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Setup for www.flickr.com/photos/steguis/4282204493
Strobist Info:
1 x SB26 at 1/16 power with dome diffuser in 46" Photek Softlighter II umbrella on camera right
1 x SB28 at 1/64 power aimed reflected off white paper on laptop screen
1 x 540EZ at 1/16 power through HONL 1/8" speedgrid on subject right rear
Triggered using Elinchrom Skyports
Setup for this photo
Strobist info: 1 Nikon SB900 camera right and behind subject set at 1/64th power. A white foam core board camera left and in front of subject for fill light.
Strobist Info: SB-800 @ 105mm @ 1/16 DIY Snoot with a Blue Gel shooting thru a cookie to pattern the background | SB-80DX @ 24mm @ 1/4 in DIY Takeout Softbox | White Foam Board as reflective fill
Camera Info: Nikon D100 | 70-210mm(Æ’/2.8) 210mm | Æ’/6.3| ISO 200 | 1/100s
Setup for THIS
Home Office/Setup Evolution.
I have been working from home now for over a year and needs/requirements have changed. Like many other people, I was made redundant in 2020. I was lucky to find another job fairly quickly hence the update.
Mac Mini 2020 (2018) for personal use, connected to a eGPU to drive the triple screen setup.
Dell Latitude connected to a Dell D6000 dock driving the displays, LAN and other peripherals for work use.
Some of the kit has been supplied by my employer.
I realized later that I should have used white foam/paper for channeling the light from the lamp, instead of the black one you can see in the photo. White would improved the amount of light hitting the stick.
But overall, I like this setup, it keeps lens glare/flare down.
Setup to show the bands on a giant screen set up next to the stage. Unusual screen, it was an inflatable!
Performance Wed May 22, 2013 by Josh Ronsen and Reed Altemus at Mobius in conjunction with the exhibition Spin a Yarn, Weave a Life, created by Cheyenne McCarter and Catherine Tutter with portrait photography by Veena Krishnakumar. Video still: jw
Todays setup for some low key imaging.. The strip ligt for the hair is 2 pringles tubes connected by Gaffer tape and some kitchen papir as diffusion, like 50 cent of awesomeness!
Setup for this shot
You don't need that much fancy equipment to do a half-decent product shot. Basically just a white sheet of paper and a tripod and you're almost set.
The biggest problem here is that the shadows are very harsh since I'm just using desk lamps. If I were doing this "right", I'd be using strobes of some kind bounced into a light box to diffuse them.
Strobist Info: SB-800 @ 24mm @ 1/64 with DIY Takeout Softbox camera left | Card stock camera right for fill
Camera Info: Nikon D100 | 60mm(Æ’/2.8) 60mm | Æ’/10.0 | ISO 200 | 1/125s
Setup for THIS
Shots of the cheap lighting setup I use when taking pics.
You can read the article for this image at www.ultima-i.com/post/1608/cheap-lighting-setup/
Setup shot for the strobist boot camp 2 second assignment.
On the floor an sb-26. The veggies are on sticks, which in turn are stuck in an old couch. The wrinkles on the plastic give off some nice reflections on the background.
setup shot for this shot of rear lights. Nikon D80 18-70 lens at 18mm, f5.6 1/100 second. SB-600 flash on cactus strigger on rear seat pointed up into car's roof. Centon flashes also on cactus triggers
Iluminación mediante un flash Yongnuo YN-460 a 1/4 de potencia disparado a traves de una sombrilla blanca, incidiendo a 45º a la izquierda.
Se ha aprovechado la luz natural que incida por la derecha a 45º como luz de reyeno.
This is a setup shot from a triad strobist meetup last night. I used two sb600 flashes as shown for the whole shoot, ocasionally moving the one on the left, and changing the angle of each one.
The one on the right was usually set on 1/2 power, inside a soft box I made from a reflective umbrella, the one on the left was usually set to 1/4 power, and the camera in general was set:
F8
ISO 400
1/25 sec
Onboard Flash: 1/8 power
It was fun shoot overall, and I'll definately try and make it out again.
Check out the pictures in my photostream.
This was the setup for the previous photo, hacked together one evening as an experiment and to fulfill my 3-6-5 challenge. The camera actually rested on the rubber brain on the coffee table for the final shot, with the self timer on to avoid camera shake.
Ilford HP5 processed in Ilford LC29 1+19
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