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Setup Shot for 053/365 Fill In The Blank.
Camera Info:
Canon 7D, Canon EF 70-200mm 1:4 L USM Non-IS @70mm, f/8.0, 1/200s, ISO 100
This setup shot was taken with a Sigma 24mm 1:1.8 DG EX Macro Lens.
Strobist Info:
-Canon 430EXII's Camera left and behind subject, 1/4 Power, @24mm zoom, about 6 feet high, 5 feet away from subject through 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/8 power at 105mm Zoom fired through DIY Beer Coozy Snoot, 6 feet high and 5 feet away from subject.
-Flashes triggered with Interfit Strobies.
Hey, I’m Richard. I’m the one behind GamingSetups.com and this is my gaming setup
TV(s)/Display(s):
Samsung 46″ Class 5000 Series 1080p LED HDTV (UN46C5000)
Sound/Home Theater System(s):
Onkyo HT-S3300 – 5.1-Channel Home Theater
Console(s):
Xbox 360 4GB Console with Kinect
Entertainment Center
Nova by South Shore Furniture
Accessories:
4 LED Light Strip Kit (Cool White)
Guitar Hero World Tour Drum and Guitar controllers (missing from photos)
Two Guitar Hero Legends Guitar controller (missing from photos)
Games:
Rock Band, Rock Band 2, Rock Band 3, Green Day: Rock Band
Guitar Hero II, Guitar Hero III: Legends of Rock, Guitar Hero World Tour, Guitar Hero 5, Guitar Hero Warriors of Rock, Band Hero
Guitar Hero Van Halen, Guitar Hero Aerosmith, Guitar Hero Metallica
Skate, Skate 2, Skate 3
Fight Night Round 3, Fight Night Round 4, Fight Night Champion
Halo Wars, Halo 3
Stoked
Dirt
NHL 07
Tiger Woods PGA Tour 09
NCAA Football 09
NBA Live 09
Fable II
PGR 4
Pure / LEGO Batman: The Videogame
Fantastic Pets (Kinect)
Kinectimals (Kinect)
Your Shape Fitness Evolved (Kinect)
Kinect Adventures (Kinect)
The setup for Pocahontas vs. Leia Organa was fun. The two figures are standing on a green towel. I placed objects under the towel behind them to suggest hills. I also pinched up the towel in front of Pocahontas to help hide her green base.
Behind them is a large blue matboard normally used in framing. The "sun" comes from a small black flashlight aimed at the matboard.
They are lit by several sources. The room's ambient light is diffused by a large circular diffuser above them (not shown). I typically use the desk lamp in the foreground only to prop the diffuser, but this time it's turned on, aimed upwards, and partially wrapped in dark cloth (not shown) to limit what light directly hits the two figures. Finally each figure has her own cheap battery-operated light, one of which is propped by a raisin box, because I love raisin boxes.
Shot a portrait a few days ago and I thought I'd share the setup if you were interested
Strobist: AB800 Camera right in 40 Octobox and 580exII camera left shooting through diffuser.
PowerBook G4 15"
1.25 GHz PPC G4 CPU
1.25 GB PC2700 DDR SDRAM
Airport Extreme, Bluetooth
Backlit Keyboard, etc...
Setup as of 1/19/09
24" iMac and 13" MacBook Pro
Full keyboard, and Magic Mouse
1 of 2 iPhones (his and hers)
Logitech Speakers
Thought it worth showing my setup for the Soap Bubbles shots, to show how different it is to my original inspiration, which came from Steve Hermitage's excellent video, link to which can be found here : www.flickr.com/photos/creative-images/4712307695/
My little softbox which can be seen at the top of the pic, just wasnt a big enough light source and gave a small highlight on the surface of the bubbles, a bit like a catchlight. So by using the light tent, this made the light a lot bigger.
I also used a couple of slave flashes either side, which I'm not sure made a big difference overall, but more light means smaller aperture, which equals more DOF, so they had a part to play :)
The bubble mixture is in a tin which contained Tuna originally, yes it did have a good wash first :)
This is sat on a paper kitchen towel to catch any spills and in turn this is sat on a couple of pieces of foam rubber just to add a bit of height, as my tripod was at its lowest setting.
Behind is a sheet of black Fun Foam as the background, I prefer it to black card, especially when liquids are involved in the shoot.
Ah, the bubble mixture is Fairy dishwashing detergent and water with a few drops of red food dye added. I didnt have any black food dye, but the red worked fine.
The flashes were all activated with Blazzeo SLT-4 Radio Triggers (rebadged PT-04TM's).
A Yongnuo YN460 set to 1/2 power and the DIY mini softbox attached mounted above the light tent.
The two flashes to the side are Neewer SF-01 Slave flashes.
The results can be seen here :
Setup for this shot, notes will answer all your queries.
Blog: www.photosmudger.com
Twitter: @photosmudger
This is my setup for the picture of my macro setup. The flashstands hold SB800 and SB600 speedlights. Triggering was done using CLS/AWL.
Strobist Info: This photo was taken using a Sony A700 and Carl Zeiss 24-70/2.8. Minolta 3600HS(D) set to +0.7EV, mounted on an el-cheapo tripod (via mini-stand) to the left bounced off angled ceiling and triggered from pop-up commander.
The fiddle yard is half stocked during Setup of the 00Fremo meeting, as the fast-running clock in the background still set to neutral postition witnesses.
Setup shot for 110/365 Pat Bolster.
Camera Info:
Canon 7D, Sigma DC 17-70mm 1:2.8-4 Macro HSM @17mm, f/4.0, 1/15s, ISO 320
Strobist Info:
-Canon 430EXII's Camera Left and in front of subject, 1/16 Power, @24mm zoom, about 8 feet high, 2 feet away from subject inside 40 inch Wescott softbox.
-Canon 430EXII Camera right and behind subject, 1/32 at 105mm Zoom fired bare, 8 feet high and 10 feet away from subject, fired bare.
-Flashes triggered with Interfit Strobies.
Strobistinfo:
Left(infront):5400HS-1/16-24mm-DIY softbox 8x31cm
Right: 6500HS(D)-1/4-24mm-DIY softbox 8x31cm
Right(of camera): LP120-1/8-85mm-DIY cardboard snoot 25cm
Left (back / rim): 5400HS-1/32-105-DIY 4.5cm grid
Background (rightside): Gn300AD-1/2 with gobo between light and the rightside of the background
Triggerd flashes 4 times for proper exposure.
Setup for:
Strobist:
Ranger A Head, A port at 5.7, 135 Midi Octa with both diffusers, above camera.
Ranger Quadra A Head, A port at 3.5, 100 Deep Octa with both diffusers, above Maisie.
RX600, 2.0, 21cm reflector with barn doors, rear camera left to light white background.
RX600, 2.0, 21cm reflector with barn doors, rear camera right to light white background.
Triggered by Skyport Speed.
View the larger version to see the details of the setup. (sorry for the black and white infrared pic)
Setup shot for Lighting102 assignment.
Strobist:
Cam R, Front- Metz 45CL-4 flash in The AJ Softy. Cam L, Up - Vivitar 283 with Cokebox Snoot, Cardboard grid gobo, and green gel. Cam L - small round mirror for specular highlight on back of squeezer. See setup pic.
Strobistinfo:
Above: GN300AD-1/8-Softbox 60x90 with grid
Right: LP160-24mm-1/64 through 50cm diffuser
Back Left: LP120-28mm-1/8 through 100x120cm diffuser
Front low: 50x100cm DIY silver reflector
Front left: 50x100cm DIY silver reflector
Client wanted plain white background for this brochure photo.
Strobist Info: Two bare SB-24 at 1/4 power on backdrop. One SB-800 in Softbox camera left as key, One SB-800 in Lumiquest III camera right as rim/kicker. One SB-800 bounced into CA Sun Bounce for fill (held by VAL). Triggered via poverty wizards & optical slave (SU-4)
This is the setup for the previous photo.
White-balanced on the background so there isn't much of a reddish cast to the photos.
Welcome to my ghetto studio.
White posterboard supported by a genuine ikea chair - very comfortable I might add.
Lighting setup for previous Black Caterpillar photo. Profoto B1 AirTTL studio flash with Profoto 2x2 ft. RFI Softbox. Profoto AirRemote TTL-C radio trigger. Canon 5D Mark III with Canon 100mm Æ’2.8 macro lens. White foamcore reflector.
The objective here was not to create a fancy or dramatic lighting effect, but only to flood this jet-black and low-reflectivity subject with as much light as possible. The photo is a stack of three exposures, with stacking done in Photoshop CC 2014..
The white LED lamp is for focusing. It remains illuminated during the exposure, but it adds no discernible light to the exposure.
This photo: Canon 6D with a second, bare-headed, Profoto B1 directed at the ceiling to fill shadows and reduce contrast.
Setup for the basic shots, that made up the vast bulk of the book content. Notes should explain everything.
That bench took me and the editor 2 hours to put together, cue much swearing and skinned knuckles as we wrestled with it and various tools.
The visi vest is there as a visual aid to prevent people banging their heads on the loose end of the boom arm. It doesn't stop people banging their heads, but it means I've got a clear conscience when they do!
Blog: www.photosmudger.com/
For such a small item, there are a lot of elements in the setup and a looks a bit of a mess, I hope this description and the notes on the photo will make some sense of it.
I will start with the base the subject is sat on. The black at the bottom is a couple of pieces of foam rubber approx 50mm/2 inches thick, just to raise the subject off my low coffee table and to bring it closer to the flash which is on a mini tripod (out of sight here). On top of the black foam, is a 12mm/1/2 inch thick sheet of expanded polystyrene, topped with a sheet of paper from my printer. The coin is then attached to the top of a clear push/map pin, the spike of which is pushed through the paper into the polystyrene. This allows the base to be moved around to get the positioning right under the camera lense.
The camera is mounted as close to vertical as possible on my cheap, or should that be bargain, Hama tripod with the central column almost fully extended. This allows it to be wound up and down to adjust the focus between lense and subject.
The camera lense is fitted with two close-up lenses fitted together, a +2 and +10 doptre to give +12.. Also worth noting is the collapseable rubber lense hood, which shields the lenses from the flash, no daisy hood here, they are rubbish for tabletop work, make nice plant pot holders though:)
Where was I, Oh yeah, opposite the camera is a tracing paper diffusion panel, partially hidden by the desk lamp used to illuminate the area for focussing. The flash, a Neewer SF-1 mini slave flash is sat behind the diffusion panel, mounted on a mini tripod and radio trigger.
To the left and right of the subject are white card reflectors to bounce light back onto the subject, a third which fitted between the stem of the tripod and the camera lense has been removed to take this shot.
I think that wraps it up, take no notice of the shutter release, it wasnt plugged in for this shot, it just seem to spend it's life hanging on my tripod :)
Results of the setup can be found here: www.flickr.com/photos/steveblackdog/4702794672/