm pinhole, at 120mm focal length.
30"sec exposure on 18x24 Agfa HDR xray film.
Developed in Ilford MG 1+50 for 8'min in a glass plated tray.
Scan from negative, finished in PS.
Crazy looking icicle during a December ice storm.
Camera: Graflex Pacemaker Crown Graphic 34
Lens: Kodak Ektar 127mm f/4.7 lens
Film: Adox CHS 100 II
Developer: Kodak HC110 Dilution B
1897 Ak-sar-ben Camera - Schneider G-Claron 210mm (Dagor type) - f/45 - Fomapan 100 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan
"Awakened from Slumber"
This image is one of my favorites from my recent Winter Zion / Bryce Canyon trip. I feel it brings together the aspects I love about large format film. The dynamic range of the image is insane, with everything from snow in full sunlight to tree bark in full shadow, to a silhouetted tree with incredible shadow detail. I love the subtle blues reflected from the blue sky above showing in the shaded snow in the foreground, contrasted against the warm orange tones of the iron-rich erosion soil on the hill in the background. Every pixel of the image is razor sharp and in perfect focus, and the color palette is perfectly natural without overemphasizing any one element.
This is a Cottonwood silhouetted against the adjacent bank of the Virgin river in Zion Canyon. This scene only existed for a matter of minutes, as a few minutes before this exposure the entire scene was in full shade, including the background, and a few minutes after, the tree and foreground were in full blinding sunlight. The image was made possible by two things: a soft-edge 2-stop ND graduated filter, and color negative film. I used a batch of expired Fujifilm NPS 160 from 2003 that I found on eBay. It was $20 for a most of a 50-sheet box! I was pleasantly surprised and impressed by this film. It produced the best results of the entire trip, and it seemed to be perfectly exposed in all the lighting conditions I could throw at it. It has an incredible dynamic range and a perfectly natural color palette with gentle contrast. It's a shame @fujifilm discontinued this amazing film. I wish they would take a cue from @kodak and re-release it!
@intrepidcameraco 4x5” Field Camera
Fujifilm NPS 160, expired 12/2003.
Fujinon W 180mm ƒ/5.6
1s @ ƒ/40 (Metered @ ISO 100 to account for expiry date.)
"This photograph was taken during the same time period as Ochopee. Clyde considered using his 8x10 view camera, but without an 8x10 enlarger he couldn’t print the image he was taking. Since he did have a 5x7 enlarger, he opted to use his 5x7 view camera. He really wanted a good shot of the grassy plains to express the feeling he had about the Everglades and wanted to be able to print it right away.
The photograph was taken along Tamiami Trail. It was very dangerous because the tripod was set up near the side railing that is only a few feet from the edge of the highway. When the surge of wind from passing cars and trucks caused him to grab the camera for fear it would be blown over…well, that was much to close to traffic to be considered safe! Clyde had attached an extra length of tubing to his tripod legs in order to get the camera up higher than when he had taken the Ochopee photograph. After focusing the camera, he raised it up to about 10ft. and took the picture. Out of the several shots he took, he chose this one to print because he liked the way the clouds have such a crisp line where they meet the dark sky.
TAMIAMI TRAIL #1 is another interesting example of the delicate balance in the Everglades. Most of the grass in this 1986 picture was sawgrass. As I write this journal in 2000, most of the grass is being overcome by invasive exotic plants. " - Niki Butcher
Its been a long, long time since I took a large format image. This one is no doubt inspired by Eliot Porter, though lacks the color.
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 100 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan
From a recent trip to Marshall, NC...
Looks like I loaded my film a little out-of -whack in the film holder.
Toyo Field 4 3/4 x 6 1/2 Sakai Special
CM Fujinon W S 125mm f/5.6
Kodak TXP 320
14:00 min in Rodinal 1:50 @ 21ºC.
2023005-02
With a population density of more than 6,500 inhabitants per square kilometre, Hong Kong is one of the most densely populated places on earth and the lack of space makes it the world's most vertical city.
Taken with a Chamonix 045F1 view camera and a Rodenstock Grandagon-N 4.5/90 mm on Fuji Provia 100F.
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90 mm
150 sec at f/16
Fuji Provia 100F
©2022 Gary L. Quay
I was out trying to catch a few waves at Boiler Bay in January. I had the Deardorff along, and took a few 8x10's. I'm now working on my development issues. I used the developer FA-1027 on this one. There is a ltiile unevenness, which is noticeable in the sky. I have two more to develop. I will use 510-Pyro on those. I will use a presoak with a pinch of Sodium Metaborate as a test. Hopefully, Those will be more evenly developed.
Camera: Deardorff V8
Lens: 19" Goerz APO Artar
Film: Bergger Panchro 400 developed in FA-1027
# #pnwexplored #deardorff #oregoncoast #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #myoregon #film #filmphotography #bergger #largeformat #viewcamera #filmphotography #goerz #boilerbay
My Website and Blog: Gary L. Quay Photography
My stock portfolio on Shutterstock
My stock portfolio on iStock
My stock portfolio on Adobe
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Feel free to join my Flickr groups
and Mosier, Oreogn
Elephant Butte in Monument Valley, Arizona.
Photographed with a Zeiss Ikon ICA Trona 9X12 plate camera with a Zeiss Tessar 135mm f/4.5 lens. J Lane Dry plate developed in Kodak HC-110 dilution B.
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Eskofot Ultragon 305mm - f/64 - Fomapan 200 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
Cambo SC2 4x5 Monorail view camera
Schneider-Kreuznach Symmar-S 150mm f/5.6
Fomapan 100 developed with Ilford LC29 1+29 20deg 10min
ISO 100 | f5,6 | 1/125th second
That is the result of an experiment i did earlyer in the year with my large format camera: it's a pano made of two 6x7 shots, so more or less a 6x14 pano (with about 200 megapixels) :)
It isn't perfect, but i will try out this method again!
e100g + Linhof Kardan Master TL + Schneider Symmar 150mm
maybe you check out this shot on my blog: robertjmayer.wordpress.com/2011/09/26/dandelion-analog-pa...
1905 Korona View - Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Toyo Field 4 3/4 x 6 1/2 Sakai Special
Fujinon W 125mm f/5.6
HP5 Plus 400
11:00 in Rodinal 1:50 @ 20ºC
2025005-03
Recognized as the oldest surviving train station in Ontario, the King City Station is part of the original track that ran from Toronto to Collingwood and was among the first stations built using local labour. The station became a prototype and template for FW Cumberland, and many other stations were made to this same spec. The station was never replaced and saw continued use under Grand Trunk and Canadian National until 1967 when passenger service ceased. The station fell into disrepair, and King City got a couple of offers to salvage the station, including Black Creek Pioneer Village. Eventually, the local King Twp. Museum rescued the station in 1989, where it remains today.
Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
This picture was shot with a Kodak Master 8x10" view camera and the legendary Super Angulon 165mm lens on Fuji AD-M xray film. The exposure lasted 140 minutes at f/8.
When I shoot nightscapes, I usually choose the day I'll go out taking into account the phase of the Moon.
You can't imagine the illumination even a 4 day moon gives to the foreground when you do hour(s) long exposures.
On Sunday it was a new Moon, so the foreground turned out almost completely dark.
The camera was facing NE towards the rising constellation of Perseus.
It was developed for 30'min in an 11x14 flat bottom tray in 60ml RO9 and 75ml FX39II in a liter of distilled water at 24°C.
The negative is rather thin, but with scanning and post processing, this image emerges.
1905 Korona View - Agfa Repromaster 150mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
Commerical Ektar really shines here.
Given the strong agricultural background of Trafalgar Township, the earliest industries in Oakville were mills, with the Sixteen Mile Creek becoming home to many mills from the Dundas Road to Speers Road. While there are no real remains of any of those mills. But this steam fly wheel from Oakville Basket Company reminds both of Oakville's industrial and agricultural past.
Graflex Crown Graphic - Fuji Fujinon-W S 1:5.6/150 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Ever since arriving at Wuyishan I had envisioned to shoot an image of the tea plantations scattered throughout the national park area. So after a couple of scouting sessions I settled on this location. This scene was really better suited for sunset light but I do not regret my choice shooting this at sunrise. The low fog was persistent that morning while the high cloud cover opened up briefly to allow some light on the peak in the distance. I couldn't have asked for more.
The shot was made using the Rodenstock Apo-Sironar-S 240mm f/5.6 with a 2-stop soft grad. The film used was Foampan 100, home developed in ADOX Rodinal 1+25 dilution then scanned on an Epson V850 flatbed.
Opened in 1908, the Oakville-Trafalgar Memorial High School is a stunning historic building with a rather sad ending. The students of the school served the the war efforts by growing crops on the sports fields or served in the military. As the population grew, so did the school becoming a warren of hallways and rooms. By 1988 the school was too old to continue and a new school opened in 1992. The additions were stripped away, leaving only the original building standing.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC