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Tienda ley humaya.

Promotora . Karla lobo amado

03/02/11.

Representing Realities, one of Humboldt’s Place-Based Learning Communities measure trees in the Arcata Community Forest. To view more photos from Move-in Week, please visit flic.kr/s/aHBqjA3FTk

Represent. #LBCC #LongBeachCityCollege #ROV by Ron Jimenez

Long Legged Liars by Michael Lamertz (I make heavy use of albums!)

Long Legged Liars @ Represent Festival Balingen 2018

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170407_JP_0008 by West Point - The U.S. Military Academy

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62 teams representing 12 international military academies, four U.S. service academies and eight ROTC programs compete in 11 events throughout a 23-mile course during the 51st Sandhurst Military Skills Competition on April 7 and 8, 2017. (U.S. Army Photo by John Pellino)

2014 Sandhurst_RMAS Red_04 by West Point - The U.S. Military Academy

Fifty-seven teams representing U.S. and international military academies and ROTC programs put months of preparation and training to the test during the 48th annual Sandhurst Military Skills Competition April 11-12 at West Point, hosted by the U.S. Military Academy’s Department of Military Instruction. The defending champions from 2013, the Royal Military Academy Sandhurst, claimed another victory as their Blue squad earned the Reginald E. Johnson Memorial Plaque. The companies of 1st Regiment earned the Sandhurst Trophy with the best aggregate score among the four regiments in the Corps of Cadets. The Company H-3 team won the Sandhurst Streamer as the highest placing team among the 36 competing from the Corps of Cadets. Photo by Mike Strasser/USMA PAO]\

USS Pasadena visits Japan bases by U.S. Indo-Pacific Command

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YOKOSUKA, Japan (Dec. 22, 2016) - The Los Angeles-class attack submarine USS Pasadena (SSN 752) prepares to moor at Fleet Activities Yokosuka for a port visit. U.S. Navy port visits represent an important opportunity to promote stability and security in the Indo-Asia-Pacific region, demonstrate commitment to regional partners and foster relationships. (U.S. Navy photo by Mass Communication Specialist 2nd Class (SW/AW) Kenneth Abbate/Released) 161222-N-OY799-014

** Interested in following U.S. Pacific Command? Engage and connect with us at www.facebook.com/pacific.command and twitter.com/PacificCommand

and www.pacom.mil/

eventos del mes de junio samb.3 by GERENTES REGIONALES

Tienda samb 1165.

Evento del mes de junio

motivo revienta tu globo y ganas estos fabulosos premios.

Boteler Tomb (details), St Elphin's Church, Warrington, 20.6.18 by The Makerfield Rambler

“The lady is represented in a close-fitting dress made long and falling in folds over the feet. It is sleeved to the wrists, and confined at the waist by a rich girdle with a buckle, from which a pendant ornament hangs down on the right side. Her head is attired in the reticulated mitre-shaped cap, of which the type may be seen in sir John Dengayn's monument engraved in the Oxford Brasses.

Fashion, over which the Graces do not always preside, was as capricious then as now. From the top of the head-dress there hangs a short fall or veil. Her head reposes on a double cushion which two angels with well-imagined effort are endeavouring to support.* She has a triple chain round her neck, and depending from it by another chain there hangs an Agnus Dei. She has a ring on her wedding finger, another on the small finger of the same hand, while on her thumb there appears the very inconvenient appendage of a thumb ring. In the old office of marriage, according to the use of Sarum, the bridegroom was first to put the ring on the bride's thumb, then on her forefinger, then on her third finger, and finally on the fourth or wedding finger, at the same time invoking the Holy Trinity. The ornament on lady Boteler's thumb was a relic of this practice, which could not have been wholly extinct in Butler's time, since in his 'Hudibras' he numbers it among the foolish outcries of the time:

“Others were for abolishing

That tool of matrimony, a ring,

With which th' unsanctified bridegroom

Was married only to a thumb”.

The lady's right foot rests upon a lamb and the left upon a diminutive dog...”

[From Volume II of William Beamont's “Annals of the Lords of Warrington...” in Chetham Soc OS Vol 87/1873]

“The lady” is now generally believed to be a representation of Margaret Gerard of Bryn, the first wife of 13th Baron Of Warrington Sir John Boteler, who died about 1452. *In his “Warrington Church Notes” (Percival Pearse, 1878), Mr Beamont adds that the angel-supported cushion under her head “is supposed to indicate that the lady was a votaress... Such a votaress Campeius [a Shakespearian pseudonym for Cardinal Lorenzo Campeggio] wished Katharine of Arragon to become. It was entering what was called religio laxa, a state which only required chastity”. From the Latin “votum” (“vow”) a votaress is a woman or girl who has made a solemn pledge, usually of a religious nature. Since Margaret bore 6 children over the course of her 8-year marriage, a vow of chastity in her case seems improbable. An alternative explanation is that, as Mr Beamont also records, she and her husband had both received letters of fraternity from Durham Priory in 1450.

P1067893 Nigerian embassy (Lo Res) by Pete Riches

Nigerians protest against fuel subsidy loss at London embassy - 06.01.2012

Around 200 Nigerian students and emigres representing "Nigerian Students In Diaspora", "Nigerians In Diaspora" and their supporters protested on 06.01.2012 outside the Nigerian High Commission on Northumberland Avenue against the abolition by the government of Nigerian president Goodwill Jonathan of fuel subsidies which has seen the average price of petrol in Nigeria since January 1st 2012 rocket - with no prior warning - from $0.40 per liter to $0.89 per liter with black market prices as high as $1.25 per liter, which, in a country where the national average wage is around $2 per day, with two-thirds of Nigerians living on less than $1.24 a day and pre-January inflation at 10.5%, is having an immediate negative impact on the cost of living for millions of Nigerians.

Transport fares have already increased by 150% causing huge resentment amongst the general population who regard it as a devaluation of the minimum wage, triggering protests in several Southern cities and towns, including Lagos (on January 3rd), Ilorin and Kano (on January 4th) which provoked a violent response from government forces which resulted in several injuries and one death after protesters blocked access to gas stations.

The largest producer of oil on the African continent, Nigeria nevertheless lacks the infrastructure to refine oil to make petroleum and so imports $16 billion of fuel a year. The fuel subsidies have been adding a further $7.5 billion to the budget, and the Government - which is accused by activists and Human Rights Watch of squandering and stealing much of the nation's vast oil wealth, leaving very little for health services and education - now claims that this money would be better spent on improving national infrastructure and social programs. Most Nigerians, however, are convinced this is little more than a lie to further enrich the corrupt politicians and government officials at their expense.

Speaking earlier this week, Minister of Petrol Resources, Diezani Allison-Madueke said "We are looking not in fact at necessarily at subsidy removal, if you want to call it. It is actually a subsidy transfer, because we are looking at the real benefits to the economy and to Nigerians, that can be handed over to Nigerians, that all Nigerians across the spectrum will feel and see from the get go".

Following talks in the capital Abuja on Wednesday 4th January Nigeria's two main unions, the Nigeria Labour Congress and Trade Union Congress called for nationwide demonstrations and labour strikes starting on Monday 9th January unless the government restores the subsidy which is, they say, the only tangible benefit that ordinary Nigerians receive from the huge oil wealth flowing through the government's coffers. Despite being quickly labelled as "Hooligans" by the government, the unions say the mass rallies, street protests and general strikes targetting oil production sites, sea and air ports, banks and markets will be peaceful, and have advised ordinary Nigerians to stockpile supplies for their basic needs, including food and water.

The tension is further exacerbated by a presidential declaration of a state of emergency in fifteen locations relating to the long-running conflict with Southern militant group Boko Haram who, since 2009, have been attacking the oil industry and government in the North for many years as they demand more oil wealth is shared with the poor communities. The militants had carried out a bombing campaign recently to mark the end of a three-day deadline which Boka Haram had given for Southerners living in Northern Nigeria to move away, and had caused explosions in the Northern cities of Maiduguri and Damaturu, though there were no casualties. In a separate incident gunmen attributed to Boka Harem shot and killed two people in Damaturu, and on Christmas day they infamously bombed a catholic church in the capital, Abuja.

