View allAll Photos Tagged timing
Working The 6F42 06.45 Immingham H.I.T. (Gbrf) To Cottam Power Station Gbrf According To Realtime Trains The Route And Timings Were
Immingham H.I.T. (Gbrf) 06.45 . 06.45 RT
Immingham West Jn 06.49 No Report
Humber Road Jn 06.53 No Report
Ulceby 07.02 . 06.59 3E
Brocklesby Jn 07.04 . 07.01 3E
Barnetby 07.15 . 07.10 5E
Wrawby Jn 07.16 1/2 . 07.12 4E
Elsham 07.20 1/2 . 07.15 5E
Appleby Lc 07.29 . 07.21 8E
Scunthorpe F.O.B. Jn 07.32 . 07.23 1/2 8E
North Lincoln Jn 07.35 1/2 .07.26 1/4 8E
Scunthorpe Trent Jn 07.36 1/2 .07.27 1/4 9E
Scunthorpe West Jn 07.38 . 07.28 1/4 9E
Scunthorpe 07.39 . 07.29 9E
Gunhouse Loop 07.43 1/2 . 07.33 10E
Althorpe 07.45 1/2 .07.34 3/4 10E
Crowle 07.52 1/2 .07.41 1/2 10E
Thorne South 08.03 No Report
Thorne Jn 08.05 . 07.54 3/4 10E
Hatfield & Stainforth 08.08 1/2 To 08.10 1/2 07.58 N/R 10E
Kirk Sandall 08.16 No Report
Kirk Sandall Jn 08.17 . 08.02 15E
Low Ellers Curve Jn 08.29 No Report
St Catherines Jn 08.31 1/2 .08.18 13E
Firbeck Jn 08.43 No Report
Maltby Colliery S B 08.49 1/2 To 09.16 1/2 08.35 . 08.43 33E
Dinnington Jn 09.34 1/2 . 09.02 32E
Dinnington Sig Wp606 09.36 No Report
Brancliffe East Jn 09.47 1/2 . 09.10 37E
Shireoaks 09.49 . 09.12 3/4 36E
Shireoaks West Jn 09.49 1/2 No Report
Shireoaks East Jn 09.50 1/2 . 09.14 1/4 36E
Worksop 09.52 . 09.17 1/4 34E
Thrumpton West Jn 10.03 . 09.31 1/2 31E
Retford 10.07 . 09.34 32E
Clarborough Jn 10.14 . 09.43 1/2 30E
Cottam Power Station Gbrf 10.26 . 09.55 31E
Word art/refrigerator magnet poem by Michael Arnzen, inspired by The Fridge of the Damned kickstarter project. Please join our campaign to make some creepy word magnets to instigate strange poetry and to get your weird on! Pledge before Feb 1st to help us make it a reality.
I'll be posting new material here all month. See the whole (continuing) set of Fridge of the Damned photos on flickr.
Process: Camera+ App photo of fridge magnets on wood w/CrossProcess effect
UPDATE: You can now purchase The Fridge of the Damned magnetic word kit directly from Raw Dog Screaming Press.
Could not have asked for a better time for an eastbound on the BNSF! Luckily I had my camera at the ready when I heard the chugging of GEs from the west.
BNSF 794 C44-9W
Eastbound Manifest
Project: Timing
Location: Kennedyplein
Philipp Geist’s still- and video projection mingle with the facades and their means of representation. Through projecting light and images into architectural environments filled with fog, his interventions in architectural environments visualize and – at the same time - cloak the space they inhabit. Intersecting media and urban landscapes into new hybrid conditions, their experiential attraction reflect on the ephemeral and dynamic qualities of artificial consistencies.
“Timing” is a site-and time-specific work, made for GLOW and made of projected words woven into the space like a poetic carpet and at the same time, as social radar. The work will be completed by the visitors walking in the projection field.
