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Sometime in 2000 or 2001, I made a photo-of-the-month calendar for Tim using photos of vans taken around Somerville & Cambridge.
This GMC van was October's featured photo.
This is a Dutch postcard by Jospe, nr. 442. Photo by Godfried de Groot, Amsterdam.
More on Truus in our brand new blog European Film Star Postcards.
Parked up in the depot yard at Hamilton Road in Taunton on 3rd July 2006 was 21 year old Ford Transit 365 C927GYD, reduced to bus stop maintenance and other duties.
Van Gogh: The Immersive Experience. I took these photos with my Samsung phone at the show in Kensington Gardens London
It's hard to believe these tiny boxy little vans remained in production virtually to the mid 1980's! The British utility companies kept buying them so Bedford kept making them! They were still a common sight on our roads right into the early 1990's and have now done a vanishing trick! The Corgi Trackside version is just great for the small scale. Not strictly a toy obviously and priced accordingly it is still worth having in your collection. Nice period yellow British Rail livery. Mint and boxed.
Photo showing Iris van Herpen, winner of the STARTS Prize of the European Commission,during the Ars Electronica Gala.
credit: Florian Voggeneder
Evoking memories of the numerous brake van tours that used to take place countrywide in the 1950s/60s, the Appleby Frodingham Railway Preservation Society tours of the TATA Scunthorpe Steelworks are an opportunity not to be missed in the 21st Century, usually steam-hauled and with a visit to the locomotive shed. The tours visit various parts of the site that normal railtours do not visit and with over 100 miles of track on site the tour just sets off and there's no planned route, it is made up as they go along, in fact a proper mystery tour where even the driver doesn't know where he's going until he gets there! A participant wearing a traditional flat cap is also a useful 'period' addition to any photo.
© Copyright Gordon Edgar - Strictly no unauthorised use
Van Gogh: The Immersive Experience. I took these photos with my Samsung phone at the show in Kensington Gardens London
A hike up the impressive Creux de Van in Switzerland in pretty suboptimal conditions. Stunning landscape and in the end it seems like it was better that way than on a sunny summerday.
Spanish postcard by CyA, no. 45. Photo: Warner Bros. Van Williams in the TV series Surfside 6 (Charles R. Rondeau, a.o., 1960-1962). The Spanish title was Rompeolas.
Hunky American film and TV actor Van Williams (1934-2016) was best known for his leading role as Kenny Madison in both Warner Bros. television detective series Bourbon Street Beat (1959–1960) and its sequel, Surfside 6 (1960–1962). For one season, he starred as the title character in the television series The Green Hornet (1966–1967), with Bruce Lee as his partner Kato.
Van Zandt Jarvis Williams was born in 1934 in Fort Worth, Texas. Williams grew up on a ranch outside Fort Worth and later studied cattle farming at Texas Christian University. He and the famous singer/songwriter Townes Van Zandt were cousins. He moved to Hawaii in 1956 after differences with his father on how the ranch should be run. He worked there as a scuba diving instructor. His clients included film producer Mike Todd and his then-wife Elizabeth Taylor. Todd noticed Williams' good looks and suggested he pursue an acting career. Williams first went to college and got a degree. Todd died in a plane crash in 1958, but Williams followed his advice, moved to Hollywood and took voice and acting lessons. He managed to get cast in episodes of General Electric Theatre (1958-1959), Lawman (1959) and Colt .45 (1959) and played minor theatre roles, including engagements on Broadway. Warner Brothers had a keen eye for photogenic hunks like Williams and signed him in 1959 for their television division. He was irresistible as the clean-cut private eye Kenny Madison on the Detective series Bourbon Street Beat (1959-1960), set in New Orleans. Although the show lasted only one season, Warner Bros carried his Kenny Madison character into the more popular adventure drama Surfside 6 (1960-1962) about a Miami Beach detective agency set on a houseboat. His new colleagues were played by Troy Donahue, Lee Patterson, Diane McBain, and Margarita Sierra. Surfside 6 was one of four detective TV series produced by Warner Bros. around that time, the others being 77 Sunset Strip (set in Los Angeles), Hawaiian Eye (set in Hawaii), and the aforementioned Bourbon Street Beat (set in New Orleans). Plots, scripts (changing the names and locales), characters, and almost everything else crossed over from one series to another, not a difficult feat since they were all actually shot on the studio's backlots in Los Angeles. Williams also briefly appeared in the film Tall Story (Joshua Logan, 1960) as a smug jock stepping stark naked out of the men's locker room shower, giving a young Jane Fonda quite an eyeful of him, comically saying: "If it is alright with you, it is alright with me".
During the run of Surfside Street, Van Williams occasionally guest-starred on other Warner Bros shows, such as Cheyenne (1962) and 77 Sunset Strip (1961-1962). He appeared with Jack Webb in an anti-communist short, Red Nightmare / Freedom and You (George Waggner, 1962), produced for and financed by the Department of Defence during the Cold War. Williams also starred in a World War II television pilot titled The Leathernecks (1962), broadcast as an episode of The Gallant Men. He also appeared as a young doctor in the film The Caretakers (Hall Bartlett, 1963) starring Robert Stack and Joan Crawford. When his contract expired at Warner, Van Williams tried a comedy series next, The Tycoon (1964-1965). Walter Brennan starred as a busy, self-made millionaire, and Williams was his young assistant. Williams was signed to the series to provide the romantic interest, and he took the part to learn comedy. He worked in television commercials and guest appearances on various television series such as The Dick Van Dyke Show (1965), The Beverly Hillbillies (1965) and The Milton Berle Show (1966). He also had an uncredited bit role in the Spy-Fi comedy Our Man Flint (Daniel Mann, 1966) that parodies the James Bond film series. The film starred James Coburn as master spy Derek Flint. 20th Century-Fox gave him his most vividly recalled part in The Green Hornet (1966-1967), as the mysterious masked hero and his alter ego, charming newspaper editor Britt Reid. Bruce Lee played his agile, Robin-like counterpart Kato. Inspired by the huge cult hit series Batman (1966), ABC-TV had William Dozier revive George W. Trendle's famous radio character in this new series. Williams played the role straight, unlike the comedy approach of the same producer's Batman show. He and Bruce Lee also made three guest appearances, in character, on the series Batman (1966-1967) and in the film Batman / Batman: The Movie (Leslie H. Martinson, 1966). The Green Hornet enjoyed a fast start but, like its predecessor, met an equally untimely finish. By the time he starred in The Green Hornet, Williams had become successful investing in various commercial ventures. Williams later said, "By the time The Green Hornet came along, I had pretty well decided to get out of the television business. About the only thing I enjoyed about those years was the location work. Basically I'm a shy person. I know that public appearances and autographs and all that are a necessary part of the business, but it wasn't for me."
However, after The Green Hornet ended, Van Williams guest starred on shows such as The Big Valley (1968), Mannix (1970), Love, American Style (1970), Nanny and the Professor (1970), Ironside (1971), Mission: Impossible (1972), Apple's Way (1974), Gunsmoke (1974), and The Manhunter (1975). He returned to the lead in a regular series with Westwind (Christian Nyby, 1975), a children's adventure series filmed in Hawaii. He co-starred with Dorothy MacGuire in the TV movie, The Runaways (Harry Harris, 1975) about a homeless teenage boy (Josh Albee) and an escaped leopard (Spot). William then again guest-starred in popular TV series such as Bert 'DAngelo/Superstar (1976), The Streets of San Francisco (1976), Barnaby Jones (1977), How the West Was Won (1978), The Night Rider (1979), Mrs. Columbo (1979) and The Rockford Files (1979). Ironically, he turned down the offer of a role in Falcon Crest (1981) because it involved too much location shooting. Williams retired from acting in 1982 to open a communications company in Santa Monica. He was also a longtime reserve deputy sheriff with the Los Angeles County Sheriff's Department and worked at the substation in Malibu, California. In 1993, Williams made a cameo in Dragon: The Bruce Lee Story (Rob Cohen, 1993) as the director of The Green Hornet television program. In 2010, the filmmakers of the Green Hornet film adaptation wanted him to make a cameo appearance as a cemetery guard, but Williams turned it down. Williams married Vicki Flaxman in 1959. Together they had two children, and one from Vicki's prior marriage to Jeff Richards. He had nine grandchildren. He also had twin daughters from a previous marriage to Drucilla Greenhaw, which also included four grandchildren. Outside the studios, Williams was also privately closely affiliated with Batman star Adam West. They were neighbours in Sun Valley and spent much leisure time together. West also claimed that when people saw them together outdoors, they would comment about Batman and The Green Hornet being on a secret case together. Van Williams died in 2016 from kidney failure at the age of 82 in Scottsdale, Arizona.
Sources: Gary Brumburgh (IMDb), J.E. McKillop (IMDb), Wikipedia (German and English) and IMDb.
And, please check out our blog European Film Star Postcards.
photo by Amanda Rae - vans.com/classictales
Vans Girls roadtrip to Santa Cruz, CA for the Duct Tape Invitational. Our first night was spend at this insane hotel called The Madonna Inn in San Luis Obispo, CA. You have to jump on the bed in the hotel. Without a doubt.
Huile sur toile, 53 x 72 cm, octobre 1887 (F 358 / JH 1612), Van Gogh Museum, Amsterdam.
Ce tableau attribué auparavant à la période d'Arles (daté d'octobre 1888) est maintenant rattaché à la période parisienne (octobre 1887).
Merci Michelangelo pour la photo :
www.flickr.com/photos/47934977@N03/22939840110/in/datepos...