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These are the components of the setup I use for my extreme macros.

 

I reverse-mount a Nikon 50mm f/1.4D prime lens on a Nikon 70-300mm f/4-5.6G telephoto lens using a 52-62mm thread coupler I got on eBay.

 

Reversed prime lenses act as magnifying glasses. In my setup, I use a telephoto lens to zoom into a reversed prime lens, producing extreme levels of magnification.

 

This particular lens setup produces images with irritating chromatic aberrations, dust spots, and minimal field depth. Nevertheless, none of my other lenses - including my conventional macro lens - can match it in terms of magnification.

this picture will be used in one of the brochures that I'm currently working on...

 

This is primarily a portrait studio..

 

i have one more picture of the large studio coming up

This photo was taken at Insomnia62 #i62.

 

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Photo Credit : David Portass/iEventMedia

Permitted Usage : Social and Editorial Use in relation to i62 Only (with photographers credit). All other use (including commercial) please email: photo@iEventMedia.co.uk

Copyright : © iEventMedia 2018

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

Starting the wool burnng

 

More explanation on the set page

Shot with my phone, sorry. This is the setup for Pair.

 

I have a CTO-gelled flash in the foreground, adorned with a cardboard snoot manufactured for the occasion. The camera is to the right, with a 300mm lens, and the flowers are sitting on the table to the left. In the background is the other flash, greened. The camera was color-balanced for tungsten. I triggered the camera from my laptop so I could see full-res results for every shot.

 

The snooted flash is at full power and the greened flash is at 1/4, but I still couldn't get enough light. The snoot, especially, cuts most of the light. Then I had one of those "Oh, duh" moments. I turned off the overhead lights, left the shutter open for 30 seconds, and triggered the flashes 3 times.

 

A bit of sensor noise, due to the long exposure, was mostly removed in Gimp.

Just a way to make things fly. You can have more angles with this, rather than just one with an average stand. Not too strong, but a bit of Blutac might help. And the big base is just to make sure the whole thing doesn't tip.

Both flashes triggered from the popup flash using the Nikon CLS system

This photo was taken at insomnia58

 

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Photo by David Portass/iEventMedia.co.uk

My current Settup

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

Here's what it looked like during most of the headshots.

Mini Photo Studio plus Light Kit.

Setup picture for depth of field

Setup shot for this, except I think the two rims had flags on them and were closer together.

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

Enjoy and remember to comment and critique.

 

Strobist Info: SB-800 @ 24mm @ 1/64

 

Camera Info: Nikon D7000 | 60mm(ƒ/2.8) 60mm | ƒ/20. | ISO 400 | 1/30s

 

Setup for THIS

Everything in the photo is very affordable, except maybe the cat. The tripod is from AmazonBasics and it is fanastic for the very little it cost me. The photo booth, lights and back drop are part of a kit I got for less than $40 a long time ago. The macro ring light was about $30.

This is how I froze myself tonight...

 

The Two trays are just baking sheets filled with hot water.

Hot water + Dry Ice = Rapid Sublimation (Smoke/Vapor).

Science Rules

 

SB 600 is gelled with a 1/2 CTB

WL-x1600 is in the softbox

| My Website | Facebook | Twitter | My Blog |

 

Strobist:

Ambient was a ceiling light above and mid-day light coming thru the windows. It was raining outside but I shot when the sun was out.

 

Another really simple lighting setup. One 430EX ii on 1/8 power was shot into the 24" softbox about 7' high and 4' away. Triggered using PW Flex TT5s.

This is the lighting setup used for my new piece titled "A View Through an Eye of Glass"

 

Canon 60D

Canon 24-105 f/4 L

3 Alien Bee B800's set at 1/32 power

 

Over all view of the setup and room we had.

This is my setup for the "Don't hate me" photo. It was shot by another brother using his P&S camera. Other than my camera body, tripod, lens, & hot shoe flash, all the other parts were scrounged from around the house. The bay windows and overhead lights had no significant effect on the finished portrait.

This photo was taken at insomnia59

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, twitter and instagram.

 

Photo Credit - David Portass/iEventMedia.co.uk

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk

 

Flödesschema för streaming setup Disruptive Media 4

This photo was taken at Insomnia60

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter, Multiplay Esports Twitter and instagram.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

Franse Veldwesp - Polistes dominulus.

Date: 2011 MAY 14

Time: 12H00

Temperature: 18 degree

Location: Belgium, Oostrozebeke.

Nikon D300, AF105/2.8D macro lens.

Optical laser detection for focus.

 

For the setup of this DIY capture unit see:

www.flickr.com/photos/fotoopa_hs/5312347017/

 

www.flickr.com/photos/fotoopa_hs/5312347885/in/photostream/

 

www.flickr.com/photos/fotoopa_hs/5312937696/in/photostream/

 

This photo was taken at Insomnia62 #i62.

 

Follow us on YouTube, Facebook, Twitch, Twitter @IGFestUK, www.belong.gg/, UK Masters, Instagram @igfest and SnapChat @igfestuk.

 

Photo Credit : David Portass/iEventMedia

Permitted Usage : Social and Editorial Use in relation to i62 Only (with photographers credit). All other use (including commercial) please email: photo@iEventMedia.co.uk

Copyright : © iEventMedia 2018

This is the setup that I used for my duckling time-lapse shots.

 

I mounted the camera (with 15mm fisheye lens on a heavy duty Giottos MH-3300 Pro Ball Head (just the head).

 

I tethered the camera to my laptop and used. EOS Utility software to control it. Software was set to fire the camera every 5 seconds.

 

Here are the links to the results

www.flickr.com/photos/craigjewell/5518684343/ www.flickr.com/photos/craigjewell/5519256712/in/photostream/

The setup shot for 'Home' - unfortunately it's a pretty low quality file, cos flickr got stroppy about the size of the original!

 

Actual photo is here:

 

www.flickr.com/photos/22912966@N00/547888386/

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