Community leader Chief Okoro Samson, a community leader in Delta state, said last week that the rising costs come at a very bad time in Nigeria: “Just take a walk around the city and you know everyone is angry. You risk demonstration in this country and protests are breaking out. You can't contain it because the terrorists, the so-called Boko Haram, will take advantage of it and launch their attacks everywhere,” he said.

The fuel subsidy protests continued on Tuesday in Lagos, which has not experienced the attacks of Boko Haram in the north. For many in the south, the enemy is the government of President Jonathan. Seun Kuti - son of legendary musician, the late Fela Kuti - addressing protesters in the southern city of Lagos said this week "Goodwill Jonathan is Nigeria's only terrorist. We cannot agree to this kind of financial IMF terror. Nigeria cannot pay the same price of petrol as Americans. We don't have American minimum wage".

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And +447438348346

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India - Rajasthan - Chittorgarh Fort - Sat Bis Deori Temple - 72 by Manfred Sommer

Chittorgarh Fort (Hindi/Rajasthani: चित्तौड दुर्ग Chittorgarh Durg) is the largest fort in India and the grandest in the state of Rajasthan. It is a World Heritage Site. The fort, plainly known as Chittor, was the capital of Mewar and is today situated several kilometres south of Bhilwara. It was initially ruled by Guhilot and later by Sisodias, the Suryavanshi clans of Chattari Rajputs, from the 7th century, until it was finally abandoned in 1568 after the siege by Emperor Akbar in 1567. It sprawls majestically over a hill 180 m in height spread over an area of 280 ha above the plains of the valley drained by the Berach River. The fort precinct with an evocative history is studded with a series of historical palaces, gates, temples and two prominent commemoration towers. These monumental ruins have inspired the imagination of tourists and writers for centuries.

The fort was sacked three times between the 15th and 16th centuries; in 1303 Allauddin Khilji defeated Rana Ratan Singh, in 1535 Bahadur Shah, the Sultan of Gujarat defeated Bikramjeet Singh and in 1567 Emperor Akbar defeated Maharana Udai Singh II who left the fort and founded Udaipur. Each time the men fought bravely rushing out of the fort walls charging the enemy but lost every time. Following these defeats, Jauhar was committed thrice by more than 13,000 ladies and children of the Rajput heroes who laid their lives in battles at Chittorgarh Fort, first led by Rani Padmini wife of Rana Rattan Singh who was killed in the battle in 1303, and later by Rani Karnavati in 1537 AD.

Thus, the fort represents the quintessence of tribute to the nationalism, courage, medieval chivalry and sacrifice exhibited by the Mewar rulers of Sisodia and their kinsmen and women and children, between the 7th and 16th centuries. The rulers, their soldiers, the women folk of royalty and the commoners considered death as a better option than dishonor in the face of surrender to the foreign invading armies.

GEOGRAPHY

Chittorgarh, located in the southern part of the state of Rajasthan, 233 km from Ajmer, midway between Delhi and Mumbai on the National Highway 8 (India) in the road network of Golden Quadrilateral. Chittorgarh is situated where National Highways No. 76 & 79 intersect.

The fort rises abruptly above the surrounding plains and is spread over an area of 2.8 km2. The highest elevation at the fort is 1,075 m. It is situated on the left bank of the Berach river (a tributary of the Banas River) and is linked to the new town of Chittorgarh (known as the 'Lower Town') developed in the plains after 1568 AD when the fort was deserted in light of introduction of artillery in the 16th century, and therefore the capital was shifted to more secure Udaipur, located on the eastern flank of Aravalli hill range. Mughal Emperor Akbar attacked and sacked this fort which was but one of the 84 forts of Mewar,but the capital was shifted to Aravalli hills where heavy artillery & cavalry were not effective. A winding hill road of more than 1 km length from the new town leads to the west end main gate, called Ram Pol, of the fort. Within the fort, a circular road provides access to all the gates and monuments located within the fort walls.

The fort that once boasted of 84 water bodies has only 22 of them now. These water bodies are fed by natural catchment and rainfall, and have a combined storage of 4 billion litres that could meet the water needs of an army of 50,000. The supply could last for four years. These water bodies are in the form of ponds, wells and step wells.

HISTORY

Chittorgarh Fort is considered to be the largest fort of India in terms of area. It is stated that the fort was constructed by the Mauryans during the 7th century AD and hence derives its name after the Mauryan ruler, Chitrangada Mori, as inscribed on coins of the period. Historical records show Chittorgarh fort as the capital of Mewar for 834 years. It was established in 734 AD by Bappa Rawal, founder ruler in the hierarchy of the Sisodia rulers of Mewar. It is also said that the fort was gifted to Bappa Rawal as part of Solanki princess’s dowry in the 8th century. The fort was looted and destroyed at the hands of Emperor Akbar in 1568 AD and subsequently never resettled but only refurbished in 1905 AD. Three important battles were fought for control of the fort; in 1303, Ala-ud-din Khilji besieged the fort; in 1535, Sultan of Gujarat Bahadur Shah besieged the fort; and in 1568, Mughal Emperor Akbar attacked the fort. Not that there were only defeats at the fort. Excluding the periods of siege, the fort had always remained in possession of the Sisodias of the Guhilot (or Gehlot/Guhila) clan of Rajputs, who descended from Bappa Rawal. There were also success stories of establishment of the fort and its reconstruction after every siege, before it was finally abandoned in 1568, all of which are narrated.

Chittor is cited in the Mahabharat epic. It is said that Bhima, the second of the Pandava brothers of Epic Mahabaharata fame, known for his mighty strength gave a powerful hit with his fist to the ground that resulted in water springing up to form a large reservoir. It is called Bhimlat kund, an artificial tank named after Bhima. Folk legend also mentions that Bhima started building the fort.

BAPPA RAWAL

The earliest history linked to the Bappa Rawal's fort is that of the Huna Kingdom of Sialkot (of Mihir Kula 515-540 AD) that was destroyed by Yashodharman. This was subsequently seized by a new dynasty of kshatriyas called Tak or Taxaka. According to historians, the Taxak Mori were the lords of Chittor from a very early period. After a few generations, the Guhilots supplanted them. From 725 to 735 AD, there were numerous defenders who appear to have considered the cause of Chittor their own, the Tak from Asirgarh. This race appears to have retained possession of Asirgarh for at least two centuries after this event and one of its chieftain Bappa Rawal was the most conspicuous leader in the lineage of Prithvi Raj. In the poems of Chandar he is called the "Standard, bearer, Tak of Asir."

SIEGE OF 1303

Ala ud din Khilji, Sultan of Delhi, rallied his forces against Mewar, in 1303 AD. The Chittorgarh fort was till then considered impregnable and grand, atop a natural hill. But his immediate reason for invading the fort was his obsessive desire to capture Rani Padmini, the unrivalled beautiful queen of Rana Ratan Singh and take her into his harem. The Rana, out of politeness, allowed the Khilji to view Padmini through a set of mirrors. But this viewing of Padmini further fired Khilji’s desire to possess her. After the viewing, as a gesture of courtesy, when the Rana accompanied the Sultan to the outer gate, he was treacherously captured. Khilji conveyed to the queen that the Rana would be released only if she agreed to join his harem. But the queen had other plans. She agreed to go to his camp if permitted to go in a Royal style with an entourage, in strict secrecy. Instead of her going, she sent 700 well armed soldiers disguised in litters and they rescued the Rana and took him to the fort. But Khilji chased them to the fort where a fierce battle ensued at the outer gate of the fort in which the Rajput soldiers were overpowered and the Rana was killed. Khilji won the battle on August 26, 1303. Soon thereafter, instead of surrendering to the Sultan, the royal Rajput ladies led by Rani Padmini preferred to die through the Rajput’s ultimate tragic rite of Jauhar (self immolation on a pyre). In revenge, Khilji killed thirty thousand Hindus. He entrusted the fort to his son Khizr Khan to rule and renamed the fort as 'Khizrabad'. He also showered gifts on his son by way of

a red canopy, a robe embroidered with gold and two standards one green and the other black and threw upon him rubies and emeralds.