Video Mapping Philipp Geist_Ano da Alemanha no Brasil - Santa Marta 2014
„VideoInstallation by Philipp Geist“, "Philipp Geist", „Copyright 2014 Philipp Geist / VG Bildkunst 2014", www.videogeist.de, mail@videogeist.de, „Rio de Janeiro“, "Santa Marta“, „Cristo Redentor“, „Dona Marta“, „Deutschland + Brasilien 2013-2014“, “Alemanha + Brasil 2013-2014”
Photo by Fred Pacífico
©2014 Philipp Geist / VG BIldkunst Bonn
Rio de Janeiro / Brazil 2014
Christ statue (Cristo Redentor) – May 12
Dona Marta favela – May 15 and 16,2014
Light Art-Video-Mapping-Installations Philipp Geist in Rio de Janeiro / Brazil 2014
on the Christ statue (Cristo Redentor) - May 12 and in the Dona Marta favela - May 15 and 16,
2014
Installation Philipp Geist Year of Germany in Brazil 2013/2014
Concept Time Drifts May 2014
At the end of the Year of Germany in Brazil 2013/2014, the artist Philipp Geist (Berlin, 1976)
develops two light installations in Rio this year; the first one on the world-famous Christ statue
(Cristo Redentor) and the other installation in the Santa Marta favela. For the installation the
artist presents artistic-liberal and poetic German and Brazilian themes and develops a building
and floor light installation of colored words and phrases in Portuguese, German, and in other
international languages. The installation deals with cultural characteristics and achievements of
both countries and visualizes the issues of time and space, volatility and presence in a free
artistic style. The two projects are in fact a double project which is combined. The installation
on the symbol of Rio and Brazil, the Christ statue, is recorded and projected onto the small
buildings and huts of the favela. The Christ statue, which has been built to protect the city and
the sailors, is symbolically projected on the shantytown, the favela, in a protective way. The
installation in the favela will be seen not only on a facade as a large cinema projection or as a
static image, but on several winding buildings, the roofs, the floor and on the steps. Thus, the
visitor becomes a part of the installation and can immerse into the projection and the light and
introduce himself. Chalk crayons are put out on the streets in the favela and the young and old
residents and visitors can write and paint words on the street, the ground, the stairs or even on
the house walls. The residents and several institutions should be addressed to submit words and
associations dealing with Rio, Brazil and Germany.
For the installation, which was shown at the Luminale in 2012, the artist Philipp Geist won the
German Lighting Design Award 2013 (Deutscher Lichtdesign-Preis 2013) in the category Light Art.
The series 'Time Drifts' is characterized by the complex and subtle way of visualizing various
currents and voices in cultural contexts and to provide institutions and visitors with the
opportunity of substantive participation: different personalities, visitors and institutions may be
addressed in advance and then contribute words and associations. Current and historico-cultural
topics are researched in advance by the artist and then integrated in a sensitive and subtle way.
The projection dismisses the use of screens, because concepts and associations are projected on
a large area onto the floor surface on several facades and in theater fog. Over the course of two
days, the installation can be seen on-site in the favela on May 15 and 16 and on the Cristo
Redentor on May 12 for a day.
Short, tall, young and old visitors can interactively participate in the installation by tracing and
adding words with colored chalk crayons available on the streets. Thus, over the period of the
installation, a carpet of words is evolved with terms that are contributed locally by the visitors
by means of the temporary and volatile 'medium' of chalk crayons. Philipp Geist develops in this
way a dialogue between the place, the visitors and his artistic work.
The concrete, tangible projection of the architecture and the static terms on the floor area
represents the facts and visible relics that are responsible for our understanding of history. The
transparent and volatile projection in the fog reminds us that part of the history can not be
preserved and that it is created in our individual imagination in a single moment. Words are
briefly visible as a metaphor for transience and then disappear again. This interplay of the
various text and image layers in the space refers to the location and the history/-ies of Brazil
and Germany and the cultural exchange between the two countries. The visitors themselves are
part of the installation: they dive into the large floor projection. In this way, different
perspectives and experiences of space are unified. Abstract passages which are created, then
overlapped and displaced by each other symbolize the constant changes in history, the passage
of time and the transience of existence. Even the understanding of the past is in the flux. The
modern writings and formations created on the computer establish a connection to the present
and the possibilities of today's technology and show that the perception of history and culture
depends always on the possibilities and constraints of the present.
