View allAll Photos Tagged setup
Strobistinfo:
Left: LP160-1/4-35mm + 5400HS-1/4-35mm
Right: LP160-1/4-35
Left (next to camera): 5400HS-1/8-70mm
Setup for: Dreaming
Setup for the recent chocolate shots. See notes.
Canon 430EX on 1/8 power camera left. Sunpack 383 on 1/8 power camera right. White foam-core to make a nice reflective box. Later shots also used a Wescott Apollo softbox in front of the candy and to the left of the photographer. Everything fired with Gadget Infinity 16-channel triggers.
This photo was taken at insomnia53
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass Photography
Equipamento utilizado para realizar astrofotografias.
- Montagem equatorial Orion Atlas EQ-G GO-TO Computadorizada
- Telescópio Refrator Meade 80mm ED APO F6 480mm
- Telescópio Refrator Orion 80mm Acromático F5 400mm (guiagem)
- Câmera Orion Starshoot (guiagem)
- Buscadora eretora Orion 9x50
- Apontador Laser 80mw
- Câmera Canon 500D T1i Rebel EOS modificada com filtro Astrodon
- Filtro Astronomik CLS EOS Clip
- Field Flattener 2" Astro-Tech
It is a risky balancing act but there was no shortage of volunteers. The men wove these young coconut leaf decors earlier and it was time to hang them from the makeshift bamboo roof. Excitement was definitely in the air. The final appearance looks like this.
the preparations of my wedding's feast at Pantai Mengiat, Nusa Dua, Bali, Indonesia
photo by Joel B
more pics and journeys in colloidfarl.blogspot.com/
Home studio product shot setup, glass sample. Photography by J Mark Stewart. Please visit www.blackgeckophotography.com for contact information.
© J. Mark Stewart
This is my light setup for the SBs I used in the darkfield wineglass shot. The SBs are attached to my DIY worklights. The worklights themselves were not used in the wineglass shot.
See product shot here.
ironically, did a studio shoot without any studio lights..
2 430EXIIs at 1/4th power to blow the background, 580EXII at 1/8th power into a softbox below and 580EXII at 1/4th power bounced off the ceiling on cam as master and main light..
for rest of the set click here..
It's always amazing to me how much different a setup shot looks on the same camera setting with the camera pointed at a different angle.
One thing we are learning very quickly, there is no substitute for a big honkin' diffused light source (even our panel's not big enough) and LOTS of light when shooting cars.
Special thanks to John K. and Dennis S. in setting up this shoot, as well as the owner of Pro-Max for lending us the cars to model. If you are interested in purchasing this vehicle, please visit www.pro-max.com
Strobist:
AB1600 and AB400 1/1 into diffusion panel held high, lighting the side.
One thing worth pointing out here is that we goboed the AB400 and AB1600. In bare tube mode the spill is lighting the roof structs which then gets reflected in the glass. We took my craftsman tool catalog, tore pages out of it and then electrical taped it over the top of the strobes to act as a gobo. :-)
Snooted SB600 for accent lighting on the wheels. Note that it doesn't work as well here as body panels cover half the wheel and that gets lit up unnaturally bright on the rear.
2 generic AC strobes in soft boxes cross lighting the front.
580EX M1/8, diffuser down, driver seat, firing into roof.
430EX M1/4, diffuser down, passenger seat, firing into roof.
The interior of the car is creme colored leather and at M1/1 the insides look like an alien abduction is going on..
.
Final result here.
Strobist info: #1 SONY HVL-F43AM 1/2 power, @70mm, camera left, 1m high, 1m from subject (at 2 o'clock); #1 MINOLTA 5400HS 1/32 power (a little piece of masking tape was on the lamp to reduce dazzling), @105mm, 30cm high, 40cm from subject, positioned in front of subject. Ebay Triggers on both.
i used 2 small LEDs as the backdrop for dramatic effect. it worked perfectly.
link to video: www.youtube.com/watch?v=L4ispmnh5OU
Setup shot for 092/365 Long Drive Home.
Does anybody actually care what my settings are on my flashes are or do you just care to see where they are located in relation to subject and the modifier used?.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4, f/1.8, 1/60s, ISO 200
Strobist Info:
-Canon 430EXII Camera right and facing subject, 1/32Power, @24mm zoom, about 7 feet high, 4 feet away from subject through 24 Photoflex softbox.
-Flash was triggered with Interfit Strobies.
this is the setup i used to do the autumn crown shot. Just thought I'd share it with everyone, I hope you enjoy.
shot with apple iPhone shutter not sure apperature not sure flash none lens not sure. ;-)
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Setup de la sesión de fotografÃa para la agrupación AfroSon.
Sombrilla Blanca Traslúcida sobre tripode con flash vivitar 285 con disparador por radio, en máxima potencia para reducir un poco las sombras sobre los modelos. Flash vivitar 60M en trÃpode a un lado disparado por fotocelda.
Canon 400D Objetivo 18-55 y 90-300 canon. Disparador radio trigger.
Todos los derechos reservados ©2010
Prohibido el uso de esta imagen sin previa autorización
This photo was taken at insomnia57
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass Photography
Trying a new setup on my Holga. This is for shooting microclics, will post photos of the result once I get the film developed. Hoping that the Tunnel Vision Lens will add more warping/distortion to each of the shots in the microclic series.
Setup Shot for 087/365 So Much Work To Do.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/11.0, 1/200s, ISO 100
Strobist Info: See Setup Shot here.
-Canon 430EXII Camera left and in front of subject, 1/1Power, @24mm zoom, about 8 feet high, 4 feet away from subject through .
-Canon 430EXII directly in front of subject subject behind camera (trying to make a face ring flash effect), 1/4 Power, @24mm zoom, about 5 feet high, 2 feet away from subject through 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/2Power, @35mm zoom, about 5 feet high, 3 feet away from subject, fired bare.
-Flash was triggered with Interfit Strobies.
Key light: Backlight reflector
Back light: 60° Grid Reflector with 3/16" (4.762mm) grid
Settings
ISO: 400
24mm
F/4
1/200 Sec
Bowens Gemini 200/200 kit
This photo was taken at insomnia54. Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter. Photo by Martyn Compton.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk