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This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
Bare flash aimed into the wall on camera left, set to 1/2 power and zoomed to 200mm. Second flash to camera right flash set to 1/2 power .
Experiment of a lighting setup.
Sb 28 linked via pc cord and sb800 and sb900 triggered via SU4 Mode.
Lighting: SB-900 with CTO gel 1/16 power in Ezybox camera left. A sheet of tracing paper was taped to the front of the softbox to provide additional diffusion. A second domed SB-900 with CTO gel was fired through another piece of tracing paper at 1/4 power to the right of camera and behind the object.
A piece of opaque card was resting on the edge of the softbox to prevent spill on the background, and I think it is this which causes the dark shadow on the left of the tube. A piece of white foamboard was to the left of the bottle packaging to provide fill for the label, and another piece of paper was underneath the camera lens to provide some additional fill lighting for the sheild and words 'special reserve'.
Christmas lights provided the bokeh in the background.
Setup shot for this.
Snooted 580EX II high camera right, Lumopro 120 gelled blue and aimed at some shot glasses to create the background. PT-04 triggers.
A setup shot of the big group shot with the flashes firing to give an idea of the lighting.
Blog: www.photosmudger.com/
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
My lighting setup for the "Beautiful Bride" photo, as the bridesmaids wait patiently in the background.
Setup shot for 029/365 Twenty Seven Days
Camera Info:
Canon 7D, Sigma Lens 17-70mm@23mm, f/7.1, 1/40s, ISO 100
Strobist Info:
Canon 430EXII Camera Left, 1/8 power, @24mm zoom, White shoot through umbrella, 6 feet high & 2 feet away from subject.
Canon 430EXII Camera Right, 1/16 power, @105mm zoom, fired bare, 5feet high & 4 feet away from subject.
Canon 430EXII Camera Right, 1/32 power, @70mm zoom, 4 feet high & 3 feet away fired bare at backdrop
Flashes were triggered with Interfit Strobies.
Setup shot for 092/365 Dixie the Dolphin.
Madison wanted to get in on the setup shot :)
Camera Info:
Canon 7D, Canon EF 70-200mm 1:4 L USM Non-IS @140mm, f/4.0, 1/200s, ISO 100
Strobist Info:
-Canon 430EXII Camera left and in front of subject, 1/8 Power, @24mm zoom, about 4 feet high, 2 feet away from subject through 24 Photoflex softbox.
-Flash was triggered with Interfit Strobies.
Setup shot for 152/365 Shower Time.
Camera Info:
Canon 7D, Sigma 17-70 @70mm, Æ’/4.0, 1/60s, ISO 200
Strobist Info:
-Canon 430EXII camera left inside 24 inch Photoflex softbox, 7 feet high and 3 feet from subject, 1/8 power @ 24mm Zoom
-Canon 430EXII camera right, 6 feet high aimed at ceiling fired bare 1/32 power @ 24mm zoom
-Canon 430EXII camera right behind subject inside ziplock bag in shower, 6 feet high and 5 feet from subject fired bare, 1/32 power @ 80mm zoom
Follow me on Twitter @matthewcoughlin.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Taken in about 1987, this is the bench setup I used to use for showing different types of pressure wave, heat, gases, and occasionally fluids, in air, water etc.
I'm trying to find a negative of some of my results but haven't found any yet. I tell a lie, I found one here.
This was all carried out in the pitch dark with only a bit of light coming from the light source, in this case a projector with a cardboard tube to ensure a "controlled" beam of light. It's all a bit Heath Robinson, especially with the projector sitting on its box on a piece of wood! Needless to say, more than a few shots were ruined by walking into the table in the dark!
Setup for this shot for Macro Mondays:
www.flickr.com/photos/mag3737/53339913972/
Pretty simple setup for this one. A couple of fallen leaves, crumbled up a little bit, and illuminated with yellow & blue lights as an attempt to get some less harsh tones than the default overhead kitchen lights.
Camera that was on operating bench was mine, the silver Rebel XT is my co-worker's. My tripod, and home-made foot switch contraption to fire the camera
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
Setup for SAJC Rapture 2010, Dance Full Dress Rehearsal shoot. Thanks for Delise & Jon for lending some of their gear!
Quick and dirty table-top setup in my kitchen. One SB-800 at 28mm, 1/128 power with gridcloth (to take the edge off) on a stand directly over the car, and 1 SB-800 at 1/32 firing through a CTB gel on to a piece of white foamcore. Both were on slave mode, triggered by the on-cam built-in flash. White CVS drawing paper served as a floor and bounced a little light back around the sides of the car. Incidentally, both flashes were on SU-4 (slave) mode at this point as either my D70's manual commander mode quit or the flashes quit listening to it...
Learn how to light at Strobist.