'Time Drifts - Words of Berlin' is part of a series of installations, which has been shown in recent
years by Philipp Geist, and which are always re-developed site-specifically and adapted to the
local conditions: In October 2012, Philipp Geist showed the installation on the entire Potsdamer
Platz (public square) and the Kolhoff Tower and Renzo Piano Tower skyscrapers. In April 2012
the installation was shown at the Luminale in Frankfurt where it was seen by more than 40,000
visitors and thus the main project of the Luminale 2012. In 2011, Philipp Geist presented the
'Time Drifts' installation in Vancouver at the Jack Poole Plaza, as well as in Montreal on the
Place des Arts in 2010. The 'Timing' installation was shown at the 2009 Glow Festival in
Eindhoven. In the end of 2009, on the occasion of the birthday of the King of Thailand, 2-3
million visitors saw his facade installation at the royal throne in Bangkok. Other projects
include: 'Timelines' at the prestigious Pallazzio delle Esposizioni (Rome, 2007), 'Time Fades'
at the Cultural Forum of Berlin and 'Broken Time Lines' at the old spa Kurhaus Ahrenshoop
(Germany, 2008).
Geist's projects are primarily characterized by their complexity concerning the integration of
space, sound and motion images. His video mapping installations waive screens and transform a
wide range of architectures in moving, picturesque light sculptures which challenge the viewer's
perception of two- and three-dimensionality.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
---------------
Arte de luz - Instalações de Mapeamento de Vídeo por Philipp Geist no Rio de Janeiro / Brasil
2014 no Cristo Redentor no dia 12 de maio e na favela Santa Marta nos dias 15 e 16 de maio de
2014
Instalação Philipp Geist Ano Alemanha + Brasil 2013/2014
Conceito Time Drifts Maio 2014
No final do ano Alemnaha + Brasil 2013/2014, o artista Philipp Geist (1976, Berlim) desenvolverá
duas instalações de luz no Rio; uma delas será exibida na mundialmente famosa estátua do
Cristo Redentor, e a outra na favela Santa Marta. Para a instalação, o artista traz temas teutobrasileiros
de maneira liberal-artística e poética desenvolvendo instalações de luz em edifícios e
no solo a partir de palavras e conceitos coloridos em Português, Alemão e em outros idiomas
internacionais. A instalação lida com as peculiaridades e realizações culturais de ambos os países
e visualiza as questões de tempo e espaço e de volatilidade e presença no estilo liberal-artístico.
Os dois projetos em questão representam um projeto duplo que é combinado. A instalação na
estátua do Cristo Redentor, como um símbolo do Rio e do Brasil, será gravada e projetada nos
pequenos prédios e barracos da favela. A estátua do Cristo Redentor, que foi erguida para
proteger a cidade e os marinheiros, será então projetada como um símbolo de proteção em uma
favela. A instalação na favela é visto não apenas em uma fachada como uma projeção grande de
cinema ou como uma imagem estática, mas em vários prédios sinuosos, em telhados, no solo e
nas escadas. Desta maneira, o visitante conseguirá ser parte da instalação e imergir e mergulhar
na projeção e na luz. Na favela, será distribuído giz para pintura de rua, e os moradores e
visitantes, tanto jovens quanto velhos, podem escrever e pintar conceitos na rua, no solo, nas
escadas ou até mesmo nas paredes das casas. Os moradores e diversas instituições serão
convidados a contribuir com conceitos e associações que representam o Rio, o Brasil e a
Alemanha.
Para as instalações apresentadas na Luminal em 2012, o artista Philipp Geist ganhou o
'Deutscher Lichtdesign-Preis 2013” (Prêmio Alemão de Desenho de Luz de 2013) na categoria
Arte de Luz. A série Time Drifts caracteriza-se pela forma complexa e sutil de visualizar várias
correntes e vozes em contextos culturais e de oferecer a instituições e aos visitantes a
oportunidade de participar: diferentes personalidades, visitantes e instituições podem ser
contatados antecipadamente para contribuir com termos e associações. Temas atuais, históricos
e culturais serão previamente pesquisados pelo artista e, depois, integrados de uma forma
sensível e sutil. A projeção é realizada sem o uso de telas porque conceitos e associações são
projetados, em grande estilo, sobre a superfície do solo, em diversas frentes e envolvidos em
fumaça. Ao longo de dois dias, a instalação estará em exibição em 15 e 16 de maio na favela, e
em 12 de maio, por um dia, no Cristo Redentor.
