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Budapest (Acerca de este sonido /ˈbudɒpɛʃt/ (?·i)) es la capital y ciudad más poblada de Hungría,3 así como su principal centro industrial, comercial y de transportes.4 La ciudad posee 1,74 millones de habitantes (2011),5 una disminución significativa respecto de los casi 2,1 millones con que contaba a mediados de los años 1980,6 que representan un quinto de la población total de Hungría. Es la ciudad más poblada de Europa central-oriental y la séptima de la Unión Europea. La ciudad ocupa una superficie de 525 km²7 y su área metropolitana cuenta con una población de 2,38 millones de habitantes. Budapest se convirtió en una única ciudad cuando ocupó las dos orillas del río Danubio, unificando las ciudades de Buda y Óbuda, en la orilla oeste, con Pest, en la orilla este, el 17 de noviembre de 1873.7 8
La historia de Budapest comenzó con Aquincum, originalmente un asentamiento celta9 10 que se convirtió en la capital romana de Panonia Inferior.9 Los húngaros llegaron al territorio en el siglo IX.11 Su primer asentamiento fue saqueado por los mongoles en 1241-42.12 La ciudad restablecida se convirtió en uno de los centros de la cultura del Renacimiento humanista en el siglo XV.13 14 Después de la batalla de Mohács y tras casi 150 años de dominio otomano,15 el desarrollo de la región entró en una nueva era de prosperidad en los siglos XVIII y XIX, y Budapest se convirtió en una ciudad global después de la unificación de 1873.16 También se convirtió en la segunda capital de Austria-Hungría, una gran potencia que se disolvió en 1918. Budapest fue el punto focal de la revolución húngara de 1848, la República Soviética Húngara de 1919, la Operación Panzerfaust en 1944, la batalla de Budapest de 1945 y la Revolución de 1956.
Considerada como una de las ciudades más bellas de Europa,3 17 18 Budapest cuenta con varios sitios que son Patrimonio de la Humanidad, entre los que se incluyen, a orillas del Danubio, el barrio del Castillo de Buda, la avenida Andrássy, la Plaza de los Héroes y el Metropolitano del Milenio, el segundo más antiguo del mundo.17 19 Otros puntos destacados incluyen un total de 80 manantiales geotérmicos,20 el mayor sistema de cuevas de aguas termales del mundo,21 la segunda sinagoga más grande y el tercer edificio del Parlamento más grande del mundo. La ciudad atrae a alrededor de 4,3 millones de turistas al año, convirtiéndola en la 25.ª ciudad más popular del mundo, según Euromonitor.22
Budapest es, también, un importante centro financiero de Europa Central. La ciudad se situó tercera (de un total de 65 ciudades) en el Índice de Mercados Emergentes elaborado por Mastercard,23 y clasificada como la ciudad mejor habitable de Europa Central y Europa del Este por índice de calidad de vida según Economist Intelligence Unit.24 25 También se clasificó como el "séptimo lugar idílico de Europa para vivir" por la revista Forbes,26 y como la novena ciudad más bella del mundo por UCityGuides.27 Es, también, la mejor ciudad de Europa Central y del Este en el índice Innovation Cities' Top 100.28 29
Toponimia[editar]
El nombre de «Budapest» es la composición de los nombres de las ciudades «Buda» y «Pest», ya que se unieron (junto con Óbuda) para convertirse en una sola ciudad en 1873.30 Una de las primeras apariciones del nombre combinado «Buda-Pest» fue en 1831 en el libro Világ («Mundo»), escrito por el conde István Széchenyi.
El origen de las palabras «Buda» y «Pest» es incierto. Según las crónicas de la Edad Media el nombre de «Buda» viene del nombre de su fundador, Bleda (Buda), el hermano del huno Atila. La teoría de que «Buda» fue el nombre de una persona es apoyada también por los estudiosos modernos.31 Una explicación alternativa sugiere que deriva de la palabra eslava «вода, voda» («agua»), una traducción del nombre en latín Aquincum, que era el principal asentamiento romano en la región.32
También existen varias teorías sobre el origen del nombre «Pest». Una de las teorías sostiene que proviene de la época romana,33 ya que había una fortaleza, «Contra-Aquincum», que en esta región que se conoce como «Pession» (Πέσσιον, III.7. § 2) por Ptolomeo.34 Según otra teoría, toma su origen de la palabra eslava «пещера, peshtera» («cueva») o de la palabra «печь, pesht» («horno») en referencia a una cueva local.35 En la antigua lengua húngara había un significado similar para la palabra «horno/cueva» y el nombre antiguo original alemán de esta región fue «Ofen». Más tarde, «Ofen», en alemán, se refiere a la parte de Buda.
Historia[editar]
La corona de San Esteban, la espada, el cetro y el orbe de Hungría.
El primer asentamiento en el territorio de Budapest fue construido por los celtas9 antes del año 1 a. C. y fue ocupado más tarde por los romanos. El asentamiento romano, Aquincum, se convirtió en la principal ciudad de la Baja Panonia en el 106 a. C.9 Los romanos construyeron carreteras, anfiteatros, baños y casas con calefacción por suelo en este campamento militar fortificado.36
El tratado de paz de 829 añadió Panonia a Bulgaria debido a la victoria del ejército búlgaro de Omurtag sobre el Sacro Imperio Romano de Ludovico Pío. Budapest surgió de dos fronteras búlgaras, las fortalezas militares de Buda y Pest, situada en las dos orillas del Danubio.37 Los húngaros, liderados por Árpád, se establecieron en el territorio a finales del siglo IX,11 38 y un siglo más tarde se fundó oficialmente el Reino de Hungría.11 Las investigaciones sitúan la residencia de la Casa de Árpad en un lugar cercano de lo que se convertiría en Budapest.39 La invasión tártara en el siglo XIII rápidamente demostró que la defensa es difícil en una llanura.7 11 El rey Béla IV de Hungría ordenó la construcción de muros de hormigón armado en torno a las ciudades11 y estableció su propio palacio real en la cima de los cerros protectores de Buda.12 En 1361 se convirtió en la capital de Hungría.12
El Castillo de Buda en la Edad Media.
El papel cultural de Buda fue particularmente importante durante el reinado del rey Matías Corvino.7 El Renacimiento italiano tuvo una gran influencia en la ciudad.7 Su biblioteca, la Bibliotheca Corvinniana, fue la colección de crónicas históricas y obras filosóficas y científicas más grande de Europa en el siglo XV, y la segunda en tamaño sólo superada por la Biblioteca Vaticana.7 Después de la fundación de la primera universidad húngara de Pécs en 1367,40 la segunda se estableció en Óbuda en 1395.40 El primer libro impreso en húngaro fue en Buda en 1473.41 Buda tenía unos 5000 habitantes hacia 1500,42 aunque estudios modernos apuntan a que la suma de Buda y Pest tenía entre 15 000 y 25 000 habitantes.43
Los otomanos saquearon Buda en 1526, la sitiaron en 1529 y, finalmente, la ocuparon en 1541. La ocupación turca duró más de 140 años.7 Los turcos construyeron muchas instalaciones de baños en la ciudad.11 Bajo el gobierno otomano, muchos cristianos se convirtieron al islam. En 1547 el número de cristianos se redujo a alrededor de mil, y en 1647 había descendido a sólo unos setenta.42 La parte no ocupada occidental del país se convirtió en parte del imperio de los Habsburgo como Hungría real.
En 1686, dos años después del infructuoso asedio de Buda, una renovada campaña comenzó a entrar en la capital húngara. Esta vez, el ejército de la Liga Santa era dos veces más grande, con más de 74.000 hombres. Entre ellos había ingleses, alemanes, holandeses, croatas, húngaros, españoles, checos, italianos, franceses, daneses y suecos, junto con otros europeos como voluntarios, artilleros, y oficiales. Las fuerzas cristianas reconquistaron Buda y, en los años siguientes, todas las tierras húngaras anteriores, a excepción de las zonas cercanas a Timişoara (Temesvár), fueron arrebatadas a los turcos. En el Tratado de Karlowitz de 1699 estos cambios territoriales fueron reconocidos oficialmente, y en 1718 todo el Reino de Hungría fue liberado del poder otomano. La ciudad fue destruida durante la batalla.7 Hungría se incorporó entonces al Imperio Habsburgo.7
La Ópera Nacional de Hungría, construida en el período de Austria-Hungría.
La orilla del Danubio en Budapest en una imagen de 1873.
1867 fue el año de la reconciliación que trajo consigo el nacimiento de Austria-Hungría. El siglo XIX fue dominado por la lucha por la independencia de Hungría y la modernización.7 La insurrección nacional contra los Habsburgo comenzó en la capital húngara en 1848 y fue derrotado poco más de un año después. Esto hizo de Budapest la capital gemela de una monarquía dual. Fue este compromiso que abrió la segunda fase de gran desarrollo en la historia de Budapest, que duró hasta la Primera Guerra Mundial. En 1849, el Puente de las Cadenas que une Buda con Pest, abrió sus puertas el primer puente permanente sobre el Danubio44 y en 1873 fueron Buda y Pest oficialmente fusionadas con la tercera parte, Óbuda (antiguo Buda), creando así la nueva metrópoli de Budapest. La dinámica Pest se convirtió en centro político, administrativo, económico, comercial y cultural del país. La población de origen étnico húngaro superó a la alemana en la segunda mitad del siglo XIX debido a la migración masiva desde la superpoblada y rural el Transdanubia y la Gran Llanura Húngara. Entre 1851 y 1910 la proporción de húngaros se incrementó de 35,6% a 85,9%, el húngaro se convirtió en la lengua dominante y el alemán fue desplazado. La proporción de judíos llegó a su punto máximo en 1900 con el 23,6%.45 46 47 Debido a la prosperidad y la gran comunidad judía presente en la ciudad a principios del siglo XX, Budapest fue conocida también como la "Meca judía".48
En 1918, Austria-Hungría perdió la guerra y se desplomó; por lo que Hungría se declaró una república independiente. En 1920 el Tratado de Trianon finalizó la partición del país; como resultado, Hungría perdió dos tercios de su territorio y alrededor de dos tercios de sus habitantes en virtud del tratado, incluyendo 3,3 millones de los 10 millones de húngaros étnicos.49 50
El Puente de las Cadenas de Budapest, volado por las fuerzas nazis.
En 1944, hacia el final de la Segunda Guerra Mundial, Budapest fue parcialmente destruida por los ataques aéreos británico y americano. Desde el 24 de diciembre de 1944 al 13 de febrero de 1945, la ciudad fue sitiada durante la Batalla de Budapest. La capital sufrió grandes daños causados por el ataque de las fuerzas soviéticas y rumanas y las tropas defensoras alemanas y húngaras. Todos los puentes fueron destruidos por los alemanes. Más de 38.000 civiles perdieron la vida durante el conflicto.
Entre el 20% y el 40% de los 250.000 habitantes judíos de Budapest murieron a causa del genocidio perpetrado por los nazis y el Partido de la Cruz Flechada durante 1944 y principios de 1945.51 El diplomático sueco Raoul Wallenberg logró salvar la vida de decenas de miles de judíos en Budapest, dándoles pasaportes suecos y tomándolos bajo su protección consular.52
En 1949, Hungría fue declarada como República Popular comunista. El nuevo gobierno comunista consideró edificios como el Castillo de Buda símbolos del régimen anterior y, durante la década de 1950, el palacio fue destruido y los interiores fueron destruidos.
El centro de Budapest en 1979.
En 1956, las manifestaciones pacíficas en Budapest condujeron al estallido de la Revolución Húngara. La dirección se derrumbó después de las manifestaciones de las masas que se iniciaron el 23 de octubre, pero los tanques soviéticos entraron en Budapest para aplastar la revuelta. La lucha continuó hasta principios de noviembre, dejando más de 3.000 muertos.
Desde la década de 1960 a finales de 1980 Hungría era referida, en ocasiones y de forma satírica, la "barraca feliz" en el Bloque del Este,53 y gran parte de los daños de guerra de la ciudad fueron finalmente reparados. Los trabajos en el Puente de Erzsébet, el último en ser reconstruido, fue terminado en 1964. A principios de 1970, se inauguró la línea M2 del metro de Budapest en su sentido este-oeste, seguida de la línea M3 en 1982. En 1987, el Castillo de Buda y las orillas del Danubio fueron incluidos en la lista de Patrimonio de la Humanidad por la Unesco. La Avenida Andrássy (incluyendo el tren subterráneo del Milenio, Hősök tere y Városliget) se añadió a la lista de la Unesco en 2002. En la década de 1980 la población de la ciudad alcanzó los 2,1 millones de habitantes. En los últimos tiempos se ha producido una disminución significativa en la población, debido principalmente, a un movimiento demográfico masivo al condado de Pest.
En las últimas décadas del siglo XX los cambios políticos de 1989-90 produjeron importantes cambios en la sociedad civil y en las calles de Budapest. Los monumentos comunistas fueron retirados de los lugares públicos y llevados a Memento Park. En los primeros veinte años de la nueva democracia, el gobierno de la ciudad fue presidido por Gábor Demszky.
Geografía[editar]
El área de 525 km² de Budapest se encuentra en el centro de Hungría rodeado de asentamientos de la aglomeración en el condado de Pest. La capital se extiende a 25 y 29 kilómetros al norte-sur y este-oeste, respectivamente. El río Danubio entra en la ciudad por el norte, y más tarde lo rodea dos islas, Óbuda y la isla de Margarita.7 La tercera isla, Csepel, es la más grande de las islas del Danubio de Budapest, sin embargo, sólo la punta más al norte se encuentra dentro de los límites de la ciudad. El río que separa las dos partes de la ciudad está a sólo 230 metros de ancho en su punto más estrecho en Budapest. Pest se encuentra en la planicie de la Gran Llanura, mientras que el terreno en Buda es muy accidentado.7 El terreno de Pest se levanta con una ligera pendiente hacia el este, por lo que las partes más orientales de la ciudad están a la misma altura que las pequeñas colinas de Buda, en particular la colina Gellért y Monte del Castillo. Las colinas de Buda son principalmente de piedra caliza y dolomita, el agua creó espeleotemas, que se pueden encontrar los más famosos en las la cuevas Pálvölgyi y Szemlőhegyi. Los cerros se formaron en la era del Triásico. El punto más alto de las colinas y de Budapest es la colina János, a 527 metros sobre el nivel del mar. El punto más bajo es la línea del Danubio, que es de 96 metros sobre el nivel del mar. Los bosques de las colinas de Buda están protegidos medioambientalmente.
