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Artist: Paul van Bueren
Model: Fariëlda
Cambo SC-1
Fomapan 400
Copyright by Paul van Bueren
Want to work with me? Just let me know!
Originally known as Rosebank, but became better known as the Kerosene Castle. The home of Richard Shaw Wood betrays the industrial past of Oakville. Wood established one of the largest coal refineries for the production of Kerosene on the Sixteen Mile Creek and across he built a mansion for himself and his family. Known as Rosebank, Grand Old Lady, or the Keroscene Castle. The Shaw Refinery operated until 1866 when an explosion and fire destroyed the plant. The Creek even caught fire as Kerosene floated ontop of the water. In 1980 it became home to MacLaughlan College.
Graflex Crown Graphic - Fuji Fujinon-W S 1:5.6/150 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
The rocky face of Pilot Mountain
Taken at my recent artist residency in the mountains at Penland School of Craft. 1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Friday 3rd September 2021.
Camera: 1956 Linhof Super Technika 4 x 5".
Lens: Schneider 90mm Angulon f/6.8.
Film: Ilford Delta 100 4x5" sheet black & white negative.
Exposure: 30 seconds @ f/22; lens focused to 5 metres.
Development: ID-11 1 + 3 22 min/20C.
Copyright 2021 Tasmania Film Photography
All Rights Reserved
One of the more difficult parts of establishing a settlement was the planning and surveying. For Oakville that work fell to Merrick Thomas, son-in-law to William Chisholm. The Thomas House, built in 1829 is the oldest surviving home in Oakville.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Arista EDU.Ultra 400 @ ASA-200
Ilford Ilfotec HC (1+47) 7:30 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Looking East from Rowena Crest
June 21, 2017
Albumen Print
Ikeda Wood View, 90mm Super Angulon
Fomapan 100 in Caffenol
Albumen Print 6/24/2017 from digital negative
Arches Platine paper, 145gsm
Sodium Acetate Gold toner
This is meant to have a 19th century look, with no filter used and light sky. The paper texture intrudes more than I'd like in the sky, so next time I'll try to make a bigger print of this sort of subject (this is on 5x7 inch paper). Also, the Interstate Highway tends to dilute the photo's 19th century aura.
Yosemite National Park, California
May 1978
Ikeda Wood View, 210mm Symmar S
Tri-X in HC110B
Taken in my naive youth when I was studying to be the next Ansel Adams.
Ilford Delta 100, 4" x 5", 64 iso, estimated development in Rodinal developer, 1:50, 12:00minutes, 24C. Taken October 2018. Ebony SV45TU. Nikkor W 150mm.
Allstones Bay, Abraham Lake, Clearwater County, Alberta
1897 Ak-sar-ben Camera - Schneider G-Claron 210mm (Dagor Type) - f/45 - Fomapan 100 - 8x10 Film (5x10 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan
This young Maple sapling has taken root among some boulders and sand in the middle of a very narrow slot canyon created by violent flash floods. The sand is still wet from a flash flood that had gushed through the canyon only a few days prior, and yet the beautiful little Maple stands, defiantly displaying its coat of brilliant autumn leaves. It is amazing to me that this Maple can even exist in such adverse conditions, with no topsoil, no nutrients, and only loose sand and boulders to grow in, and yet there it is, defiant, beautiful, strong.
To make this image, I set my tripod up low to the ground, backed all the way into the opposite wall, and leaned in to see my ground glass under the hood. There are is about a foot or two of sand between the red sandstone slope in the foreground and my camera, so composing this scene was rather tricky. I made a single 8 second exposure at ƒ/32 on Fuji Velvia 100 using a CPL on my Schneider 90mm lens and some front rise on the Intrepid 4x5" view camera, made at 6pm as the light was fading fast. A few minutes later, I ran into Thomas Heaton in the same wash as I was finishing up with my next composition, and then Ben Horne a few minutes after that!
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
The Dalles Dam has been a fovorite spot for me for almost a decade, and, now that I have moved away from Hood River back into the Portland area, I look back on being minutes away from The Dalles with not a small amount of nostalgia. I really loved living there. It was the 52 mile commute to Gresham every day that did me in. I needed to reclaim that time.
So, now, I am going through my reams of negatives to find some that may look good on other peoples’ walls. I like this one.
Camera: Sinar Alpina 4x5
Lens: 12” Bausch & Lomb Anastigmat
Film: Ilford HP5+ developed in Clayton F76+
# #thedalles #oregonexplored #outinoregon #myoregon #wascocounty #thedallesdam #fishing #pnwexplored #pnwcrew #ilfordhp5 #garyquay #filmphotography #largeformat #viewcamera #largeformatphotography
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Anyone who knows me well enough knows that Grant Park is one of my most treasured areas in Milwaukee. Since I was 9 years old I've been coming to this location and have had many awesome memories here.
This photo marks one of those amazing moments.
September 2011
Lake Michigan
Grant Park
South Milwaukee, WI
4x5 Calumet View Camera
75 mm Schneider-Kreuznach f/8
Kodak E100 G Color Transparency Sheet Film
Cokin P121 3-stop Graduated ND Filter
Scanned on the Heidelberg DC3000 Drum Scanner
More like Creek Run.
Pacemaker Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Ilford Ilfotec DD-X (1+4) 7:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
5x10 from yesterday: 1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Negative Scan
[EXPLORED 22nd May 2013]
A DIY project I´ve been at for the past couple of weeks. The bare bones 600SE body has been lying around for a while, originally bought for a Super Wide project.