Visitantes jovens e velhos podem envolver-se na instalação e traçar ou adicionar palavras com
giz colorido, que será distribuído, e assim participar interativamente na instalação. Desta
maneira, durante a duração da instalação, será desenvolvido um tapete de palavras. As palavras
serão fornecidas, no próprio local, pelos visitantes usando o giz, um meio temporário e volátil.
Philipp Geist desenvolve assim um diálogo entre o local, os visitantes e seu trabalho artístico.
A área de projeção concreta e tangível da arquitetura e os termos estáticos sobre a superfície do
solo representam os fatos e as relíquias visíveis que compõem a nossa compreensão da história. A
área de projeção transparente e sumindo por dentro da fumaça lembra que parte da história não
pode ser preservada e que ela é criada na nossa imaginação individual momentaneamente.
Conceitos são brevemente visíveis, como uma metáfora para a transitoriedade e, logo mais,
desaparecem. Esta interação entre as várias camadas de texto e de imagens no espaço refere-se
à localização e a(s) história(s) do Brasil e da Alemanha e o intercâmbio cultural entre os dois
países. Os próprios visitantes tornam-se parte da instalação: eles imergem na grande projeção
do solo. Desta forma, diferentes perspectivas e experiências de espaço são unidas. Passagens
abstratas que são formadas, sobrepostas e suprimidas pela próxima simbolizam as mudanças
contínuas na história, a passagem do tempo e a transitoriedade da existência. A compreensão do
passado também está no fluxo. As fontes e formações modernas criadas no computador
estabelecem uma conexão com o presente e com as possibilidades da tecnologia de hoje: a
percepção da história e da cultura sempre dependende das capacidades e limitações do
presente.
'Time Drifts - Words of Berlin' faz parte de uma série de instalações, que foram apresentadas
durante os últimos anos por Philipp Geist e que são sempre redesenvolvidas para as condições
locais específicas: em outubro de 2012, Philipp Geist exibiu a instalação em toda a praça
Potsdamer Platz (Berlim) e nos dois arranha-céus Kolhoff Tower (Berlim) e Renzo Piano Tower
(Londres). Em abril de 2012, a instalação foi apresentada no evento da Luminal em Frankfurt
onde foi vista por mais de 40.000 visitantes sendo o principal projeto da Luminal de 2012. Em
2011, Philipp Geist mostrou a instalação Time Drifts na praça Jack Poole Plaza em Vancouver
bem como em Montreal, Canadá, no centro de arte Place des Arts, em 2010. A instalação Timing
foi exibida no Glow Festival de 2009 in Eindhoven, Holanda. No final de 2009 e por ocasião do
aniversário do rei tailandês, aprox. 2 a 3 milhões de visitantes viram a instalação de fachada do
artista no trono real em Banguecoque. Seus outros projetos incluem: Time Lines, no prestigiado
museu Palazzio delle Esposizioni (Roma, 2007); Time Fades, no Fórum Cultural de Berlim;
Broken Time Lines, no antigo spa Kurhaus Ahrenshoop (Alemanha, 2008).
