View allAll Photos Tagged setup

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

First bare flash from behind and about 4 ft. high, second flash with small bounce card in front, camera right.

 

Setup shot for 124/365 Esquire Barbershop.

 

Camera Info:

Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/8.0, 1/40s, ISO 320

 

Strobist Info:

-Canon 430EXII's Camera Left and in front of subject, 1/8 Power, @24mm zoom, about 7 feet high, 3 feet away from subject inside 40 inch Wescott softbox.

-Canon 430EXII Camera right and behind subject, 1/4 at 105mm Zoom fired bare, 7 feet high and 10 feet away from subject, fired bare.

-Flashes triggered with Interfit Strobies.

 

Follow me on Twitter @matthewcoughlin.

Scorched Toast Setup

 

This is my entry for the DIYphotography.net's first assignment in the Bag 'O Goodies contest. I was definitely aiming for originality by shooting burnt toast. Recently I had seen some smoke photography that was quite beautiful and I wanted to give my take on that. When this assignment came up my desire to use smoke developed into the idea to burn some toast and then scorch it even further with a torch. The smoke was created using six sticks of incense. Sorry that the setup shots at the end have the open garage door but I was suffocating in there with all that acrid incense smoke in the air.

 

Post Processing Information:

Slight sharpening, slight increase in red, green and yellow saturation and cropping.

 

EXIF Data:

1/180" @ f/8 ISO 200

90mm focal length (120mm equivalent) though cropped a bit from that.

 

Strobist Information:

Key Light: LP120 @ 1/4, triggered optically, gelled 1/2 CTO, gridded, from high camera left skimming toast to show texture.

Fill Light: Pentax AF500 @ 1/2, triggered optically, bounced off ceiling from camera left.

Toaster Accent Light: Nikon SB-28 @ 1/4 with wide beam diffuser, triggered by PocketWizard Plus II, gelled red, from camera left aimed at white garage door.

Smoke Light: Vivitar 2800 @ 1/8, triggered optically, gelled green, snooted from behind and right of toaster.

 

Background Light (not used in final shot): Pentax AF540FGZ @ 1/8, triggered optically, bounced off DIY reflector's gold side, goboed to prevet flare

 

DIY Gear Information:

Coroplast Grid Spot

Cardboard Snoot

Cardboard Gobo

Double Sided Reflector

DIY Flash Clamp (on the floor tipped over being used to hold the reflector in this instance)

Oral Autofocus Shutter Release

Aluminum levers added to the light stand to make it easier to tighten or loosen the knobs with paralyzed hands while leaning over from a wheelchair.

 

The final shot can be seen here.

See the comments in the image

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

This is my work Setup!

Here is the light setup for my pictures of Ollie. Both umbrellas have Nikon SB-28s. You can just barely see the snooted and gridded Vivitar 285HV on the stand to the right of the backdrop. I attached the branch that Ollie is sitting on to the clamp for my reflector holder.

This is a setup shot for my image: Smoky Handstand:

www.flickr.com/photos/igods/8375202973/in/set-72157630050...

 

Target shot photographed with my Nikon D600 and 105mm macro lens. Setup shot done with my Nikon D90 and Nikon 18-200mm lens.

 

It was a simpler lighting setup than my last attempt at a smoke shot. The key I learned is to maximize the contrast between smoke and background. So, use the standard black background (and base), and off-camera flash to add as much light as possible to the smoke, while keeping it from contaminating the background.

 

That last is the hardest part. I used my Rogue Flashbender to funnel the light away from both the lens and the background, but I didn't do so well with the latter. It's amazing how easily errant light can contaminate the photo.

 

Having only a single flash caused a lot of extra exposure on the left of the shot, which I adjusted for in Lightroom. A second flash to camera right, and setting both at 1/2 power, would have given me more exposure power at shooting time, and less work at edit time.

 

Moving the light closer to the smoke was the significant takeaway during this experiment.

 

Of the 83 exposures that I took, I got 9 shots that I really liked, both technically and artistically.

 

Target specs: Nikon D600, Nikon 105mm, f/18, ISO 100, 1/250 second, Nikon SB-700 flash in manual mode.

Setup specs: Nikon D90, Nikon 18-200mm, f/10, ISO 200, 1.6 seconds, ambient light.

Photo Taken In New York

at last i got rid of the pc now im all mac heres my macbook pro with an external monitor...

Setup Shot for 063/365 Take Just A Moment.

 

Camera Info:

Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @25mm, f/11, 1/200s, ISO 100, Canon Timer Remote Control TC-80N3

 

Strobist Info:

-Canon 430EXII Camera right, 1/2 power @24mm Zoom fired bare, 8 feet high and 9 feet away from subject.

-Canon 430EXII Camera left, full power @105mm Zoom fired bare, 8 feet high and 15 feet from subject.

-Flashes triggered with Interfit Strobies.

 

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

This photo was taken at insomnia57

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass Photography

Setup shot for 131/365 That Sucked.

 

Camera Info:

Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/13, 1/60s, ISO 320

 

Strobist Info:

-Canon 430EXII Camera Left and in front of subject, 1/1 Power, @24mm zoom, about 5 feet high, 3 feet away from subject inside 40 inch Wescott softbox.

-Flash triggered with Interfit Strobie.

 

Follow me on Twitter @matthewcoughlin.

The original shot of the lion spread, with Hannah sitting in for the Lion. Just to add that extra touch of realism for Elky of course.

 

There's a medium softbox just to camera right, and a 2nd head back left with a medium grid and barndoors on. Both are very old Bowens 500's

 

Blog: www.photosmudger.com/

 

www.tmphoto.co.uk/

This photo was taken at insomnia50,

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

This photo was taken at Insomnia61 #i61.

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook, twitch, Insomnia Events Twitter @MultiplayEvents, Multiplay Esports Twitter @MultiplayEsport, UK Masters, instagram @insomniagamingfestivals and SnapChat @multiplayuk.

 

Photo Credit - David Portass/iEventMedia

Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

Setup shot for the Cover Image, although the background appears to have changed a little in translation. Taken by Louise, who was on work experience learning how to photograph Poker players in the rain in Birmingham.

 

Blog: www.photosmudger.com/

 

www.tmphoto.co.uk/

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

First bare flash from behind and about 4 ft. high, second flash with small bounce card in front, camera right.

 

The setup for the beanbag shot from outside, as opposed to inside.

 

Blog: www.photosmudger.com/

 

www.tmphoto.co.uk/

Strangely enough I almost like my setup shot better!

I've not been taking setup shots for awhile.

 

just thought I'd do one right now.

Product photography with flashes and gels.

 

Both flashes were set to 1/64 power. The SB-900 under the perspex was zoomed out to 24mm and given a yelow gel. The SB-26 to the right was zoomed to 50mm and had a straw grid fixed to the snoot. Both were triggered by Skyports.

This was my setup for shooting promotional images of the KAZU staff.

 

2 Vivitars

 

1 gold reflector

 

white sheet from Target

 

2 light stands, one of which is a fresh boom I scored new on eBay for $59

This photo was taken at insomnia58

 

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

 

Photo by David Portass/iEventMedia.co.uk

 

This is my setup for my drop's Photo :) not really a professional setup, but it works somehow :)

  

###########################

Taken with:

Camera model:HTC HD7 T9292

ISO=100

Exif info added with simashin flickr tools

###########################

Strobist-setup:

-580 EXII @ 1/2 24mm with 1/4 CTO through 50" Apollo Westcott Softbox cam left

- 430 EXII @ 1/4 24mm with 1/4 CTB through 28" Apollo Westcott Softbox cam right

- EOS 5D MKII @ 1/160 ISO 640

- EF 50 1.4 @ f/7.1

- triggered with Yongnuo RF-602

A not terribly informative setup shot from the portrait of Jim and Allegra.

 

You know the deal by now - all the info is in the notes.

 

www.photosmudger.com/

 

www.tmphoto.co.uk/

good halloween setup... a scary place!

 

more pics on Flickr: {houseontherock}

This photo was taken at insomnia50,

Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.

Rota wheel with D2 8 pots brake calliper, mounted on a Subaru impreza GTT.

Night setup for IJN's Run For Your Heart

View this larger to see all the detail.

 

See the complete shot here

 

My Website | My Blog | My Twitter

1 2 ••• 28 29 31 33 34 ••• 79 80