Distritos[editar]
Artículo principal: Distritos de Budapest
Originalmente había 10 distritos de Budapest después de la unificación de las tres ciudades en 1873. El 1 de enero de 1950 Budapest se unió con varios pueblos vecinos y el número de sus distritos se elevó a 22, formando el Gran Budapest. En ese tiempo hubo cambios, tanto en el orden de los distritos como en sus tamaños. Ahora hay 23 distritos, seis en Buda, 16 en Pest y uno en la isla de Csepel, en el Danubio. Cada distrito puede asociarse con una o varias partes de la ciudad con nombres de ciudades anteriores de Budapest. El mismo centro de la ciudad, en un sentido más amplio, comprende los distritos V, VI, VII, VIII, IX y XIII en el lado de Pest, y el I, II, XI y XII en el lado de Buda de la ciudad.54
Los 23 distritos de Budapest
Palacio Gresham
Distrito IV[editar]
El distrito IV está ubicado al norte de Budapest, sobre la orilla oeste del Río Danubio. Antes de 1950, fecha en que se anexaron varias zonas a Budapest, se trataba de la localidad de Újpest. El nombre significa "Nuevo Pest", porque se formó al borde de la Ciudad de Pest en 1840. Újpest fue una Aldea o Villa por seis décadas antes de 1907, cuando se transformó en pueblo. Como decíamos, en 1950 el pueblo se unificó con Budapest, para formar el Gran Budapest, y constituirse en el IV Distrito.
Distrito XXI[editar]
Ubicación[editar]
El distrito XXI está ubicado al norte de la isla de Csepel, por el este fluye el Danubio y en la otra margen se encuentran los distritos IX, XX y XXIII, por el oeste la frontera del distrito la marca de forma natural el contorno de la isla con la ribera del Danubio que en su margen opuesta presenta los distritos XI y XXII, por el sur el límite demarcado por la capital, es decir los límites propios del poblado de Szigetszentmiklós.
Barrios de mayor relevancia[editar]
Barrio de la calle Ady Endre
Csillágtelep
Barrio de Királymajori
Barrio de Vízmű
Barrio de la calle Árpád
Historia[editar]
En la segunda mitad del siglo XX ocurrió la industrialización más importante del distrito, lo que lo convirtió en una base de la industria pesada. En esta zona se asentaron los trabajadores, quienes contribuyeron a la formación de zonas urbanísticas, parques y barrios. El distrito se convirtió así en bastión de la clase obrera húngara.
Fue independiente hasta el 1 de enero de 1950, cuando junto con otras zonas fue anexionado como parte integral de Budapest capital.
Economía[editar]
El distrito XXI es considerado como uno de los distritos industriales clásicos de Budapest (por su industria metalúrgica, acerera y de papel)
En la primera mitad del siglo XX la economía del distrito esta unida al nombre de Manfréd Weiss, quien con su empresa metalúrgica tenía la gama más amplia de productos que para la época existía en toda la región de Europa central y oriental
Después de la II Guerra Mundial la fábrica pasó a funcionar a manos del estado. A mediados de los años 50 hasta en el Tíbet eran comercializados los productos de la fábrica. A finales de los 80 debido a la baja demanda de productos y lo elevado de los costos de mantenimiento, la fábrica fue paralizándose paulatinamente.
En la actualidad el conjunto funciona como zona industrial, albergando cientos de otras empresas, oficinas, y pequeñas fábricas.
Riquezas naturales[editar]
Solamente una zona protectora alberga el Distrito, en la loma de Tamariska en la zona de Királyerdő que desde 1999 fue declarada por la ciudad capital como patrimonio natural, ya que en sus bancos arenosos se encuentran innumerables especies vegetales autóctonas y exclusivas de la zona.
Clima[editar]
Invierno en la plaza Vörösmarty.
La ciudad tiene un clima húmedo continental, un clima de transición entre el clima templado, cubierto de nieve de Transdanubia, el clima variable continental de la gran llanura plana y abierta del este y el clima casi sub-mediterráneo del sur.55
La primavera se caracteriza por la abundancia de sol y lluvias aisladas. La temperatura comienza a subir notablemente en abril, por lo general alcanzan máximas de 25 °C al final del mes, aunque hay cortos períodos de frío con bajas temperaturas en la zona con 0-5 °C y las heladas pueden aparecer incluso a mediados de mayo.
En los veranos, los prolongados períodos de calor, con temperaturas entre 32-35 °C, se intercambian con breves períodos húmedos con frentes fríos provenientes del oeste, con temperaturas de entre 18-25 °C. La humedad es alta, de vez en cuando, en verano principalmente secundaria por la influencia del Mediterráneo. Sin embargo, en general, el calor es seco y las temperaturas nocturnas son muy agradables, especialmente en los suburbios residenciales. En el centro de Pest, sin embargo, no es raro que las temperaturas sean superiores a 25 °C en medianoche. Las tormentas, algunas de ellas violentas con rachas fuertes y lluvias torrenciales, también son frecuentes. La temperatura más alta registrada fue de 40,7 °C el 20 de julio de 2007.56
Las temperaturas altas pueden mantenerse por encima de 20 °C hasta el final de octubre. Las noches más frías y las heladas llegan por primera vez, por lo general, en la segunda semana de octubre. Los cortos períodos fríos varían con el veranillo de San Miguel, que puede durar semanas enteras. En noviembre sobreviene la abundante lluvia, a veces nieve, y una caída drástica de las temperaturas (a 10 °C durante todo el otoño del mes).
Los inviernos son variables e impredecibles. Los vientos del oeste traen aire templado oceánico, con temperaturas de entre 5-10 °C, casi sin congelar y dispersa la lluvia o nieve. Las borrascas que se desplazan desde el mar Mediterráneo pueden traer tormentas de nieve con 20-40 cm de caída en un solo día, seguido por aire frío de Rusia. Las borrascas del Atlántico sur y el viento puede traer un clima inusualmente cálido, con temperaturas alcanzando los 15 °C incluso en enero. El anticiclón de Siberia trae cada dos años un período muy soleado pero frío con una duración de una semana o dos con puntos bajos en el rango climático de -15 a -20 °C. Los anticiclones con los centros superiores de Europa occidental producen niebla fría sin cambios en la temperatura entre el día y la noche y se quedan alrededor o un poco por debajo de 0 °C. La niebla puede durar semanas. Las borrascas mediterráneas que se mueven por encima de la capa de niebla puede llevar uno o dos días de lluvia helada.57 58 59
[ocultar]Gnome-weather-few-clouds.svg Parámetros climáticos promedio de Budapest WPTC Meteo task force.svg
MesEne.Feb.Mar.Abr.May.Jun.Jul.Ago.Sep.Oct.Nov.Dic.Anual
Temp. máx. abs. (°C)18.119.725.430.234.039.540.739.435.230.822.619.340.7
Temp. máx. media (°C)2.95.510.616.421.924.626.726.621.615.47.74.015.3
Temp. media (°C)-0.42.36.112.016.619.721.521.216.911.85.41.811.2
Temp. mín. media (°C)-1.70.03.57.612.115.116.816.512.87.852.9-0.07.8
Temp. mín. abs. (°C)-25.6-23.4-15.1-4.6-1.63.05.95.0-3.1-9.5-16.4-20.8-25.6
Precipitación total (mm)372930426263454940395343532
Días de precipitaciones (≥ 1 mm)76668876557778
Horas de sol558413718223024827425519715667481933
Fuente: www.met.hu60
Economía[editar]
Budapest se convirtió en una ciudad global debido a la industrialización. En 1910, el 45,2% de la población total trabajaban en fábricas. La capital húngara fue una de las más grandes ciudades industriales de Europa con 600.000 trabajadores de fábricas en la década de 1960. Entre 1920 y 1970, más de la mitad del total de la producción industrial de Hungría se hacía en Budapest. La Metalurgia (FÉG), la industria textil y la industria del automóvil (Ikarus) fueron los principales sectores que recibieron los cambios estructurales.61
Ahora casi todas las ramas de la industria se encuentra en Budapest. Los principales productos son los aparatos de comunicación de ingeniería e informática, máquinas eléctricas, lámparas incandescentes (General Electric). La industria farmacéutica también es importante, muy conocida Egis y las compañías Gedeon Richter y Chinoin son húngaras, mientras que Teva también tiene una división aquí.
La industria está más bien en las afueras, pues el centro es el lugar para el servicio principal de empresas financieras nacionales e internacionales, como Telekom Hungría, General Electric, Vodafone, Telenor, Erste Bank, CIB Bank, K&H Bank&Insurance, UniCredit, Budapest Bank, Generali Providencia Insurance, ING, Aegon Insurance, Allianz. Las bases regionales de Volvo Co., Saab, Ford, GE, IBM, TATA Consultancy Services Limited están Budapest. El grupo MOL de Petróleo y Gas húngaros, que con sus subsidiarias, es un líder integrado de petróleo y gas en Europa Central y del Este. El OTP Bank, que es el banco más grande de Hungría, con sucursales en otros ocho países, tienen su sede en la capital.
Budapest es el centro de los servicios, asesoría financiera, transacciones de divisas, servicios comerciales y bienes. Los servicios de comercio y logística están bien desarrollados. El turismo y la hostelería también merecen mención, ya que en la capital existen miles de establecimientos de restaurantes, bares, cafés y lugares de fiesta.
Lugares de interés[editar]
Budapest, con las riberas del Danubio, el barrio del castillo de Buda y la avenida Andrássy
UNESCO logo.svg Welterbe.svg
Nombre descrito en la Lista del Patrimonio de la Humanidad
BudapestDSCN3838.JPG
Vista del Puente de las cadenas desde el Castillo de Buda.
PaísFlag of Hungary.svg Hungría
TipoCultural
Criteriosii, iv
N.° identificación400bis
RegiónEuropa y América del Norte
Año de inscripción1987 (XI sesión)
Año de extensión2000
[editar datos en Wikidata]
El Parlamento de estilo neogótico contiene, entre otras cosas, las joyas de la corona húngara. La Basílica de San Esteban, donde se exhibe la Mano Derecha del Santo fundador de Hungría, el rey San Esteban. La cocina húngara y la cultura café pueden degustarse, por ejemplo, en el Café Gerbeaud, y los restaurantes Százéves, Biarritz, Fortuna, Alabárdos, Arany Szarvas, Kárpátia y el famoso Mátyás Pince. Hay restos romanos en el Museo Aquincum y mobiliario histórico en el Museo Nagytétény, que son sólo dos de los 223 museos de Budapest.
Vista del Parlamento de noche desde el río Danubio
La colina del castillo, los muros de contención del río Danubio y el conjunto de Andrássy út han sido oficialmente reconocidos por la UNESCO como Patrimonio de la Humanidad.
La colina del castillo y el distrito del castillo albergan tres iglesias, seis museos y una serie de interesantes edificios, calles y plazas. El antiguo Palacio Real es uno de los símbolos de Hungría y ha sido escenario de batallas y guerras desde el siglo XIII. Hoy en día alberga dos museos impresionantes y la Biblioteca Nacional Széchenyi. El cercano Palacio Sándor alberga las oficinas y la residencia oficial del Presidente de Hungría. La Iglesia de San Matías, de siete siglos de antigüedad, es una de las joyas de Budapest. A su lado está una estatua ecuestre del primer rey de Hungría, el rey San Esteban, y tras ésta el Bastión de los Pescadores, desde donde se abre una vista panorámica de toda la ciudad. Las estatuas del Turul, el pájaro guardián mítico de Hungría, se pueden encontrar tanto en el Barrio del Castillo y el Distrito XII.
Plaza de los Héroes.
En Pest, sin duda el espectáculo más importante es Andrássy út, mientras que las calles Kodály Körönd y Oktogon están llenas de tiendas y grandes pisos construidos muy juntos. Desde allí hasta la Plaza de los Héroes las casas se separan por completo y son más amplias. En el marco del conjunto se encuentra el ferrocarril metropolitano más antiguo de Europa continental, la mayoría de cuyas estaciones conservan su aspecto original. La Plaza de los Héroes está dominada por el Monumento del Milenio, con la Tumba del Soldado Desconocido en el frente. A los lados se encuentran el Museo de Bellas Artes y la Kunsthalle de Budapest, y detrás se abre el Parque de la Ciudad, con el castillo de Vajdahunyad. Una de las joyas de Andrássy út es la Ópera Nacional de Hungría. Memento Park, un parque temático con estatuas notables de la era comunista, está situado a las afueras del centro de la ciudad y es accesible por transporte público.
En la ciudad reside la sinagoga más grande de Europa (la Sinagoga de la Calle Dohány)62 y la segunda más grande del mundo. La sinagoga se encuentra en el barrio judío ocupando varias cuadras en el centro de Budapest bordeado por Király utca, Wesselényi utca, el Grand Boulevard y la carretera Bajcsy Zsilinszky. La ciudad también se enorgullece de tener el mayor baño de aguas medicinales de Europa (Baños Széchenyi) y el tercer edificio del Parlamento más grande del mundo. La tercera iglesia más grande de Europa (la Basílica de Esztergom) y el segundo mayor castillo barroco del mundo (Gödöllő) se encuentran en las proximidades.
En el paisaje urbano de Budapest puede distinguirse la Estatua de la Libertad, que tiene 14 metros de altura y descanasa sobre un pedestal de 26 metros en la Colina Gellért.63 La estatua fue construida en bronce durante la ocupación soviética de Hungría.
Iglesia de San Matías
Basílica de San Esteban
Castillo de Vajdahunyad
Mercado Central de Budapest
Sinagoga de la Calle Dohány
Vista del Castillo de Buda de noche desde el río Danubio.
Cultura[editar]
Ópera Nacional de Hungría.
Museo de Bellas Artes.
La tradición de la danza de la cuenca de los Cárpatos es el área única de la cultura de la danza europea, que es también una especie de transición entre los Balcanes y las regiones de Europa Occidental. En Budapest existen varios conjuntos de auténtica danza folclórica húngara, algunos de ellos profesionales. Budapest es una de las pocas ciudades del mundo donde hay una escuela secundaria para el aprendizaje de la danza folclórica.
En Budapest, actualmente hay 837 monumentos diferentes, que representan la mayor parte del estilo artístico europeo. Son prominentes los clásicos y únicos edificios de estilo Art Nouveau húngaros.
Los 223 museos y galerías de la ciudad presentan no sólo exposiciones y arte húngaro, sino también arte y ciencia de la cultura universal y europea. Entre los más importantes que se encuentran en la ciudad destacan el Museo Nacional de Hungría, la Galería Nacional Húngara, el Museo de Bellas Artes, el Museo Histórico de Budapest, el Parque Memento y el Museo de Artes Aplicadas.
En Budapest hay cuarenta teatros, siete salas de conciertos y un teatro de la ópera. También se celebran a menudo en edificios históricos festivales al aire libre, conciertos y conferencias que enriquecen la oferta cultural del verano. Las instituciones más prestigiosas de teatro son la Opereta y Teatro Musical de Budapest, el Teatro József Attila, el Teatro Katona József, el Teatro Madách, la Ópera Nacional de Hungría, el Teatro Nacional, el Vigadó, el Teatro Radnóti Miklós y el Teatro de la Comedia.
Muchas bibliotecas tienen colecciones únicas en Budapest, como la Biblioteca Nacional Széchenyi, que mantiene las reliquias históricas de la época antes de la impresión de los libros. La Biblioteca metropolitana Ervin Szabó juega un papel importante en la educación general de la población de la capital. Otras bibliotecas importantes son la Biblioteca de la Academia de Ciencias de Hungría, la Biblioteca de la Universidad Eötvös Loránd, la Biblioteca del Parlamento y de la Biblioteca Nacional de Literatura Extranjera.
Entre los eventos culturales de Hungría, el mayor festival al aire libre es el Festival de Sziget, que es muy popular en toda Europa. Otros que también son importantes y se celebran en la ciudad son el Festival de la Primavera de Budapest, el Festival de Otoño de Budapest, la Fiesta del Vino de Budapest y el Festival de Budapest de Pálinka.
Los turistas que visitan Budapest disponen de mapas gratuitos e información acerca de los diversos "puntos de interés" por la empresa municipal BTDM en sus puntos de información.64 Está disponible para los visitantes las tarjeta de 24 y 72 horas de Budapest. Para el transporte, la validez de la tarjeta es gratuita y hay descuentos en varios museos, restaurantes y otros lugares de interés.65 La ciudad también es conocida por sus bares en antiguas ruinas.66
Baños termales[editar]
En 1934, Budapest recibió el título de «Ciudad de Balnearios» por ser la capital que dispone de más pozos de aguas medicinales y termales del mundo;[cita requerida] es conocida por algunos como «La capital mundial de las aguas medicinales».
Su red es única: el rendimiento de las aguas termales, con temperaturas de 21 a 78 grados centígrados, que brotan de 118 fuentes naturales y de pozos artificiales, supera los 70 millones de litros diarios. En Budapest se encuentran conocidos baños termales públicos: Balneario Gellért (Gellért fürdő), Balneario Széchenyi (Széchenyi fürdő) el balneario europeo más grande, Balneario Lukács (Lukács fürdő), Balneario Rudas (Rudas fürdő), Balneario Király (Király fürdő) y Balneario Rác (Rác fürdő).
Baños termales Széchenyi.
Las aguas medicinales sirven para tratar enfermedades de los órganos locomotrices, de la circulación sanguínea y de la ginecología.
En los alrededores de estos baños termales existen pozos y salas para beber agua medicinal con alto contenido de distintos tipos minerales. La más conocida de estas salas de ingesta sirve de entrada al baño termal Lukács, que fue inaugurado en 1937, orientándose sus aguas medicinales a la curación de problemas digestivos. El edificio del baño termal fue construido en 1894. Sus efectos benéficos medicinales pronto fueron conocidos en el resto de Europa, convirtiéndose en uno de los lugares más notables de esta saludable especialidad.
También son famosos los baños termales de la época turca que funcionan hoy en día, como por ejemplo el Király, construido a finales de los años 1500, y el baño Rác. El baño Rudas —con su sala octogonal de columnas y cúpula— es el baño turco más antiguo y mejor ornamentado.
Islas[editar]
En el Danubio se pueden encontrar siete islas: Astillero, Isla Margarita, Isla de Csepel, Palotai-Sziget (actualmente una península), Népsziget, Haros-Sziget, y Sziget Molnár.
Entre las islas notables se incluyen:
La Isla Margarita de 2,5 km (1,6 millas) de largo y 0,965 kilómetros cuadrados (238 acres) de superficie. Se compone principalmente de un parque y es una popular zona de recreo para los turistas y lugareños por igual. La isla se encuentra entre el Puente Margarita (sur) y el puente Árpád (norte). En la isla se pueden encontrar discotecas, piscinas, un parque acuático, pistas para correr, de ciclismo, de atletismo y gimnasios. Durante el día la isla está ocupada por la gente que hace deporte o simplemente descansa. En el verano (por lo general los fines de semana) los más jóvenes van a la isla por la noche de fiesta en sus terrazas, o para divertirse con una botella de alcohol en un banco o en el césped (esta forma de entretenimiento se denomina a veces como banco-fiesta).
La isla de Csepel (pronunciación en húngaro:] tʃɛpɛlsiɡɛt [) es la isla mayor del río Danubio en Hungría. Tiene 48 km (30 millas) de largo, su ancho es de 6.8 km (3,75-5 millas) y su área abarca 257 km2 (99 millas cuadradas), aunque sólo el extremo norte se encuentra dentro de los límites de la ciudad.
Hajógyári-Sziget ([hɒjo ː ː ɟa siɡɛt ri], o Sziget Óbudai-) es una isla artificial, ubicada en el tercer distrito. Esta isla alberga numerosas actividades tales como: wake boarding, motos de agua durante el día, y clubes de baile durante la noche. Esta es la isla donde tiene lugar el famoso Festival de Sziget, recibiendo cientos de actuaciones por año y alrededor de 400.000 visitantes en su última edición. Se están llevando a cabo muchos proyectos de construcción para hacer de esta isla uno de los centros de ocio más importantes de Europa, el plan es construir edificios de apartamentos, hoteles, casinos y un puerto deportivo.
Luppa-Sziget es la isla más pequeña de Budapest, situada en la región norte.
Los colegios Cervantes Primaria de Guadalajara y Liceo de Monterrey son los ganadores y quienes representarán a México en la final internacional de Copa Disney en Brasil.
El pasado sábado 22 de Mayo se jugó la final nacional de Copa Disney México 2010 en las instalaciones del TEC Milenio en Cancún, Q. Roo. Los niños pertenecientes al Liceo de Monterrey se consagraron campeones luego de derrotar al Instituto Cumbres Toluca por 2 goles contra 0, mientras que las mujeres del colegio Cervantes Primaria vencieron 3 goles contra 1 al Colegio Redención Proletaria de Altamirano, Guerrero. Los equipos ganadores representarán a México y jugarán en Brasil la final internacional de Copa Disney 2010 durante agosto del presente año.
A la gran final nacional de la Copa Disney 2010 llegaron equipos de Monterrey, Guadalajara, Toluca, Cuernavaca, San Luís Potosí, Veracruz y Altamirano, Guerrero, quienes obtuvieron sus títulos de campeones locales, jugando en alguna de las 4 diferentes sedes donde se llevaron a cabo las eliminatorias: México D.F., Monterrey, Guadalajara y Veracruz.
Otro dato estadístico importante que dejó la Final Nacional de Copa Disney 2010 es que Raul Ocampo, jugador del equipo del Colegio Loyola resultó el goleador de estas eliminatorias (4 goles). Por su parte, el equipo del Colegio Cumbres se quedó con el premio a la portería menos goleada gracias a su arquero Jose Maria Mazcurrena, mientras que el premio fair play se lo llevaron los jugadores del Instituto Andes.
Además, Lizbeth Orozco, jugadora del equipo del Colegio Cervantes, resultó la goleadora del torneo (3 goles) y Mariana Espinoza, portera del colegio Americano "A", obtuvo el premio a la portería menos goleada. El premio fair play fue para las jugadoras de la escuela Anastacio Treviño.
En la final Copa Disney 2010 de México estuvieron presentes: Vanessa, de Zapping Zone; Karla, conductora de Copa Disney y; Andrés, de DXD Xtra.
Además, los jugadores profesionales de Chivas: Liborio Sánchez, Patricio Araujo y Edgar "Chore" Mejía, convivieron con los niños, se tomaron fotos y entregaron algunos premios.
Copa Disney 2010 es un torneo internacional de fútbol infantil para chicos y chicas de entre 10 y 12 años, apoyado en México por UNICEF, CONCACAF y la Federación Mexicana de Fútbol.
La Copa Disney ha sido creada sobre tres pilares fundamentales: la educación, el deporte y el entretenimiento. Es por eso que este es un evento que ayuda al desarrollo del niño, no sólo en el aspecto social sino en su formación integral. Este año tiene como protagonistas a Argentina, Colombia, Brasil, México, Ecuador y Guatemala.
Este año, los seguidores de la Copa Disney podrán conocer los resultados de los partidos en tiempo real, revivir la emoción de los eventos, y seguir el progreso de su equipo favorito a través del micrositio Disneylatino.com/Copadisney.
Asimismo, este año, en el micrositio de Copa Disney, los fanáticos del fútbol encontrarán increíbles novedades como:
* videos Top 5 de los mejores goles y jugadas;
* columnas editoriales de los talentos;
* y columnas periódicas sobre todas las novedades de la Copa.
Disney XD emitirá para toda Latinoamérica las noticias más relevantes de la Copa a través del segmento Copa Noticias, y Disney Channel emitirá cápsulas informativas de la Copa Disney 2010 en el Zapping Zone. Muy pronto los niños podrán disfrutar en sus pantallas de la emisión de las finales nacionales de cada país, y de la final internacional de la Copa Disney 2010 en Brasil, con la conducción de Juampi y Karla.
Juampi es el conductor Copa Disney Latinoamérica desde hace 10 años. Comenzó su participación en la Copa Disney en el año 2000, cuando se desempeñó como relator y VJ del evento en Buenos Aires, Rosario y Córdoba (Argentina), Lima (Perú) y en la final en Orlando (Estados Unidos). Desde entonces es el conductor de de la Copa en todas sus ediciones, junto al periodista deportivo Quique Wolf, entre los años 2003 y 2008.
Desde el 2009, la mexicana Karla Novello acompaña a Juampi en la conducción de Copa Disney.
La Copa Disney 2010 es patrocinada en México por las siguientes empresas: Adidas, Banorte, Fiesta Americana Hotels & Resorts, Hasbro, Jumex Sport, Prepa TEC, Pro Evolution Soccer, Toyota y Viva.
Por: Seriesmx
Representantes del Consejo de Rapanui se reunieron con el Ministro de Vivienda y Urbanismo Cristian Monckeberg, para tratar temas de la isla.
The BYU Cougars football team is the college football program representing Brigham Young University, a private university owned by The Church of Jesus Christ of Latter-day Saints (LDS Church) and located in Provo, Utah, United States. The Cougars began collegiate football competition in 1922, and have won 23 conference titles and 1 national title. The team has competed in several different athletic conferences during its history, but since July 1, 2011, it has competed as an Independent. The team plays home games at the 63,470-person-capacity LaVell Edwards Stadium on the university's campus.
BYU has had 18 final season rankings in the Top 25. The team has made 33 Bowl appearances with a record of 13–19–1.
Team awards for the BYU Cougars include 23 conference titles and one national championship in 1984. For player awards, BYU has produced 51 All-Americans (13 Consensus All-Americans), and one Heisman Trophy winner (Ty Detmer in 1990). Other BYU players finishing in the top ten in Heisman voting include Gary Sheide (8th in 1974), Gifford Nielsen (6th in 1976), Marc Wilson (3rd in 1979), Jim McMahon (5th in 1980, 3rd in 1981), Steve Young (2nd in 1983), Robbie Bosco (3rd in 1984 and 1985), and Ty Detmer (9th in 1989, Winner in 1990, 3rd in 1991). Detmer also won the Maxwell Award (best football player) in 1990.
Four BYU players have won the Davey O'Brien Award (best quarterback)—Jim McMahon, Steve Young, and Ty Detmer twice—more than any other school; and seven players have won the Sammy Baugh Trophy (best passer): Steve Sarkisian (1996), Gary Sheide (1974), Marc Wilson (1979), Jim McMahon (1981), Steve Young (1983), Robbie Bosco (1984), and Ty Detmer (1991). Luke Staley won the Doak Walker Award (best running back) and Jim Brown Trophy (best running back) in 2001. Two players earned the Outland Trophy (best interior lineman): Jason Buck (1986) and Moe Elewonibi (1989).
For coaching, LaVell Edwards received the Bobby Dodd Coach of the Year Award in 1979, the AFCA (Kodak) Coach of the Year Award in 1984, and the Amos Alonzo Stagg Award (career achievement) in 2003.