Os projetos de Geist são principalmente caracterizados por sua complexidade na integração de
espaço, som e imagens de movimento. Suas instalações de mapeamento de vídeo renunciam
telas e transformam uma ampla gama de arquiteturas em esculturas móveis e pitorescas que
desafiam a percepção do espectador de duas e três dimensões.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
---------------
Lichtkunst-VideoMappingInstallationen Philipp Geist in Rio de Janeiro / Brasilien 2014
an der Christstatue (Cristo Redender) 12.5 und in der Favela Santa Marta 15./16.5.2014
Installation Philipp Geist Deutsch-Brasilianisches Jahr 2013/2014
Konzept Time Drifts Mai 2014
Zum Abschluss des Deutsch-Brasilianischen-Jahres 2013/2014 entwickelt der Berliner Künstler
Philipp Geist (1976) zwei Lichtinstallation in Rio d.J.; eine an der weltbekannten Christstatue
(Cristo Redender) und in die andere Installation in der Favela Santa Marta. Bei der Installation
greift der Künstler künstlerisch frei und poetisch deutsch brasilianische Themen auf und
entwickelt eine Gebäude- und Boden-Lichtinstallation aus farbigen Wörtern und Begriffen in
portugiesischer, deutscher, und in weiteren internationalen Sprachen. Die Installation thematisiert
kulturelle Besonderheiten und Errungenschaften beider Länder und visualisiert die Themen Zeit
und Raum, Flüchtigkeit und Präsenz in freien künstlerischen Art. Bei den beiden Projekten handelt
es sich um ein Doppelprojekt welches kombiniert wird. Die Installation auf das Wahrzeichen von
Rio und Brasilien die Christstatue, wird aufgenommen und auf die kleinen Gebäude und Hütten
der Favela projiziert. Die Christstatue die errichtet worden ist um die Stadt und Seeleute zu
schützen, wird so symbolisch schützend über ein Armenviertel die Favela projiziert. Dabei ist die
Installation in der Favela nicht nur auf einer Fassade als große Kinoprojektion oder als statisches
Bild zu sehen, sondern auf mehreren verwinkelten Gebäuden, den Dächern, den Boden und auf
den Stufen. Der Besucher wird vielmehr auf diese Weise selbst Teil der Installation und kann in die
Projektion und das Licht eintauchen und sich einbringen. In der Favela werden Strassenmalkreide
ausgelegt und die Bewohner und Besucher ob jung oder alt können Begriffe auf die Strasse, den
Boden, die Treppenstufen oder sogar auf die Hauswände schreiben und malen. Die Bewohner und
verschiedene Institutionen sollen angesprochen werden Assoziationen und Begriffe die für Rio,
Brasilien und Deutschland stehen einzureichen.
Für die 2012 bei der Luminale gezeigten Installation hat der Künstler Philipp Geist den Deutschen
Lichtdesign-Preis 2013 in der der Kategorie Lichtkunst gewonnen. Die Serie 'Time Drifts' zeichnet
sich aus durch die komplexe und die subtile Möglichkeit, verschiedenste Strömungen und
Stimmen in kulturellen Kontexten sichtbar zu machen und Institutionen und Besuchern die
Möglichkeit zur inhaltlichen Partizipation zu geben: Es können verschiedene Persönlichkeiten,
Besucher und Institute im Vorfeld angesprochen werden, die Begriffe und Assoziationen
beisteuern. Aktuelle und kulturhistorische Themen werden im Vorfeld vom Künstler recherchiert
und auf sensible und subtile Weise integriert. Die Projektion verzichtet auf den Einsatz von
Leinwänden, denn Begriffe und Assoziationen werden grossflächig auf die Bodenfläche, auf
mehrere Fassaden und in Theaternebel projiziert. Über den Zeitraum von 2 Tagen wird die
Installation vor Ort in der Favela am 15/16.Mai und die Installation am Cristo Redentor am 12.Mai
für einen Tag zu sehen sein.!
Kleine, große, junge und alte Besucher können sich einbringen in die Installation und mit farbiger
Straßenmalkreide, die ausgelegt wird, Wörter nachzeichnen und hinzufügen und so interaktiv an
der Installation teilnehmen. Über die Installationsdauer entsteht somit ein Wörterteppich aus
Begriffen, die vor Ort von den Besuchern selbst mittels dem temporären und flüchtigen 'Medium'
der Strassenmalkreide beigesteuert werden. Geist entwickelt auf diese Weise einen Dialog
zwischen dem Ort, den Besuchern und seiner künstlerischen Arbeit. ! !
Die konkrete, greifbare Projektionsfläche der Architektur und die statischen Begriffe auf der
Bodenfläche stehen für die Fakten und sichtbaren Relikte, welche unser Geschichtsverständnis
ausmachen. Die transparente, sich verflüchtigende Projektionsfläche im Nebel erinnert daran,
dass ein Teil der Geschichte nicht konserviert werden kann und im Moment in unserer individuellen
Vorstellung entsteht. Begriffe werden als Metapher für die Vergänglichkeit kurzzeitig sichtbar und
verschwinden sofort wieder. Dieses Zusammenspiel der verschiedenen Text- und Bildschichten im
Raum verweist auf den Ort und die Geschichte(n) Brasiliens und Deutschlands und den kulturellen
Austausch beider Länder. Die Besucher selbst werden Teil der Installation: sie tauchen in die
großflächige Bodenprojektion ein. Auf diese Weise vereinen sich unterschiedliche Perspektiven
und Raumerfahrungen. Abstrakte Passagen, die sich aufbauen, überlagern und gegenseitig
verdrängen, symbolisieren die ständigen Veränderungen in der Geschichte, den Lauf der Zeit und
die Flüchtigkeit des Seins. Auch das Verständnis von der Vergangenheit ist im Fluss. Die
modernen Schriften und Formationen, die am Computer entstanden sind, stellen eine Verbindung
zur Gegenwart und den Möglichkeiten der heutigen Technik her und zeigen, dass die Erfahrbarkeit
von Geschichte und Kultur immer von den Möglichkeiten und Rahmenbedingungen der Gegenwart
abhängig ist.
