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This is Starvation Creek Falls, taken in October 2012. I got it on 8x10 color negative film. Size matters.
Camera: Deardorff 8x10
Lens: 165mm Schneider Angulon
Film: Kodak Portra 160 VC
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1897 Ak-sar-ben Camera - Schneider G-Claron 210mm (Dagor Type) - f/45 - Fomapan 100 - 8x10 Film (5x10 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Our Top 9 Instagram Posts of 2020. Thanks to @portraitsbypv and @ellisvenerstudio for contributing popular images this year! Models: @laceworklook and @madayaongininabubai
"This photograph was taken during the same time period as Ochopee. Clyde considered using his 8x10 view camera, but without an 8x10 enlarger he couldn’t print the image he was taking. Since he did have a 5x7 enlarger, he opted to use his 5x7 view camera. He really wanted a good shot of the grassy plains to express the feeling he had about the Everglades and wanted to be able to print it right away.
The photograph was taken along Tamiami Trail. It was very dangerous because the tripod was set up near the side railing that is only a few feet from the edge of the highway. When the surge of wind from passing cars and trucks caused him to grab the camera for fear it would be blown over…well, that was much to close to traffic to be considered safe! Clyde had attached an extra length of tubing to his tripod legs in order to get the camera up higher than when he had taken the Ochopee photograph. After focusing the camera, he raised it up to about 10ft. and took the picture. Out of the several shots he took, he chose this one to print because he liked the way the clouds have such a crisp line where they meet the dark sky.
TAMIAMI TRAIL #1 is another interesting example of the delicate balance in the Everglades. Most of the grass in this 1986 picture was sawgrass. As I write this journal in 2000, most of the grass is being overcome by invasive exotic plants. " - Niki Butcher
Ilford Delta 100, 4" x 5", 64 iso, estimated development in Rodinal developer, 1:50, 12:00minutes, 24C. Taken October 2018. Ebony SV45TU. Nikkor W 150mm.
Allstones Bay, Abraham Lake, Clearwater County, Alberta
With a population density of more than 6,500 inhabitants per square kilometre, Hong Kong is one of the most densely populated places on earth and the lack of space makes it the world's most vertical city.
Taken with a Chamonix 045F1 view camera and a Rodenstock Grandagon-N 4.5/90 mm on Fuji Provia 100F.
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90 mm
150 sec at f/16
Fuji Provia 100F
“Bad Hair Day”
As I hiked through the deep, fresh powder in Zion National Park looking for compositions, I couldn’t help but notice how beautiful and striking the various desert flora looked under a blanket of snow. It seemed so out of place to see things like slot canyons, Yuccas, Junipers, Pinon Pines and other desert denizens in such a wintery context.
One of my earlier compositions featured one of these spiny Yuccas buried in snow as a foreground element. As I hiked back out to my truck, I came across this beautiful Yucca plant buried in snow on a small hillside which made for a nice composition surrounded by snow. It was tricky to get the whole Yucca in frame and no other distracting elements. I extended my tripod quite high and looked up to the ground glass to focus, using my 90mm lens to get the whole plant in the frame. I made the exposure on Fuji Provia 100F to get the subtle blues of the blue hour sky reflected in the snow along with the soft greens of the Yucca. I like the way it rendered the scene. This was a relaxing and meditative image to scan and process, I greatly enjoyed staring at it for a long time. I think it would make a nice print for a relaxing room.
12/28/2016 5:15pm
@intrepidcameraco 4x5” Field Camera
Fuji Provia 100F
Schneider-Kreuznach 90mm ƒ/8 Super-Angulon
4s @ ƒ/45
Scanned at 180 megapixels
“Perhaps art can help us to look beyond the immediate beauty with all its puzzles, and to glimpse that new creation which makes sense not only of beauty but of the world as a whole, and ourselves within it … The artist can then join forces with those who work for justice and those who struggle for redemptive relationships, and together encourage and sustain those who are reaching out for a genuine, redemptive spirituality.”
