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SB28 behind deo 1/16th power, yellow gel to colorize the deo
SB28 into umbrella, 1/8th power, 4 o'clock, highlight the deo can
Setup shot for 132/365 Say Cheese Kelvin.
Camera Info:
Canon 7D, Canon EF 70-200mm 1:4 L USM Non-IS @70mm, f/5.0, 1/200s, ISO 100
Strobist Info:
-Canon 430EXII Camera Right and in front of subject, 1/4 Power, @24mm zoom, about 8 feet high, 3 feet away from subject inside 40 inch Wescott softbox.
-Canon 430EXII Camera left and behind subject, 1/32 at 105mm Zoom fired bare, 6 feet high and 6 feet away from subject, fired bare.
-Canon 430EXII laying down behind subject aimed at background about 3 feet away fired bare, 1/32 power @50mm Zoom
-Flashes triggered with Interfit Strobies.
Follow me on Twitter @matthewcoughlin.
Becoming a familiar setup :)
Simple setup of 2 sheets of tracing paper seperated by about 2inches/50mm to give a good even spread of light. Behind this there are 3 x 20W CFL lamps shining directly onto the screen.
The bottle is placed on a polythene business card box to raise it above the sheet of glass which has white card under it. This is flanked either side by sheets of black card to bring out contrast.
Though it appears this was taken in the dark, it wasn't, the room was well illuminated at the time, the concentrated light and aperture/shutter speed keeping out extra light.
Canon 5D Mark III, Canon EF 70-200mm Æ’2.8L IS II USM @ 123mm. Key light: Profoto B1 500 Air TTL in a Profoto 2' x 2' softbox, slaved to the fill light. Fill light: Canon 600EX-RT in a Westcott softbox, triggered by a Canon ST-E3-RT radio remote. In addition, Leona held a piece of white foamcore board to reflect light and further soften shadows.
The camera was in manual mode (see Exif on the previous photo ) and both flashes were in manual mode. The Canon 600-EX-RT has plenty of power for use in a softbox; I had to dial down the power to 1/16 of full power +â…“ stop. One can quibble endlessly over fill. Dialing it down a little further might have given a more pleasing fill-to-key ratio, but If I am to err on a female portrait I prefer to err on the side of a lower ratio. I confirmed flash fill ratio and aperture with a Sekonic L478D incident light meter.
Wouldn't it be fantastic if all manufacturers could agree on a single standard for flash-triggering radio!? There would still be room for various manufacturers to sell their own brand of triggers, but they would work with everyone else's cameras and flashes, both radio-equipped Speedlite types and studio strobes.
I made this setup photo with a Canon 60Da DSLR and a Canon 16-35mm lÆ’2.8L II USM lens. In this instance I used the 60Da's small built-in flash to trigger the two softbox strobes. The built-in flash did not contribute to the light in this setup photo.
The setup for the match experiment.
Photo is lit with "El Cheapo Adjust Light" and made with my Cellphone.
Final results you can find here:
My current office setup: a 15" MacBook Pro and a 30" Cinema Display. There's also an iMac G5 to the left of the printer that is used mainly for testing stuff on Mac OS X 10.4/10.5 on PowerPC.
Hey, I’m Richard. I’m the one behind GamingSetups.com and this is my gaming setup
TV(s)/Display(s):
Samsung 46″ Class 5000 Series 1080p LED HDTV (UN46C5000)
Sound/Home Theater System(s):
Onkyo HT-S3300 – 5.1-Channel Home Theater
Console(s):
Xbox 360 4GB Console with Kinect
Entertainment Center
Nova by South Shore Furniture
Accessories:
4 LED Light Strip Kit (Cool White)
Guitar Hero World Tour Drum and Guitar controllers (missing from photos)
Two Guitar Hero Legends Guitar controller (missing from photos)
Games:
Rock Band, Rock Band 2, Rock Band 3, Green Day: Rock Band
Guitar Hero II, Guitar Hero III: Legends of Rock, Guitar Hero World Tour, Guitar Hero 5, Guitar Hero Warriors of Rock, Band Hero
Guitar Hero Van Halen, Guitar Hero Aerosmith, Guitar Hero Metallica
Skate, Skate 2, Skate 3
Fight Night Round 3, Fight Night Round 4, Fight Night Champion
Halo Wars, Halo 3
Stoked
Dirt
NHL 07
Tiger Woods PGA Tour 09
NCAA Football 09
NBA Live 09
Fable II
PGR 4
Pure / LEGO Batman: The Videogame
Fantastic Pets (Kinect)
Kinectimals (Kinect)
Your Shape Fitness Evolved (Kinect)
Kinect Adventures (Kinect)
Setup Shot for Nina Maluhia
Strobist:
- 22in Kacey Beauty Dish
- Vivitar 285HV
- YongNuo RF602
Example Final can be seen here:
in the interview room:
Equipment/setup:
White paper taped onto table with outline drawn around the recording area (the white paper helps the webcam with the brightness of the screen on tablets and smartphones)
Articulating arm for webcam mount is the Manfrotto 244 Variable Friction Magic Arm with Camera Bracket
It's secured with a Super Clamp
(articulating arm and super clamp both available through B&H photo)
Logitech 1080p Webcam Pro C910 with a 3/8" hole drilled through the clip
Mac with iChat, iGlasses, Silverback App
iGlasses (software) so that the video preview window can be rotated and mirrored.
Make sure iChat is set to operate in 32bit before opening (finder, info fo iChat and select 32bit) -- otherwise iGlasses won't be available
Open iChat Video Preview window, choose Preferences, select external Logitech webcam, to view the output from the Webcam onscreen (logout of iChat)
Use iGlasses, in iChat, to mirror and rotate the video image in iChat video preview
VGA cable from Mac into TV in observation room (other side of mirror) so observers can see the iPad (via the iChat Video Preview Window) -- requires, of course, appropriate converter for Mac
External 1TB USB hard drive for Silverback Recordings (because this type of video recording creates 20-40gb files per 1hour of video)
Silverback App on the Mac for recording picture in picture (Macbook is turned towards participant to use the built-in isight camera to grab video of participant) -- be sure to tell Silverback to record on the external drive.
The Mac is propped up on on a Fold N Flip Portable Laptop stand
So it's come to this. Photos of my desk to keep this photostream going ;)
The screensaver is called Hills, btw.
My current DSi debugging setup:
- One FPGA (in back) emulating an SPI EEPROM and providing shared memory for debugging
- Another FPGA (in front) as an MMC command sniffer
- A modified SD/MMC card reader for reading and writing the flash memory
This is the setup for the photo Corkscrew for the Strobist Lighting102 Assignment - Cooking Light.
The plastic tube in the middle contains an SB-800. The SB-24 on the right is mounted on the light stand with a Manfrotto Super Clamp. See final photo for more strobist info.
setup for this shot.
DISCLAIMER: That is not the arm pit of Mer, it was Photoshop, and yes she was sitting next to me when I did it, no she wasn't mad, and yes we did have a good laugh about it...hahahaha
The setup for a 'practice photoshoot' at IT Mill - the plan is to photo the whole staff at some point, but the plan is progressing slowly. This time we tried a dark theme. And since it was a 'practice' session, we didn't bother to iron the backdrop. Mental note to self: always iron the backdrop ;-)
Strobist info:
Flash 3 was as pictured above for 'Jukka' -photos, and bounced of a white sheet of paper on the laptop screen for the 'Sami' -photos.
For the IT Mill Photogs group.
A familiar setup for subjects on a black glass/acrylic base, acrylic here as the amount of dust will indicate.
Main difference to my usual setup, is the addition of a white reflector above. This is a cheap white memo board which sometimes gets hung on the wall for scribbling notes on. Often described as a dry wipe board, which uses pens with water based inks that will just wipe off with a dry cloth.
This is just resting on top of a pair of tracing paper screens, through which the Neewer SF-01 mini slave flashes are fired. Both activated by Blazzeo SLT-4 radio triggers mounted on mini tripods. The flashes are shielded from the black backdrop which is approx 12inches/300mm behind by a couple of sheets of black card attached to the screens with clothes pegs.
Simple but effective :)
The finished image is shown below:
Setup primarily to test the mounting of a Pringles tube lamp on a tripod, using a flash cold shoe and a couple of rubber bands. More details shown in comment below.
Inside the tube is an 11watt spiral CFL lamp and the tube is also lined inside with black paper to give a smaller pool of light.
On the opposite side, a simple reflector made from an A4 size sheet of white card folded in half to a V shape so it would stand up.
The base here is a sheet of clear acrylic with the underside painted black to create a black mirror.
The table below and a board behind are also covered in black paper to complete the dark environment.
Canon 6D Mark II with an EF100-400mm f/4.5-5.6L IS USM lens. Atop the camera is a CamRanger 2 WiFi adapter. Beneath the camera, and beneath the Manfrotto ball head, is a Slick Master Deluxe tripod that I received as a Christmas gift in 1973. It was purchased at the Central Department Store on Silom Road in Bangkok, Thailand.
Supplemental lighting: Profoto A1X with Soft Bounce.
This is a minifigures scale version of our Lego setup. Hope you like it and thanks for 100 followers.
Setup that turned into a little shot of its own.
Trying a new lighting style, the result is here. :)
Alien Bee B800 with 7" reflector from underneath on 1/16 power I believe, triggered by PW Plus II's
Strobist info :
SB900 in softbox on right @ 1/4
SB900 in softbox on left @ 1/2
Triggered via PocketWizard II
23" ACD, bluetooth all connected to 3.0GHz Quad-Core Mac Pro with 4GB RAM.
I wrote up a review of my setup if you want to read all about it.
Nikon d40
Sigma 30mm f/1.4
18-55mm
55-200mm
SB600
Radio triggers
Yashica Electro 35 GSN
This will be growing near christmas time with 5 rolls of portra 160NC, 2 impact lightstands, 2 impact umbrella mounts, and a vivitar 285HV
plus i have some money to spend so another 285, 2 hotshoe to pc adapters, 2 more sets of triggers, and 2 impact double sided umbrellas
Setup :
1 X AB 1600 on the front with umbrella
1 X AB 1600 with soft box for the back light right
1 X AB 400 on the bottom
1 X AB 400 with grid for the back light left
The Stormies wait around while I do a setup shot.
Exposure: 0.02 sec (1/50)
Aperture: f/22.0
Focal Length: 61 mm
ISO Speed: 100
Shot in Raw and processed using Lightroom
Re-edited and Re-posted - 29/09/11
Setup shot for Alan Brogan, Jermain Defoe, Ashley Young, and Roman Pavlychenko. Notes should explain everything. All the lights are so far apart because of having to allow for their run up when they went sprinting past the camera.
Blog: www.photosmudger.com/
Setup shot for 023/365 Danger Zone.
Strobist Info: Canon 430EXII camera left and about 3 feet high fired into shoot through umbrella about 4 feet away from subject, Canon 430EXII camera right and on back side of subject about 6 feet high and 9 feet rear of subject fired bare/no diffuser, Canon 430EXII camera right about 6 feet high fired into reflective black back umbrella about 8 feet away from subject . Flashes were triggered with Interfit Strobies.