'Time Drifts - Words of Berlin' ist Teil einer Serie von Installationen, die Philipp Geist in den letzten
Jahren gezeigt hat, und die dabei immer wieder neu an die örtlichen Gegebenheiten ortsspezifisch
weiterentwickelt wird: Im Oktober 2012 zeigte Geist die Installation auf dem gesamten Potsdamer
Platz und den beiden Hochhäusern Kolhoff Tower und Renzo Piano Tower. Im April 2012 wurde die
Installation in Frankfurt auf der Luminale gezeigt, wurde von mehr als 40.000 Besuchern gesehen
und war das Hauptprojekt der Luminale 2012. Im Jahr 2011 zeigte Geist die Installation Time Drifts
in Vancouver am Jack-Poole Plaza, ebenso wie in Montreal am Place des Arts in 2010. Die
Installation 'Timing' war 2009 auf dem Glow Festival in Eindhoven zu sehen. Ende 2009 sahen
anlässlich des Geburtstages des thailändischen Königs ca. 2-3 Millionen Besucher seine
Fassadeninstallation am königlichen Thron in Bangkok. Andere Projekte waren u.a.: 'Time Lines'
am renommierten Museum delle Esposizioni (2007), 'Time Fades' am Berliner Kulturforum,
'Broken Time Lines' am alten Kurhaus Ahrenshoop (2008).
Geists Projekte sind in erster Linie gekennzeichnet durch ihre Komplexität in der Integration von
Raum, Ton und Bewegbild. Seine Video-Mapping-Installationen verzichten auf Leinwände und
verwandeln verschiedenste Architekturen in bewegte, malerische Lichtskulpturen, die die
Wahrnehmung der Betrachter von Zwei- und Dreidimensionalität herausfordern.
Working The 696S 16.33 Cottam Power Station To Acton T.C. According To Realtime Trains The Route And Timings Were
Cottam Power Station 16.33 . 12.16 257E
Clarborough Jn 16.43 No Report
Retford 16.52 . 12.45 247E
Thrumpton West Jn 16.53 No Report
Worksop 17.04 . 12.58 246E
Worksop Down Reception 17.08 To 17.38 No Report
Shireoaks East Jn 17.39 No Report
Worksop 17.41 . 17.38 1/2 2E
Thrumpton West Jn 17.52 . 17.49 2E
Retford 17.54 . 17.50 1/2 3E
Clarborough Jn 18.01 . 17.56 1/2 4E
West Burton West Jn 18.04 1/2 .18.00 3/4 3E
Gainsborough Trent Jns 18.08 . 18.05 3E
Gainsborough Lea Road 18.10 . 18.06 4E
Stow Park 18.17 1/2 No Report
Saxilby 18.24 No Report
Pyewipe Jn 18.31 No Report
West Holmes Jn 18.32 . 18.27 5E
East Holmes S B 18.36 To 19.45 No Report
Lincoln Central 19.47 . 19.43 1/2 3E
Pelham Street Jn 19.49 No Report
Metheringham 20.03 . 19.56 1/2 6E
Ruskington 20.11 1/2 No Report
Sleaford North Jn 20.14 . 20.08 6E
Sleaford South Jn 20.16 .20.10 6E
Quadring Signal Ws7070 20.27 . 20.25 2E
Spalding 20.39 . 20.36 1/2 2E
Littleworth 20.46 1/2 No Report
Werrington Jn 20.58 . 20.53 3/4 4E
New England Nth Jn 21.05 No Report
Peterborough 21.14 To 21.16 21.04 1/2 . 21.12 1/4 3E
Fletton Jn 21.22 To 21.27 N/R 21.28 1L
Holme Jn 21.35 1/2 No Report
Connington South Jn 21.38 . 21.39 1L
Connington Loop 21.41 To 21.56 No Report
Huntingdon 22.10 1/2 . 22.08 2E
