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the updated setup... I've picked up a slightly larger beast to replace on of my 17 inch monitors
old version below:
Spent most of the day up in Norfolk, helping set up the camp I help on. A canvas roofed wooden building which is the kitchen and marquee were fetched out of storage and put up in preparation for the next few weeks activities. I was worn out by the time I made it home!
Setup Shot for 095/365 Sessions.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/5.6, 1/50s, ISO 100
Strobist Info:
-Canon 430EXII Camera left and behind subject, 1/2Power, @105mm zoom, about 8 feet high, 12 feet away from subject fired bare.
-Canon 430EXII Camera right and in front of subject, 1/2 Power, @24mm zoom, about 8 feet high, 5 feet away from subject through 40 inch Wescott softbox.
-Canon 430EXII Camera right and in front of subject, 1/4Power, @35mm zoom, about 8 feet high, 10 feet away aimed at building in the background.
-Flash was triggered with Interfit Strobies.
setup for this.
Check out the awesome behind-the-scenes video (in HD!) shot my by good friend, Chris Hannant, here.
For a full run-down of the process, check my blog!
Livestock Music Festival 2018.
Rafik has worked tirelessly to create a great music festival highlighting local Niagara talent.
Livestock has gotten bigger, better and more fun year after year.
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Other places to see my work rumimume.blogspot.ca/, Google+ google+, twitter
To my great regret this setup is completely disassembled. I have too many components needed for the new version. The new setup version 2012 is now in development. Schedule for April 2012.
The new version is again a 3D version, but now with a beamsplitter. The laser detection is reworked to keep the weight down. A compact design with a completely new electronics will improve overall performance. Especially the correct stereo base will be a great improvement in macro shots. The new laser detection is also improved by the use of extra frontside mirrors. This should lead to very high quality stereo images of fast moving closeup objects.
Frans.
Here's my current setup for Lego photos.
- For lighting, I've got two umbrella lamps from this kit.
- For the backdrop, I'm currently just using a roll of some cheap craft paper.
- Holding the paper up has always been a challenge--I need to just get a backdrop stand at some point. For the moment, I just so happen to have a very large mirror lying against the wall that works perfectly for holding up the paper.
- I have a really nice camera (Canon 7D) and tripod (Manfrotto 055XPROB) because I also do a lot of seascape photography; I bought the umbrella lights specifically for photography though :).
Hard steel setup.
Picture take with this setup:
2D version:
www.flickr.com/photos/fotoopa_hs/16857585076/
3D version:
www.flickr.com/photos/fotoopa_hs/16882296662/
Info: Lens center height 42.5 mm, important if you want to support the lens.
The Vintage Faire sim is amazing this year. The organizers really outdid themselves. And there's me with a two headed turtle!
Unfortunately, the black "flag on the right fell down and then my XTI taking the setup shot ran out of batteries.
This photo was taken at insomnia49,
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Setup shot for 174/365 Poolside Fun.
Camera Info:
Canon 7D, Sigma 17-70 @70mm, Æ’/10.0, 1/200s, ISO 100
Strobist Info:
-2 Canon 430EXII's camera left both inside 40 inch Westcott Softbox, 3 feet high and 3 feet from subject, both 1/1 power @ 24mm Zoom
-Flashes triggered with wireless Interfit Strobies
Follow me on Twitter @matthewcoughlin.
ironically, did a studio shoot without any studio lights..
2 430EXIIs at 1/4th power to blow the background, 580EXII at 1/8th power into a softbox below and 580EXII at 1/4th power bounced off the ceiling on cam as master and main light..
for rest of the set click here..
Setup shot for 024/365 My Big Brother.
Strobist Info: Canon 430EXII camera left and about 6 feet high fired into shoot through umbrella about 2 feet away from subject, Canon 430EXII camera right and on back side of subject about 6 feet high and 9 feet rear of subject fired bare/no diffuser, Canon 430EXII behind subject shooting at black background, fired bare. . Flashes were triggered with Interfit Strobies.
Practicing some product photography.
Strobist info: Two sb-800s. Controlled by d300 in commander mode. Manual settings.
1st flash shooting through white umbrella at 1/8 power to the right of the camera.
2nd flash 1/2 power shooting through blue gel with 12in snoot aimed at top left corner of iphone to create reflection.
iphone sitting on mirror infront of makeshift black felt background.
The setup before I started sliming it. Green background. Rail and lab jack for targets.
The flash is my first Rev 1 version. Lower power. Power supply and flash head all in one unit.
The setup shot for this photo.
Top left flash was gobo'd with a piece of non-slip mat that I had lying around, since my snoots seems to have run into hiding when my family visited me a while ago. Settings was 1/8th power @85mm zoom (at least in the final photo)
Bottom right flash had a 2cm black straw DIY gridspot, and was 1/8th power at 35mm zoom setting.
The D80 popup flash at 1/2 (or 1/4?) power was used to add some light for this setup photo.
Strobistinfo:
Left: LP120-1/16-28mm-inflatable softbox,
Back (towards camera) HVL-F58AM-1/32-105mm-cardboard gobo's
Clas brought his DJ gear to set up for an after dinner party. This was when I found out I would get to DJ in Norway. Note that it is sitting on a real reindeer skin! DJ Animal for realz.
Not done a setup shot for a while, so thought it time to change that.
It also shows my homemade difussion panels from a better angle than normal, so worth posting for that.
These difussion screens are one of the most useful things for tabletop work that I have made so far. They are very simple, just a cardboard tray that originally had tins of food in. In the base, a rectangular window was cut, just a little smaller than an A4 sheet of paper. Then a clear plastic document wallet is taped over the opening, into which sheets of paper can be put for different effects. Most of the time I use tracing paper or white printer paper just to soften the light from the small flashes.
Sat on top of the right screen, can be seen a Yongnuo SYD-0808 LED video light, which I use to illuminate the area for focussing etc. It's not bright enough to have any impact on the photo when using flash.
White backdrop is a sheet of white fun foam, wonderful stuff.
Almost out of shot at the top, is a Yongnuo YN460 fitted with a white card reflector to bounce the light off, to give the top lighting and to give the clean white background, though it doesnt look like it here :)
Resulting photo : www.flickr.com/photos/steveblackdog/4973858790/
Strobist info:
5400HS-105mm-1/16-4.5cm straw grid
Remote in my lefthand, the strawberry in my righthand.
Second setup with this tilted glass.
The white card backdrop now has a sheet of blue Fun Foam placed in the centre, so only the edges of the white are illuminated. The white can just about be seen behind the lights, the area behind the glass is filled with the blue.
The lights are also changed. Well thats not strictly true, it's the same lights, a pair of 20W CFL lamps, but they are inserted into upright Pringles tube reflectors, which give a much larger area of light than the snoots used with the white background..
Also, a pair of black cards are placed on each side, to prevent direct light fom spilling onto the glass, it is all coming back from the background, which stops nasty reflections on the glass.