The camera is simple enough, does not fold, and does not have a geared focusing rack. Just push and pull, though it does have focus lock.
Has front movements only (understandably). Shift, swing, tilt and rise. Fall too, but only if you also tilt.
Designed for smaller (in size) lenses, so no large rear elements here. Will work with 114mm and up to 175 or so, though no movements to speak of before 127-135mm. Seen here with Tominon 127mm f4.7
The Polaroid 600SE fasteners will allow all sorts of backs. Polaroid 100 type of course, but also 120 up to 6x9, and even 4x5 (though not with full coverage)
Hopefully I can afford a proper focusing back for it at some time. As it is I have made a ground glass insert for a CB103 back, which works, but not overly well.
Bellows work, though could be prettier. At least now I know what I did wrong, if I ever get round to making a new set.
Quite compact without back and carrying handle. Less than 130mm x 135mm x 160mm. And very light. Used as little materials as possible, and as light as possible. Weighs 840 grammes net, 1450 with Polaroid back and Tominon lens in Copal press shutter.
All work has been done with hand tools, and a drill.
Captured with Fuji X-E1, Canon FD 50mm f1.8
IN ENGLISH BELOW THE LINE
La Gundlach Korona View és una càmera nord-americana de gran format, força lleugera i de gran qualitat.
Aquesta càmera en concret és la Korona View de segón model, fabricada entre 1909 i els anys 30; en tot cas aquesta data d'abans del 1926, ja que la companyia canvià de nom. És de format 5x7 polzades i la vaig comprar amb un objectiu Plaubel Anticomar f4.2 / 210mm montat en un gran obturador Compound; junt amb la càmera anaven tres portaplaques dobles amb el nom del antic propietari, Dr. H. B. Wright. Tot plegat sembla indicar que fou venguda als Estats Units als anys 20 o 30.
És molt curiós perquè la vaig comprar amb la idea exprés de fer-la servir per a fer plaques de col·lodió, i un dels tres portaplaques estava precisament adaptat per a col·lodió (i marcat com a tal).
Per cert, només em vaig adonar a posteriori que havia comprat una càmera que porta per nom KORONA just aquest any 2020.
www.piercevaubel.com/cam/gundlach/view.htm
camera-wiki.org/wiki/Korona_View_Camera
==================
The Gundlach Korona View is a large format American camera, quite light and built in high quality materials.
This particular item is the 2nd. model Korona View, made between 1909 and the 1930s; but this one was made before changing the name of the company in 1926. It is a 5x7 format camera and I bought it with a Plaubel Anticomar f4.2 / 210mm lens mounted on a large Compound shutter; along with the camera were three double plate holders with the name of the former owner, Dr. H. B. Wright. All this seems to indicate that it was sold in the United States in the early 1920's.
It’s very curious because I bought it with the express idea of using it to make collodion wet plates, and one of the three plate holders was precisely adapted for collodion (and marked as such).
By the way, have you noted that I bought a camera named Korona precisely in this 2020? The year of what...?
www.piercevaubel.com/cam/gundlach/view.htm
camera-wiki.org/wiki/Korona_View_Camera
www.historiccamera.com/cgi-bin/librarium2/pm.cgi?action=a...
Our Top 9 Instagram Posts of 2020. Thanks to @portraitsbypv and @ellisvenerstudio for contributing popular images this year! Models: @laceworklook and @madayaongininabubai
Zeiss Ikon Ideal 250/7 9X12cm Plate Camera with a Zeiss Jena Tessar f/4.5 13.5cm lens in a Compur shutter. This one has a bayonet lens mount for interchangeable lenses.
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Impossible 8x10 Black & White Film
Toyo 8x10 G View Camera with Fujinon 210mm lens
Used white paper backing to minimize the appearance of the divot...
©2021 Gary L. Quay
This is a rusted gate at the Fort Stevens jail, in Fort Stevens, Oregon. The landscapes were not very interesting that day, so we opted for the doorscapes. This is a film version of pictures I posted a couple of weeks ago.
I was testing out the repair on the Deardorff, which seems to have been a success. I haven't gotten it out in bright sunlight yet, but that will come once the smoke clears.
Camera: Deardorff 8x10
Lens: 360mm Schneider
Film: Ilford Ortho+ developed in 510-Pyro
# #pnwexplored #fortstevens #oregonexplored #pacificnorthwest #garyquay #cascadiaexplored #oregon #onlyinoregon #viewfromhere #YourShotPhotographer #pnwcrew #film #filmphotography #myoregon #oregoncoast #deardorff #ilford #orthoplus #viewcamera #largeformat
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and Mosier, Oreogn
Crater Lake National Park, Oregon
September 25, 2016
Ikeda Wood View, 90mm Super Angulon
Kodak Ektar 100 home developed in Unicolor C-41
SP-445 tank
I didn't post this with the B&W version as the neg was lightstruck in one spot and needed some retouching. Otherwise, minimal post processing in PS Elements.
1905 Korona View - Schneider G-Claron 240mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
Feeling forced by Flickr to start over again. Received an email there was a 'commercial link' to my website. I did remove this link and asked if they could reopen my account. Turned out this link was only the beginning and they wanted me to remove all 'nudity'. Even a Photograph whit a human in underwear is not 'safe' anymore. We are going in the wrong direction with this. And I decline to pay for an account so I can show nudity. I can say there is uncensored work on my website still and can not tell you where you can find my website.
Artist: Paul van Bueren
Model: Hellavende
Sinar P2
Fomapan 400
Copyright by Paul van Bueren