View allAll Photos Tagged viewcamera
Voigtländer Superb (1934) with 7.5 cm, f/3.5, Skopar with close-up filter, Fuji, Neopan, Acros 100, D76, 6x6
Karlos No.56. 6x6 pinhole camera sporting a Kiev film back and brass viewfinder (for the 90mm pinhole). The camera has three pinhole pannels for the focal ranges of 50mm, 90mm and 145mm and they take 52mm filters. The back is slide and lock and the front extends via slide with friction control. Cloth bellows and walnut / aluminium body, brass knobs and brass 1/4 tripod mount. The viewfinder is fitted to a stranded accessory shoe so it can be replaced with wider / longer VFs.
Pinhole Data:
50mm @ 0.3mm = f166
90mm @ 0.4mm = f225
145mm @ 0.5mm = f290
Ashland, Oregon
Graflex Graphic View II 4x5
Kodak 12" f/6.3 Commercial Ektar
Expired Kodak Portra 160NC
Epson V750-M Pro
1897 Ak-sar-ben Camera - Kodak Commercial Ektar 300mm- f/45 - Shanghai 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
with Conley 7" f:6.8 5x7 Anastigmat lens in Dial Set Ilex Universal shutter
Conley Camera Co
Rochester, MN 1903-1927
The biggest contemporary reflex camera ever made and the smallest one... on the left the enormous Fujica GX680 III (with the fujinon 65mm F5,6) and on the left the little Pentax a110 (with the Takumar 18mm F2,8)... what they can tell each other? ;-)
Original shot taken with a Graflex 4x5' View camera, Graphex Optar 90mm F6,8 lens, Polaroid Back loaded with Fujfilm FP-100c 45 instant film, almost no post processing, just scanned.
Another large format portrait in my series on the vintage scene. To see more visit www.tobiaskey.com
August 2017
Dry Tortugas National Park
Garden Key, FL
A view of the Garden Key's bird sanctuary (nesting area) from Fort Jefferson at Dry Tortugas National Park.
These are yellow ornamental grasses that grow in our backyard. I had snapped off a bunch of them a few weeks ago and brought them inside to dry before taking a shot of them. I've always referred to them as "Giant Hogweed" after the Genesis song.
4x5 for 365 Project details can be found at greggobst.photography/4x5-for-365
Camera: Calumet 45NX 4x5 large format monorail view camera.
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter. Yellow-Green filter on the lens to improve contrast.
Film: Arista EDU 100 Ultra 100 ISO B&W Negative Film (Re-branded Fomapan), shot at ISO 64.
Lighting: Lit from a constant light made up of four 25 watt daylight balanced CFL bulbs in a four socket adapter placed on a light stand and diffused through a home made diffuser made of white bridal satin around a pvc pipe frame.
Exposure: 2 seconds @ F32.
Development: Self Developed in Kodak Xtol 1+2 dilution in Paterson Universal Tank using the Taco Method. 13 minutes @ 20 degrees Celsius. Kodak indicator stop bath. Ilford Rapid Fixer. Photo-Flo rinse.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Slightly warm-toned in Photoshop.
[Frances Benjamin Johnston on a balcony of the State, War and Navy Building with a tripod-mounted camera, photographing an unidentified man]
[1888]
1 photographic print : cyanotype.
Notes:
Title devised by Library staff.
Photograph shows Johnston working at her camera preparing to take a picture. This proof print includes the shadow cast by the photographer capturing the scene.
Forms part of: Frances Benjamin Johnston Collection (Library of Congress).
Subjects:
Johnston, Frances Benjamin,--1864-1952.
Dwight D. Eisenhower Executive Office Building (Washington, D.C.)--1880-1890.
Photographers--Washington (D.C.)--1880-1890.
Photography--Washington (D.C.)--1880-1890.
Cameras--1880-1890.
Shadows--Washington (D.C.)--1880-1890.
Format: Cyanotypes--1880-1890.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA
Persistent URL: hdl.loc.gov/loc.pnp/ppmsc.04839
Call Number: LOT 11734-6 [item]
Artist: Paul van Bueren
Model: Julie
Cambo SC-1
Fomapan 400
Find me on Bluesky: bsky.app/profile/paulvanbueren.bsky.social
Copyright by Paul van Bueren
Want to work with me? Just let me know!
F030927908.
Posh villas contrast two dilapidated boat houses down at the shoreline. Paradis, Bergen, Norway.
Arca-Swiss F-Line camera with Rodenstock 90mm f/8 lens, Fuji Velvia RVP
2003.09.27 To røde båthus er forfalt, kontrast til velholdte villaer på åskam bakom. Bergen, Hordaland. © Bjørn Rørslett-NN/Nærfoto < F030927908 F030927 F0309 030927908 030927 Samfoto: 1000166676 Scanpix: sy708ce7 DIAS, MELLOM/STORFORMAT> 2.4 MB IMAGE/JPEG 03042CD 30.09.03 21:13:48 GPS UTM:KM,KM99,KM9894,KM980943 [Arca 6x9, 90/8 Rodenstock]
Arca-Swiss 4x5 F-Line & Universalis hybrid, Schneider Super Symmar XL 110mm, Fujichrome Provia 100f 4x5
Again, based on what I saw with my first set, I went with a stronger dilution and was rewarded. These have a bit more contrast than D-76, but nothing too serious. I think that it enhances the film all the more. Thankfully, there is only a slight increase in visible grain, but nothing over the top. I honestly think that anything more dilute might lower the image quality.