Six player have been inducted into the College Football Hall of Fame (Gifford Nielsen in 1994, Marc Wilson in 1996, Jim McMahon in 1999, Steve Young in 2001, Gordon Hudson in 2009, and Ty Detmer in 2011) and LaVell Edwards was inducted as a coach in 2004.
en.wikipedia.org/wiki/BYU_Cougars_football
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
Fragment of my belowed grand-father's library right before I started to dismantle it. The painting over the door represents Godzilla burning Warsaw's Royal Castle with atomic breath. My Grand Father was grand admirer of Warsaw, connoisseur of city's history and first Homo Varsoviensis. At the same time demonology and bestiaries stayed firmly between his multiple interest. He used to go to cinema to watch Godzilla movies with me when I was kid. The painting was one of my Xmas gifs to him in the early 90's. I bought the "old town" landscape (probably painted out of postcard) at Kolo flea market and painted Godzilla over it. It hung in his workshop during more than two decades :) Now in Pawel Polit collection.
Plaque représentant un cheval recroquevillé, la tête tournée
Tadjikistan, nécropole de Beshkent
1er-2ème siècle après J.-C.
Or
Douchanbé, musée national des antiquités du Tadjikistan
Cet objet d'art achéménide traduit l'influence de l'art des steppes.
Oeuvre présentée dans l'exposition : "Tadjikistan. Au pays des Fleuves d'or", Musée national des arts asiatiques - Guimet (MNAAG), Paris
www.guimet.fr/event/nepal-art-de-la-vallee-de-katmandou/
Le Musée national des arts asiatiques – Guimet propose la plus grande exposition jamais consacrée en occident au Tadjikistan. Elle révèle la richesse
culturelle de ce pays méconnu, resté dans l’ombre de ses voisins davantage médiatisés que sont l’Afghanistan et l’Ouzbékistan, avec des pièces exceptionnelles et rares. Par sa situation stratégique sur les voies de passage et de conquête entre Moyen-Orient, ancien monde des steppes, sous-continent indien et oasis de l’Asie centrale chinoise, le Tadjikistan est au cœur des réseaux d’échanges depuis la plus haute antiquité. Extrait du site de l'exposition
Représentant le haut de gamme de la firme tchécoslovaque, le modèle 603 a été construit dans la deuxième moitié des années cinquante et dans les années 60. Immatriculée CZ, celui-ci vient de république tchèque, la Slovaquie étant devenue indépendante dans les années 90.
According to the second commandment, God prohibits any graven image of the divine to be made (Exodus 20:4). The artistic depiction of God is a thorny subject for all the major monotheistic religions. In medieval art, God is sometimes depicted in human form and in other places is shown figuratively or with letters. Although Protestants are generally more wary of the image, we continue to see both literal and figurative representations of God during the Reformation.
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This image shows a close-up of one of the captions depicting Revelation of Saint John in The Holy Byble. Here God is represented as a human figure sitting on his throne, surrounded by the elders and four beasts. This imagery derives from Revelation 4:1-11.
University of Glasgow Library
Special Collections
The Holy Byble (1574 - Bishops')
Sp Coll Euing Dt-b.10
Representa.
* La dedicación y constancia del anaisis de muestras del dia a dia
* El orgullo de pertenecer a una empresa 100% mexicana
* Unidad y esfuerzo para ser los mejores
News Release
For immediate distribution
JAKARTA WELCOMES ITS FIRST TUNE HOTEL
Value branded hotel chain continues its expansion in Indonesia
Jakarta, 3 September 2012 – Tune Hotels, the global branded value hotel chain, continues to expand in Indonesia with the opening of its latest hotel in Pasar Baru, Jakarta. Tune Hotel Pasar Baru would represent the global brand’s third property in Indonesia, (following Tune Hotel Kuta and Legian in Bali) and the first hotel in central Jakarta, offering world-class accommodation at extremely affordable rates, providing the essentials for a good night’s sleep. Tune Hotel Pasar Baru has 168 rooms in total, 125 Doubles, 42 Twin-sharing and a special needs room. The opening of Tune Hotel Pasar Baru was attended by popular Indonesian celebrities Nicholas Saputra and Izabel Jahja.
The expansion of the Tune Hotel brand in Indonesia is spurred by the country’s strong economy, rising number of tourists and favorable business environment. Jakarta is one of the largest cities in the world and ranked third after Bali and Sulawesi recording the highest hotel room occupancy in Indonesia according to the Statistics Indonesia of the Republic Indonesia. Pasar Baru is one of Jakarta’s most popular tourist destination and its central location is also ideal for business activities. Known for its shopping experience, visitors can “go back in time” to take in the beauty of its Dutch influenced colonial and Chinese architecture of its buildings as one strolls along the coble stone streets.
According to Mark Lankester, Group CEO of Tune Hotels, “Jakarta represents a gateway for leisure travellers more often as a stop-over before continuing their journey to other popular destinations such as Bali, Medan, Yogyakarta and Surabaya. Nevertheless Jakarta also serves as a central business destination drawing frequent business travellers from the South East Asian region and domestically within Indonesia as well. Hence, the opening of Tune Hotel Pasar Baru would cater to the needs of leisure and business travellers looking for convenient, comfortable and value-for-money accommodation. “
Lankester added that more expansion plans are on the way for the Tune Hotel brand in Indonesia which includes Pekan Baru, Makassar, Solo, Palembang and Surabaya. The vast country of sprawling archipelago has much to offer; from natural beauty, historical heritage to cultural diversity. Moreover, statistics from the Travel and Tourism Competitive Index (TTCI) in 2011 ranks Indonesia as the thirteenth most attractive destination in the Asia-Pacific to commence travel and tourism business operations.
Other Tune Hotel properties in Indonesia are located in Kuta and Legian, Bali which have been a favourite among visitors to Bali. The hotels’ popularity was recognized when it was named among the Top 20 Indonesia Innovative Brands of 2011 by Indonesia’s leading marketing industry magazine, MIX. It was Tune Hotels' innovativeness to its ability to serve the practical needs of tourists by giving them the best value that garnered the attention and illustrated by Legian and Kuta hotels being ranked #3 and #7 Best Value Hotels in Bali on TripAdvisor. Tune Hotels was selected along with other global leading brands to be named on the list and the only Malaysian-originated brand.
Red Planet Hotels owns and operates the Tune Hotel Pasar Baru in close association with Tune Hotel and its Chief Executive Officer, Tim Hansing, said that this hotel was the first of many more to come in Indonesia from Red Planet as the Tune brand expands across the country.
“This is the first hotel of eight more we have under construction in Indonesia and we will have some exciting announcements about more sites we are in the midst of acquiring. We are making some significant investments in Indonesia in the budget hotel sector as we have full confidence in the potential of Indonesia and the Indonesian travel sector to grow this market” said Hansing.
Tune Hotels currently has eleven hotels in Malaysia, four in LondonUnited Kingdom, four in The Philippines and two in Thailand. Hotels in Malaysia are located in Kuala Lumpur, Penang, KLIA-LCCT Airport, Kota Kinabalu, Kuching, Johor Bahru, Kota Damansara, Bintulu, Kota Bharu, Kulim and Ipoh.
Hotels in Asia includes Hat Yai and Pattaya in Thailand; Angeles City, Cebu City, Ermita and Makati, Manila in The Philippines; Kuta and Legian in Bali and Pasar Baru, Jakarta in Indonesia; Westminster, Liverpool Street, Paddington and Kings Cross in London, UK. Tune Hotels has successfully pioneered a branded value hotel brand with the concept of pay-as-you-use that has become hugely popular amongst travelers from across the world. Under the concept, guests only pay for room rates with the option of adding on other amenities like towels & toiletries, air-conditioning, in-room Wifi and satellite TV service at selected hotels.
Calling on guests to stay connected with Tune Hotels via the social media networks Facebook and Twitter, Mark Lankester, says “More Tune Hotels are scheduled for opening in Asean, the UK, India and Australia, that will give our guests even more options for travel destinations. We encourage guests to stay tuned for Tune Hotels’ latest openings and promotions via Facebook and Twitter.”
Tune Hotels is part of Tune Group, a lifestyle business conglomerate co-founded by Tan Sri Tony Fernandes and Dato’ Kamarudin Meranun, who are the Group CEO and Deputy Group CEO respectively of Asia’s largest low cost carrier AirAsia.
For real-time updates and promotion alerts, guests can stay connected with Tune Hotels via Facebook at www.facebook.com/tunehotels or www.facebook.com/TunehotelsInd and on Twitter via www.twitter.com/tunehotels or www.twitter.com/TuneHotelsID
For booking and further information, visit www.tunehotels.com.
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About Tune Hotels
Tune Hotels is part of the lifestyle business conglomerate Tune Group that was founded by Tan Sri Tony Fernandes and Dato’ Kamarudin Meranun. Tune Group was established in 2007 with the aim of breaking down affordability barriers in various aspects of daily life – via Tune Hotels, Tune Talk and Tune Money. Tune Group seeks to innovate and revolutionise the way services are made available and has employed efficient web-based technologies to reach and engage its customers, presenting a unique lifestyle offering ranging from value hotel stays, personal finance solutions and affordable prepaid mobile services. Tune Group of Companies are Tune Air, Tune Hotels, Tune Money, Tune Talk, Tune Box, Tune Studios, Tune Tones, Team Lotus, ASEAN Basketball League, Caterham Group, Queens Park Rangers Football Club (QPR) and Kuala Lumpur Education City (owner of Epsom College in Malaysia).
Since Tune Hotels was first launched in Kuala Lumpur, Malaysia, in 2007, over 3 million guests have stayed in its properties spread across Malaysia, Indonesia, Thailand, Philippines and the United Kingdom. It now has 25 hotels available for bookings located in Kuala Lumpur, Ipoh, Kota Kinabalu, Kuching, KLIA-LCCT Airport, Penang, Johor Bahru, Kota Damansara, Bintulu, Kota Bharu and Kulim in Malaysia; Kuta and Legian in Bali and Jakarta in Indonesia; Westminister, Liverpool Street, Paddington and Kings Cross in London in the United Kingdom; Angeles City, Cebu City, Ermita and Makati in Manila, The Philippines; Hatyai and Pattaya in Thailand.
All Tune Hotel hotels feature space-efficient, streamlined rooms focusing on high-quality basics: 5-star bed, powerful hot showers and energy-saving fans. The strategically located hotels provide housekeeping services, electronic keycard access into rooms, CCTV surveillance, and prohibits access into the main lobby without a keycard past midnight. Through Tune Hotels’ ‘Less Waste, More Earth’ pay-as-you-use system of add-ons wi-fi, TV, laundered towels and other energy-consuming facilities and amenities, Tune Hotels aims to help guests conserve both their funds as well as the earth’s resources.
Photos are available from www.flickr.com/tunehotels.
Media contacts:
Amanda Chong
Senior Marketing Manager – Tune Hotels
HP: +60 12 284 0004
DL: +60 3 7962 5711
Fax: +60 3 7955 5899
Email: amanda.chong@tunehotels.com
The outstanding feature of this solid Victorian church, built by John Oldrid Scott in 1871, is the series of windows by the firm of Morris and Co. The east window of the north aisle represents some early saints including Alban and Aidan, while that in the west end shows six angels. Nearby is an early representation of Kentish saints, whose popularity was increasing in the middle of the nineteenth century, including Augustine, Ethelbert and Bertha. The east window is by the same firm, but dates from after the death of Burne-Jones and is not so finely executed. The oak reredos was added by Charles Oldrid Scott in 1925, who also worked on the altar rails and low chancel screen. In the churchyard there is a good monument made of Coade artificial stone in 1807.
www.kentchurches.info/church.asp?p=Speldhurst
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SPELDHURST
IS the last parish remaining undescribed in this lath. It lies the next adjoining parish south eastward from Penshurst, and was sometimes written, in antient records, Speleberste, but in the Tex t u Rossensis, Speldburst.
THE PARISH of Speldhurst is about three miles across each way; the north-west part, in which the church stands, and Hallborough, is within the hundred of Somerden, as is the hamlet of Groombridge, three miles from the church, at the southern boundary of it, where a branch of the river Medway separates this county from Sussex, throughout all which the soil remains a stiff clay; the remaining part of this parish is in the hundred of Warchlingstone, which stretches across a narrow district, by Mitchell's and Tophill farms, and towards the parish of Ashurst, which it includes, thus entirely separates that part of the hundred of Somerden in which the hamlet of Groombridge lies, and surrounds three sides of it, from the other in which the church stands. The soil in the eastern part of this parish changes to an uninterrupted scene of losty hills, with deep vallies intersecting, the soils are a stiff loam and a barren sand, which covers a continued bed of rock stone, several of which appear above it, of large size and dimensions, greatly abounding with iron ore, which renders the springs of it more or less chalybeate; at the south east boundary of the parish is the noted resort of Tunbridge-wells, (of which a further account will be given hereafter) situated thirty-five miles from London, and five from Tunbridge town; here the high road branches off to the right, by Rust-hall, and the hamlets of Bishopsdown and Rust-hall common, on by Groombridge, across the branch of the Medway into Sussex.
The large and populous hamlet or village of TUNBRIDGE-WELLS is situated at the south-east boundary of this parish; part of it only is in Speldhurst, another part in the parish of Tunbridge, and the remainder in that of Fant, in the county of Suffex. It consists of four smaller districts, named from the hills on which they stand, Mount Ephraim, Mount Pleasant, and Mount Sion; the other is called The Wells, from their being within it, which altogether form a considerable town; but the last is the centre of business and pleasure, for there, besides the Wells themselves, are the market, public parades, assembly rooms, taverns, shops, &c. Near the Wells is the chapel, which stands remarkably in the three parishes above mentioned—the pulpit in Speldhurst, the altar in Tunbridge, and the vestry in Fant, and the stream, which parted the two counties of Kent and Suffex, formerly ran underneath it, but is now turned to a further distance from it. The right of patronage is claimed by the rector of Speldhurst, though he has never yet possessed the chapel or presented to it; the value of it is about two hundred pounds per annum, which sum is raised by voluntary subscription; divine service is performed in it every day in summer, and three times a week in winter. Adjoining to it is a charity school, for upwards of fifty poor boys and girls, which is supported by a contribution, collected at the chapel doors, two or three times a year.
