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Setup for Say Aaahhh.
Strobist:
Ranger A Head, A port at 3.0, 135 Midi Octa with both diffusers, above and to the right of camera.
Ranger Quadra A Head, A port at 3.5, bare bulb bounced into ceiling, rear camera left.
Ranger Quadra A Head, A port at 3.5, bare bulb bounced into ceiling, above Maisie.
Ranger Quadra A Head, A port at 3.5, bare bulb bounced into ceiling, rear camera right.
Triggered by Skyport Speed.
Setup :
1 X AB 1600 on the front with umbrella
1 X AB 1600 with soft box for the back light right
1 X AB 400 on the bottom
1 X AB 400 with grid for the back light left
The Stormies wait around while I do a setup shot.
Exposure: 0.02 sec (1/50)
Aperture: f/22.0
Focal Length: 61 mm
ISO Speed: 100
Shot in Raw and processed using Lightroom
Re-edited and Re-posted - 29/09/11
Setup shot for Alan Brogan, Jermain Defoe, Ashley Young, and Roman Pavlychenko. Notes should explain everything. All the lights are so far apart because of having to allow for their run up when they went sprinting past the camera.
Blog: www.photosmudger.com/
My little mac setup, just need a midi keyboard to finish it up. Wish I could go for a somewhat minimalistic look but those gay victorian wall frames kill it. -_-
Often many people don't see lighting in photgraphy as they should, many think that is the act of throwing light to the subject, lighting should be thought as part of a concept tied with the plan of thinking in a way of emphasizing your subject and putting relevance to the features you want to give relevance, it is a plan not a dronish mechanic action where you blast light to the subject.
Here you have my beautiful friend Susy in a very simple setup:
Key: A 200ws monolight modified with an umbrella softbox.
Fill: Jumbo sized reflector (silver side used).
Background: a SB-800 in SU-4 mode.
The setup helps to cheer the mood up contrary to a low key setup, it helps to emphasize her eyes, and it makes things a lil bit dynamic without falling into flat lighting territory.
Lighting shouldn't be the same in every setup you do nor you should use the same lighting mindlessly with every subject, that's not a style :P... that's called being lazy ;)... Mr Ogalthorpe has an awesome Blog entry about it here: ogalthorpe.blogspot.com/2009/05/its-all-subjective-if-you... (NSFW) :)
My DJ Setup.
2 x Pioneer CDJ 1000 MK3
2 x Technics 1200 SL MK3
1 x Vestax PMC 08 Pro
1 x Sony Headphones
So I wanted a bigger photo area than the shelf in the living room. But I didn't want to rearrange everything to move the desk away from the window. I should have. I couldn't spread the backdrop out far enough, I got light leaking through the blinds. I tried to bounce that desklamp off the white foamboard in the chair, and had paper taped around the lamp to shield it and point it at the foam but it was still too bright over there. My homemade softbox is on the other side. But the light was all still all crappy and the photos are full of noise and I had to use a tripod from across the room to get non-blurry shots. I dunno. Lots of fail. Oh well, this is how we learn.
This was the lighting for all the pics in this set: www.flickr.com/photos/cowpewter/sets/72157632395059580/
Setup for This.
Light Setup :
- Key Quadra, right side, through softbox
- Rim Quadra, left side, through softbox with grid
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Strobist setup shot for this picture.
Strobist info:
SB800 @ 1/32, 105mm, DIY snoot, shot on the bottom of the Powerade through a sheet of frosted glass.
SB25 @ 1/64, 24mm, shooting into a partly collapsed umbrella, pointing at the Powerade
Triggered with Skyports and 5s self-timer
Camera info:
Nikon D700
Nikon 50f/1.4
f/4.5
1/200
ISO 200
WB - Flash
Ok so I don't have any lights set up or anything. I just clamped this shower curtain to a beam in my basement. There isn't much room for lights here. But this is a great temp area to work. Setup shot for:
http://farm3.static.flickr.com/2394/2089882732_9ebf0b294f_m.jpg
Setup for this photo for Macro Mondays.
Here you can see the ad hoc tower of random stuff that makes for a shooting platform around here.
Setup shot for 20070812-0463 , 20070812-0494, and 20070814-0544.
That's a Superclamp with a standard stud, typical umbrella bracket, 43" Westcott shoot-through umbrella, and an SB-800 fired by CLS.
Comments and critiques always welcome.
Preparations for the 2022 Spring Meetings begin at the International Monetary Fund.
IMF Photo/Cory Hancock
14 April 2022
Washington, DC, United States
Photo ref: CH220414032.arw
Setups dont come much simpler than this :)
The subject is sat on a glass shelf which is painted black on the underside to create a black mirror.
Under the shelf, a single 11watt spiral CFL lamp in a Pringles tube snoot which is lined with a sheet of white printer paper.
The open end of the snoot is just 2inches/50mm away from the green card backdrop, which in turn is about 6inches/150mm behind the subject.
Thats it, a nice simple shot which can be seen below.
From photoclub photo session. Small studio. Lots of gear & photographers = controlled chaos. Got some frames with somebody's leg or head in the picture :) Good times.
Setup for Acme IPA. A stunt double bottle is used here.
SB800 below, in the box, to light the label. SB800 behind and below with a beer bottle "gobo" to light and color the background. SB800 with snoot to the right and bounced off a white card behind the bottle. Fired with pocket wizards.
A back view setup shot is here.
Beer bottle gobo is here.
My one light setup for small product shots which has appeared several times before :)
A sweep of white cartridge paper (A3_ for the background.
A yongnuo YN460 flash set to 1/2 power and activated by a Blazzeo SLT-4 radio trigger.
A Pringles tube attached to act as a striplight reflector. This one is a little different to the one I normally use, which just has an opening covered in tracing paper to act as a diffuser.
This has a similar sized opening, but has the flaps from the opening retained and folded out to give additional reflection. This gives a harder light, for more of a shadow, which I felt suited this shot.
I see my Yongnuo SYD-0808 LED video light managed to sneak into the frame at the front left. This is used to aid focussing and to act as a work light. it is so much weaker than the flash, that is is left on at 1/2 power the whole time and has no effect on the image.
I used an unconventional setup on the Big Green Egg, so I thought I would show a pic of it. I have a placesetter with feet down, a spider from the ceramic grill store (it is mainly for stir fry) and placed the pizza stone on top. I wanted to allow some air circulation under the stone and this worked fine.
Setup shot of paper shredder.
Home made background stand, home made pvc pipe light stands, Home Depot light stands, Home Depot shower rod for light boom. Home made soft box from foam core and gaffer tape.
Home made cardboard snoots.
Purchased items are 2 grip heads, seamless paper, mini grip clamp, umbrella clamps.
Hard steel setup.
Foreground one proxxon tabel TK70 X-Y axis with extra DIY 2 rotary axis in order to position the object.
Background one extra proxxon TK70 X-Y table with extra a DIY Z axis to hold to object, background color can be used but not actieve into this picture setup.
More right the foreground led module 80W peak., the Mitutoyo M plan APO 10X lens monted on the nikkor AF-S 70-200G-ED lens as tube lens.
All mounted on the the lineaire stage module range 250mm at 1 um resolution for a full step on the stepper motor.
Picture take with this setup:
2D version:
www.flickr.com/photos/fotoopa_hs/16857585076/
3D version:
www.flickr.com/photos/fotoopa_hs/16882296662/
Info: Lens center height 42.5 mm, important if you want to support the lens.
Hopefully, this shows my DIY light table a little better than yesterdays setup, where the camera and tripod obscured a lot of it.
It consists of a cardboard box which is white on the inside. A hole is cut in the top of it to let the light out and over the opening is placed a semi opaque plastic document box, inside of which is a sheet of tracing paper which evens out the light and prevents hotspots.
On top of this is placed a sheet of black card with a circular hole cut in it to act as the mask. As can be seen this doesnt cover the entire surface, which is a bonus here, though it can cause flare on the lens if the framing is a bit off.
The light coming out of the sides here was used to reflect just a hint of light into the body of the bottle to highlight the edges slightly. A couple of sheets of A4 white card folded in half were used to do this.
The light source is a single 20watt stick type CFL lamp mounted in a Pringles tube reflector, fed into the box from the right side. Feeding the light in from outside like this seems to give me a more even light than putting it in the box.
The sheet of tracing paper over the light here is just to prevent flare on the lens for this setup shot, where the light is included in the pic.
Setup shot for the portrait series on 8-11-2008.
Strobist info:
SB 28's in white shoot-through umbrellas slightly above camera right and left, SB 80 DX low front/left, bounced into white foamcore, Vivitar 5600 slightly above camera right, gelled with 1/2 CTO as rimlight. Flashes triggered with Cactus V2s's. The flag is to gobo the rimlight from the camera lens. You can see the set here.