You can read the full review online:
www.alexluyckx.com/blog/2023/09/11/film-review-blog-no-99...
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - CatLABS X Film 80 Mk. II @ ASA-80
Ilford Ilfotec HC (1+31) 6:30 @ 20C
Meter: ReveniLabs Spotmeter
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
I finally went to the Grist Mill near Woodland, Washington. My intention was to get some good fall foliage pictures. Well, most of the leaves were already down. So, I was left with a difficult contrast situation, i.e. there was no contrast to speak of, just a little sun break just past the mill. My 165mm Schneider (for 8x10) lens is so large that none of my filters would fit on it, so a red filter was out of the question. I decided to shoot FP4 because of its slightly higher contrast, and even though I rated it at 80 ASA, I developed for full film speed. I also did not adjust development for 2 stops of reciprocity correction. This bumped up the contrast enough to give me detail in the wood on the mill. I actually had to lower contrast after scanning, but I burned in some of the remaining leaves a little.
Camera: Deardorff 8x10 with a 5x7 back.
Lens: 165mm Schneider Angulon.
Film: Ilford FP4+ developed in 510 Pyro.
# #cedarcreekgristmill #washington #garyquay #woodland #deardorff #largeformat #filmphotography #viewcamera #pacificnorthwest
Uploaded a sharper version 1/15/19.
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1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (5x10 Mask) - Legacy Pro L110 1+100 - Unaltered Negative Scan
Turn a Fujifilm GFX camera into a digital back for your 4x5 view camera with our new 4x5 GFX Stretch Stitching Adapter! Learn more: fotodioxpro.com/products/4x5-gfx-pro
This trip was the first time I've even visited Jingshan park in my entire life. The first day I was there I went and scouted out this obvious location, but at sunset, the crowds will not allow any tripod placement let alone a huge viewcamera. So after shooting the red door I left to come back one an early morning to shoot the forbidden city just after sunrise. The air was absolutely filthy that day, so I decided to shoot in 4x10 format using my cut dark slide on Provia 100F. The image came out quite nice and I feel it somehow reflects the actual situation in Beijing which is first and pollution ruining the beauty of the imperial architecture everywhere.
Shooting time: 06:45 om 22-Mar-2021
Camera: Chamonix Alpinist X camera
Lens: Fujinon C 600mm f/11.5
Film: Fujifilm Provia 100F 8x10 (using cut dark slide)
Filter: No filters were used
Measure exposure: 1.3sec at f/45
Final exposure: 1.3sec
Dynamic range: 3 stops
July 2011
Union Bay
Porcupine Mountains State Wilderness Park, MI
4x5 View Camera
FujiChrome Velvia 50 Color Transparency Film
Nikon Super CoolScan 9000
Contact print from 8’x10’ Foma film
printed on Bergger cot 320 paper with salt paper process
Gold toned (Borax), beeswax and lavender coated
Completed in 1905 the Brantford Station is the fourth station to serve this line, the first two being constructed by Buffalo & Lake Huron Railway and the next two by Grand Trunk. Designed as a propaganda piece to inspire confidence in the railway. Following the Picturesque aesthetic and incorporating Gothic, Romanesque, and Italianate details it is a grand example of turn-of-the-century architecture that would go on to inspire Guelph's Central Station. When Canadian National ceased passenger service, VIA rail took over operations and maintains it here today.
Graflex Crown Graphic - Fuji Fujinon-W 1:5.6/125 - Ilford HP5+ @ ASA-200
Pyrocat-HD (1+1+100) 9:00 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700
Editor: Adobe Photoshop CC
North Narrabeen, Sydeny, NSW, Australia.
September 2020.
Fomapan 400.
Developer D96 at stock solution strength, 15min with agitations every 30sec, at 15c.
Chroma Camera Carbon Adventurer 4x5 + Nikkor W 135/f5.6.
1/4sec f/45.
Arribes del Duero - Villarino de Los Aires (Salamanca - Castilla y León - Spain) - GF0133_002_modificat_01
Cambo SC - Escanejada de diapositiva Fujichrome Velvia en placa 9x12 / Escaneada de diapositiva Fujichrome Velvia en placa 9x12 / Scanned from 9x12 cms. Fujichrome Velvia sheet film
INSTA
#jordibrio #cambo #cambosc #viewcamera #largeformat #9x12sheetfilm #sheetfilm #filmphotography #velvia #fujichromevelvia #paisatge #paisaje #landscape #instascape #waterscape #igerscatalunya #igerscatalonia #igerscastillayleon #arribesdelduero #villarinodelosaires #salamanca #castillayleon #cyl #españa #spain #picoftheday #photooftheday #igcatviatgers #igcatalunya ig_landscape_lovers
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@igcatalunya
@ig_landscape_lovers
Pandani (Richea pandanifolia) and Pencil Pine (Athrotaxis cupressoides) in morning mist, Cradle Mountain - Lake St Clair National Park, Tasmanian Wilderness World Heritage Area
16x20" silver gelatin print on Foma fiber-based paper
Relicts - Exploring the Flora of Gondwana
18 March - 15 November 2020
Cradle Mountain Wildness Gallery
www.wildernessgallery.com.au/relicts-exploring-the-flora-...
