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Hey, I’m Richard. I’m the one behind GamingSetups.com and this is my gaming setup
TV(s)/Display(s):
Samsung 46″ Class 5000 Series 1080p LED HDTV (UN46C5000)
Sound/Home Theater System(s):
Onkyo HT-S3300 – 5.1-Channel Home Theater
Console(s):
Xbox 360 4GB Console with Kinect
Entertainment Center
Nova by South Shore Furniture
Accessories:
4 LED Light Strip Kit (Cool White)
Guitar Hero World Tour Drum and Guitar controllers (missing from photos)
Two Guitar Hero Legends Guitar controller (missing from photos)
Games:
Rock Band, Rock Band 2, Rock Band 3, Green Day: Rock Band
Guitar Hero II, Guitar Hero III: Legends of Rock, Guitar Hero World Tour, Guitar Hero 5, Guitar Hero Warriors of Rock, Band Hero
Guitar Hero Van Halen, Guitar Hero Aerosmith, Guitar Hero Metallica
Skate, Skate 2, Skate 3
Fight Night Round 3, Fight Night Round 4, Fight Night Champion
Halo Wars, Halo 3
Stoked
Dirt
NHL 07
Tiger Woods PGA Tour 09
NCAA Football 09
NBA Live 09
Fable II
PGR 4
Pure / LEGO Batman: The Videogame
Fantastic Pets (Kinect)
Kinectimals (Kinect)
Your Shape Fitness Evolved (Kinect)
Kinect Adventures (Kinect)
This is my basic setup for sumi-e painting.
As the paper is highly absorbent one works on a piece of felt that leeches away excess water.
There are many sizes and types of fude (brushes) but for one painting I can usually get by using one, two or, at the most, three brushes.
The suzuri (ink grinding stone) is usually carved from natural stone.
The sumi (ink stick) is made from a combination of soot and animal glue.
The ceramic dish, kikuzara (chrysanthemum shaped), is used to mix shades pf gray from the freshly ground black ink.
The orange toweling rags are to pat and dry the fude.
Sitting on the top of the painting on the felt is the bunchin, a weight to hold the paper in place.
A container to hold water, of course.
Last but not least is the bamboo thingy holding the sumi, ink stick stub, sitting on the suzuri. I have no idea what it's called in Japanese (the Japanese that I've asked about it didn't even know such a tool existed, even though I bought it there!), but it's designed to and works great to hold stubs of your sumi for grinding when they become too short to hold in your hand.
Setup Shot for Nina Maluhia
Strobist:
- 22in Kacey Beauty Dish
- Vivitar 285HV
- YongNuo RF602
Example Final can be seen here:
background info.
I'd have the model run past, shoot, chimp, make adjustments then move the setup 10 meters down the beach so we didn't have foot prints in the sand, then try again,
The gear is cactus kf36 flash triggered by a cactus v4 trigger on a tripod, i find the tripod better than a light stand on the beach. I also really need to great a softbox to control the light better. there is another kf36 on a flash bracket on the camera for fill.
This shot was probably taken 10 minutes before the sunset really came to life.
more on the blog www.tyfitzgerald.com/blog
This is the setup for the photo Corkscrew for the Strobist Lighting102 Assignment - Cooking Light.
The plastic tube in the middle contains an SB-800. The SB-24 on the right is mounted on the light stand with a Manfrotto Super Clamp. See final photo for more strobist info.
Setup for Say Aaahhh.
Strobist:
Ranger A Head, A port at 3.0, 135 Midi Octa with both diffusers, above and to the right of camera.
Ranger Quadra A Head, A port at 3.5, bare bulb bounced into ceiling, rear camera left.
Ranger Quadra A Head, A port at 3.5, bare bulb bounced into ceiling, above Maisie.
Ranger Quadra A Head, A port at 3.5, bare bulb bounced into ceiling, rear camera right.
Triggered by Skyport Speed.
From photoclub photo session. Small studio. Lots of gear & photographers = controlled chaos. Got some frames with somebody's leg or head in the picture :) Good times.
The setup for a 'practice photoshoot' at IT Mill - the plan is to photo the whole staff at some point, but the plan is progressing slowly. This time we tried a dark theme. And since it was a 'practice' session, we didn't bother to iron the backdrop. Mental note to self: always iron the backdrop ;-)
Strobist info:
Flash 3 was as pictured above for 'Jukka' -photos, and bounced of a white sheet of paper on the laptop screen for the 'Sami' -photos.
For the IT Mill Photogs group.
Lighting glass from behind with a couple of 20W CFL lamps.
The lamps were placed behind a screen of 2 layers of tracing paper placed about 2inches/50mm apart to give a more even spread of light.
The vase is placed on a sheet of glass painted black on the underside, which gives the reflection.
This is flanked on either side by sheets of black card, to darken the edge of the stem of the vase.
Probably sounds more complicated than it is, but hopefully the pic shows how simple the setup is.
Worth noting on the shot below is the darker base, which was achieved by raising the camera higher than in this setup shot. I happened to like that a bit better ;-)
This is a minifigures scale version of our Lego setup. Hope you like it and thanks for 100 followers.
Taken with Zeiss 25mm f/2.8 ZF... loving this prime lens. The monitor on the left is the Panasonic BT-LH1700W broadcast monitor. I have it mounted on a C-Stand with a mount that just came in from vfgadgets.com
Nikon d40
Sigma 30mm f/1.4
18-55mm
55-200mm
SB600
Radio triggers
Yashica Electro 35 GSN
This will be growing near christmas time with 5 rolls of portra 160NC, 2 impact lightstands, 2 impact umbrella mounts, and a vivitar 285HV
plus i have some money to spend so another 285, 2 hotshoe to pc adapters, 2 more sets of triggers, and 2 impact double sided umbrellas
23" ACD, bluetooth all connected to 3.0GHz Quad-Core Mac Pro with 4GB RAM.
I wrote up a review of my setup if you want to read all about it.
The Stormies wait around while I do a setup shot.
Exposure: 0.02 sec (1/50)
Aperture: f/22.0
Focal Length: 61 mm
ISO Speed: 100
Shot in Raw and processed using Lightroom
Re-edited and Re-posted - 29/09/11
This is my fancy setup for a bottle series. One SB-800 shooting through a paper diffuser (right of the bottle), a SB-600 (CLS activvated by the SB-800) mounted with a snoot made of a Nutella plastic jar (you can screw on whatever color paper diffuser mounted in a proper lid), a white cardboard reflector to fill the right side, an old Micro 55mm Nikkor full manual on a D70 conected to my wife's laptop and using Nikon Control software to see what I'm doing wrong.
Setup shot for 023/365 Danger Zone.
Strobist Info: Canon 430EXII camera left and about 3 feet high fired into shoot through umbrella about 4 feet away from subject, Canon 430EXII camera right and on back side of subject about 6 feet high and 9 feet rear of subject fired bare/no diffuser, Canon 430EXII camera right about 6 feet high fired into reflective black back umbrella about 8 feet away from subject . Flashes were triggered with Interfit Strobies.
Often many people don't see lighting in photgraphy as they should, many think that is the act of throwing light to the subject, lighting should be thought as part of a concept tied with the plan of thinking in a way of emphasizing your subject and putting relevance to the features you want to give relevance, it is a plan not a dronish mechanic action where you blast light to the subject.
Here you have my beautiful friend Susy in a very simple setup:
Key: A 200ws monolight modified with an umbrella softbox.
Fill: Jumbo sized reflector (silver side used).
Background: a SB-800 in SU-4 mode.
The setup helps to cheer the mood up contrary to a low key setup, it helps to emphasize her eyes, and it makes things a lil bit dynamic without falling into flat lighting territory.
Lighting shouldn't be the same in every setup you do nor you should use the same lighting mindlessly with every subject, that's not a style :P... that's called being lazy ;)... Mr Ogalthorpe has an awesome Blog entry about it here: ogalthorpe.blogspot.com/2009/05/its-all-subjective-if-you... (NSFW) :)
Setup for this shot.
pretty basic setup really, the fact that I stuck by elbow towards the softbox in the other picture didn't help the shot. Thinking about it now this pose might have worked better than the one I used in the end...
read about it here! photogwc.blogspot.com/2011/05/behind-scenessimple-dramati...
final shot: www.flickr.com/photos/fjgphoto/5695934328/in/photostream
Model: Alissa Laderer
MUA: Danielle Klatsky
Assistant: Franklin Abreu
guy with camera
Strobist setup shot for this picture.
Strobist info:
SB800 @ 1/32, 105mm, DIY snoot, shot on the bottom of the Powerade through a sheet of frosted glass.
SB25 @ 1/64, 24mm, shooting into a partly collapsed umbrella, pointing at the Powerade
Triggered with Skyports and 5s self-timer
Camera info:
Nikon D700
Nikon 50f/1.4
f/4.5
1/200
ISO 200
WB - Flash
Ok so I don't have any lights set up or anything. I just clamped this shower curtain to a beam in my basement. There isn't much room for lights here. But this is a great temp area to work. Setup shot for:
http://farm3.static.flickr.com/2394/2089882732_9ebf0b294f_m.jpg