St Neots 22.21 1/2 . 22.17 4E
Sandy 22.33 . 22.25 7E
Biggleswade 22.37 1/2. 22.29 1/4 8E
Arlesey 22.43 1/2 . 22.34 9E
Cadwell Sig K718 22.49 No Report
Hitchin 22.51 1/2 . 22.44 3/4 6E
Stevenage 22.59 . 22.51 1/4 7E
Langley Jn 23.01 . 22.52 1/4 8E
Knebworth 23.04 1/2 . 22.54 1/4 10E
Woolmer Green Jn 23.07 . 22.55 1/2 11E
Welwyn North 23.09 . 22.58 1/4 10E
Digswell Jn 23.09 1/2 . 22.58 11E
Welwyn Garden City 23.19 . 23.00 3/4 18E
Hatfield 23.22 . 23.03 1/2 18E
Marshmoor Crossover 23.22 1/2 No Report
Welham Green 23.24 1/2 .23.06 1/2 17E
Brookmans Park 23.26 . 23.07 1/2 18E
Potters Bar 23.28 . 23.09 1/2 18E
Hadley Wood 23.31 1/2 . 23.12 19E
New Barnet 23.33 1/2 . 23.13 1/4 20E
Oakleigh Park 23.34 1/2. 23.14 20E
New Southgate 23.37 1/2 . 23.16 1/2 20E
Alexandra Palace 23.40 . 23.20 20E
Hornsey 23.43 1/2 No Report
Harringay 23.46 No Report
Finsbury Park 23.49 . 23.25 3/4 23E
Holloway Sth Jn 23.52 . 23.28 24E
Copenhagen Junction 23.56 No Report
York Way North Jn 23.57 No Report
Camden Road Incline Jn 00.16 No Report
Camden Road Central Jn 00.20 No Report
Camden Road 00.22 . 23.54 27E
Camden Road Jn 00.22 1/2 . 23.55 1/4 27E
Kentish Town West 00.25 .23.58 3/4 26E
Gospel Oak 00.28 . 00.02 25E
Hampstead Heath 00.29 . 00.04 25E
Finchley Road & Frognal 00.31 No Report
West Hampstead 00.31 1/2 .00.06 1/2 24E
Brondesbury 00.32 1/2 No Report
Brondesbury Park 00.33 . 00.08 25E
Kensal Rise 00.34 1/2 No Report
Kensal Green Jn 00.35 1/2 . 00.09 3/4 25E
Willesden Junction 00.36 1/2 . 00.11 1/4 25E
Acton Wells Jn 00.44 . 00.15 1/4 28E
Acton T.C. 00.49 . 00.22 27E
On the Wellington water front there is one of the most well used hopscotch boards in the country. I watched for 20 mins and counted 43 people hopping.
This is a photograph from the 12th running of the Donadea 50KM and the National 50KM Championships held in Donadea Forest Park, Staplestown, Co. Kildare, Ireland on Saturday 11th February 2023 from 10:00 onwards. The 50K at Donadea is now firmly established as one of the most popular ultramarathon running distance races in Ireland. This year a field of well over 200 participants started the race.
The race is run on a 5KM looped trail of Donadea Forest Park which is a beautiful Coillte-managed forest amenity near the village of Staplestown. The race is promoted by Donadea Running Club and the timing and event management was delivered by Kildare-based company Popup Races. The Popup website www.popupraces.ie will have full results of the event available.
The full set of photographs are available here on Flickr: www.flickr.com/photos/peterm7/albums/72177720305946534
Cargolux 747-400 making a rare approach to the North side of LAX with an Air Tahiti Airbus A340 in the background.
© Chris Heising / www.worldwildimages.com
Timings for Quiz
5th October 2019, Saturday.
