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The setup shot for the Wine Glass photo.
This is my take on the Strobist DIY $10 Macro Studio. It's made from A3 foamboard and some bits of plasticard and plastic chanelling/angle from a local model shop. The top and sides have the centre cut out to form a 1" wide frame and are covered with tissue paper. The cut-outs can be refitted if the diffusion panels aren't required. It's done this was rather than from a cardboard box because it fits neatly into a portfolio case together with a selection of white and coloured backgrounds.
Making picture in the garden of the dew on th spiderweb. Three flashes for adding colour to the reflections. One gelled violet and one gelled blue
since some of you asked for it:
Here's my setup.
20" iMac (early 2009)
22 " Hyundai TFT
21 " Techwood Flatscreen TV
Apple Keyboard, Magic Mouse
Wacom Intuos 4 M
13 " MacBook (early 2010)
HP Photosmart C4680 Printer
iPhone 3GS 16GB
Blackberry Curve 8300
Toshiba 1TB External HDD
t.bone SC 400 Microphone
TS-H120
Swivel Holder K
CL-TX/FT-16
Cactus V6
YN-622c TX
YN-622c
Godox RT-16
Having this on a stand next to me while shooting, I can control any flash trigger. If I want HSS i put the yn-622tx on my camera and plug the yn-622 into the sync jack and fire any of the other triggers. If I just want a dumb trigger set up pictures above I can fire all the other triggers.
This setup allows me to use any of my crap triggers and better triggers to work all together without having to buy all the same or extras of just one kind.
This here is the setup i use to get macro images of insects I've been posting on Flickr to date.
The body is a Canon 550D
The lens is a 50mm Mark 2 Prime lens.
This lens is reversed on a set of macro extension tubes with a 52mm thread reverse ring.
I made the extension tubes longer with a toilet roll and some duct tape.
The flash is connected to the camera body via a flash chord and the flash has a diffuser attached - Home made and one built in.
Any questions, feel free to ask me. Thanks.
Setup for "scrunch" and "portrait of the artist on red".
Strobist info:
2 Nikon SB-600s at 1/8 power with red gels right blasting the back wall.
Vivitar 285HV at 1/16 power with Honl 1/8 Speed Grid to light my face.
Laundry hamper as placeholder for where I stood.
Triggered via Pocket Wizards.
Setup shot for this:
www.flickr.com/photos/scott_morgan/4355284493/
All cybersync triggered, cybercommander controlled.
Starplex controller that we had setup with Star Castle Arcade (since the original arcade game did not use a joystick).
Setup for this shot ... www.flickr.com/photos/balakov/3383423546/
A flagrant misuse of strobist equipment. This scene is mostly made up from a Speedlight Pro kit from www.adstudiosolutions.com/Products.html
A bit of cheating involved- trap hoverfly with glass and card. Stick suitably sugar/honey laced "rest" with blu-tac to wheelie bin lid. Wait for hover to land on side of glass, remove card and place glass over the rest. Put suitable background card behind card. wait a couple of mins for hover to find the food, Remove glass and start shooting. The hover was comfortable enough to allow me to revolve the rest for different angles. Not sure I'm entirely comfortable with trapping the bugs outside but you can get interesting results and it does them no harm
For what it's worth, here's a setup shot for Snow White vs. Snowtrooper.
Snow White is standing on red posterboard with green posterboard behind her. She is surrounded by crushed tortilla chips that hide the red stand beneath her. A blue LED (not seen here) was shining on the green posterboard behind her to create an "aura."
The snowtrooper is standing on white quilt batting on top of white foam core, with white foam core behind him.
Above them (not seen here) is an Opteka translucent reflector that I frequently use to diffuse the ambient light in the room. On top of that, positioned directly above these two, are a couple of cheap, battery-operated light sources.
A quick look at the setup - This is my usual shooting space - now overrun with laundry and a sister-in-law's Wedding Dress. So what was once a limited space is now a *very* limited space.
Strobist info:
Canon 430 EXII - 1/16th - Softbox - Camera Left and high
Nikon SB-900 - 64th - Umbrella - Camera left and low.
This is a different setup for me than normal - I'd like to get a second softbox and try it out with that rather than the umbrella.
This is a setup photo for Atom vs. Ant-Man.
Unlike the vast majority of the Duel 365 photos, because of the angle chosen for this shot no backdrop was needed. The "floor" is simply the dark shelf that I use as a stage for most of my toy photography.
The figures stand on over-sized coins. See Atom vs. Ant-Man Setup Scale to get a better view of the scale.
The figures are lit with a single push-light to the right of the camera.
Above the scene a large circular diffuser (not shown) softens the ambient light in the room.
To get a closer look at the equipment I use, check out my Gear series.
Lighting setup for "Scarab Of Sheshonq I Amulet (detail)"
Equipment used:
-Nikon D80
---shot tethered to Powerbook G4 and Adobe Lightroom
-Nikon AF-S 60mm f/2.8 Macro lens
-Manfrotto tripod with basic head
-Sekonic L-358 lightmeter
-Speedotron 2403B Powerpack
---triggered by on-camera flash directed into optical slave attached to PC-to-household cord
-Speedotron 102 Light Unit (strobe)
---with diffusing panel (3-4 sheets)
---mounted to DIY boom-stand (vice-grip light-stand clamped to pan-arm of a large video tripod)
-Speedotron 102 Light Unit (strobe)
---with small DIY diffusing dish (hot light snoot with small lamp reflector dish wrapped in diffusing cloth, held together with clips)
---mounted to Manfrotto Articulated Arm and Super Clamp
-DIY macro plexi stand (4x5 chrome display holder held by clips on an adjustable arm)
-curved sheet of seamless neutral-gray paper (movable, allows control of seamless background gradient without noticeable paper fibers)
-Qpcard 201 color-correction card (cropped out of final image)
The lone setup from last weekend's excursion that showed mini-Adhara and mini-Guórén together. The downpour made it impractical to lug around two dolls out of the bag (even fashion-sized ones) while carrying camera equipment, so he had to make do with just lounging with her shortly before pack up time.
the setup of these shots:
www.flickr.com/photos/yurokaleksandrovich/5142813782
www.flickr.com/photos/yurokaleksandrovich/6141074892/
typical clamshell lighting: softbox from above, reflector from below.
and I hate square reflections of softboxes in the sunglasses, so I made it rounded :)
Softbox with DIY rounded corners:
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Just in case anyone was interested. Black velvet background. SB-600 shot at 1/2 or so power, CTO gelled fired via CLS. Two paper plates covered with foil. Small mirror leaned against a book in the center
Setup for:
Strobist:
Ranger A Head, A port at 5.7, 135 Midi Octa with both diffusers, above camera.
Ranger Quadra A Head, A port at 3.5, 100 Deep Octa with both diffusers, above Maisie.
RX600, 2.0, 21cm reflector with barn doors, rear camera left to light white background.
RX600, 2.0, 21cm reflector with barn doors, rear camera right to light white background.
Triggered by Skyport Speed.
The Lighting setup for both the cover of "Inside Poker" and the interior spread. The notes should explain pretty much everything.