Arca-Swiss F Line Field 4x5, Rodenstock Sironar S 150mm, Fujifilm Neopan Acros 100 4x5 rated 100 EI; developed in Hypercat catechol developer
The Rock River looking south (downstream) from the Jefferson Street bridge. Rockford, Illinois.
Graflex Graphic View 4x5 / Zeiss Tessar 13.5cm in Compur shutter. Polaroid Instant 4x5 film back.
Polaroid Type 55 Positive/Negative film.
4x5 Kodak 160NC
This is part of a project.
This was my assistant for the day and as I was focusing in on the idea and I really liked his red shirt with the balloons so of course I had to take a picture.
Burlington's second oldest Church is St. John's. Built to serve the rural community of Nelson along the Dundas Road, it has always been an extension of St Luke's in the downtown. The parish still worships in their original building and only became a single-point charge in the 1980s.
Graflex Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Adox CHS 100 II @ ASA-100
Adox Atomal 49 (Stock) 5:45 @ 20C
Meter: Pentax Spotmeter V
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Exposure
Derbyshire Peak District
2nd May 2021, 7.10am
Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6
Ilford FP4+ 125 (EI 64)
2” f/32⅔, 38mm front rise
Lee #23A red filter and 0.6 hard grad
Stearman Press SP810, Pyrocat HD 2:2:100, 6’50” for N-1
Acetic acid stop, TF4 Fix, Hypoclear
5th June 2021
Chemistry:
3ml Fotospeed Argyrotype Sensitizer with 1 drop let-down Tween 20, applied with Daler Rowney Skyflow Aquafine 3" Synthetic Brush.
Paper:
Bergger Cot320 11x14", dried 15mins, 50%RH, 20ºC, then sandwiched in cut-down Crystal Clear envelope, with neg on top.
Exposure:
Lotus 12x16" contact-printing frame; full sun 3'40", 11:15am
Wash:
5mins wash in distilled water/squeeze of lemon juice
5mins wash in tap water
3mins wash in hypo
1hr final soak (30mins each side) in tap water
Dried flat between boards
Digitisation: Nikon D800E/85PC-E tilt-shift (two-frame stitch)
On day 4 of my Zion fall color trip, I headed into the Virgin River Narrows at first light. This scene, Paradise Cove, was on my list for the day, but when I arrived there in the morning, the light was dull and flat. On my way back, however, I'd run out of color film. I stood there for several minutes contemplating the scene before deciding to go ahead and try to capture it on black and white film. To be honest this scene does a lot better on Velvia. The wall on the left is illuminated by orange glow of reflected light, and the trees are bright yellow cottonwoods. The cliff to the right is deep red sandstone, and the water is a pale teal color. But the textures and light are still very beautiful on black and white, and I'm glad I did make at least this one exposure of this scene. In post, I decided to crop the scan to a panoramic composition, as the subject elements are spread horizontally across the middle of the frame.
Intrepid 4x5" Field Camera, Schneider-Kreuznach 90mm f/8 Super-Angulon, front rise, 8s @ ƒ/22 on Fuji Acros 100 large format black and white sheet film.
This is my "test barn" that I shoot whenever I get new equipment or I'm trying new techniques. It offers some serious challenges to exposure because you are always fighting the sun and the front of the barn is almost always in shadow. I brought my older Calumet CC-401 4x5 out on this particular day in September when I was trying out shooting color negative film on the 4x5. As always, the scene posed a metering nightmare so I metered on the front and side of the barn and averaged that exposure out knowing I would have to compromise and give up the exposure of the sky because I had left my Grad ND filters at home, Grrrrrrrr.
The barn is located on Swamp Creek Road in Perkiomenville, a rural part of Montgomery County Pennsylvania.
Camera: Calumet CC-401 4x5 large format monorail view camera.
Lens: Rodenstock Geronar 150mm F6.3 lens in a Copal 0 shutter.
Film: Kodak Ektar 100 C41 Color Negative Film
Exposure: 1/4 second @ F45 with film rated at box speed. Metered with a Pentax 1 degree spot meter.
Development: Self Developed film using Tetenal C41 color development press kit in a Paterson Universal Tank using taco method, hung on shower curtain to dry on film clips.
Scanning: Negative scanned with Epson V600 in two scans and merged back together in PhotoShop since the V600 doesn't natively support 4x5 scans in one pass. Cropped in Lightroom 4.