The trade of Tunbridge-wells is similar to that of Spa, in Germany, and consists chiefly in a variety of toys, made of wood, commonly called Tunbridge ware, which employs a great number of hands. The wood principally used for this purpose is beech and sycamore, with yew and holly inlaid, and beautifully polished. To the market of this place is brought, in great plenty, from the South downs, in Sussex, the little bird, called the wheatear, which, from its delicacy, is usually called the English ortolan. It is not bigger in size than a lark; it is almost a lump of fat, and of a very delicious taste; it is in season only in the midst of summer, when the heat of the weather, and the fatness of it, prevents its being sent to London, which otherwise would, in all likelihood, monopolize every one of them. On the other or Suffex side of the Medway, above a mile from the Wells, are the rocks, which consist of a great number of rude eminences, adjoining to each other, several of which are seventy feet in height; in several places there are cliffs and chasms which lead quite through the midst of them, by narrow gloomy passages, which strike the beholder with astonishment.
THESE MEDICINAL WATERS, commonly called TUNBRIDGE-WELLS, lie so near to the county of Suffex that part of them are within it, for which reason they were for some time called Fant-wells, as being within that parish. (fn. 1) Their efficacy is reported to have been accidentally found out by Dudley lord North, in the beginning of the reign of king James I. Whilst he resided at Eridge-house for his health, lord Abergavenny's seat, in this neighbourhood, and that he was entirely cured of the lingering consumptive disorder he laboured under by the use of them.
The springs, which were then discovered, seem to have been seven in number, two of the principal of which were some time afterwards, by lord Abergavenny's care, inclosed, and were afterwards much resorted to by many of the middling and lower sort, whose ill health had real occasion for the use of them. In which state they continued till queen Henrietta Maria, wife of king Charles I. having been sent hither by her physicians, in the year 1630, for the reestablishment of her health, soon brought these waters into fashion, and occasioned a great resort to them from that time. In compliment to her doctor, Lewis Rowzee, in his treatise on them, calls these springs the Queen's-wells; but this name lasted but a small time, and they were soon afterwards universally known by that of Tunbridge-wells, which names they acquired from the company usually residing at Tunbridge town, when they came into these parts for the benefit of drinking the waters.
¶The town of Tunbridge being five miles distant from the wells, occasioned some few houses to be built in the hamlets of Southborough and Rusthall, for the accommodation of the company resorting hither, and this place now becoming fashionable, was visited by numbers for the sake of pleasure and dissipation, as well as for the cure of their infirmities; and soon after the Restoration every kind of building, for public amusements, was erected at the two hamlets above mentioned, lodgings and other buildings were built at and near the wells, the springs themselves were secured, and other conveniencies added to them. In 1664, the queen came here by the advice of her physicians, in hopes of reinstating her health, which was greatly impaired by a dangerous fever, and her success, in being perfectly cured by these waters, greatly raised the reputation of them, and the company increasing yearly, it induced the inhabitants to make every accommodation for them adjoining to the Wells, so that both Rusthall and Southborough became ruinous and deserted by all but their native inhabitants. The duke of York, with his duchess, and the two princesses their daughters, visited Tunbridge-wells in the year 1670, which brought much more company than usual to them, and raised their reputation still higher; and the annual increase continuing, it induced the lord of the manor to think of improving this humour of visiting the wells to his own profit as well as the better accommodation of the company. To effect which, he entered into an agreement with his tenants, and hired of them the herbage of the waste of the manor for the term of fifty years, at the yearly rent of ten shillings to each tenant, and then erected shops and houses on and near the walks and springs, in every convenient spot for that purpose; by which means Tunbridge wells became a populous and flourishing village, well inhabited, for whose convenience, and the company resorting thither, a chapel was likewise built, in 1684, by subscription, on some ground given by the lady viscountess Purbeck, which was, about twelve years afterwards, enlarged by an additional subscription, amounting together to near twenty-three hundred pounds.
About the year 1726, the building lease, which had been granted by the lord of the manor of Rusthall, in which this hamlet is situated, expiring, the tenants of the manor claimed a share in the buildings, as a compensation for the loss of the herbage, which was covered by his houses. This occasioned a long and very expensive law suit between them, which was at last determined in favour of the tenants, who were adjudged to have a right to a third part of the buildings then erected on the estate, in lieu of their right to the herbage; upon which all the shops and houses, which had been built on the manor waste, were divided into three lots, of which the tenants were to draw one, and the other two were to remain to the lord of the manor; the lot which the tenants drew was the middle one, which included the assembly room on the public walk, which has since turned out much the most advantageous of the three. After which long articles of agreement, in 1739, were entered into between Maurice Conyers, esq. then lord of the manor of Rusthall, and the above mentioned tenants of it, in which, among many other matters, he agreed to permit the public walks and wells, and divers other premises there, to be made use of for the public benefit of the nobility and gentry resorting thereto, and several regulations were made in them concerning the walks, wells, and wastes of the manor, and for the restraining buildings on the waste, between the lord and his tenants, according to a plan therein specified; all which were confirmed and established by an act of parliament, passed in 1740. Since which several of the royal family have honoured these wells with their presence, and numbers of the nobility and persons of rank and fashion yearly resortto them, so that this place is now in a most flourishing state, having great numbers of good houses built for lodgings, and every other necessary accommodation for the company. Its customs are settled; the employment of the dippers regulated; (fn. 2) its pleasures regulated; its markets well and plentifully supplied, at a reasonable rate, with sowl, fish, meat, every other kind of food, and every convenience added that can contribute to give health and pleasure.
The whole neighbourhood of Tunbridge-wells abounds with springs of mineral water, but as the properties of all are nearly the same, only those two, which at the first discovery of them were adjudged the best, are held in any particular estimation. These two wells are enclosed with a handsome triangular stone wall; over the springs are placed two convenient basons of Portland stone, with perforations at the bottom; one of them being given by queen Anne, and the other by the lord of the manor; through which they receive the water, which at the spring is extremely clear and bright. Its taste is steely, but not disagreeable; it has hardly any smell, though sometimes, in a dense air, its ferruginous exhalations are very distinguishable. In point of heat it is invariably temperate, the spring lying so deep in the earth, that neither the heat of summer, nor the cold of winter, affects it. When this water is first taken up in a large glass, its particles continue at rest till it is warmed to nearly the heat of the atmosphere, then a few airy globules begin to separate themselves, and adhere to the sides of the glass, and in a few hours a light copper coloured scum begins to float on the surface, after which an ochreous sediment settles at the bottom. Long continued rains sometimes give the water a milky appearance, but do not otherwise sensibly affect it. From the experiments of different physicians, it appears that the component parts of this water are, steely particles, marine salts, an oily matter, an ochreous substance, simple water, and a volatile vitriolic spirit, too subtile for any chemical analysis. In weight it is, in seven ounces and a quarter, four grains lighter than the German Spa (to which it is preferable on that account) and ten grains lighter than common water; with syrup of violets this water gives a deep green, as vitriols do. (fn. 3) It requires five drops of oleum sulphuris, or elixir of vitriol, to a quart of water, to preserve its virtues to a distance from the spring.
This water is said to be an impregnation of rain in some of the neighbouring eminences, which abound in iron mineral, where it is further enriched with the marine salts and all the valuable ingredients, which constitute it a light and pure chalybeate, which instantly searches the most remote recesses of the human frame, warms and invigorates the relaxed constitution, restores the weakened fibres to their due tone and elasticity, removes those obstructions to which the minuter vessels of the body are liable, and is consequently adapted to most cold chronical disorders, lowness of spirits, weak digestions, and nervous complaints. Dr. Lodowick Rowzee, of Ashford, in this county, wrote a Treatise of the Nature and Virtues of these Waters, printed in 12mo. 1671; and Dr. Patrick Madan wrote a Philosophical and Medical Essay on them, in 1687, in quarto.
THE MANOR OF SPELDHURST, in the reign of king Edward III. was in the possession of Sir John de Pulteneye, lord of the neighbouring manor of Penshurst, a man of great account at that time, as has been already noticed before, who, in the 19th year of that reign, on his perfecting the foundation he had begun of a college in the parish of St. Lawrence, Canon-street, London, afterwards called the College of St. Laurence Poultney, settled the manor with the church of Speldshurst on it.
¶It remained part of the possessions of the college till its suppression in the reign of king Edward VI. when it was granted among other premises, by the description of the manor of Speldhurst and Harwarton (then demised to Sir William Waller, at the rent of 16s. 8d. per annum) of the clear yearly value of 13l. 14s. 1d. together with the patronage of the church appendant to the manor, parcel of the late college of St. Laurence, Poultney, London, to Henry Polsted. (fn. 4) How the manor of Speldhurst passed afterwards I have not found, only that after several intermediate owners, it came into the name of Goodhugh, and in the latter end of the reign of king George I. was possessed by Richard Goodhugh, esq. from which name it passed by a female heir, Sarah, in marriage to Mr. Rich. Round, whose son, Mr. Richard Round, of Stonepit, in Seale, died possessed of it, and the trustees of his insant children are now in the possession of it.
SPELDHURST is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester, and deanry of Malling.
The church, which was dedicated to St. Mary, was a neat building, having a spire steeple at the west end of it, in which hung four bells.
On Thursday, October 22, 1791, a dreadful storm of thunder and lightning happened in these parts, which set fire to this church, a ball of fire being observed to enter the center of the shingled part of the spire, and instantly a thick smoke, followed by slames issued from it, and there being no help at hand, every thing contributed to its destruction. The high wind, the rain and hail having ceased, drove the flames from the steeple on the church, and in about four hours this beautiful structure was totally reduced to a heap of ruins, The bells were melted by the intense heat, the monuments in it, and every thing else which could become a prey to the fiery element were reduced to ashes; the stone walls only were left, but in so ruinous a condition as not to be fit for future use, and what is extraordinary, the font, though left entire, was turned upside down; the tombs and head stones near the church were considerably damaged. A brief was obtained towards the re-building of it, but the work, though the size of it has been greatly reduced, the new church, consisting but of one isle and a very small chancel, has gone on but slowly, and at this time is not near finished, and neither steeple nor bells are yet agreed upon, the brief not producing so much as was expected.
In the old church, before it was burnt down, there were the following monuments and inscriptions:— In the chancel, on the south wall, an antient and beautiful monument,. with the arms of Waller, with the augmentation and several quarterings, for Sir Walter Waller; a brass plate for John Waller, esq. obt. 1517. In the nave, were several brass plates for the same family, one of them for William Waller, esq. of Groombridge, obt. 1555. The porch was very curious, over which was an antique shield, cut in stone, being the arms of France, with a file of three flambeaux, for Charles, duke of Orleans, mentioned before. He built this porch, and was a good benefactor to the repairs of the church itself. (fn. 19)
By a fine levied in the 39th year of king Henry III. before Gilbert de Preston, and others justices itinerant, Walter de la Dene, the possessor of this advowson, granted it to the Walter Fitzwalter in tail general, to hold of him and his heirs for ever, at the yearly rent of one penny, and performing all other services due from thence to the capital lords of the fee.
¶Roger de Padlesworth was patron of the church of Speldhurst in the 48th year of the same reign, and he then released his right to certain rent and service due for lands granted to the chapel of Gromenebregge, situated within his manor of Speldhurst. In the reign of king Edward III. the manor and church of Speldhurst were part of the possessions of Sir John de Pulteneye, who, in the 19th year of that reign, on his perfecting the foundation and endowment of his college in the parish of St. Lawrence, in Canon-street, London, afterwards called the College of St. Lawrence Poultney, settled both manor and advowson on it. (fn. 20) Three years after which, anno 1347, Hamo, bishop of Rochester, at the instance and petition of Sir John de Pulteneye, by his instrument appropriated this church to that college for ever, reserving out of it nevertheless a fit portion to the perpetual vicar serving in it, to be presented to the bishop and his successors, by the master or guardian and the chaplains of the college, by which he might be supported decently, and be enabled to discharge the episcopal dues and other burthens incumbent on him; and he decreed, that they should take possession of this church immediately on the death or cession of Sir Thomas, then rector of it (whom he by no means intended to prejudice by this appropriation) without any further licence or authority obtained for that purpose, saving, nevertheless, and reserving to himself and his successors canonical obedience from the master or guardian and chaplains or their successors, on account of their holding this church as aforesaid, and the visitation of it, and other rights due to the church and the bishop of Rochester, and to the archdeacon of the place, either of custom or of right, and all other rights and customs in every thing whatsoever; and saving and reserving in the church a perpetual vicarage, which he then decreed should take effect at the death or resignation of the rector of it. And he willed, that a sit and competent portion should be assigned out of the fruits, rents and produce of it to such vicar to serve in it, who should first be presented by the master, &c. to be instituted and admitted by the bishop, or his successor, into it, before his admission, according as circumstances required, to the use of him and his successors for ever. And he willed and decreed, that the portion above-mentioned should for ever consist of the tithes of filva cedua, pannage, apples, and fruits of other trees, hay, herbage, flax, hemp, wool, milk, butter and cheese, lambs, calves, pigs, swans, pidgeons, fowlings, huntings, mills, fisheries, merchandizing, and in all other small tithes and dues of the church, oblations and obventions whatsoever belonging to the altarage, together with competent buildings situate on the soil of the church, to be assigned for the habitation of the vicar, and in which the visitors of the ordinary might be commodiously received. And he willed and decreed, that the vicar for the time being, (after the books and vestments belonging by custom to the rector to provide, should have been sufficiently provided by the master, &c.) should cause the books to be bound, and the vestments to be washed, repaired and amended, as often as need should be; and should find and provide, at his own expence, bread, wine, and processional tapers, and other lights necessary in the chancel, and the accustomed attendants in the church; and should keep and maintain in a proper state, at his own costs, the buildings allotted to his vicarage, after they should have been once sufficiently repaired, and assigned as an habitation for him and his successors, and should wholly pay all episcopal dues, and archidiaconal procurations, and should undergo and acknowledge all other extraordinary burthens, which should be incumbent or laid on him, according to the taxation of his portion, which, so far as related to them, he estimated and taxed at sixty shillings sterling; but that the master, &c. should undergo and acknowledge, at his and their own costs for ever, all other ordinaries and extraordinaries, according to the taxation of their portion, which he estimated at six marcs and an half. Lastly, that his cathedral church of Rochester might not be in any manner hurt, or prejudiced by this appropriation, he, in recompence of such loss, as it might happen to receive from it, either in the not receiving the profits of it whilst it should become vacant, or otherwise, reserved a certain annual pension of seven shillings sterling from this church to him and his successors, to be yearly paid at the feast of the Purification of the blessed Virgin Mary, by the master, &c. as soon as they should have obtained effectual and full possession of it, &c. (fn. 21)
Quito, 28 de mayo de 2019.
Fortalecer los programas de formación educativa, promover la participación en ferias productivas, asistencia técnica para el fortalecimiento de emprendimientos o créditos con tasas referenciales, fueron algunos de los aportes que presentaron delegados de varias instituciones del Gobierno Nacional, en el marco del desarrollo de los Diálogos Nosotras Emprendemos “Dejando huellas para el empoderamiento económico” que lleva adelante el Ministerio de Inclusión Económica y Social (MIES).
La mesa de diálogo que se desarrolló esta mañana en Quito contó con la participación de las máximas autoridades del MIES, el secretario de Derechos Humano, Marlon Brito; el Gerente General de BanEcuador, Carlos Tamayo; el viceministro de Gestión Educativa, Francisco Cevallos; y representates de los ministerios de Agricultura y Ganadería, Producción Comercio Exterior y Pesca, Turismo, Salud, de la secretaría del Agua, Plan Toda Una Vida, Instituto de Economía Popular y Solidaria, entre otros.
La ministra, Berenice Cordero, destacó la participación de más de 5 mil mujeres en los diálogos zonales y distritales, así como el compromiso del Gobierno Nacional para promover la inclusión económica de las mujeres emprendedoras, usuarias del Crédito de Desarrollo Humano y de los servicios de esta cartera de Estado.
“Este proceso se ha enfocado en varios ejes, el empoderamiento económico de las mujeres, el acceso a mercados de comercialización, acceso a créditos y productos financieros, capacitación y tecnificación, protección y acompañamiento familiar, pero también estamos trabajando en la prevención de la violencia en contra de las mujeres; el 72 % de las personas que acceden al Bono de Desarrollo Humano son mujeres y el 92% de mujeres acceden al CDH”, recalcó la Ministra.
Precisamente, el secretario Marlon Brito, dijo que varios reportes técnicos indican que la inclusión económica es una puerta para que las mujeres puedan alcanzar una verdadera autonomía y soberanía económica “este puede ser un factor clave para evitar la violencia, inclusive para prevenir femicidios”, afirmó.
Por su parte el viceministro Francisco Cevallos, dijo que frente a la necesidad de varias mujeres por culminar su ciclo educativo, podrían ser vinculadas a los programas de educación básica y bachillerato acelerado, alfabetización o postalfabetización. “Una vez que contemos con la información podríamos analizar la reapertura de las escuelas rurales, que es otro paso para la autonomía de este grupo poblacional”, señaló.
“Tenemos que apuntar a un producto financiero que no requiera garantía con una tasa preferencial; una vez que ellas acceden al crédito se pueden dedicar al comercio o a la producción, señaló el Gerente de BanEcuador. Las propuestas serán presentadas y socializadas durante el Diálogo Nacional que se desarrollará el próximo 3 de junio en Guayaquil.
Angkor Wat or "Capital Temple" is a temple complex in Cambodia and the largest religious monument in the world. It was first a Hindu and later a Buddhist temple. It was built by the Khmer King Suryavarman II in the early 12th century in Yaśodharapura, present-day Angkor, the capital of the Khmer Empire, as his state temple and eventual mausoleum.
Breaking from the Shiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. As the best-preserved temple at the site, it is the only one to have remained a significant religious center since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple, based on early Dravidian architecture, with key features such as the Jagati. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls.
The modern name, Angkor Wat, means "Temple City" or "City of Temples" in Khmer; Angkor, meaning "city" or "capital city", is a vernacular form of the word nokor (នគរ), which comes from the Sanskrit word nagara (नगर). Wat is the Khmer word for "temple grounds" (Sanskrit: वाट vāṭa ""enclosure").
HISTORY
Angkor Wat lies 5.5 kilometres north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. It is in an area of Cambodia where there is an important group of ancient structures. It is the southernmost of Angkor's main sites.
According to one legend, the construction of Angkor Wat was ordered by Indra to act as a palace for his son Precha Ket Mealea.
According to the 13th century Chinese traveler Daguan Zhou, it was believed by some that the temple was constructed in a single night by a divine architect. The initial design and construction of the temple took place in the first half of the 12th century, during the reign of Suryavarman II (ruled 1113-C. 1150). Dedicated to Vishnu, it was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as "Varah Vishnu-lok" after the presiding deity. Work seems to have ended shortly after the king's death, leaving some of the bas-relief decoration unfinished.
In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon respectively) a few kilometers to the north.
In the late 13th century, Angkor Wat gradually moved from Hindu to Theravada Buddhist use, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was somewhat neglected after the 16th century it was never completely abandoned, its preservation being due in part to the fact that its moat also provided some protection from encroachment by the jungle.
One of the first Western visitors to the temple was António da Madalena, a Portuguese monk who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of."
In the mid-19th century, the temple was visited by the French naturalist and explorer, Henri Mouhot, who popularised the site in the West through the publication of travel notes, in which he wrote:
"One of these temples - a rival to that of Solomon, and erected by some ancient Michelangelo - might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged."
Mouhot, like other early Western visitors, found it difficult to believe that the Khmers could have built the temple, and mistakenly dated it to around the same era as Rome. The true history of Angkor Wat was pieced together only from stylistic and epigraphic evidence accumulated during the subsequent clearing and restoration work carried out across the whole Angkor site. There were no ordinary dwellings or houses or other signs of settlement including cooking utensils, weapons, or items of clothing usually found at ancient sites. Instead there is the evidence of the monuments themselves.
Angkor Wat required considerable restoration in the 20th century, mainly the removal of accumulated earth and vegetation. Work was interrupted by the civil war and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period other than the theft and destruction of mostly post-Angkorian statues.The temple is a powerful symbol of Cambodia, and is a source of great national pride that has factored into Cambodia's diplomatic relations with France, the United States and its neighbor Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863. From a larger historical and even transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937. Angkor Wat's aesthetics were also on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from C. 1880 to the mid-1920s. The splendid artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country that had been under Siamese (Thai) control since 1351 AD (Manich Jumsai 2001), or by some accounts, 1431 AD. Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since that time.
ARCHITECTURE
SITE AND PLAN
Angkor Wat, located at 13°24′45″N 103°52′0″E, is a unique combination of the temple mountain, the standard design for the empire's state temples and the later plan of concentric galleries. The temple is a representation of Mount Meru, the home of the gods: the central quincunx of towers symbolises the five peaks of the mountain, and the walls and moat the surrounding mountain ranges and ocean. Access to the upper areas of the temple was progressively more exclusive, with the laity being admitted only to the lowest level. Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the east. This has led many (including Maurice Glaize and George Coedès) to conclude that Suryavarman intended it to serve as his funerary temple.Further evidence for this view is provided by the bas-reliefs, which proceed in a counter-clockwise direction - prasavya in Hindu terminology - as this is the reverse of the normal order. Rituals take place in reverse order during Brahminic funeral services. The archaeologist Charles Higham also describes a container which may have been a funerary jar which was recovered from the central tower. It has been nominated by some as the greatest expenditure of energy on the disposal of a corpse. Freeman and Jacques, however, note that several other temples of Angkor depart from the typical eastern orientation, and suggest that Angkor Wat's alignment was due to its dedication to Vishnu, who was associated with the west.
A further interpretation of Angkor Wat has been proposed by Eleanor Mannikka. Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, she argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honor and placate the deities manifest in the heavens above." Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles. She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.
STYLE
Angkor Wat is the prime example of the classical style of Khmer architecture - the Angkor Wat style - to which it has given its name. By the 12th century Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are of sandstone blocks, while laterite was used for the outer wall and for hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested. The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity and style." Architecturally, the elements characteristic of the style include: the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, and on pediments extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.
FEATURES
OUTER ENCLOSURE
The outer wall, 1024 by 802 m and 4.5 m high, is surrounded by a 30 m apron of open ground and a moat 190 m wide. Access to the temple is by an earth bank to the east and a sandstone causeway to the west; the latter, the main entrance, is a later addition, possibly replacing a wooden bridge. There are gopuras at each of the cardinal points; the western is by far the largest and has three ruined towers. Glaize notes that this gopura both hides and echoes the form of the temple proper. Under the southern tower is a statue of Vishnu, known as Ta Reach, which may originally have occupied the temple's central shrine.Galleries run between the towers and as far as two further entrances on either side of the gopura often referred to as "elephant gates", as they are large enough to admit those animals. These galleries have square pillars on the outer (west) side and a closed wall on the inner (east) side. The ceiling between the pillars is decorated with lotus rosettes; the west face of the wall with dancing figures; and the east face of the wall with balustered windows, dancing male figures on prancing animals, and devatas, including (south of the entrance) the only one in the temple to be showing her teeth. The outer wall encloses a space of 820,000 square metres, which besides the temple proper was originally occupied by the city and, to the north of the temple, the royal palace. Like all secular buildings of Angkor, these were built of perishable materials rather than of stone, so nothing remains of them except the outlines of some of the streets. Most of the area is now covered by forest. A 350 m causeway connects the western gopura to the temple proper, with naga balustrades and six sets of steps leading down to the city on either side. Each side also features a library with entrances at each cardinal point, in front of the third set of stairs from the entrance, and a pond between the library and the temple itself. The ponds are later additions to the design, as is the cruciform terrace guarded by lions connecting the causeway to the central structure.
CENTRAL STRUCTURE
The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. Mannikka interprets these galleries as being dedicated to the king, Brahma, the moon, and Vishnu.
Each gallery has a gopura at each of the points, and the two inner galleries each have towers at their corners, forming a quincunx with the central tower. Because the temple faces west, the features are all set back towards the east, leaving more space to be filled in each enclosure and gallery on the west side; for the same reason the west-facing steps are shallower than those on the other sides.
The outer gallery measures 187 by 215 m, with pavilions rather than towers at the corners. The gallery is open to the outside of the temple, with columned half-galleries extending and buttressing the structure. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (the "Hall of a Thousand Gods"). Buddha images were left in the cloister by pilgrims over the centuries, although most have now been removed. This area has many inscriptions relating the good deeds of pilgrims, most written in Khmer but others in Burmese and Japanese. The four small courtyards marked out by the cloister may originally have been filled with water.
North and south of the cloister are libraries.
Beyond, the second and inner galleries are connected to each other and to two flanking libraries by another cruciform terrace, again a later addition. From the second level upwards, devatas abound on the walls, singly or in groups of up to four. The second-level enclosure is 100 by 115 m, and may originally have been flooded to represent the ocean around Mount Meru.
Three sets of steps on each side lead up to the corner towers and gopuras of the inner gallery. The very steep stairways represent the difficulty of ascending to the kingdom of the gods. This inner gallery, called the Bakan, is a 60 m square with axial galleries connecting each gopura with the central shrine, and subsidiary shrines located below the corner towers. The roofings of the galleries are decorated with the motif of the body of a snake ending in the heads of lions or garudas. Carved lintels and pediments decorate the entrances to the galleries and to the shrines. The tower above the central shrine rises 43 m to a height of 65 m above the ground; unlike those of previous temple mountains, the central tower is raised above the surrounding four. The shrine itself, originally occupied by a statue of Vishnu and open on each side, was walled in when the temple was converted to Theravada Buddhism, the new walls featuring standing Buddhas. In 1934, the conservator George Trouvé excavated the pit beneath the central shrine: filled with sand and water it had already been robbed of its treasure, but he did find a sacred foundation deposit of gold leaf two metres above ground level.
DECORATION
Integrated with the architecture of the building, and one of the causes for its fame is Angkor Wat's extensive decoration, which predominantly takes the form of bas-relief friezes. The inner walls of the outer gallery bear a series of large-scale scenes mainly depicting episodes from the Hindu epics the Ramayana and the Mahabharata. Higham has called these, "the greatest known linear arrangement of stone carving".
From the north-west corner anti-clockwise, the western gallery shows the Battle of Lanka (from the Ramayana, in which Rama defeats Ravana) and the Battle of Kurukshetra (from the Mahabharata, showing the mutual annihilation of the Kaurava and Pandava clans). On the southern gallery follow the only historical scene, a procession of Suryavarman II, then the 32 hells and 37 heavens of Hindu mythology.
On the eastern gallery is one of the most celebrated scenes, the Churning of the Sea of Milk, showing 92 asuras and 88 devas using the serpent Vasuki to churn the sea under Vishnu's direction (Mannikka counts only 91 asuras, and explains the asymmetrical numbers as representing the number of days from the winter solstice to the spring equinox, and from the equinox to the summer solstice). It is followed by Vishnu defeating asuras (a 16th-century addition). The northern gallery shows Krishna's victory over Bana (where according to Glaize, "The workmanship is at its worst"). and a battle between the Hindu gods and asuras. The north-west and south-west corner pavilions both feature much smaller-scale scenes, some unidentified but most from the Ramayana or the life of Krishna. Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewelry and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.
