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Setup shot for 133/365 Friday Fun Fun Fun.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @19mm, f/8.0, 1/200s, ISO 100
Strobist Info:
-Canon 430EXII Directly above camera and in front of subject, 1/1 Power, @24mm zoom, about 9 feet high, 3 feet away from subject inside 40 inch Wescott softbox.
-Canon 430EXII Camera left and behind subject, 1/4 at 105mm Zoom fired bare, 6 feet high and 6 feet away from subject, fired bare.
-Canon 430EXII laying down under subject pointed upward fired bare, 1/16 power @50mm Zoom
-Flashes triggered with Interfit Strobies.
Follow me on Twitter @matthewcoughlin.
Setup shot for the DPS opener. The temptation to follow Wayne's advice, and hock a loogie on someone was huge, though I don't think Neil would have appreciated it!
Blog: www.photosmudger.com/
Setup for B202.Practice. Could only use one light. Photo here
This setup is ghetto!
Light is pointed down into a reflector because the light was two dull/bright pointed at the mannequin.
Setup Shot for 083/365 Ben Sharp.
Camera Info:
Canon 7D, Canon EF 70-200mm 1:4 L USM Non-IS @70mm, f/4.0, 1/60s, ISO 100
This setup shot was taken with a Sigma DC 17-70mm 1:2.8-4 Macro HSM lens.
Strobist Info: See Setup Shot here.
-Canon 430EXII Camera left and in front of subject, 1/4Power, @24mm zoom, about 6 feet high, 5 feet away from subject through 40 inch Wescott softbox.
-Flash was triggered with Interfit Strobies.
Strobist: One 580EX II, with a serving menu or bouncer acting as a barndoor, at camera left, shooting at the ceiling at 1/2 power with a zoom setting of 105mm
Setup shot for an uber-macro shot of a silicon wafer. Results here: www.flickr.com/photos/packet/3329619247/
Setup consists of an LED flashlight, pinched together by a salt and pepper shaker and Rachel's hair scrunchie. Lens used is Canon's MP-E65 1-5x macro lens @ 5X magnification, on a RRS collar lens mount coupled to a RRS macro rail. Macro rail is held by a Markin Q-Ball head on a Manfrotto tripod.
Using Acra-swiss style dovetail mounting means that all load bearing surfaces are metal-on-metal contact. Considering how sensitive this setup is (deflection in the floor from our weight shifting will throw the shot out of focus) the common metal-rubber-metal coupling found on regular quick-release plates would make this a very filmsy setup.
Its actually quite boring. I don't have much space in my office, and I was given about 10 minutes to produce new graphics with new pics, so I set up my lights as shown, dropped Belen in the middle and you've seen the rest.
btw, we do have this huge empty studio on the other side of the building, but its kind of a hassle to take the equipment over there, setup, only to have to take it all down 10 minutes later. In my office, I can just lock the door when I leave and know that it will all be there in the morning.
Not to mention, when the Anchors and Personalities come by, they follow their own schedule, so I have to be ready when they are. This just makes it way easier for everyone.
Gallery Setup of "Screened In: Serigraph Art Prints for a Happy Home".
On exhibit: August 17 – September 29, 2012
"Screened In: Serigraph Art Prints for a Happy Home" is a gallery exhibition featuring affordable serigraph prints from a wide range of talented silkscreen artists. We believe that everyone can afford unique artwork to decorate their homes! Naked walls are just sad.
Contributors include: Anne Benjamin; Bee Things; Cushy Gigs; Dan McCarthy; Goodnightkittens Design; Half and Half Designs; Iron Forge Press; Jill C. Weisberg; Jinx Remover; Jordan Steele Thompson; Jose Pulido; Mr. Entertainment; Paper Wasp; Terribly Odd; Two Arms Inc. and MORE!
For more info, please visit our website: www.bearandbird.com
Setup de la sesión de fotografÃa para la agrupación AfroSon.
Sombrilla Blanca Traslúcida sobre tripode con flash vivitar 285 con disparador por radio, en máxima potencia para reducir un poco las sombras sobre los modelos. Flash vivitar 60M en trÃpode a un lado disparado por fotocelda.
Canon 400D Objetivo 18-55 y 90-300 canon. Disparador radio trigger.
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Prohibido el uso de esta imagen sin previa autorización
Shots from the 2022 SMASH! event at ICC Sydney Exhibition Centre, photographed by Morgan Zhong.
Instagram: @_morg.z/
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
I decided when i was up on mount Seymour, to take a photo of my setup for taking my M27 images. Yeah it's a bit out of focus!
Setup for a shot of Sam. The notes do all the work for me.
Blog: www.photosmudger.com/
Setup shot for the shot of Sam. Notes should explain everything.