He returned to Delhi after the fierce battle at the fort.

RANA HAMMIR & SUCCESSORS

Khizr Khan’s rule at the fort lasted till 1311 AD and due to the pressure of Rajputs he was forced to entrust power to the Sonigra chief Maldeva who held the fort for 7 years. Hammir Singh, usurped control of the fort from Maldeva by “treachery and intrigue” and Chittor once again regained its past glory. Hammir, before his death in 1364 AD, had converted Mewar into a fairly large and prosperous kingdom. The dynasty (and clan) fathered by him came to be known by the name Sisodia after the village where he was born. His son Ketra Singh succeeded him and ruled with honour and power. Ketra Singh’s son Lakha who ascended the throne in 1382 AD also won several wars. His famous grandson Rana Kumbha came to the throne in 1433 AD and by that time the Muslim rulers of Malwa and Gujarat had acquired considerable clout and were keen to usurp the powerful Mewar state.

RANA KUMBHA & CLAN

There was resurgence during the reign of Rana Kumbha in the 15th century. Rana Kumbha, also known as Maharana Kumbhakarna, son of Rana Mokal, ruled Mewar between 1433 AD and 1468 AD. He is credited with building up the Mewar kingdom assiduously as a force to reckon with. He built 32 forts (84 fortresses formed the defense of Mewar) including one in his own name, called Kumbalgarh. But his end came in 1468 AD at the hands of his own son Rana Udaysimha (Uday Singh I) who assassinated him to gain the throne of Mewar. This patricide was not appreciated by the people of Mewar and consequently his brother Rana Raimal assumed the reins of power in 1473. After his death in May 1509, Sangram Singh (also known as Rana Sanga), his youngest son, became the ruler of Mewar, which brought in a new phase in the history of Mewar. Rana Sanga, with support from Medini Rai (a Rajput chief of Alwar), fought a valiant battle against Mughal emperor Babar at Khanwa in 1527. He ushered in a period of prestige to Chittor by defeating the rulers of Gujarat and also effectively interfered in the matters of Idar. He also won small areas of the Delhi territory. In the ensuing battle with Ibrahim Lodi, Rana won and acquired some districts of Malwa. He also defeated the combined might of Sultan Muzaffar of Gujarat and the Sultan of Malwa. By 1525 AD, Rana Sanga had developed Chittor and Mewar, by virtue of great intellect, valour and his sword, into a formidable military state. But in a decisive battle that was fought against Babar on March 16, 1527, the Rajput army of Rana Sanga suffered a terrible defeat and Sanga escaped to one of his fortresses. But soon thereafter in another attack on the Chanderi fort the valiant Rana Sanga died and with his death the Rajput confederacy collapsed.

SIEGE OF 1534

Bahadur Shah who came to the throne in 1526 AD as the Sultan of Gujarat besieged the Chittorgarh fort in 1534. The fort was sacked and, once again the medieval dictates of chivalry determined the outcome. Following the defeat of the Rana, it is said 13,000 Rajput women committed jauhar (self immolation on the funeral pyre) and 3,200 Rajput warriors rushed out of the fort to fight and die.

SIEGE OF 1567

The final Siege of Chittorgarh came 33 years later, in 1567, when the Mughal Emperor Akbar invaded the fort. Akbar wanted to conquer Mewar, which was being ably ruled by Rana Uday Singh II, a fine prince of Mewar. To establish himself as the supreme lord of Northern India, he wanted to capture the renowned fortress of Chittor, as a precursor to conquering the whole of India. Shakti Singh, son of the Rana who had quarreled with his father, had run away and approached Akbar when the later had camped at Dholpur preparing to attack Malwa. During one of these meetings, in August 1567, Shakti Singh came to know from a remark made in jest by emperor Akbar that he was intending to wage war against Chittor. Akbar had told Shakti Singh in jest that since his father had not submitted himself before him like other princes and chieftains of the region he would attack him. Startled by this revelation, Shakti Singh quietly rushed back to Chittor and informed his father of the impending invasion by Akbar. Akbar was furious with the departure of Shakti Singh and decided to attack Mewar to humble the arrogance of the Ranas. In September 1567, the emperor left for Chittor, and on October 20, 1567, camped in the vast plains outside the fort. In the meantime, Rana Udai Singh, on the advice of his council of advisors, decided to go away from Chittor to the hills of Udaipur. Jaimal and Patta, two brave army chieftains of Mewar, were left behind to defend the fort along with 8,000 Rajput warriors under their command. Akbar laid siege to the fortress. The Rajput army fought valiantly and Akbar himself had narrowly escaped death. In this grave situation, Akbar had prayed for divine help for achieving victory and vowed to visit the shrine of the sufi saint Khwaja at Ajmer. The battle continued till February 23, 1568. On that day Jaymal was seriously wounded but he continued to fight with support from Patta. Jayamal ordered jauhar to be performed when many beautiful princesses of Mewar and noble matrons committed self-immolation at the funeral pyre. Next day the gates of the fort were opened and Rajput soldiers rushed out bravely to fight the enemies. Jayamal and Patta who fought bravely were at last killed in action. One figure estimates that 30,000 soldiers were killed in action. Akbar immediately repaired himself to Ajmer to perform his religious vow.

RETURN OF THE FORT TO MEWAR

But in 1616, Jehangir returned Chittor fort to the Rajputs, when Maharana Amar Singh was the chief of Mewar. However, the fort was not resettled though it was refurbished several centuries later in 1905 during British Raj.

PRECINCTS

The fort which is roughly in the shape of a fish has a circumference of 13 km with a maximum width of 3 km and it covers an area of 700 acres. The fort is approached through a zig zag and difficult ascent of more than 1 km from the plains, after crossing over a bridge made in limestone. The bridge spans the Gambhiri River and is supported by ten arches (one has a curved shape while the balance have pointed arches). Apart from the two tall towers, which dominate the majestic fortifications, the sprawling fort has a plethora of palaces and temples (many of them in ruins) within its precincts.

The 305 hectares component site, with a buffer zone of 427 hectares, encompasses the fortified stronghold of Chittorgarh, a spacious fort located on an isolated rocky plateau of approximately 2 km length and 155m width.

It is surrounded by a perimeter wall 4.5 kilometres long, beyond which a 45° hill slope makes it almost inaccessible to enemies. The ascent to the fort passes through seven gateways built by the Mewar ruler Rana Kumbha (1433- 1468) of the Sisodia clan. These gates are called, from the base to the hill top, the Paidal Pol, Bhairon Pol, Hanuman Pol, Ganesh Pol, Jorla Pol, Laxman Pol, and Ram Pol, the final and main gate.

The fort complex comprises 65 historic built structures, among them 4 palace complexes, 19 main temples, 4 memorials and 20 functional water bodies. These can be divided into two major construction phases. The first hill fort with one main entrance was established in the 5th century and successively fortified until the 12th century. Its remains are mostly visible on the western edges of the plateau. The second, more significant defence structure was constructed in the 15th century during the reign of the Sisodia Rajputs, when the royal entrance was relocated and fortified with seven gates, and the medieval fortification wall was built on an earlier wall construction from the 13th century.

Besides the palace complex, located on the highest and most secure terrain in the west of the fort, many of the other significant structures, such as the Kumbha Shyam Temple, the Mira Bai Temple, the Adi Varah Temple, the Shringar Chauri Temple, and the Vijay Stambh memorial were constructed in this second phase. Compared to the later additions of Sisodian rulers during the 19th and 20th centuries, the predominant construction phase illustrates a comparatively pure Rajput style combined with minimal eclecticism, such as the vaulted substructures which were borrowed from Sultanate architecture. The 4.5 km walls with integrated circular enforcements are constructed from dressed stone masonry in lime mortar and rise 500m above the plain. With the help of the seven massive stone gates, partly flanked by hexagonal or octagonal towers, the access to the fort is restricted to a narrow pathway which climbs up the steep hill through successive, ever narrower defence passages. The seventh and final gate leads directly into the palace area, which integrates a variety of residential and official structures. Rana Kumbha Mahal, the palace of Rana Kumbha, is a large Rajput domestic structure and now incorporates the Kanwar Pade Ka Mahal (the palace of the heir) and the later palace of the poetess Mira Bai (1498-1546). The palace area was further expanded in later centuries, when additional structures, such as the Ratan Singh Palace (1528–31) or the Fateh Prakash, also named Badal Mahal (1885-1930), were added. Although the majority of temple structures represent the Hindu faith, most prominently the Kalikamata Temple (8th century), the Kshemankari Temple (825-850) the Kumbha Shyam Temple (1448) or the Adbuthnath Temple (15th- 16th century), the hill fort also contains Jain temples, such as Shringar Chauri (1448) and Sat Bis Devri (mid-15th century) Also the two tower memorials, Kirti Stambh (13th-14th century) and Vijay Stambha (1433-1468), are Jain monuments. They stand out with their respective heights of 24m and 37m, which ensure their visibility from most locations of the fort complex. Finally, the fort compound is home to a contemporary municipal ward of approximately 3,000 inhabitants, which is located near Ratan Singh Tank at the northern end of the property.

GATES

The fort has total seven gates (in local language, gate is called Pol), namely the Padan Pol, Bhairon Pol, Hanuman Pol, Ganesh Pol, Jodla Pol, Laxman Pol and the main gate named the Ram Pol (Lord Rama's Gate). All the gateways to the fort have been built as massive stone structures with secure fortifications for military defense. The doors of the gates with pointed arches are reinforced to fend off elephants and cannon shots. The top of the gates have notched parapets for archers to shoot at the enemy army. A circular road within the fort links all the gates and provides access to the numerous monuments (ruined palaces and 130 temples) in the fort.

During the second siege, Prince Bagh Singh died at the Padan Pol in 1535 AD. Prince Jaimal of Badnore and his clansman Kalla were killed by Akbar at a location between the Bhairon Pol and Hanuman Pol in the last siege of the fort in 1567 (Kalla carried the wounded Jaimal out to fight). Chhatris, with the roof supported by corbeled arches, have been built to commemorate the spots of their sacrifice. Their statues have also been erected, at the orders of Emperor Akbar, to commemorate their valiant deaths. At each gate, cenotaphs of Jaimal (in the form of a statue of a Rajput warrior on horseback) and Patta have also been constructed. At Ram Pol, the entrance gate to the fort, a Chaatri was built in memory of the 15 year old Patta of Kelwa, who had lost his father in battle, and saw the sword yielding mother and wife on the battle field who fought valiantly and died at this gate. He led the saffron robed Rajput warriors, who all died fighting for Mewar’s honour. Suraj Pol (Sun Gate) provides entry to the eastern wall of the fort. On the right of Suraj Pol is the Darikhana or Sabha (council chamber) behind which lie a Ganesha temple and the zenana (living quarters for women). A massive water reservoir is located towards the left of Suraj Pol. There is also a peculiar gate, called the Jorla Pol (Joined Gate), which consists of two gates joined together. The upper arch of Jorla Pol is connected to the base of Lakshman Pol. It is said that this feature has not been noticed anywhere else in India. The Lokota Bari is the gate at the fort’s northern tip, while a small opening that was used to hurl criminals into the abyss is seen at the southern end.

VIJAY STAMBHA

The Vijay Stambha (Tower of Victory) or Jaya Stambha, called the symbol of Chittor and a particularly bold expression of triumph, was erected by Rana Kumbha between 1458 and 1468 to commemorate his victory over Mahmud Shah I Khalji, the Sultan of Malwa, in 1440 AD. Built over a period of ten years, it raises 37.2 metres over a 4.4 m2 base in nine stories accessed through a narrow circular staircase of 157 steps (the interior is also carved) up to the 8th floor, from where there is good view of the plains and the new town of Chittor. The dome, which was a later addition, was damaged by lightning and repaired during the 19th century. The Stamba is now illuminated during the evenings and gives a beautiful view of Chittor from the top.

KIRTI STAMBHA

Kirti Stambha (Tower of Fame) is a 22 metres high tower built on a 9.1 m base with 4.6 m at the top, is adorned with Jain sculptures on the outside and is older (probably 12th century) and smaller than the Victory Tower. Built by a Bagherwal Jain merchant Jijaji Rathod, it is dedicated to Adinath, the first Jain tirthankar (revered Jain teacher). In the lowest floor of the tower, figures of the various tirthankars of the Jain pantheon are seen in special niches formed to house them. These are digambara monuments. A narrow stairway with 54 steps leads through the six storeys to the top. The top pavilion that was added in the 15th century has 12 columns.

RANA KUMBHA PALACE

At the entrance gate near the Vijaya Stamba, Rana Kumbha's palace (in ruins), the oldest monument, is located. The palace included elephant and horse stables and a temple to Lord Shiva. Maharana Udai Singh, the founder of Udaipur, was born here; the popular folk lore linked to his birth is that his maid Panna DaiPanna Dhai saved him by substituting her son in his place as a decoy, which resulted in her son getting killed by Banbir. The prince was spirited away in a fruit basket. The palace is built with plastered stone. The remarkable feature of the palace is its splendid series of canopied balconies. Entry to the palace is through Suraj Pol that leads into a courtyard. Rani Meera, the famous poetess saint, also lived in this palace. This is also the palace where Rani Padmini, consigned herself to the funeral pyre in one of the underground cellars, as an act of jauhar along with many other women. The Nau Lakha Bandar (literal meaning: nine lakh treasury) building, the royal treasury of Chittor was also located close by. Now, across from the palace is a museum and archeological office. The Singa Chowri temple is also nearby.

FATEH PRAKASH PALACE

Located near Rana Khumba palace, built by Rana Fateh Singh, the precincts have modern houses and a small museum. A school for local children (about 5,000 villagers live within the fort) is also nearby.

GAUMUKH RESERVOIR

A spring feeds the tank from a carved cow’s mouth in the cliff. This pool was the main source of water at the fort during the numerous sieges.

PADMINI´S PALACE

Padmini's Palace or Rani Padmini's Palace is a white building and a three storied structure (a 19th-century reconstruction of the original). It is located in the southern part of the fort. Chhatris (pavilions) crown the palace roofs and a water moat surrounds the palace. This style of palace became the forerunner of other palaces built in the state with the concept of Jal Mahal (palace surrounded by water). It is at this Palace where Alauddin was permitted to glimpse the mirror image of Rani Padmini, wife of Maharana Rattan Singh. It is widely believed that this glimpse of Padmini's beauty besotted him and convinced him to destroy Chittor in order to possess her. Maharana Rattan Singh was killed and Rani Padmini committed Jauhar. Rani Padmini's beauty has been compared to that of Cleopatra and her life story is an eternal legend in the history of Chittor. The bronze gates to this pavilion were removed and transported to Agra by Akbar.

OTHER SIGHTS

Close to Kirti Sthamba is the Meera Temple, or the Meerabai Temple. Rana Khumba built it in an ornate Indo–Aryan architectural style. It is associated with the mystic saint-poet Mirabai who was an ardent devotee of Lord Krishna and dedicated her entire life to His worship. She composed and sang lyrical bhajans called Meera Bhajans. The popular legend associated with her is that with blessings of Krishna, she survived after consuming poison sent to her by her evil brother-in-law. The larger temple in the same compound is the Kumbha Shyam Temple (Varaha Temple). The pinnacle of the temple is in pyramid shape. A picture of Meerabai praying before Krishna has now been installed in the temple.

Across from Padmini’s Palace is the Kalika Mata Temple. Originally, a Sun Temple dated to the 8th century dedicated to Surya (the Sun God) was destroyed in the 14th century. It was rebuilt as a Kali temple.

Another temple on the west side of the fort is the ancient Goddess Tulja Bhavani Temple built to worship Goddess Tulja Bhavani is considered sacred. The Tope Khana (cannon foundry) is located next to this temple in a courtyard, where a few old cannons are still seen.

JAUHAR MELA

The fort and the city of Chittorgarh host the biggest Rajput festival called the "Jauhar Mela". It takes place annually on the anniversary of one of the jauhars, but no specific name has been given to it. It is generally believed that it commemorates Padmini’s jauhar, which is most famous. This festival is held primarily to commemorate the bravery of Rajput ancestors and all three jauhars which happened at Chittorgarh Fort. A huge number of Rajputs, which include the descendants of most of the princely families, hold a procession to celebrate the Jauhar. It has also become a forum to air one's views on the current political situation in the country.

Représentants du Théâtre du Rideau Vert, 24 juin 1964 by Archives de la Ville de Montréal

Le char sur le théâtre était précédé de plusieurs voitures transportant des représentants de compagnies de théâtre montréalaises. Ici, les représentants du Théâtre du Rideau Vert, avec Yvette Brind’Amour, en rouge.

VM94-ED5-030

Jefe comunal, recibió a representantes de Olla Solidaria La Familia, quienes atienden a 62 familias, conformadas por personas mayores, que requieren de sus alimentos. En la ocasión, solicitaron ayuda municipal para poder trabajar de mejor manera en este by Municipalidad de Osorno

Christ, Holy Trinity, Coventry by Aidan McRae Thomson

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West window by Hugh Easton 1955, representing Christ in Glory seated upon the globe and surrounded by significant figures from ecclesiastical history. Perhap's Easton's finest work, the overall effect is very much a mid 20th century version of a Last Judgement, which aptly is reflected by the recently uncovered medieval interpretation of the subject in the mural painted at the opposite end of the nave.

Holy Trinity would have been the star attraction in any other town or city, it is a majestic cruciform 15th century Perpendicular church with a tapering central tower and spire, the second of Coventry's famous 'Three Spires'. However it has always been overshadowed by larger neighbours, having been encircled by no less than three separate cathedrals through it's history, a unique distinction! Holy Trinity was founded by the monks of the adjoining priory to act as a parish church for it's lay tenants, thus it is ironic that it has long outlived the parent building.

The earliest part is the north porch, which dates from the 13th century, but the majority of the building dates from a more ambitious phase in 15th century Perpendicular style. The 15th century rebuilding has given us the present cruciform arrangement with small transepts and extra chapels on the north side giving an overall roughly rectangular footprint. These chapels were some of many in the church that served the city's separate guilds in medieval times.

The church has gone through much restoration, most notably the rebuilding of it's spire after it was blown down in a storm in 1665. The east end of the chancel was extended in 1786 (in sympathetic style) and much of the exterior was refaced in the early 19th century in then fashionable Bath stone (which clashes with the original red sandstone).

The church luckily escaped major damage during the Coventry Blitz in 1940, largely thanks to the vigilance of Canon Clitheroe and his team of firewatchers who spent a perilous night on the roof tackling incendaries. The main loss was the Victorian stained glass in the east and west windows, which were replaced with much more fetching glass in the postwar restoration.

The most recent restoration involved the uncovering of the 15th century Doom painting over the chancel arch in 2004. Hidden under blackened varnish since it's rediscovery in the early Victorian period, it has now been revealed to be one of the most complete and important medieval Last Judgement murals in the country. There is further painting contemporary with this on the exquisite nave ceiling, painted a beautiful dusty blue with large kneeling angels flanking passion shields on every rafter.

There are only a handful of monuments and most of the furnishings date from G.G.Scott's 1850s restoration (as does the magnificent vaulted ceiling high above the crossing) but there are some notable medieval survivals in the rare stone pulpit and the brass eagle lectern, both 15th century, along with a fine set of misericords originating from the former Whitefriars monastery church. Just a few fragments of medieval glass survive in the north west chapel.

The church is happily normally open and welcoming to visitors every day.

For more detail on this church see it's entry on the Warwickshire Churches website below:-

warwickshirechurches.weebly.com/coventry---holy-trinity.html

(Exterior)This Building Represents the Owners, on The exterior like a white veil is Her, and the interior is Him rigid like concrete. The Broad, Downtown,Los Angeles, California. by Martin Lemus Garcia

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"De Arquitectura"...ESTE EDIFICIO REPRESENTA A LOS DUEÑOS ,Y EL AMOR QUE ESTOS SE PROFESAN, EL EXTERIOR ES BLANCO ES COMO UN VELO LIGERO Y CLARO, COMO LO ES LA ESPOSA, Y EL INTERIOR ES DE CONCRETO RIGIDO COMO LO ES EL.... Antes no entendiA de estilos de Arquitectura, pero gracias ami Hermano menor, que me ha brindado conocimiento en esta Area ahora disfruto capturar y buscar lugares cuyos diseños fuerón creados con una idea especifica, y con secretos en su interior, asi como lo que se busca transmitir con ellos.

Museo The Broad, Centro de Los Angeles,California.

Foto:El Lemus

20181006...P1022947cm45 Hiroshima.jp Memorial Cenotaph by Ranong Payakapan

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Memorial Cenotaph[edit]

Near the center of the park is a concrete, saddle-shaped monument that covers a cenotaph holding the names of all of the people killed by the bomb. The monument is aligned to frame the Peace Flame and the A-Bomb Dome. The Memorial Cenotaph was one of the first memorial monuments built on open field on August 6, 1952. The arch shape represents a shelter for the souls of the victims.[3][16]

The cenotaph carries the epitaph 安らかに眠って下さい過ちは繰返しませぬから, which means "please rest in peace, for [we/they] shall not repeat the error." In Japanese, the sentence's subject is omitted, thus it could be interpreted as either "[we] shall not repeat the error" or as "[they] shall not repeat the error". This was intended to memorialize the victims of Hiroshima without politicizing the issue, taking advantage of the fact that polite Japanese speech typically demands lexical ambiguity in the first place.[17] The epitaph was written by Tadayoshi Saika, Professor of English Literature at Hiroshima University.[18] He also provided the English translation, "Let all the souls here rest in peace for we shall not repeat the evil." On November 3, 1983, an explanation plaque in English was added in order to convey Professor Saika's intent that "we" refers to "all humanity", not specifically the Japanese or Americans, and that the "error" is the "evil of war":

The inscription on the front panel offers a prayer for the peaceful repose of the victims and a pledge on behalf of all humanity never to repeat the evil of war. It expresses the spirit of Hiroshima — enduring grief, transcending hatred, pursuing harmony and prosperity for all, and yearning for genuine, lasting world peace.

Perhaps unsurprisingly, the ambiguity of the phrase has the potential to offend; some right-wing circles in Japan have interpreted the words as an admission of guilt—implicitly reading it as "we (the Japanese people) shall not repeat the error"—and they criticize the epitaph as a self-accusation by the Japanese empire. In July 2005, the cenotaph was vandalized by a Japanese man affiliated with the Japanese right.[19]

en.wikipedia.org/wiki/Hiroshima_Peace_Memorial_Park

international flags by Joel Kramer

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Representing the countries of the hall of fame members.

EFKS NOVAJOY ROYALE by Zenzous

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Frentes Parlamentares. Reuniões de Bancadas by J.M Executive

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O presidente do Senado, Renan Calheiros (PMDB-AL), visitou nesta quarta-feira (03), representantes do Partido dos Democratas (DEM), para mais uma consulta visando colher sugestões sobre as matérias que poderão ser votadas até julho, dentro da chamada agenda expressa.

Participam:

senador Renan Calheiros (PMDB-AL);

senador José Agripino (DEM-RN);

senador Ronaldo Caiado (DEM-GO).

Foto: Jonas Pereira/Agência Senado

Representing by Demi Lente

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Cosplay is for all

Netball Carnival - Hills 15 v Wyong 13-6.jpg by Graham Ezzy

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Homenaje a J.Garbín y A.Tortosa by psme.psoe

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Representantes de prácticamenet todos los partidos de Melilla acudieron al homenaje

Martha Elsa Vidrio Federico. by Guillermo Padrés Elías

“Esto representa tranquilidad y estamos viendo adelante, es un privilegio para nosotros que este municipio, esta región, sea la primera en el Estado”.

Martha Elsa Vidrio Federico.

Presidenta Municipal de Altar.

Ver boletín en:

es.scribd.com/doc/251960365/09-01-2014-El-Gobernador-Guil...

www.slideshare.net/GuillermoPadres/b011428

Instala Gobernador Padrés Mando Único Policial en la Región del Gran Desierto y Río Altar

· El Presidente Enrique Peña Nieto, a través de su representante personal, extendió un reconocimiento al trabajo de Sonora en materia de seguridad.

TUBUTAMA, SONORA, ENERO 09 DE 2014.- Con el reconocimiento del Presidente de la República y el Gobierno Federal por el buen trabajo realizado en materia de seguridad, el Gobernador Guillermo Padrés encabezó la instalación del Mando Único Policial en la Región del Gran Desierto y Río Altar, que abarca a 7 municipios del Estado.

De esta manera, los ciudadanos que habitan en esta región ven cumplida su petición de contar con más seguridad para ellos y sus familias con elementos bien entrenados, que aprobaron las pruebas de control de confianza.

“El día de hoy quedará establecido aquí el Mando Único Policial en los siete municipios que históricamente han sido parte de la cultura del desierto de Sonora, en Altar, Átil, Oquitoa, Pitiquito, Sáric, Trincheras y Tubutama, estos siete municipios ya tienen un Mando Único y lo vamos a poner en marcha y lo vamos a aprovechar a favor de toda la gente”, enfatizó.

Monte Alejandro Rubido García, Secretario Ejecutivo del Sistema Nacional de Seguridad Pública, afirmó en nombre del Presidente Enrique Peña Nieto que el Gobernador Padrés está trabajando de la mejor manera posible en materia de seguridad y prueba de ello es que, precisamente por los buenos resultados, en 2013 Sonora fue beneficiado con las dos bolsas concursables de recursos federales extraordinarios para la seguridad pública.

“Reitero, es una prueba fehaciente de que el Gobierno del Gobernador Padrés está haciendo las cosas de la mejor manera”, aseveró.

Rubido García calificó la instalación del Mando Único Policial en Sonora como un hecho sin precedentes en la historia de Sonora, toda vez que la suma de esfuerzos entre Federación, Estado y Municipios en materia de seguridad ayudará a que la región y por supuesto sus ciudadanos estén mejor protegidos.

Durante su mensaje, el Gobernador recordó que el 21 de julio de 2011 el Congreso del Estado de Sonora se trasladó al municipio de Tubutama para aprobar la Ley de Seguridad Pública del Estado de Sonora y desde 2012 se comenzó a trabajar para llevar el Mando Único a esta región.

“Vamos a protegerlos, vamos a garantizarles su derecho constitucional a la seguridad, a la paz y al desarrollo armónico de esta región y lo vamos a hacer apegados a la ley, a esa ley de seguridad pública que se aprobó el 21 de julio de 2011 en este municipio”, aseveró el mandatario estatal.

Frente a presidentes municipales, elementos de seguridad y funcionarios de los tres niveles de Gobierno, entre ellos los representantes personales del Presidente Enrique Peña Nieto y el Secretario Miguel Ángel Osorio Chong, el Gobernador entregó la Bandera de México al Jefe de Grupo Alejandro Coronado Miranda, Comandante Regional del Río Altar.

Bajo el Mando Único Policial, elementos de la Policía Estatal Acreditable, Ejército Mexicano, Marina de México y Fuerzas Especiales, tendrán la responsabilidad de vigilar la seguridad de los habitantes de Altar, Átil, Oquitoa, Pitiquito, Sáric, Trincheras y Tubutama.

La base desde donde operarán tiene la característica de ser móvil, para un mayor dinamismo; y cuenta con dormitorios, sanitarios, regaderas, comedor, área de entrenamiento y centro de control.

En la instalación del Mando Único Policial, el Gobernador Padrés también estuvo acompañado por Ernesto Munro Palacio, Secretario Ejecutivo de Seguridad Pública; Enrique Francisco Galindo Ceballos, Comisionado General de la Policía Federal; Fernando Schutte Elguero, Secretario Técnico de la Conferencia Nacional de Secretarios de Seguridad Pública; Gonzalo de la Fuente Escobar, Coordinador Regional del Noroeste de la Comisión Nacional de Seguridad; Juan Sebastián Soto Mayor Tovar, Presidente del Supremo Tribunal de Justicia del Estado; Karina García Gutiérrez, Representante de la Mesa Directiva del Congreso del Estado; Perla Zuzuki Aguilar Lugo, Presidenta de la Comisión de Seguridad del Congreso del Estado; Raúl Ramírez Ramírez, Presidente de la Comisión Estatal de los Derechos Humanos; Hilario Mata Tinoco, Comandante de la 45 Zona Militar y Adrián Arriaga Artiaga, Comandante del Sector Naval de Puerto Peñasco.

Así como los presidentes municipales Jesús Rivera Celaya, de Tubutama; Martha Elsa Vidrio Federico, de Altar; Carla Enett Celaya Gortari, de Átil; José Aurelio Ortiz Gortari, de Oquitoa; Andrés Lara Velásquez, de Pitiquito; Luz María Portillo Trejo, de Trincheras y Noé Varela Castillo, de Sáric.

Opinan los alcaldes:

“Con este establecimiento en nuestra región estamos seguros de que vamos a recuperar nuestros territorios, nuestros caminos, y lo más importante, la seguridad y tranquilidad de nuestras familias”

Jesús Rivera Celaya

Presidente Municipal de Tubutama

“Vienen a dar más seguridad, esperemos que con esto venga a fortalecer más la seguridad de nuestros ciudadanos, la población. Le estamos apostando los tres niveles de Gobierno a que vuelva la seguridad, el turismo a esta zona”

José Aurelio Ortiz Gortari

Presidente Municipal de Oquitoa

“Esto representa tranquilidad y estamos viendo adelante, es un privilegio para nosotros que este municipio, esta región, sea la primera en el Estado”

Martha Elsa Vidrio Federico

Presidenta Municipal de Altar

“Representa seguridad, lo más importante, que las personas que tengamos fuera sigan viniendo con la confianza. Ahora con las fiestas decembrinas y las fiestas de fin de año ya la gente vimos que están volviendo otra vez, les di la bienvenida, les expliqué el Mando Único y están súper interesados y muy contentos, que felicitará al señor Gobernador por esto tan importante que va a hacer por nuestra región”

Carla Enett Celaya Gortari

Presidenta Municipal de Átil

“Pues es un gran avance, para nosotros la seguridad de nuestros ciudadanos es lo principal. Le voy a dar las gracias al Gobernador y felicitarlo por este nuevo avance”

Luz María Portillo Trejo

Presidenta Municipal de Trincheras

“Quiero darle las gracias al Gobernador, al Secretario de Seguridad Pública, todo el municipio de Sáric, la población, se los vamos a agradecer”

Noé Varela Castillo

Presidente Municipal de Sáric

“Una gran seguridad, una seguridad que la hemos buscado de muchos años anteriores y que va a ser un pleno éxito. Le doy las gracias por estas decisiones de que está haciendo las cosas, mirando las necesidades de los municipios”

Andrés Lara Velásquez

Presidente Municipal de Pitiquito

Representando los valors y la humildat por territorio hostil. by Real Madrid @Bernabeu

by ma22lm ift.tt/1M99220

India - Ellora Caves - Cave 14 - 040 by Manfred Sommer

Ellora (\e-ˈlȯr-ə\, Marathi: वेरूळ Vērūḷa), is an archaeological site, 29 km North-West of the city of Aurangabad in the Indian state of Maharashtra built by the Rashtrakuta dynasty. It is also known as Elapura (in the Rashtrakuta literature-Kannada). Well known for its monumental caves, Ellora is a World Heritage Site. Ellora represents the epitome of Indian rock-cut architecture. The 34 "caves" are actually structures excavated out of the vertical face of the Charanandri hills. Buddhist, Hindu and Jain rock-cut temples and viharas and mathas were built between the 5th century and 10th century. The 12 Buddhist (caves 1–12), 17 Hindu (caves 13–29) and 5 Jain (caves 30–34) caves, built in proximity, demonstrate the religious harmony prevalent during this period of Indian history. It is a protected monument under the Archaeological Survey of India.

ETYMOLOGY

Ellora, also called Verula or Elura, is the cave form of the Ancient name Elapura.

HISTORY

Ellora is known for Hindu, Buddhist and Jain cave temples built during (6th and 9th centuries) the rule of the Kalachuri, Chalukya and Rashtrakuta dynasties. The Jagannatha Sabha a group of five Jain cave temples of 9th century built by Rashtrakuta.

THE BUDDHIST CAVES

These caves were built during the 5th-7th century. It was initially thought that the Buddhist caves were one of the earliest structures, created between the fifth and eighth centuries, with caves 1-5 in the first phase (400-600) and 6-12 in the later phase (mid 7th-mid 8th), but now it is clear to the modern scholars that some of the Hindu caves (27,29,21,28,19,26,20,17 and 14) precede these caves.[citation needed] The earliest Buddhist cave is Cave 6, followed by 5,2,3,5 (right wing), 4,7,8,10 and 9. Caves 11 and 12 were the last. All the Buddhist caves were constructed between 630-700.

These structures consist mostly of viharas or monasteries: large, multi-storeyed buildings carved into the mountain face, including living quarters, sleeping quarters, kitchens, and other rooms. Some of these monastery caves have shrines including carvings of Gautama Buddha, bodhisattvas and saints. In many of these caves, sculptors have endeavoured to give the stone the look of wood.

Most famous of the Buddhist caves is cave 10, (refer map) a chaitya hall (chandrashala) or 'Vishvakarma cave', popularly known as the 'Carpenter's Cave'. Beyond its multi-storeyed entry is a cathedral-like stupa hall also known as chaitya, whose ceiling has been carved to give the impression of wooden beams. At the heart of this cave is a 15-foot statue of Buddha seated in a preaching pose. Amongst other Buddhist caves, all of the first nine (caves 1–9) are monasteries. The last two caves, Do Tal (cave 11) and Tin Tal (cave 12) have three stories.

CAVE 10

Cave 10 is a vihara with eight cells, four in the back wall and four in the right wall. It had a portico in the front with a cell. Possibly served as a granary for other viharas.

THE VISHWAKARMA

The Vishwakarma (Cave 10) is the only chaitya griha amongst the Buddhist group of caves. It is locally known as Vishwakarma or Sutar ka jhopda "carpenter's hut". It follows the pattern of construction of Caves 19 and 26 of Ajanta. On stylistic grounds, the date of construction of this cave is assigned to 700 A.D. The chaitya once had a high screen wall, which is ruined at present. At the front is a rock-cut court, which is entered through a flight of steps. On either side are pillared porticos with chambers in their back walls. These were probably intended to have subsidiary shrines but not completed. The pillared verandah of the chaitya has a small shrine at either end and a single cell in the far end of the back wall. The corridor columns have massive squarish shafts and ghata-pallava (vase and foliage) capitals. The main hall is apsidal on plan and is divided into a central nave and side aisles by 28 octagonal columns with plain bracket capitals. In the apsidal end of the chaitya hall is a stupa on the face of which a colossal 3.30 m high seated Buddha in vyakhyana mudra (teaching posture) is carved. A large Bodhi tree is carved at the back. The hall has a vaulted roof in which ribs have been carved in the rock imitating the wooden ones.

THE HINDU CAVES

The Hindu caves were constructed between the middle of sixth century to the end of the eighth century. The early caves (caves 17–29) were constructed during the Kalachuri period. The work first commenced in Caves 28, 27 and 19. These were followed by two most impressive caves constructed in the early phase - Caves 29 and 21. Along with these two, work was underway at Caves 20 and 26, and slightly later at Caves 17, 19 and 28. The caves 14, 15 and 16 were constructed during the Rashtrakuta period. The work began in Caves 14 and 15 and culminated in Cave 16. All these structures represent a different style of creative vision and execution skills. Some were of such complexity that they required several generations of planning and co-ordination to complete.

THE KAILASANATHA TEMPLE

Cave 16, also known as the Kailasa temple, is the unrivaled centerpiece of Ellora. This is designed to recall Mount Kailash, the abode of Lord Shiva – looks like a freestanding, multi-storeyed temple complex, but it was carved out of one single rock, and covers an area double the size of Parthenon in Athens. Initially the temple was covered with white plaster thus even more increasing the similarity to snow-covered Mount Kailash.

All the carvings are done in more than one level. A two-storeyed gateway resembling a South Indian Gopura opens to reveal a U-shaped courtyard. The courtyard is edged by columned galleries three storeys high. The galleries are punctuated by huge sculpted panels, and alcoves containing enormous sculptures of a variety of deities. Originally flying bridges of stone connected these galleries to central temple structures, but these have fallen.

Within the courtyard are three structures. As is traditional in Shiva temples, the first is a large image of the sacred bull Nandi in front of the central temple. The central temple - Nandi Mantapa or Mandapa - houses the Lingam. The Nandi Mandapa stands on 16 pillars and is 29.3 m high. The base of the Nandi Mandapa has been carved to suggest that life-sized elephants are holding the structure aloft. A living rock bridge connects the Nandi Mandapa to the Shiva temple behind it. The temple itself is a tall pyramidal structure reminiscent of a South Indian Dravidian temple. The shrine – complete with pillars, windows, inner and outer rooms, gathering halls, and an enormous lingam at its heart – carved from living stone, is carved with niches, pilasters, windows as well as images of deities, mithunas (erotic male and female figures) and other figures. Most of the deities at the left of the entrance are Shaivaite (followers of Shiva) while on the right hand side the deities are Vaishnavaites (followers of Vishnu). There are two Dhvajastambhas (pillars with the flagstaff) in the courtyard. The grand sculpture of Ravana attempting to lift Mount Kailasa, the abode of Lord Shiva, with his full might is a landmark in Indian art. The construction of this cave was a feat of human genius – it entailed the removal of 200,000 tonnes of rock, and took 100 years to complete.

The temple is a splendid achievement of Rashtrakuta Karnata architecture. This project was started by Krishna I (757–773) of the Rashtrakuta dynasty that ruled from Manyakheta in present day Karnataka state. His rule had also spread to southern India, hence this temple was excavated in the prevailing style. Its builders modelled it on the lines of the Virupaksha Temple in Pattadakal. Being a south Indian style temple, it does not have a shikhara common to north Indian temples. – The Guide to the Architecture of the Indian Subcontinent, 1996, Takeo Kamiya, Japan Architects Academy and archaeological Survey of India.

THE DASHAVATARA

The Dashavatara (Cave 15) was begun as a Buddhist monastery. It has an open court with a free-standing monolithic mandapa at the middle and a two-storeyed excavated temple at the rear. The layout of the temple is closely related to caves 11 and 12. Large sculptural panels between the wall columns on the upper floor illustrate a wide range of themes, which include the ten avatars of Vishnu. An inscription of grant of Dantidurga is found on the back wall of the front mandapa. According to Coomaraswamy, the finest relief of this cave is the one depicting the death of Hiranyakashipu, where Vishnu in man-lion (Narasimha) form, emerges from a pillar to lay a fatal hand upon the shoulder of Hiranyakashipu.

OTHER HINDU CAVES

CAVE 21

Other notable Hindu caves are the Rameshvara (Cave 21), which has figurines of river goddesses Ganga and Yamuna at the entrance and the Dhumar Lena (Cave 29) whose design is similar to the cave temple on Elephanta Island near Mumbai. Two other caves, the Ravan ki Khai (Cave 14) and the Nilkantha (Cave 22) also have several sculptures. The rest of the Hindu caves, which include the Kumbharvada (Cave 25) and the Gopilena (Cave 27) have no significant sculptures.

The five Jain caves at Ellora belong to the ninth and tenth centuries. They all belong to the Digambara sect. Jain caves reveal specific dimensions of Jain philosophy and tradition. They reflect a strict sense of asceticism – they are not relatively large as compared to others, but they present exceptionally detailed art works. The most remarkable Jain shrines are the Chhota Kailash (cave 30), the Indra Sabha (cave 32) and the Jagannath Sabha (cave 33). Cave 31 is an unfinished four-pillared hall and a shrine. Cave 34 is a small cave, which can be approached through an opening on the left side of Cave 33. Amongst other devotional carvings, a place called samvatsarana can be found in Elora caves. Samvatsarana is of special interest to Jains, as it is a hall where the tirthankara preaches after attaining omniscience.

THE INDRA SABHA

The Indra Sabha (Cave 32) is a two storeyed cave with one more monolithic shrine in its court. It has a very fine carving of the lotus flower on the ceiling. It got the appellation "Indra Sabha" probably it is significantly ornate and also because of the sculpture of the yaksha (dedicated attendant deity) Matanga on an elephant, which was wrongly identified as that of Indra. On the upper level of the double-storied shrine excavated at the rear of the court, an U image of Ambika, the yakshini of Neminath, is found seated on her lion under a mango tree, laden with fruits.

OTHER JAIN CAVES

All other Jain caves are also characterized by intricate detailing. Many of the structures had rich paintings in the ceilings - fragments of which are still visible.

GEOLOGY OF ELLORA

Ellora occupies a relatively flat region of the Western Ghats. Ancient volcanic activity in this area created many layered basalt formations, known as Deccan Traps. During the Cretaceous, one such volcanic hill formed on the southwest-facing side of Ellora. Its vertical face made access to many layers of rock formations easier, enabling architects to pick basalt with finer grains for more detailed sculpting.

INSCRIPTIONS AT ELLORA

Several inscriptions at Ellora range from 6th century to 15th century. The best known of them is an inscription of Rashtrakuta Dantidurga (c. 753-57 A.D.) on the back wall of the front mandapa of Cave 15, which gives an account of his conquests. Inscriptions on the Kailash temple itself range from 9th to 15th century. Jain cave Jagannatha Sabha has 3 inscriptions that give the names of monks and donors. A Parshvanth temple on the hill has a 11th-century inscription that gives the name of the donor from Vardhanapura.

The Great Kailasa (Cave 16) is attributed to Krishna I (c. 757-83 A.D.), the successor and uncle of Dantidurga. A copper plate grant by Karka II (c. 812-13 A.D.) narrates that a great edifice was built on a hill by Krishnaraja at Elapura (Ellora).

The Ellora caves, unlike Ajanta, were never lost. There have been several written records that indicate that these caves were visited regularly. The earliest is that of the Arab geographer Al-Mas‘udi of the 10th century A.D. In 1352 A.D. Sultan Hasan Gangu Bahmani, who camped at the site and visited the caves. The others are by Firishta, Thevenot (1633–67), Niccolao Manucci (1653-1708), Charles Warre Malet (1794), and Seely (1824)

WIKIPEDIA

MWFW 2015 Represent by Lexie Jansma

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MWFW 2015 Presents Represent

Models SCALA

Photorapher: Kodaijin Starfall

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The Metals of Cassiopeia A, variant by Stuart Rankin

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Edited Chandra Space Telescope image of the supernova remnant Cassiopeia A, with colors representing the various metals (to an astronomer, if it's not hydrogen or helium, it's a metal) in the nebula formed from the explosion. Silicon is red, sulfur is yellow, calcium is green, and iron is purple. (Blue is the blast wave.) Color/processing variant.

Original caption: Where do most of the elements essential for life on Earth come from? The answer: inside the furnaces of stars and the explosions that mark the end of some stars' lives.

Astronomers have long studied exploded stars and their remains — known as "supernova remnants" — to better understand exactly how stars produce and then disseminate many of the elements observed on Earth, and in the cosmos at large.

Due to its unique evolutionary status, Cassiopeia A (Cas A) is one of the most intensely studied of these supernova remnants. A new image from NASA's Chandra X-ray Observatory shows the location of different elements in the remains of the explosion: silicon (red), sulfur (yellow), calcium (green) and iron (purple). Each of these elements produces X-rays within narrow energy ranges, allowing maps of their location to be created. The blast wave from the explosion is seen as the blue outer ring.

X-ray telescopes such as Chandra are important to study supernova remnants and the elements they produce because these events generate extremely high temperatures — millions of degrees — even thousands of years after the explosion. This means that many supernova remnants, including Cas A, glow most strongly at X-ray wavelengths that are undetectable with other types of telescopes.

Chandra's sharp X-ray vision allows astronomers to gather detailed information about the elements that objects like Cas A produce. For example, they are not only able to identify many of the elements that are present, but how much of each are being expelled into interstellar space.

The Chandra data indicate that the supernova that produced Cas A has churned out prodigious amounts of key cosmic ingredients. Cas A has dispersed about 10,000 Earth masses worth of sulfur alone, and about 20,000 Earth masses of silicon. The iron in Cas A has the mass of about 70,000 times that of the Earth, and astronomers detect a whopping one million Earth masses worth of oxygen being ejected into space from Cas A, equivalent to about three times the mass of the Sun. (Even though oxygen is the most abundant element in Cas A, its X-ray emission is spread across a wide range of energies and cannot be isolated in this image, unlike with the other elements that are shown.)

Astronomers have found other elements in Cas A in addition to the ones shown in this new Chandra image. Carbon, nitrogen, phosphorus and hydrogen have also been detected using various telescopes that observe different parts of the electromagnetic spectrum. Combined with the detection of oxygen, this means all of the elements needed to make DNA, the molecule that carries genetic information, are found in Cas A.

Oxygen is the most abundant element in the human body (about 65% by mass), calcium helps form and maintain healthy bones and teeth, and iron is a vital part of red blood cells that carry oxygen through the body. All of the oxygen in the Solar System comes from exploding massive stars. About half of the calcium and about 40% of the iron also come from these explosions, with the balance of these elements being supplied by explosions of smaller mass, white dwarf stars.

While the exact date is not confirmed (PDF), many experts think that the stellar explosion that created Cas A occurred around the year 1680 in Earth's timeframe. Astronomers estimate that the doomed star was about five times the mass of the Sun just before it exploded. The star is estimated to have started its life with a mass about 16 times that of the Sun, and lost roughly two-thirds of this mass in a vigorous wind blowing off the star several hundred thousand years before the explosion.

Earlier in its lifetime, the star began fusing hydrogen and helium in its core into heavier elements through the process known as "nucleosynthesis." The energy made by the fusion of heavier and heavier elements balanced the star against the force of gravity. These reactions continued until they formed iron in the core of the star. At this point, further nucleosynthesis would consume rather than produce energy, so gravity then caused the star to implode and form a dense stellar core known as a neutron star.

The exact means by which a massive explosion is produced after the implosion is complicated, and a subject of intense study, but eventually the infalling material outside the neutron star was transformed by further nuclear reactions as it was expelled outward by the supernova explosion.

Chandra has repeatedly observed Cas A since the telescope was launched into space in 1999. The different datasets have revealed new information about the neutron star in Cas A, the details of the explosion, and specifics of how the debris is ejected into space.

NASA's Marshall Space Flight Center in Huntsville, Alabama, manages the Chandra program for NASA's Science Mission Directorate in Washington. The Smithsonian Astrophysical Observatory in Cambridge, Massachusetts, controls Chandra's science and flight operations.

El gobernador Guillermo Padrés recibió el reconocimiento del Presidente de la Republica. by Guillermo Padrés Elías

El Presidente Enrique Peña Nieto, a través de su representante personal, extendió un reconocimiento al trabajo de Sonora en materia de seguridad.