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chilled with Devon and Madi in the summer holidays, it became their goal to be swinging at the same time. eventually they got there :D
Pics nicked off the Mrs' Facebook and probably taken on a canon
setting the timing by ear back in '81 ;-)
A roper winds up her lasso as the barrier flag and the timing rope on the calf blur. From the Georgia High School Rodeo Association rodeo in Forsyth, GA
Nikon D7000 -- Nikon 200-500mm 5.6E ED VR
460mm
F5.6@ 1/250th
ISO 5,600
Cropped
(DSC_3695 - 2)
©Don Brown 2018
An escaped balloon. Managed to shoot it before it disappeared altogether. :-)
117 pictures in 2017. #20/117. Timing is Everything.
66137 WBAE HOTHFD 896Y98CE15 4 * WEMBLEYYD N
According to Realtime Trains the route and timings were;
Hothfield Siding [XHF]........0916............0916.....................RT
Otford Junction[XOT]..........1021.............1016 1/4...............4E
Swanley [SAY] 1....................1032............1027 3/4..............4E
St Mary Cray Junction.........1037............1032 1/2..............4E
Bickley Junction[XLY].........1038 1/2......1034 1/2...............3E
Bromley South [BMS]..........1041.............1040......................1E
Shortlands [SRT]...................1042 1/2......1042 1/4...............RT
Shortlands Junction............1043............1043 1/4...............RT
Bellingham [BGM]................1047/1049..1046 1/2/1048....RT
Nunhead [NHD] 1..................1055 1/2......1055 1/2..............RT
Peckham Rye [PMR] 3.........1058............1057 1/4...............RT
Crofton Road Junction.......1059 1/2......1103.......................3L
Denmark Hill [DMK] 3..........1100 1/2.......1103......................2L
Voltaire Road Junction.......1104 1/2.......1109.......................4L
Latchmere Junction............1110 1/2........1119.......................8L
Imperial Wharf [IMW] 2.......1113 1/2........1121 3/4................8L
West Brompton [WBP] 4.....1115..............1124 1/4................9L
Kensington Olympia 2........1118..............1139 3/4..............21L
Shepherds Bush [SPB] 2....1119..............1155 1/4..............36L
North Pole Signal Vc813....1120 1/2.......1157 3/4.............37L
North Pole Junction.............1121..............1157....................36L
Mitre Bridge Junction.........1122 1/2.......1159 1/2.............37L
Willesden West Ldn Jn.......1125.............1201 1/4.............36L
Wembley Eur Frt Ops Ctr...1137..............1208....................31L
This is a photograph from the annual Ardagh Moydow Glen Community Games 5KM and 10 Mile road races, fun runs, walks and challenges which were held in the heritage village of Ardagh, Co. Longford, Ireland on Saturday 30th December 2017 at 13:00. This year's race featured the change from last year's race where the race seen the introduction of chip timing, a new start and finish in the middle of the village at the community center and, a slightly amended route.
We have an extensive set of photographs from the race start and the finish on our Flickr photostream set at www.flickr.com/photos/peterm7/albums/72157688852560892
The 10 mile race takes in the local 'Ardagh Mountain' which is a 1 mile continuous climb starting at the 2.5 mile mark of the 10 mile race. There is, of course, then the reward of a long down-hill stretch after the summit. The remainder of the race is The 5KM race takes a loop around the heritage village of Ardagh. Overall this is a very well organised race with accurate courses, good marshalling and traffic control and excellent after race refreshments. The 10 mile race is one of the longest road races held during the Christmas period anywhere in Ireland and has appeal to runners who want to add a longer distance race to their festive calendar of running.
The weather at this year's race was very cold and windy. The rain managed to stay away but a very cold northerly breeze certainly made conditions cold. Whatever wind advantage there was for the runners was not experienced until the second half of the race. In 2014 there was very frosty icy weather and last year in 2015 participants were given a very very windy day with heavy rain at the finish of both races. The 2016 event seen very suitable weather for road racing.
Ardagh is probably County Longford's most picturesque village with many historical and architecturally important features. It is located about 6 miles from Longford town.
Our Photographs from Ardagh 10 Mile 2016: www.flickr.com/photos/peterm7/albums/72157678237005786
Our Photographs from Ardagh 10 Mile 2015: www.flickr.com/photos/peterm7/sets/72157662725299342
Our Photographs from Ardagh 10 Mile 2014: www.flickr.com/photos/peterm7/albums/72157649570517620
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets