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Setup for Say Aaahhh.
Strobist:
Ranger A Head, A port at 3.0, 135 Midi Octa with both diffusers, above and to the right of camera.
Ranger Quadra A Head, A port at 3.5, bare bulb bounced into ceiling, rear camera left.
Ranger Quadra A Head, A port at 3.5, bare bulb bounced into ceiling, above Maisie.
Ranger Quadra A Head, A port at 3.5, bare bulb bounced into ceiling, rear camera right.
Triggered by Skyport Speed.
The Stormies wait around while I do a setup shot.
Exposure: 0.02 sec (1/50)
Aperture: f/22.0
Focal Length: 61 mm
ISO Speed: 100
Shot in Raw and processed using Lightroom
Re-edited and Re-posted - 29/09/11
Setup shot for Alan Brogan, Jermain Defoe, Ashley Young, and Roman Pavlychenko. Notes should explain everything. All the lights are so far apart because of having to allow for their run up when they went sprinting past the camera.
Blog: www.photosmudger.com/
Setup shot for 023/365 Danger Zone.
Strobist Info: Canon 430EXII camera left and about 3 feet high fired into shoot through umbrella about 4 feet away from subject, Canon 430EXII camera right and on back side of subject about 6 feet high and 9 feet rear of subject fired bare/no diffuser, Canon 430EXII camera right about 6 feet high fired into reflective black back umbrella about 8 feet away from subject . Flashes were triggered with Interfit Strobies.
Setup shot for Ashley Young. I had to do the same for all 4 footballers, but you get the general idea. Notes should explain everything.
As a general rule, I wouldn't advise you to let footballers kick balls around at full tilt when indoors. Things can get knocked over. I have seen it happen.
Blog: www.photosmudger.com/
My little mac setup, just need a midi keyboard to finish it up. Wish I could go for a somewhat minimalistic look but those gay victorian wall frames kill it. -_-
My DJ Setup.
2 x Pioneer CDJ 1000 MK3
2 x Technics 1200 SL MK3
1 x Vestax PMC 08 Pro
1 x Sony Headphones
Setup for this shot.
pretty basic setup really, the fact that I stuck by elbow towards the softbox in the other picture didn't help the shot. Thinking about it now this pose might have worked better than the one I used in the end...
So I wanted a bigger photo area than the shelf in the living room. But I didn't want to rearrange everything to move the desk away from the window. I should have. I couldn't spread the backdrop out far enough, I got light leaking through the blinds. I tried to bounce that desklamp off the white foamboard in the chair, and had paper taped around the lamp to shield it and point it at the foam but it was still too bright over there. My homemade softbox is on the other side. But the light was all still all crappy and the photos are full of noise and I had to use a tripod from across the room to get non-blurry shots. I dunno. Lots of fail. Oh well, this is how we learn.
This was the lighting for all the pics in this set: www.flickr.com/photos/cowpewter/sets/72157632395059580/
Setup for This.
Light Setup :
- Key Quadra, right side, through softbox
- Rim Quadra, left side, through softbox with grid
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Strobist setup shot for this picture.
Strobist info:
SB800 @ 1/32, 105mm, DIY snoot, shot on the bottom of the Powerade through a sheet of frosted glass.
SB25 @ 1/64, 24mm, shooting into a partly collapsed umbrella, pointing at the Powerade
Triggered with Skyports and 5s self-timer
Camera info:
Nikon D700
Nikon 50f/1.4
f/4.5
1/200
ISO 200
WB - Flash
This is my fancy setup for a bottle series. One SB-800 shooting through a paper diffuser (right of the bottle), a SB-600 (CLS activvated by the SB-800) mounted with a snoot made of a Nutella plastic jar (you can screw on whatever color paper diffuser mounted in a proper lid), a white cardboard reflector to fill the right side, an old Micro 55mm Nikkor full manual on a D70 conected to my wife's laptop and using Nikon Control software to see what I'm doing wrong.
The set-up I used to shoot the product shots of the SME tonearm.
I used a roll of wallpaper lining paper for the background. You can see the modified transmitter on the hot-shoe of the Canon EOS20D. The transmitter has an exact length passive aerial fitted to it. This has improved the range from approx. 7 feet to around 100 feet and with almost no misfires :) The lens on the 20D is the superb Canon IS 'L' series 24mm to 105mm.
The camera being photographed here is a Kodak 620 Brownie box camera. This was a test of the set-up.
Photo © Sally Payne 2010
Ok so I don't have any lights set up or anything. I just clamped this shower curtain to a beam in my basement. There isn't much room for lights here. But this is a great temp area to work. Setup shot for:
http://farm3.static.flickr.com/2394/2089882732_9ebf0b294f_m.jpg
Preparations for the 2022 Spring Meetings begin at the International Monetary Fund.
IMF Photo/Cory Hancock
14 April 2022
Washington, DC, United States
Photo ref: CH220414032.arw
iMac setup as of 11-21-08
-24" 2.8ghz iMac 320gb hd, 2gb ram
-Apple wireless keyboard and mouse
-Logitech Z-5500
-Elgato eyetv 250 plus
-ipod touch and custom dock
-samsung alias phone
Not shown:
- hp 4200 printer
-western digital 500gb hd
From photoclub photo session. Small studio. Lots of gear & photographers = controlled chaos. Got some frames with somebody's leg or head in the picture :) Good times.
My one light setup for small product shots which has appeared several times before :)
A sweep of white cartridge paper (A3_ for the background.
A yongnuo YN460 flash set to 1/2 power and activated by a Blazzeo SLT-4 radio trigger.
A Pringles tube attached to act as a striplight reflector. This one is a little different to the one I normally use, which just has an opening covered in tracing paper to act as a diffuser.
This has a similar sized opening, but has the flaps from the opening retained and folded out to give additional reflection. This gives a harder light, for more of a shadow, which I felt suited this shot.
I see my Yongnuo SYD-0808 LED video light managed to sneak into the frame at the front left. This is used to aid focussing and to act as a work light. it is so much weaker than the flash, that is is left on at 1/2 power the whole time and has no effect on the image.
A familiar setup for subjects on a black glass/acrylic base, acrylic here as the amount of dust will indicate.
Main difference to my usual setup, is the addition of a white reflector above. This is a cheap white memo board which sometimes gets hung on the wall for scribbling notes on. Often described as a dry wipe board, which uses pens with water based inks that will just wipe off with a dry cloth.
This is just resting on top of a pair of tracing paper screens, through which the Neewer SF-01 mini slave flashes are fired. Both activated by Blazzeo SLT-4 radio triggers mounted on mini tripods. The flashes are shielded from the black backdrop which is approx 12inches/300mm behind by a couple of sheets of black card attached to the screens with clothes pegs.
Simple but effective :)
The finished image is shown below:
Setup shot of paper shredder.
Home made background stand, home made pvc pipe light stands, Home Depot light stands, Home Depot shower rod for light boom. Home made soft box from foam core and gaffer tape.
Home made cardboard snoots.
Purchased items are 2 grip heads, seamless paper, mini grip clamp, umbrella clamps.
Hard steel setup.
Foreground one proxxon tabel TK70 X-Y axis with extra DIY 2 rotary axis in order to position the object.
Background one extra proxxon TK70 X-Y table with extra a DIY Z axis to hold to object, background color can be used but not actieve into this picture setup.
More right the foreground led module 80W peak., the Mitutoyo M plan APO 10X lens monted on the nikkor AF-S 70-200G-ED lens as tube lens.
All mounted on the the lineaire stage module range 250mm at 1 um resolution for a full step on the stepper motor.
Picture take with this setup:
2D version:
www.flickr.com/photos/fotoopa_hs/16857585076/
3D version:
www.flickr.com/photos/fotoopa_hs/16882296662/
Info: Lens center height 42.5 mm, important if you want to support the lens.