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Setup shot for strobe love photo
1 Canon 580EXII flash set to Manual at 1/4 power mounted on a PocketWizard FlexTT5 triggered by another FlexTT5 on camera acting as pure transmitter.
I initially used the umbrella but the fruits are still casting some shadows. I decided to bounce the flash off the ceiling. That worked.
I did not remove the umbrella even though I have no use for it... unless it also worked as a bounce from the light from the window
This is the first setup I used for this project. I didn't use it much, only to drill 2 pilot holes in tube 2. (3x3 cm).
It can be improved by adding another dumbbell and a vise to clamp the second tube while drilling, or replacing the vises with F clamps (clamping the tubes to the dumbbells of equal height).
I didn't follow all the basic safety rules with this setup (didn't have goggles or gloves).
Tools:
Hammer + dimpling tool? to make dimples in the aluminum
Prokress PK 500 SB drill
Drill bits: 5.5 mm HSS Black oxide 92x59 mm, 2.5 mm HSS Black oxide 62x36 mm
Blue metalworking vise, 60 mm jaw
Hand vise (metallic color one), 45 mm jaw
2x Dumbbells, 3 kg (initially each fully assembled would weigh 5 kg and have 10x 0.5 kg rings)
20 cm stainless steel ruler, plastic 3-inch, 9 cm right angle ruler
A pencil
Backstage of this one.
Strobist info:
SB900 @ 1/32, 12 mm, white shoot thru umbrella camera left
2x YN560 @ 1/128, 105 mm camera right and far left
"Studio" setup for the dead moth macro shots. Eos 7D, Canon 15-85 IS EF-S, two auto extension tubes, Manfrotto tripod, Speedlite 430 EXII (usually hand-held at different angles). Flash triggered wirelessly from the 7D, whose flash acts as the master but does not fire.
This was one of the setups for for the shoots with the CN Tower and The Royal York hotel as background. Shelley (http://www.flickr.com/photos/shelleyannmc/) played a key role in helping with the lighting an she also grabbed some very cool shots.
Strobist:
AB1600 at 1/2 power on a medium octabox.
Setup used for the "Smoke C" series, with Sigma EF-500 DG Super used in slave mode with a Cactus wireless trigger.
I took this picture with a Canon A540, and the flash was triggered by the camera's own little flash!
22nd March 2010.
This is my typical darkfield setup. My "studio" consists of softbox, triggers, stands, kitchen table (it's only a small flat) and home made timber frame. I'd love to get a couple of Wimberley plamps but they're just too expensive for me at the moment.
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Setup for Toronto Taste started Saturday evening. It continued all through the night, with Chefs and their teams starting to arrinve around noon. Everything was finally wrapped up by about 5:30pm Sunday, when, mysteriously the fire alarm went off and we all got locked into the ROM.
But the Toronto Fire Department camed and has us up and running just in time to open the doors for the VIPs. Wow!
Disclosure: I'm on the steering committee so while I get an insider's view, I'm also biased.
This is a setup I used for several of the pictures marked with descriptions.
This was a pretty interesting shoot. It was about like I imagined though, a car is just a giant mirrored product shot. Watch your angles and reflections really closely and you're guaranteed to get something usable.
Strobist Info: SB-800 @ 24mm @ 1/4 with Shoot Through Umbrell | SB-80DX @ 17mm @ 1/8 with diffuse dome
Camera Info: Nikon D100 | 28-70mm(ƒ/2.8) 31mm | ƒ/3.5| ISO 200 | 1/25s
Setup for THIS