– N. T. Wright
As I've mentioned before, cats are weird people.
They have the habit of choosing a hangout spot to claim their own – which they also change regularly throughout the year, so they don't get bored.
For the past few weeks, our oldest cat has been spending his afternoons in this (seemingly rather awkward) position.
The picture on the wall is from my book "Nicosia in Dark and White".
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Kodak Master View 8x10" camera with Fujinon 180 lens.
1"sec exposure at f16 on 18x24 Agfa HDR xray film.
Developed in 1+50 Ilford MG paper developer for 8.5'min in a glass plated 10x12" tray.
Scan from negative, finished in PS.
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
repost of one from the archives - this time a much higher quality scan from the 4x5 negative. Hope you enjoy the added detail.
1897 Ak-sar-ben Camera - Eskofot Ultragon 305mm - f/64 - Fomapan 200 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
More like Creek Run.
Pacemaker Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Ilford Ilfotec DD-X (1+4) 7:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
Elephant Butte in Monument Valley, Arizona.
Photographed with a Zeiss Ikon ICA Trona 9X12 plate camera with a Zeiss Tessar 135mm f/4.5 lens. J Lane Dry plate developed in Kodak HC-110 dilution B.
©2021 Gary L. Quay
Gaia and I drove out to the Salmon River Road (near Mt. Hood) today to do a little scouting for pictures. It was raining, so we weren't going to go very far. We went down to the river at a few spots, and I decided to get a 4x5 camera out to test how a new film handles zone system expansion. The day was overcaset and very low contrast. I wanted to see if I could bring out some highlights. I rated the film at 50ASA to double exposure and bring out the shadows. Then I developed at N+1, which for which I use 20% increased developing time. It seems to have worked. The whites in the tree and in the forest were not there in real life. I used no contrast filter when I took the picture. On the whole, I'd say it was a success.
Camera: Sinar Alpina 4x5
Lens: 180mm Caltar II
Film: Famous Format Atomic X developed in Kodak D76.
# #pnwexplored #sinar #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #salmonriver #filmphotography #pnwcrew #myoregon #largeformat #viewcamera
My Web Site and Blog: Gary L. Quay Photography
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1897 Ak-sar-ben Camera - Schneider G-Claron 210mm (Dagor type) - f/45 - Fomapan 100 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan
©2000 Gary L. Quay
I took this picture a long time ago on a visit to Victoria BC, and its surrounding scenery. It is certainly a beautiful part of the Pacific Northwest.
Camera: Hasselblad 500CM.
Lens: 80mm Carl Zeiss.
Film: Ilford Pan-F +
Updated Exif data 2/24/23.
# #britishcolumbia #sooke #garyquay #hasselblad #pnwexplored #hasselblad #500cm #pacificnorthwest #cascadiaexplored #viewfromhere #YourShotPhotographer #film #filmphotography #mediumformat #viewcamera #columbiagorge #hoodgorge #ilford #blackandwhite #landscape #landscapephotography
My Website and Blog: Gary L. Quay Photography
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"Awakened from Slumber"
This image is one of my favorites from my recent Winter Zion / Bryce Canyon trip. I feel it brings together the aspects I love about large format film. The dynamic range of the image is insane, with everything from snow in full sunlight to tree bark in full shadow, to a silhouetted tree with incredible shadow detail. I love the subtle blues reflected from the blue sky above showing in the shaded snow in the foreground, contrasted against the warm orange tones of the iron-rich erosion soil on the hill in the background. Every pixel of the image is razor sharp and in perfect focus, and the color palette is perfectly natural without overemphasizing any one element.
This is a Cottonwood silhouetted against the adjacent bank of the Virgin river in Zion Canyon. This scene only existed for a matter of minutes, as a few minutes before this exposure the entire scene was in full shade, including the background, and a few minutes after, the tree and foreground were in full blinding sunlight. The image was made possible by two things: a soft-edge 2-stop ND graduated filter, and color negative film. I used a batch of expired Fujifilm NPS 160 from 2003 that I found on eBay. It was $20 for a most of a 50-sheet box! I was pleasantly surprised and impressed by this film. It produced the best results of the entire trip, and it seemed to be perfectly exposed in all the lighting conditions I could throw at it. It has an incredible dynamic range and a perfectly natural color palette with gentle contrast. It's a shame @fujifilm discontinued this amazing film. I wish they would take a cue from @kodak and re-release it!
@intrepidcameraco 4x5” Field Camera
Fujifilm NPS 160, expired 12/2003.
Fujinon W 180mm ƒ/5.6
1s @ ƒ/40 (Metered @ ISO 100 to account for expiry date.)
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 100 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan
From a recent trip to Marshall, NC...
Artist: Paul van Bueren
Model: Fariëlda
Cambo SC-1
Fomapan 400
Copyright by Paul van Bueren
Want to work with me? Just let me know!
Playa Frouxeira, Valdoviño , La Coruña. El faro de Punta Frouxeira se adivina en lontananza.
Chamonix F1 : Nikkor-M 300/9
Foma 100 : HC-110 (e)
1891 Rochester Optical Company Universal - Graflex Optar 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Feeling forced by Flickr to start over again. Received an email there was a 'commercial link' to my website. I did remove this link and asked if they could reopen my account. Turned out this link was only the beginning and they wanted me to remove all 'nudity'. Even a Photograph whit a human in underwear is not 'safe' anymore. We are going in the wrong direction with this. And I decline to pay for an account so I can show nudity. I can say there is uncensored work on my website still and can not tell you where you can find my website.
Artist: Paul van Bueren
Model: Hellavende
Sinar P2
Fomapan 400
Copyright by Paul van Bueren
Cambo SC2 4x5 Monorail view camera
Schneider-Kreuznach Symmar-S 150mm f/5.6
Fomapan 100 developed with Ilford LC29 1+29 20deg 10min
ISO 100 | f5,6 | 1/125th second
That is the result of an experiment i did earlyer in the year with my large format camera: it's a pano made of two 6x7 shots, so more or less a 6x14 pano (with about 200 megapixels) :)
It isn't perfect, but i will try out this method again!
e100g + Linhof Kardan Master TL + Schneider Symmar 150mm
maybe you check out this shot on my blog: robertjmayer.wordpress.com/2011/09/26/dandelion-analog-pa...
Cascade Hall
Oregon State Fairgrounds
Salem, Oregon
See also: SAM_0956 Brand 4×5 Press-View Camera and Ilex Optical Co. Paragon Anastigmat ƒ:4.5 6½ Inch
©2010 Phillip Nesmith - A triptych of the tanker Nord Sea at anchor in the Mississippi River just north of Venice, La. Venice is a major staging area for oil spill clean up efforts (Deepwater Horizon event) in the immediate region.
This image was made during a three week expedition to use the wet collodion process to document moments making up the worse oil spill disaster in U.S. waters/lands.
To read some details surrounding the creation of this image, see the blog.
Flow, a solo show of the work made in south Louisiana with the financial backing of 67 private individuals during June 2010 will open on September 11th. Details about this show in Washington D.C. can be found HERE.
Washington Post review of Flow can been found here.
Connect with me on Facebook.
©2011 Gary L. Quay
This was one of my last “Night Shift” pictures. I had taken to vehturing farther afield in the latter days of the project, and Hood River fit the bill. This is just outside of Hood River, in a little town called Pine Grove.