Blog: www.photosmudger.com/
This is the setup shot fore the ricer: af360FGZ with a neutral density gel at 1/32 placed just inside the ricer, cookie dough scoop placed about 4" away on glass with white foamcore under it.
This photo was taken at insomnia54. Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter. Photo by Martyn Compton.
Here's a setup for the bright field lighting shots that I do, like light reading, which I did specifically for this setup explanation.
Before you read on I need to say that I'm no expert on this - this is solely an interpretation of how I think the bright field technique is performed - so it may not be 100% pure (I have only just started to read 'Light - Science and Magic'!).
In the case of the light reading I used a 50x50cm white sheet of 5mm plastic as the base and put it right on the edge of a table closest to the wall (the wall I used was white - if I was doing a narrow DoF shot then this would be fine itself but usually I use some plastic coated foam board from our local hobby emporium to act as a back drop). I also used a supplementary light to the left of the camera (not shown in diagram) to get the words right on the spine.
For other shots like weight and translucent I use a larger black sheet of plastic.
Note: that glass is probably a better long term solution as plastic tends to scratch easily. Addendum: if considering glass make sure that you can only see one reflection in it and not two like you can with a lot of glass when you look at it from an angle - the colour needs to be dense enough to stop light passing through it.
The light below the table can be anything you like as long as it is bright enough - a flash, a strip light (for even distribution of light across the full plane of the shot) or even a house lamp. I experiment with diffusers and gels on the light to get the effect I want.
addendum: if you publish a photo using this technique it would be great if you could put a link in the description pointing to this article (and also add me to the photo so I know you've used it), so that others can benefit from it too please - many thanks :)
I hope that this is useful.
Have fun!
Strobist:
1 Flash Metz 58 a 1/16 Potencia montado en un Beauty Dish
1 Flash desnudo Metz 48 a 1/32 Potencia disparado al fondo
Cámara: Canon EOS 50D
Exposición: 0,004 sec (1/250)
Aperture: f/6.3
Lente: 36 mm
Velocidad ISO: 400
www.flickr.com/photos/javieraguayo/4475941685/
www.flickr.com/photos/javieraguayo/4505250000/
www.flickr.com/photos/javieraguayo/4479095416/in/photostr...
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Setup for mobile traditions shot:
Equipment: 'bay Strobe with softbox @ 1/5th power, triggered optically. sunpak 383 though umbrella @ 1/4th power, triggered via pov wizard. Camera on tripod. Background is a roll of white wrapping paper from kmart, less than $5 for 3meters of white shiny goodness.
Setup for my water strobe projects
www.flickr.com/photos/canon-eos/3389274961/
Equipamento utilizado para realizar astrofotografias.
- Montagem equatorial Orion Atlas EQ-G GO-TO Computadorizada
- Telescópio Refrator Meade 80mm ED APO F6 480mm
- Telescópio Refrator Orion 80mm Acromático F5 400mm (guiagem)
- Câmera Orion Starshoot (guiagem)
- Buscadora eretora Orion 9x50
- Apontador Laser 80mw
- Câmera Canon 500D T1i Rebel EOS não modificada
Final Image:
www.flickr.com/photos/davidmattos/9273993881/in/photostream/
Blog Post:
davidmattosphotography.com/photo-session-month-four/
Camera Info:
Nikon D700, 85mm 1.8g @ f/8, 1/250th sec. ISO 200, on Manfrotto Tripod w/Ball head
Strobist Info:
SB-28 @ 1/2, Westcott Apollo Medium Softbox, camera right
SB-28 @ 1/8, Westcott Apollo Strip light Softbox, camera left
Triggered with Pocketwizard Plus III's
Processing:
LR5 & PS CC
This is the setup for tonights shot which you can check out here
Photo Spec:-
Model:
Sam Wilson (not in shot right now duh!)
Lighting:
430ex camera right behind subject up high shooting almost straight up into a black/white brolly on 1/1 power, 430ex camera left low in front of subject shooting through a white brolly on 1/1 power. Fired by IR.
This photo was taken at insomnia51
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass Photography
Strobistinfo:
Left: LP160-1/4-35mm + 5400HS-1/4-35mm
Right: LP160-1/4-35
Left (next to camera): 5400HS-1/8-70mm
Setup for: Dreaming
Final result here.
Strobist info: #1 SONY HVL-F43AM 1/2 power, @70mm, camera left, 1m high, 1m from subject (at 2 o'clock); #1 MINOLTA 5400HS 1/32 power (a little piece of masking tape was on the lamp to reduce dazzling), @105mm, 30cm high, 40cm from subject, positioned in front of subject. Ebay Triggers on both.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk