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Photo by David Portass Photography
the setup for the water drop/splash shot. Basically the same for the FM2n and the 50mm shots except angle the flash towards the posterboard more and take off the tissue paper gobo.
Enjoy and remember to comment and critique.
Strobist Info: SB-800 @ 70mm @ 1/16 in DIY Gridded Snoot behind subject camera Left | SB-80DX @ 35mm @ 1/16 in DIY Takeout Softbox high Camera Right
Camera Info: Nikon D100 | 28-70mm(Æ’/2.8) 55mm | Æ’/5.6 | ISO 200 | 1/80s
Setup for THIS
Basically in the V1, and 'Production' V2 setup I had the guides slot through a half stud thick gap by taking the round 4x4 disks and turning them back to back, studs facing the tank hull and studs facing out to create the tight gap. I didn't leave enough space for 'play' in the system cause by flexing axles/pins under the weight of the tank which cause the hooking. Had I done more large scale builds IRL I would have known this, but as my first one this was a hiccup that wasn't found until it was actually built in bricks.
The last three years I've been off and on again thinking of how to fix it and always came up with some complicated, buy-more-pieces solution until last week I took a look at the LDD file and realized that if I flipped the inside wheels to where everyone was studs facing out, the studs on the 2x2 round plate would maybe add just enough gap to allow clearance...
Pro: Adds clearance for tracks to move
Con: Isn't as aesthetic because now the underside of the 4x4 round plates show if looking at the underside instead of being hidden completely...
Now the tank does roll, it still hooks a fair bit, but that was to be expected with a twin-guide track system custom made and a 'use what you already have' mod approach, but she does indeed roll. I still wouldn't roll it under it's own weight for extended periods of time so as to not break it, and will be keeping it on the stand so as to not stress pieces. Which on a side not as per the videos we can see that one can keep the tank on the stand and there is enough clearance to 'play' with the tracks and make them roll, which as a display model is a very nice added bonus.
Setup used for photographing Ochropleura plecta (the Flame Shoulder moth).
The moth is pushed onto a piece of white paper. Once it has settled, the paper is trimmed around the moth, and then placed on a white flat surface (the windowsill).
Behind the moth is placed a white piece of card to act as a backdrop, propped up against an old honey jar.
Photos of the moth taken using this setup can be seen at: www.davidkennardphotography.com/photos/flame-shoulder-488...
setup for my Zulu shot,high left Vivitar 285HV @ 1/4 pwr, right fill Vivitar 285HV @ 1/16 pwr and I held a white reflector up near the front of the headset for some fill on the bottom of it.
Venue Setup. Boxing, Woodstock Reverve Fight For Life Charity Boxing Event. Trusts Stadium, Auckland, New Zealand. Saturday 3rd December 2011. Photo: Anthony Au-Yeung / photosport.co.nz
The Ideal Home Media Room Part II: How to Set up Your Speakers
Read Article at designwotcha.com/design-lessons/how-to-set-up-your-speakers
The camera's insured and the house is rented. The bare wires on the lights in the fan were the part I was most worried about, so I didn't touch them very many times. And NEVER on purpose. Stay in school, kids.
This is the setup for this noise. The giant version of this photo is here if you want to investigate the clamps. CLAMPS!
Strobist Info: SB-800 @ 1/125 @ 25mm With Takeout Softbox
Camera Info: Nikon D100 | 28-70mm(Æ’/2.8) 70mm | Æ’/4 | ISO 200 | 1/125s
Setup for THIS
Shots of the cheap lighting setup I use when taking pics.
You can read the article for this image at www.ultima-i.com/post/1608/cheap-lighting-setup/
Setup used for the shots of the rhubarb and courgette from the garden.
Lighting: One SB600 with reflective umbrella behind and to left at 1/2 power, one SB600 reflected off a trigrip to camera right at 1/4 power, fired with RF602 and metered with a Sekonic 358.
Comments welcome as always.
A setup for Gravy Boy's production of Avant Vardeville, described as "... effervescent August evenings offer burlesque dancers, mind reading, knockabout scenes, monologists, dumb shows, juggling, musical numbers, comic sketches, insane improvisations, mad Mexican wrestling, and even more indescribable wonders!." I was the one man music entertainment for the evening
this is the setup for the "light painted" Rolling Rock bottle.
Stool, messy basement, LED flashlight, iPad (with Lightpainting app for the band green shapes)
Setup for a photo of my sister
On the left you can see one flash bounced off the wall, and one aimed straight at her. You can also see the tripod, i.e. camera position.
Venue Setup. Boxing, Woodstock Reverve Fight For Life Charity Boxing Event. Trusts Stadium, Auckland, New Zealand. Saturday 3rd December 2011. Photo: Anthony Au-Yeung / photosport.co.nz
Setup shot for the ice whisky shot.
SB-800 is at camera right. SB-25 is at camera left. The light box is an essentially free, homemade job, instructions for which can be found at Strobist.