Camera: Deardorff 8x10
Lens: 300mm Nikkor-W
Film: Ilford HP5+ developed in PMK Pyro
# #pnwexplored #hoodriver #myoregon #oregonexplored #pacificnorthwest #deardorff #garyquay #cascadiaexplored #night #outside #outdoors #oregon #onlyinoregon #viewfromhere #columbiagorge #viewcamera #traveloregon #hoodgorge #filmphotography #largeformat #8x10 #ilfordphoto
My Web Site and Blog: Gary L. Quay Photography
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Ikeda Anba 4x5
Kodak Ektar 203mm f/7.7
Ilford HP5 Plus
Developed at Northcoast Photographic Services,
Carlsbad, CA
©2022 Gary L. Quay
I was out trying to catch a few waves at Boiler Bay in January. I had the Deardorff along, and took a few 8x10's. I'm now working on my development issues. I used the developer FA-1027 on this one. There is a ltiile unevenness, which is noticeable in the sky. I have two more to develop. I will use 510-Pyro on those. I will use a presoak with a pinch of Sodium Metaborate as a test. Hopefully, Those will be more evenly developed.
Camera: Deardorff V8
Lens: 19" Goerz APO Artar
Film: Bergger Panchro 400 developed in FA-1027
# #pnwexplored #deardorff #oregoncoast #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #myoregon #film #filmphotography #bergger #largeformat #viewcamera #filmphotography #goerz #boilerbay
My Website and Blog: Gary L. Quay Photography
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Well the 4x10 is finally finished. As with most of my project cameras, it is a compilation of bits and pieces from around the house, and the web. The focus rail and lens support is from a Fuji GX680, the lens board assembly comes from a a Polaroid copy camera, the bellows are modified from a Beselar 45 enlarger, the back is a Kodak Empire 8x10 back that has been split and converted to 4x10. I did make the wooden box that ties it all together from scratch. The camera will accommodate lenses from 120mm Super Angulon through a 240mm, though I think based on past experience, the 210 Nikkor that I have mounted will work just fine.
1905 Korona View - Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Adam and Hil were the first victims of the Portrait Project, which was perpetrated at the Barlow Wayside Trail.
Camera: Deardorff V8
Lens: 360mm Schneider
Film: Bergger Panchro 400 developed in Ilfotec HC
The post on my website about the portrait project is here
See my website for details if you live in northwest Oregon or southwest Washington, and you are interested in having your picture taken. Couples are preferred, but singles, or slightly larger groups are welcome.
# #pnwexplored #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #film #filmphotography #deardorff #largeformat #bergger #barlowwayside #viewcamera #portraitproject
My Website and Blog: Gary L. Quay Photography
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I just got the circa 1916 Bausch & Lomb 15 inch triplet brass lens back together again after cleaning it all up and reconditioning it and mounted it on a lens board. I stuck it on the Burke and James 5x7 with a 4x5 reducing back and went looking for a test subject. We've been having freezing rain all day today so going outside wasn't an option so I grabbed one of our garden statues from next to the pond and brought it inside next to a window and created this image. The lens doesn't have a shutter so I tried out the world famous, patented "Jim Galli Shutter" as shown in this video: www.youtube.com/watch?v=Baa8Bwnn9Sk Surprisingly, it worked really well. I took two shots like this and the exposure on each was right in the correct range of 1/30th (ish) at the lens's wide open aperture of approximately F6.7.
Now I just need to cure the issue with the rear standard on the Burke and James traveling on me while inserting the film holders and throwing things back out of focus. I'll have to pick up a set of clamps to lock the standard in place. It's too bad the locks that came with the camera are completely worthless as designed.
Technical details:
Burke and James 5x7" large format field camera with 4x5 reducing back.
15" (380mm) Bausch & Lomb triplet brass lens.
Ilford FP4+ B&W fim shot at 125 ISO.
Exposure was approximately 1/30th second at F6.7.
Lit by four fluorescent 80 watt bulbs inside a 28" Westcott Apollo softbox placed camera right and a 30" white reflector bouncing light back onto the statue from camera left.
Developed in Adox Rodinal 1:50 dilution for 10 minutes @ 20 degrees Celsius using a Beseler 8x10 print drum placed on Unicolor Uniroller 352 auto-reversing rotary base.
4x5" negative scanned with Epson V600.