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ironically, did a studio shoot without any studio lights..
2 430EXIIs at 1/4th power to blow the background, 580EXII at 1/8th power into a softbox below and 580EXII at 1/4th power bounced off the ceiling on cam as master and main light..
for rest of the set click here..
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
Setup shot for 195/365 Tree Hugger.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, Æ’/6.3, 1/200s, ISO 200
Lighting Info:
-Canon 430EXII camera left about 9 feet high and 8 feet from subject, 40" Westcott softbox, 1/1 power @24mm zoom
-Canon 430EXII straight ahead behind subject and tree trunk about 9 feet high and 10 feet from subject, fired bare at 1/4 power and 50mm zoom
-Flashes triggered using interfit strobies triggers
my setup for a day at home: my work-laptop (necessity 'cauese my work run Windows-only apps ) , my loyal Powerbook , my iPod, my phone and my Microtrack HD-recorder. Then spot the bananas (i'm in close family with monkeys here ! ) and my espresso . That's a nice setup.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
It's always amazing to me how much different a setup shot looks on the same camera setting with the camera pointed at a different angle.
One thing we are learning very quickly, there is no substitute for a big honkin' diffused light source (even our panel's not big enough) and LOTS of light when shooting cars.
Special thanks to John K. and Dennis S. in setting up this shoot, as well as the owner of Pro-Max for lending us the cars to model. If you are interested in purchasing this vehicle, please visit www.pro-max.com
Strobist:
AB1600 and AB400 1/1 into diffusion panel held high, lighting the side.
One thing worth pointing out here is that we goboed the AB400 and AB1600. In bare tube mode the spill is lighting the roof structs which then gets reflected in the glass. We took my craftsman tool catalog, tore pages out of it and then electrical taped it over the top of the strobes to act as a gobo. :-)
Snooted SB600 for accent lighting on the wheels. Note that it doesn't work as well here as body panels cover half the wheel and that gets lit up unnaturally bright on the rear.
2 generic AC strobes in soft boxes cross lighting the front.
580EX M1/8, diffuser down, driver seat, firing into roof.
430EX M1/4, diffuser down, passenger seat, firing into roof.
The interior of the car is creme colored leather and at M1/1 the insides look like an alien abduction is going on..
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Final result here.
Strobist info: #1 SONY HVL-F43AM 1/2 power, @70mm, camera left, 1m high, 1m from subject (at 2 o'clock); #1 MINOLTA 5400HS 1/32 power (a little piece of masking tape was on the lamp to reduce dazzling), @105mm, 30cm high, 40cm from subject, positioned in front of subject. Ebay Triggers on both.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
I think I actually prefer the setup to the final shot today. Took me a few mins to work out how to light the tank up, so I ended up putting the lights straight in the top of the tank! Boo Ya! Now the fishies are all blind and keep swimming into stuff… sorry Phil!
The left flash was at 1/16 and the right was at 1/8
The finished shot can be seen here.
Strobist:
1 Flash Metz 58 a 1/16 Potencia montado en un Beauty Dish
1 Flash desnudo Metz 48 a 1/32 Potencia disparado al fondo
Cámara: Canon EOS 50D
Exposición: 0,004 sec (1/250)
Aperture: f/6.3
Lente: 36 mm
Velocidad ISO: 400
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Setup shot for 092/365 Long Drive Home.
Does anybody actually care what my settings are on my flashes are or do you just care to see where they are located in relation to subject and the modifier used?.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4, f/1.8, 1/60s, ISO 200
Strobist Info:
-Canon 430EXII Camera right and facing subject, 1/32Power, @24mm zoom, about 7 feet high, 4 feet away from subject through 24 Photoflex softbox.
-Flash was triggered with Interfit Strobies.
this is the setup i used to do the autumn crown shot. Just thought I'd share it with everyone, I hope you enjoy.
shot with apple iPhone shutter not sure apperature not sure flash none lens not sure. ;-)
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Setup de la sesión de fotografÃa para la agrupación AfroSon.
Sombrilla Blanca Traslúcida sobre tripode con flash vivitar 285 con disparador por radio, en máxima potencia para reducir un poco las sombras sobre los modelos. Flash vivitar 60M en trÃpode a un lado disparado por fotocelda.
Canon 400D Objetivo 18-55 y 90-300 canon. Disparador radio trigger.
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Trying a new setup on my Holga. This is for shooting microclics, will post photos of the result once I get the film developed. Hoping that the Tunnel Vision Lens will add more warping/distortion to each of the shots in the microclic series.
Setup Shot for 087/365 So Much Work To Do.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/11.0, 1/200s, ISO 100
Strobist Info: See Setup Shot here.
-Canon 430EXII Camera left and in front of subject, 1/1Power, @24mm zoom, about 8 feet high, 4 feet away from subject through .
-Canon 430EXII directly in front of subject subject behind camera (trying to make a face ring flash effect), 1/4 Power, @24mm zoom, about 5 feet high, 2 feet away from subject through 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/2Power, @35mm zoom, about 5 feet high, 3 feet away from subject, fired bare.
-Flash was triggered with Interfit Strobies.
Very similar to the Vicky Coren setup, but without back lights.
This photo was taken at insomnia54. Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter. Photo by Martyn Compton.
This photo was taken at insomnia58
Find out more about Multiplay, watch our videos and see all the latest news on the website, facebook and twitter.
Photo by David Portass/iEventMedia.co.uk
Setup for measuring 532nm laser excitation fluorescence (and Raman scattering). The filters manage the laser light through the lightpath. A 2mm tsavorite is placed on a non-fluorescent Al foil. A Prior micromanipulator manages the pointing of the fibre collimator.
2 - 580 ex's bounced off a white reflector with model standing about 3-4 feet in front of the reflector. Optical Sync.
This is the setup used in the following photo's:
setup for the shot of Cecile. Notes should explain everything, and there's an internal shot here as well.
Blog: www.photosmudger.com/