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Unfortunately, the black "flag on the right fell down and then my XTI taking the setup shot ran out of batteries.
The Setup Shot for "The Black Series"
The results are here:
www.flickr.com/photos/dos82/2176671572/ Sigma Lens
www.flickr.com/photos/dos82/2175879025/ Bob
This photo was taken at insomnia49,
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ironically, did a studio shoot without any studio lights..
2 430EXIIs at 1/4th power to blow the background, 580EXII at 1/8th power into a softbox below and 580EXII at 1/4th power bounced off the ceiling on cam as master and main light..
for rest of the set click here..
Setup shot for 024/365 My Big Brother.
Strobist Info: Canon 430EXII camera left and about 6 feet high fired into shoot through umbrella about 2 feet away from subject, Canon 430EXII camera right and on back side of subject about 6 feet high and 9 feet rear of subject fired bare/no diffuser, Canon 430EXII behind subject shooting at black background, fired bare. . Flashes were triggered with Interfit Strobies.
Practicing some product photography.
Strobist info: Two sb-800s. Controlled by d300 in commander mode. Manual settings.
1st flash shooting through white umbrella at 1/8 power to the right of the camera.
2nd flash 1/2 power shooting through blue gel with 12in snoot aimed at top left corner of iphone to create reflection.
iphone sitting on mirror infront of makeshift black felt background.
This is my desktop setup that is in the living room downstairs. I would show you my desk in my room, but it doesn't feel complete without a computer.
That's why I want a mac...
On the left we have the monitor. I'm not going to even bother with the specs because this stuff is so old. We have the factory default keyboard. I do have a wireless Microsoft keyboard that goes with the wireless mouse, but the wired one looks and feels a lot nicer. Then we have have my 8gb 2 generatio iPod Touch that is placed in my custom iPod Speaker that I made myself. We have my wireless mouse on a pretty basic mousepad and than we have 2 harmon/kardon speakers. Lastly we move over to the HP color printer.
The setup before I started sliming it. Green background. Rail and lab jack for targets.
The flash is my first Rev 1 version. Lower power. Power supply and flash head all in one unit.
two 430 EX II speedlights, one bounced off ceiling at zoomed to 105mm at 1/4 power, one shot through white paper, zoomed to 24mm at 1/8 power
Two lights. Black mist & ND filter top of lens.
For setup photos like this one, I've added notes at the top of some images, which are visible when you hover your mouse cursor over the boxes. Regrettably, this feature is unavailable through the Flickr app.
Step 4: If arch, chuppa, or pergola is not as stable as it needs to be, secure joints by screwing the joints together.
Strobistinfo:
Left: LP120-1/16-28mm-inflatable softbox,
Back (towards camera) HVL-F58AM-1/32-105mm-cardboard gobo's
Here is my setup. I want to share with you :)
It's nothing exceptionnal, but it work pretty well.
Voici la mise en place pour ce shoot photo. C'est pas grand chose, mais ça a fait le travail.
Setting up of Insomnia 49
This photo was taken at insomnia49,
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The "main ingredient" in the setup for Memorial Day 2010 was the curved shiny red paper, which reflected the light from above in such as way as to resemble a sunset.
This was my setup for the Strobist bootcamp "water" challenge. I had to 're-set' it today because I had forgotten to take a picture of it yesterday, so it isn't perfectly like I had it, but close enough.
On the left: Light directed through a big white plastic washtub, to make a nice long highlight on the bottle. Paper on the left to reflect it.
On the right: Paper cutout behind bottle to reflect light through the bottle. Lint brush propping it up.
Hope this helps someone... :-)
Strobist info:
5400HS-105mm-1/16-4.5cm straw grid
Remote in my lefthand, the strawberry in my righthand.
Second setup with this tilted glass.
The white card backdrop now has a sheet of blue Fun Foam placed in the centre, so only the edges of the white are illuminated. The white can just about be seen behind the lights, the area behind the glass is filled with the blue.
The lights are also changed. Well thats not strictly true, it's the same lights, a pair of 20W CFL lamps, but they are inserted into upright Pringles tube reflectors, which give a much larger area of light than the snoots used with the white background..
Also, a pair of black cards are placed on each side, to prevent direct light fom spilling onto the glass, it is all coming back from the background, which stops nasty reflections on the glass.
Our megamid setup on night 2 was very compfy; Brad and I slept in the Megamid while Robin and Kevin slept in his tent. We all cooked in the 'mid, which was very, very comfortable sitting along the bench on the left-hand side.
Addendum (November, 2008): After many more trips with the Megamid, this setup can be used with no bivy sacks or tarp floor for a very light system. The way we set it up is as follows:
First, make a flat area about 11 feet (a little bigger than each side of the 'mid) square, then dig down (cutting rough blocks w/ your shovel if possible) a couple feed in a ~9 foot square. Level the edges. Dig a trench down one wall (wherever you'll have the entrance); you can use this for a compfy cooking area later. Then, put the megamid down and use skis/poles/tree branches to secure the corners and midpoints. Go inside and set up your pole (we use two skiis with the skins still on facing heel-to-toe with two bike toe straps around them).
Adjust the length to get the tent secure, then put blocks back over the edges of the megamid to keep the wind out. Clean up the inside by digging it out as much as possible and potentially undermine the walls a little. You can sleep two on one side of the pole and one on the other.
We sleep in this with just thermarests on the ground and a winter bag (I use one rated to -14C). We pile our backpacks in the doorway, cook in a shelf in the outside wall opposite the trench which makes breakfast a lot easier, especially if it's stormy.
(Update Feb 2011): This gets a decent number of searches ending here; for a couple more modern shots of our megamid setup, look at these pics:
www.flickr.com/photos/mike-warren/464155013/
www.flickr.com/photos/mike-warren/462929911/
My little mac setup, just need a midi keyboard to finish it up. Wish I could go for a somewhat minimalistic look but those gay victorian wall frames kill it. -_-
Setup for the Pink orchid shot. For the final shot I've put a black glass below the orchid, the rest did not change.
setup for this shot: www.flickr.com/photos/powersimagery/4488254430/
Strobist: X3200 into a gridded beauty dish from above
2x Sunpak 555 into 43" umbrellas cam right and left
ABR800 on cam
Sb900 and SB800 as kickers behind subject cam left and right
X1600 with blue gel behind subject on background
Setup shot for 057/365 Howdy Partner.
Camera Info:
Canon 7D, Canon EF 50mm 1:1.4, f/2.8, 1/60s, ISO 100
This setup shot was taken with a Sigma DC 17-70mm 1:2.8-4 Macro Lens.
Strobist Info:
-Canon 430EXII Camera right and in front of subject, 1/64 Power, @24mm zoom, about 7 feet high, 5 feet away from subject through white shoot through umbella.
-Canon 430EXII to the right of subject lying on ground covered with white napkin pointing up at 22.5 at the background wall and balloons, 1/64 Power, @24mm zoom.
-Flash was triggered with Interfit Strobies.