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This photo was taken at Insomnia62 #i62.
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Photo Credit : David Portass/iEventMedia
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Setup shot for the LSM1 pics - the hard light version had the flash aimed straight at the subject. The soft light just had the flash turned 180 degrees, reflected off the wall.
The room where music and photography collide.
This is my super-sketchy setup for my grapes shot.
This isn't actually the setup used for the finished photo. I was desperate for a second light source so I tried an ordinary house lamp with a shade. The lamp ended up casting a sick orange colour light into the mix which didn't make the grapes look very appetizing).
I just think this is a funny setup shot because it shows how I'm propping up my aluminum reflector with a microphone stand... that I had been using only days earlier to record drums with. Kind of looks like I'm recording the grapes too. California raisins anybody?
"Studio" setup for the dead moth macro shots. Eos 7D, Canon 15-85 IS EF-S, two auto extension tubes, Manfrotto tripod, Speedlite 430 EXII (usually hand-held at different angles). Flash triggered wirelessly from the 7D, whose flash acts as the master but does not fire.
Setup shot for "Wabbit Hunting" series
see finished shots here:
flickr.com/photos/5ftgiants/2719562876/
Journaling:
* Buy an easy set up pool despite your husband’s warnings. The box says 15 minute set-up, so how hard can it be?
* After purchasing, read directions. *Realize it is going to take much more than 15 minutes to set up.
* Realize just how un-level your yard is.
* Go ahead and take pool out of box.
* See that the power source is not going to work.
* Discover that you are going to have to dig a ditch for a new power source to be set up.
* Reconsider the whole thing. Call the store to see if they will take it back. They will only take it if it will all fit back in the box.
* Try folding up the pool and stuffing it back into the box.
* Try this tirelessly until everyone has smashed and laid on the pool trying to get it back into the box the way it came.
* Discover it will NEVER fit back in the box despite how hard you try.
* Borrow a tiller. Till, rake, till, rake, till, rake until you have blisters on your hands.
* Then bring in the big help……..
AKA my dad
* Bring in a truckload of washed sand and re-level and put in the proper power source so no one gets electrocuted when plugging in the filter. (Thanks to Mr. Miller!)
* Finally set up the pool and start filling. * Answer the question, “”is it ready yet?”” 3 million times.
The end result?
3 Very Happy Kids
Supplies:
Junkitz PP
Bazzill CS
EK Success Tag Type Letter Stickers
Creative Imaginations - Twanger Foam Stamps
Big Honkin Letter Stickers
MM Paint - Spotlight
MM Eyelets
2 Peas Fancy Free Font
Edges inked with black ink
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My new outdoor Strobist gear/setup
(3) Yongnuo YN560 lll Speedlight/Flashes
(2) Flashpoint 40" Black/White Convertible Umbrellas
(1) Pixco Mimi Softbox for Speedlights/Flashes
(3) Flash/Umbrella Brackets from flashzebra.com
(2) Linco 10' Light Stands
(1) Linco Boom Stand
(3) Linco Sandbags (Not Pictured because of being in back of van)
All Speedlights/Flashes being fired by Yongnuo RF-602 triggers
Note: This setup was for example purposes only, Not how it will be setup for outdoor photo sessions.
Thanks Kurbster
It's a loonie hanging from a spoon by magnetism provided by several attached fridge magnets. There's a maple leaf taped to the back of the spoon, and a small flashlight backlighting it all (well, mostly the leaf).
Setup: cactus v4 trigger for flash,a white board and a white sheet of paper for background, a blue gelatine for color's background
new setup, from left to right,
Macbook Black, 40Gig External USB2.0 2.5" Hard Drive, iRiver H340 Multi Codec Player, Dell 24" Wide Screen, Dell Keyboard, Logitech Speakers 2.1, Logitech Mouse Mx518
My first attempt at using my DIY baffled snoot to light drinks from underneath.
I was also trying to get some bokeh going in the background. I need to do more work on it, but I am out of time for today.
Venue Setup. Boxing, Woodstock Reverve Fight For Life Charity Boxing Event. Trusts Stadium, Auckland, New Zealand. Saturday 3rd December 2011. Photo: Anthony Au-Yeung / photosport.co.nz
Setup used for the "Smoke D" series, with Sigma EF-500 DG Super used in slave mode with a Cactus wireless trigger.
The little desk lamp was only used to get some contrast while focusing.
I took this picture with a Canon A540, and the flash was triggered by the camera's own little flash!
YN460 wearing my ghetto snoot with a pinhole shround on the end to get a more focused light. Gels just got taped over the end of the snoot. Mounted on a V2 trigger (hot shoe) and then on a Slik DV tripod.
SB 28 is wearing a 1/2CTO gel and a bounce reflector for fill and highlights on the chrome bits. mounted to a V2 trigger (hotshoe) and then onto a gorilla pod SLR.
Guitar is supported by a manly guitar stand. Guitar stand is loaded with manly beverages... for later.
Nikon D80 mounted on a manfrotto ball head tripod.... looking low to high.
My only consideration was getting the full headstock and 4 frets into frame, lucky for me as I had very little room to move further back with the d80 before I either got a frame half full of ghetto snoot, or I backed into the wall of this tiny room.
so when shooting glass on a white background, it's best to use only as much background as you need to fill the frame - behind that should be black, or at least some darkness, as it'll define the edges of the glass better. The liquid (whisky) in the glass worked against me due to its distorting effect, which is why there's that extra paper on the left side. It didn't come out perfectly (look closely at the right side of the whisky in the glass in the main picture), but it's better than if I hadn't done anything about it.
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You can find me at www.jakefaulkner.com, on Facebook, and on twitter.
iPhone grab of my set up from today's shoot, result is here.
It's my basic clamshell set up - Lastolite Ezybox directly above subject, shoot through umbrella directly below. To camera right there is a snooted, gridded flash which creates the highlight on the background behind the model. To camera right, behind and above the model is a gridded flash creating the highlight in the hair. All flashes were Canon 580EX II triggered by PocketWizard. Background is sky blue seamless paper. The hot light to camera right provides illumination for focusing and is felled to match the flash.
This photo was taken at Insomnia Ireland
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass Photography
The setup I used for my smoke photos. The camera position is where the tripod is, and its tethered to my laptop using dSLR remote pro.
I probably should cover my home-made snoot with black tape or something.. :x
Lying on my knees:
SB-600 @ 1/16, Phottix Tetra triggered, 35mm zoom setting, gelled with Lee Golden Amber, Lumiquest Promax 80/20 with golden insert and front diffuser
Venue Setup. Boxing, Woodstock Reverve Fight For Life Charity Boxing Event. Trusts Stadium, Auckland, New Zealand. Saturday 3rd December 2011. Photo: Anthony Au-Yeung / photosport.co.nz
This photo was taken at Insomnia Ireland
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass Photography