CONSTRUCTION TECHNIQUES
The stones, as smooth as polished marble, were laid without mortar with very tight joints that are sometimes hard to find. The blocks were held together by mortise and tenon joints in some cases, while in others they used dovetails and gravity. The blocks were presumably put in place by a combination of elephants, coir ropes, pulleys and bamboo scaffolding. Henri Mouhot noted that most of the blocks had holes 2.5 cm in diameter and 3 cm deep, with more holes on the larger blocks. Some scholars have suggested that these were used to join them together with iron rods, but others claim they were used to hold temporary pegs to help manoeuvre them into place. The monument was made out of millions of tonnes of sandstone and it has a greater volume as well as mass than the Great Pyramid of Giza in Egypt. The Angkor Wat Temple consumes about 6 million to 10 million blocks of sandstone with an average weight of 1.5 tons each. In fact, the entire city of Angkor used up far greater amounts of stone than all the Egyptian pyramids combined, and occupied an area significantly greater than modern-day Paris. Moreover, unlike the Egyptian pyramids which use limestone quarried barely half a km away all the time, the entire city of Angkor was built with sandstone quarried 40 km (or more) away. This sandstone had to be transported from Mount Kulen, a quarry approximately 40 km to the northeast. The route has been suggested to span 35 kilometres along a canal towards Tonlé Sap lake, another 35 kilometres crossing the lake, and finally 15 kilometres upstream and against the current along Siem Reap River, making a total journey of 90 kilometres. However, Etsuo Uchida and Ichita Shimoda of Waseda University in Tokyo, Japan have discovered in 2012 a shorter 35-kilometre canal connecting Mount Kulen and Angkor Wat using satellite imagery. The two believe that the Khmer used this route instead.
Virtually all of its surfaces, columns, lintels even roofs are carved. There are miles of reliefs illustrating scenes from Indian literature including unicorns, griffins, winged dragons pulling chariots as well as warriors following an elephant-mounted leader and celestial dancing girls with elaborate hair styles. The gallery wall alone is decorated with almost 1000 square metres of bas reliefs. Holes on some of the Angkor walls indicate that they may have been decorated with bronze sheets. These were highly prized in ancient times and were a prime target for robbers. While excavating Khajuraho, Alex Evans, a stonemason and sculptor, recreated a stone sculpture under 1.2 m, this took about 60 days to carve. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. The labor force to quarry, transport, carve and install so much sandstone must have run into the thousands including many highly skilled artisans. The skills required to carve these sculptures were developed hundreds of years earlier, as demonstrated by some artifacts that have been dated to the seventh century, before the Khmer came to power.
ANGKOR WAT TODAY
The Archaeological Survey of India carried out restoration work on the temple between 1986 and 1992. Since the 1990s, Angkor Wat has seen continued conservation efforts and a massive increase in tourism. The temple is part of the Angkor World Heritage Site, established in 1992, which has provided some funding and has encouraged the Cambodian government to protect the site. The German Apsara Conservation Project (GACP) is working to protect the devatas and other bas-reliefs which decorate the temple from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed restoration of the north library of the outer enclosure in 2005. World Monuments Fund began conservation work on the Churning of the Sea of Milk Gallery in 2008 after several years of conditions studies. The project restored the traditional Khmer roofing system and removed cement used in earlier restoration attempts that had resulted in salts entering the structure behind the bas-relief, discoloring and damaging the sculpted surfaces. The main phase of work ended in 2012, and the final component will be the installation of finials on the roof of the gallery in 2013. Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration and radiation resistant filamentous cyanobacteria can produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan. Angkor Wat has become a major tourist destination. In 2004 and 2005, government figures suggest that, respectively, 561.000 and 677.000 foreign visitors arrived in Siem Reap province, approximately 50% of all foreign tourists in Cambodia for both years. The site has been managed by the private SOKIMEX group since 1990, which rented it from the Cambodian government. The influx of tourists has so far caused relatively little damage, other than some graffiti; ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance - as of 2000 approximately 28% of ticket revenues across the whole Angkor site was spent on the temples - although most work is carried out by foreign government-sponsored teams rather than by the Cambodian authorities. Since Angkor Wat has seen significant growth in tourism throughout the years UNESCO and its International Co-ordinating Committee for the Safeguarding and Development of the Historic Site of Angkor (ICC), in association with representatives from the Royal Government and APSARA, organized seminars to discuss the concept of "cultural tourism". Wanting to avoid commercial and mass tourism, the seminars emphasized the importance of providing high quality accommodation and services in order for the Cambodian government to benefit economically, while also incorporating the richness of Cambodian culture. In 2001, this incentive resulted in the concept of the "Angkor Tourist City" which would be developed with regard to traditional Khmer architecture, contain leisure and tourist facilities, and provide luxurious hotels capable of accommodating large amounts of tourists. The prospect of developing such large tourist accommodations has encountered concerns from both APSARA and the ICC, claiming that previous tourism developments in the area have neglected construction regulations and more of these projects have the potential to damage landscape features. Also, the large scale of these projects have begun to threaten the quality of the nearby town's water, sewage, and electricity systems. It has been noted that such high frequency of tourism and growing demand for quality accommodations in the area, such as the development of a large highway, has had a direct effect on the underground water table, subsequently straining the structural stability of the temples at Angkor Wat. Locals of Siem Reap have also voiced concern over the charming nature and atmosphere of their town being compromised in order to entertain tourism. Since this charming local atmosphere is the key component to projects like Angkor Tourist City, local officials continue to discuss how to successfully incorporate future tourism without sacrificing local values and culture. At the ASEAN Tourism Forum 2012, both parties have agreed Borobudur and Angkor Wat to become sister sites and the provinces will become sister provinces. Two Indonesian airlines are considering the opportunity to open a direct flight from Yogyakarta, Indonesia to Siem Reap.
WIKIPEDIA
La reunión se realiza en la Sala del Consejo de Ministros de Palacio de Gobierno desde las 16:00 horas. Participan la Ministra de Relaciones Exteriores, Eda Rivas; el agente peruano por el litigio marítimo con Chile ante la Corte de La Haya, Allan Wagner; así como los miembros del equipo de juristas peruanos José Antonio García Belaunde y Eduardo Ferrero Costa.
De igual manera, Alan García Pérez (Partido Aprista Peruano), Alejandro Toledo Manrique (Perú Posible), Luis Bedoya Reyes (Partido Popular Cristiano), Pedro Pablo Kuczynski (Alianza por el Gran Cambio), Luis Castañeda Lossio (Solidaridad Nacional), Fernando Andrade (Somos Perú) y César Acuña (Alianza para el Progreso).
Asimismo, están presentes el Presidente del Consejo de Ministros, Juan Jiménez Mayor; el Presidente del Congreso de la República, Víctor Isla; y también los representantes de las organizaciones políticas con participación en el Parlamento Nacional: Jaime Delgado, Jorge del Castillo, Mauricio Mulder, Víctor Andrés García Belaunde, Raúl Castro, Michel Urtecho, Mesías Guevara, Enrique Wong y Mariano Portugal.
Le bâtiment représente un chapiteau hexagonal traversé par trois galeries de 80m de long, 7m de haut et 15m de largeur, et une flèche centrale qui culmine à 77m, en référence à l'année d'inauguration du Centre Pompidou à Paris en 1977. Les trois galeries sont orientés vers la cathédrale, vers la gare, ou encore vers le pars de la Seille. La charpente est un assemblage de plus de 16 kilomètres de poutres en épicés recouverte d'un alliage de fibre de verre et de téflon.
Pays : France 🇫🇷
Région : Grand Est (Lorraine)
Département : Moselle (57)
Ville : Metz (57000)
Quartier : Amphithéatre
Adresse : 1, parvis des Droits de l'Homme
Fonction : Musée
Construction : 2006 → 2010
Ouverture : 12 mai 2010
• Architecte : Shigeru Ban / Jean de Gastines
• Gros œuvre : Groupe Demathieu Bard
PC n° 57 463 05 X0133 délivré le 22 septembre 2005
PC modificatif n° 57 463 05 X0133 M1 délivré le 12 mars 2008
Niveaux : R+3
Hauteur toiture : 37.00 m
Hauteur flèche : 77.00 m
SHON : 11 167 m²
SHOB : 10 000 m²
Surface du terrain : 60 527 m²
Allá por 1984 en la ciudad de Lima uno de los grupos de rock nacional en el Perú, que se constituye com uno de los pioneros del resurgimiento del rock, en lo que se puede denominar la segunda ola. FEISER con mi gran amigo Pepe Valderrama en el bajo, Percy Ghilardi en la primera guitarra, Andrés Rojas en la batería y Alamo Pérez-Luna en la primera voz, firmaban a través de su primer representante legal Luis Contreras Velásquez con la disquera "El Virrey", contrato que los lanzó a un nivel difrerente al de una banda de rock de cochera......mucha historia.
twitter.com/Memoire2cite Les 30 Glorieuses . com et la carte postale.. Il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain.(Mémoire2Ville) #chercheur #archiviste #maquettiste dans l #histoire des #logementssociaux #logement #HLM #logementsocial #Patrimoine À Saint-Étienne comme ailleurs, les raisons de la réalisation de constructions si modernes durant les Trente Glorieuses relèvent en partie de la réponse donnée à la crise du logement et de la réorganisation industrielle du pays (fixation de la main-d’œuvre, industrialisation du BTP). Mais il faut aussi y voir la traduction physique d’un projet sociopolitique moderne porté par un État centralisateur et des pouvoirs publics puissants (Tomas et al. 2003 ; Dufaux et Fourcaut 2004 ; Veschambre 2011). Le pays est alors dans une période où les aspirations et idéologies portent vers la construction d’une nouvelle ère urbaine, avec ses ambitions (le bien-être, l’hygiène…), et en rupture avec les difficultés d’alors (le taudis, la maladie, l’individualisme…). www.metropolitiques.eu/Les-representations-complexes-des.... les textes de Rachid KADDOUR @ Le logement, jusqu’ici inconfortable et insuffisant, devient l’un des axes majeurs d’intervention : plus de huit millions d’unités sont construites durant la période. La forme de ces logements se doit d’être aussi moderne que le projet. De grands noms et une nouvelle génération d’architectes sont mobilisés. Ceux-ci dessinent des formes géométriques épurées et, dans les opérations importantes, les évolutions techniques leur permettent de multiplier les signaux que sont les longues barres ou hautes tours autour desquelles se structurent les autres immeubles. Comment la tour Plein-Ciel a-t-elle pu passer de symbole de modernité à « emblème d’un désastre urbain » condamné à la démolition ? Tout d’abord, une partie des équipements de la ZUP et la moitié seulement des logements sont réalisés, du fait de prévisions démographiques non atteintes (Vant 1981 ; Tomas et al. 2003). L’inachèvement accentue les désagréments de la situation à six kilomètres du centre, derrière des infrastructures lourdes. Ensuite, tout au long des années 1980 et 1990, la population de Montreynaud se paupérise (départ des plus aisés vers la propriété, montée du chômage) et « s’ethnicise », avec pour effet, suivant des mécanismes analysés ailleurs (Tissot 2003 ; Masclet 2005), que le regard porté sur elle change : dans les discours politiques et la presse, Montreynaud acquiert l’image d’un quartier dangereux. Dès lors, le quartier entre dans les réhabilitations puis la rénovation [6], mais sans effet important sur la vacance, la pauvreté, l’échec scolaire, la délinquance ou les discriminations. Pour de nombreux Stéphanois, il devient un « là‑haut » [7] relégué. La tour devient le symptôme visible de cette dégradation. Des rumeurs se diffusent dès les années 1970 sur sa stabilité et l’isolation du château d’eau [8]. Dix ans après sa livraison, seuls 50 des 90 appartements sont vendus. Cette vacance conduit à l’aménagement d’un « foyer de logements » pour personnes dépendantes psychiatriques qui accentue l’image d’un quartier de relégation. La gestion difficile du foyer et les problèmes financiers d’une partie des propriétaires amènent à classer la copropriété comme « fragile » en 2002. Une étude indique que la démolition « aurait un impact positif sur la requalification du parc de logements du quartier et permettrait également de promouvoir un changement d’image du site » [9]. Le dernier habitant est relogé fin 2008. Acte 3 : la tour Plein-Ciel, monument symbole de Saint-Étienne D’autres images du corpus indiquent toutefois que, à partir des années 2000, l’image stigmatisée de la tour Plein-Ciel comme emblème d’un grand ensemble en difficulté entre en tension avec une autre image plus valorisante d’édifice symbole de Saint-Étienne. En en faisant l’un des théâtres stéphanois de sa saga, Sabri Louatah reconnaît à la tour Plein-Ciel une place particulière dans la ville. Cette représentation se retrouve, de manière beaucoup plus consciente et militante, dans d’autres productions artistiques durant les années 2000. La tour est notamment représentée sur les affiches du festival Gaga Jazz. Si le festival se veut d’ampleur régionale, son nom montre un ancrage stéphanois – le « gaga » désigne le parler local. Le choix d’identité visuelle va dans le même sens : il s’agit « d’utiliser l’image d’un bâtiment symbole à Saint-Étienne » [10]. Pour les graphistes, la tour s’impose, parce qu’elle est « un monument connu de tous les Stéphanois ». Un monument qui a les honneurs d’une carte postale en 1987 [11], et qui, comme il se doit, est abondamment photographié. Jacques Prud’homme, par exemple, la montre sur plusieurs sténopés visibles sur son blog [12]. Pour lui aussi, la tour est l’un des « symboles de Saint-Étienne ». Saint-Étienne, ville industrielle durement frappée par la crise du logement, est exemplaire du mouvement. Les grands ensembles s’y multiplient. Implantés sur des sommets de collines aux entrées de la ville, ils doivent signifier le renouveau. Montreynaud, « nouvelle petite ville à part entière » [3], joue de ce point de vue un rôle clé. Sa tour, en sommet de colline et dont le château d’eau est illuminé la nuit, en est l’emblème, un « symbole de la modernité » [4]. La tour doit son nom au fait de proposer « des appartements en plein-ciel » [5], et l’on peut voir dans cette dénomination une valorisation de la verticalité, à la fois comme source d’oxygène et de lumière, mais aussi comme signal urbain.
Acte 2 : la tour Plein-Ciel, symbole d’un grand ensemble en difficulté Si l’on classe chronologiquement le corpus d’images identifiées, la tour Plein-Ciel ressurgit significativement dans les champs de la communication institutionnelle et des arts au tournant des années 2000‑2010. Dans la littérature, l’intrigue de la saga Les Sauvages de Sabri Louatah débute à Saint-Étienne, et la tour Plein-Ciel en est un cadre important :
Pourquoi la tour Plein-Ciel a-t-elle pu être ainsi considérée comme « un monument ancré dans le paysage stéphanois » [13] ? La combinaison peut-être unique en France d’une tour d’habitation à un château d’eau en fait un édifice singulier. Couplée avec son implantation en sommet de colline, cette singularité fait de la tour un point de repère important pour les Stéphanois, mais aussi pour les nombreux supporters de l’AS Saint-Étienne qui se rendent au stade, dont elle est voisine. D’ailleurs, la tour est utilisée comme édifice emblème de la ville sur au moins un autocollant et un tifo de supporters, aux côtés des symboles miniers (chevalement, « crassiers ») et du stade Geoffroy-Guichard. Cette représentation faisant de la tour un « monument » aurait pu sauver l’édifice, suivant un mécanisme, classique dans l’histoire du patrimoine, de défense devant une menace de démolition. De nombreux Stéphanois réagissent, et, pour l’association Gaga Jazz, « les affiches et flyers invitant les Stéphanois aux concerts de jazz font aussi office d’actes de revendication pour la conservation ». La nouvelle équipe municipale socialiste de Maurice Vincent, élue en 2008, reconnaît que la tour « représente un symbole » [14]. Elle soumet en 2010 au vote des habitants de Montreynaud deux possibilités : développer la valeur et la fonction de repère de la tour en la transformant en « symbole artistique de la ville de Saint-Étienne » [15] via l’intervention d’un plasticien, ou bien la démolir et aménager un parc : 71 % des votants se prononcent pour la démolition, soit 230 personnes sur les 318 votants. Les défenseurs de la conservation expriment un double regret : l’ouverture du vote aux seuls habitants de Montreynaud, et la très faible mobilisation de ces derniers. La démolition de la tour a lieu le 24 novembre 2011. Son foudroyage la met une dernière fois sous les projecteurs des nombreux appareils audiovisuels présents. Les images produites s’ajoutent à celles existantes, et constituent autant de traces d’un immeuble dont il n’en reste plus aucune sur le terrain. Cette fin dramatique donne à cette chronique des allures de représentation théâtrale, en trois actes : naissance puis mort de l’édifice, avec un ultime soubresaut sous la forme d’une tentative vaine de sauvetage au nom du patrimoine. C’est une troisième définition du terme de représentation qui est mobilisée dans cette conclusion. Ce sont en effet des représentations, en images et en mots, qui ont permis de constituer cette chronique de la tour. Cette dernière révèle que trois représentations mentales sont associées à l’édifice et à sa verticalité : pour la puissance publique ayant commandé sa réalisation et pour les premiers résidents, la tour est un symbole de modernité ; pour une partie des Stéphanois, mais aussi pour les acteurs ayant décidé sa démolition, elle est l’emblème d’un grand ensemble stigmatisé ; et enfin, pour d’autres Stéphanois, habitants de Montreynaud ou artistes entre autres, la tour est un objet phare et patrimonial dans le paysage de Saint-Étienne. Aux côtés, par exemple, de la Tour panoramique à la Duchère (à Lyon), qui a été profondément rénovée, cette mise en évidence de la trajectoire des perceptions de la tour Plein-Ciel permet d’expliciter que la verticalité dont nos villes ont hérité, tout du moins celle présente dans les grands ensembles, fait l’objet d’un système de représentations complexe et en tout cas plus varié que celui présenté dans les discours de légitimation de la rénovation urbaine.
Bibliographie Dufaux, F. et Fourcaut A. (dir.). 2004. Le Monde des grands ensembles, Paris : Créaphis.
Louatah, S. 2011. Les Sauvages, tome 1, Paris : Flammarion–Versilio. Masclet, O. 2005. « Du “bastion” au “ghetto”, le communisme municipal en butte à l’immigration », Actes de la recherche en sciences sociales, n° 159, p. 10‑25.
Tissot, S. 2003. « De l’emblème au “problème”, histoire des grands ensembles dans une ville communiste », Les Annales de la recherche urbaines, n° 93, p. 123‑129.
Tomas, F., Blanc, J.-N. et Bonilla, M. 2003. Les Grands Ensembles, une histoire qui continue, Saint-Étienne : Publications de l’université de Saint-Étienne.
Vant, A. 1981. Imagerie et urbanisation, recherches sur l’exemple stéphanois, Saint-Étienne : Centre d’études foréziennes. Veschambre, V. 2011. « La rénovation urbaine dans les grands ensembles : de la monumentalité à la banalité ? », in Iosa, I. et Gravari-Barbas, M. (dir.), Monumentalité(s) urbaine(s) aux XIXe et XXe siècles. Sens, formes et enjeux urbains, Paris : L’Harmattan, p. 193‑206.
Notes
[1] Extraits tirés du film Saint-Étienne, on en parle (Atlantic Film, 1970) associé à l’exposition.
[2] Dont Les grands travaux à Saint-Étienne, ville de Saint-Étienne, 1974.
[3] Brochure publicitaire Montreynaud, Saint-Étienne, résidence les Hellènes, non daté.
[4] Propos tenus par un habitant installé dès l’époque.
[5] Brochure publicitaire Des appartements en plein-ciel. La tour de Montreynaud, non daté.
[6] Avec, dans un premier temps, le grand projet de ville (GPV) en 2001, puis la convention avec l’Agence nationale pour la rénovation urbaine (ANRU) en 2005.
[7] Expression régulièrement entendue lors des entretiens.
[8] « Le château d’eau : mille m³ qui ne fuiront pas », La Tribune, 17 novembre 1978, p. 14.
[9] Lettre d’information aux habitants de Montreynaud, ville de Saint-Étienne, mai 2003.
[10] Entretien avec Damien et Sébastien Murat (DMS photo), graphistes.[14] Propos de l’adjoint à l’urbanisme, « Tour Plei
« La tour Plein-Ciel se dressait avec une majesté sinistre au sommet de la colline de Montreynaud […]. À l’aube du XXIe siècle, sa démolition avait été plébiscitée par les riverains […]. La célèbre tour au bol était visible depuis la gare en arrivant de Lyon, et beaucoup de Stéphanois la considéraient […] comme le point doublement culminant de la ville : du haut de ses soixante-quatre mètres qui dominaient les six autres collines mais aussi en tant qu’emblème, d’un désastre urbain éclatant et d’une ville résignée à la désindustrialisation » (Louatah 2011, p. 89).Cette description exprime bien la situation dans laquelle la tour se trouve à la rédaction du roman : en attente de démolition. En 2011, les photographies de Pierre Grasset (voir un exemple ci-dessous), missionné par la ville, montrent l’édifice moribond. L’image de la tour est en France encore fortement attachée à celle du logement populaire, du fait notamment de la présence de ce type d’édifice dans les grands ensembles. Or, si l’on parle des tours d’habitat populaire depuis 2003, c’est essentiellement à propos des démolitions : l’Agence nationale pour la rénovation urbaine (ANRU) incite les bailleurs à détruire prioritairement dans les zones urbaines sensibles les immeubles les plus imposants, dont les tours les plus hautes. Mais l’image négative du « problème des banlieues » et de ses dysfonctionnements est-elle la seule associée aux tours d’habitat populaire ? Ne tend-elle pas à laisser dans l’ombre d’autres représentations attachées à ces édifices ?Une réflexion sur la tour Plein-Ciel à Saint-Étienne est, sur ces points, riche d’enseignements. Tenant une place prépondérante dans le paysage stéphanois, emblématique de l’image des grands ensembles, cette tour édifiée en 1972 est démolie en 2011. La constitution et l’analyse d’un corpus d’une dizaine d’images promotionnelles et artistiques (films, photographies de communication) la mettant en scène permet d’en établir une chronique. Cette dernière met en évidence un système de représentations complexe : tout au long de ses quarante ans d’histoire, l’édifice est en effet perçu comme symbole de modernité, emblème de grand ensemble en difficulté et monument dans le paysage stéphanois. Ces deux dernières représentations, l’une stigmatisée, l’autre valorisée, coexistent même lors des dernières années de la vie de l’édifice. Dans toutes ces représentations différenciées et concurrentes, la verticalité de l’édifice tient un rôle essentiel.Acte 1 : la tour Plein-Ciel, symbole de modernité L’image la plus ancienne identifiée date de 1970. Il s’agit d’un cliché de la maquette de la zone à urbaniser en priorité (ZUP) de Montreynaud, pris sur le stand de l’exposition « Saint-Étienne demain » de la Foire économique. Cette exposition vante les grandes opérations d’urbanisme en cours dans la ville, et vise à montrer « les transformations de la cité et son nouveau visage », afin de rompre avec la « légende de ville noire, industrielle et fixée dans le XIXe siècle » [1]. L’exposition fait partie d’une communication orchestrée par le maire Michel Durafour (1964‑1977). À partir de 1973, les reportages photographiques ou les films [2] mettent à l’honneur Montreynaud (jusqu’à 4 400 logements prévus) et en particulier sa tour Plein-Ciel (par l’architecte Raymond Martin), avec sa verticalité (18 niveaux), le château d’eau qui la coiffe et sa situation en rupture avec la ville ancienne. -La Tour Réservoir Plein Ciel était un immeuble de logement situé à Saint-Étienne, dans le quartier de Montreynaud, classé en zone urbaine sensible. Elle culminait à 63 mètres de haut (92 avec l'antenne).
La tour avait été construite en 1972 par l'architecte Raymond Martin, l'antenne de 63 mètres de haut reste jusqu'en 1992 avant de retour en 1996 afin de répondre à la demande considérable en logements. Elle était considérée comme un symbole du quartier. Visible de loin, elle permettait de repérer le quartier dans la ville.Sa destruction a été effectuée le 24 novembre 2011 à 10 h 45 par foudroyage, après le vote majoritaire (73 %) en faveur. --------------------------------------- Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962 ..missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695... Mémoire2cité Mémoire2Ville Mémoire de l'Habitat,içi la page listant mes 43 albums photos disponibles, çe x 1000 pour chacuns d'entre eux ..Merci aux 5859 followers qui porte une attention particuliere à nos quartiers..la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Levittown: The Construction and Systematic Execution of Discrimination in Modern Suburbia (NHD 2018) www.youtube.com/watch?v=9_KrD6PkX0M … … 17000 maisons en 2 ans un record dans l histoire des annees 60 @ la grande Acceleration @ Un point de bascule avec le changement de regime d'existence les 30 glorieuses americaine @ la constructions de masse.., ici LEVITTOWN a LONGISLAND, 17000 pavillons en 2 ans un Record...Yes this is it my Our Home Town: Levittown, PA (1954) - www.youtube.com/watch?v=9_KrD6PkX0M les 30 glorieuses atomique @ le projet PLOWSHARE de 1957 LE FILM ICI www.youtube.com/watch?v=kpjFU_kBaBE … STRAUSS le promoteur du nucleaire Americain les 30 glorieuses Américaine @ quand celles çi ratent le coche sur le developpement solaire... les occasions manquées de soigner notre humanité..www.dailymotion.com/video/xuxrii?playlist=x34ije Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije - www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695.. A partir des années 1950, le trafic de la banlieue parisienne suit l’urbanisation galopante et les dessertes ferroviaires doivent s’adapter et se moderniser.Quelques amateurs ont su immortaliser un monde ferroviaire qui était alors en voie de disparition. Dans ce film, nous retrouvons les dessertes 750 volts par troisième rail en rames « Standard » sur les lignes de Versailles-RD, sur la ligne d’Auteuil et entre Puteaux et Issy-Plaine mais aussi les derniers trains à vapeur à St Lazare, à La Bastille et sur le Nord et quelques ultimes voyages sur les lignes de Ceinture --------------De la révolution industrielle à aujourd’hui, un décryptage minutieux de la course au développement qui a marqué le point de départ de l’ère de l'anthropocène (ou l'ère de l'Homme) et de la déterioration continue de la planète. www.arte.tv/fr/videos/073938-000-A/l-homme-a-mange-la-terre/ Quelque 1 400 milliards de tonnes de CO2 sont aujourd’hui prisonnières de la basse atmosphère. Réchauffement climatique, déforestation, inondations, épuisement des ressources, pollutions, déchets radioactifs... : en deux siècles, la course au progrès et à la croissance a durablement altéré la planète, la crise environnementale se doublant d’une rupture géologique, avec l’avènement de l’ère anthropocène. Portée par l’exploitation des énergies fossiles – du charbon de la révolution industrielle en Angleterre au tout-pétrole de la domination économique des États-Unis –, l’industrialisation et ses corollaires, taylorisme et colonialisme, entraînent une exponentielle production de masse. Un processus qu’accélère la Première Guerre mondiale, les firmes chimiques mobilisées pour tuer l’ennemi se reconvertissant dans la destruction du vivant avec les herbicides, insecticides et fertilisants de l’agriculture intensive. Alors que l’urbanisation s’étend, la voiture, qui sonne le glas du tramway, se généralise, et l’Amérique s’inspire du modèle autoroutier nazi. La Seconde Guerre mondiale engendre une nouvelle organisation du travail, laquelle devient la norme, et annonce l’ère nucléaire de la guerre froide. Dans sa démesure, l’homme rêve déjà d’usages civils de l’atome (y compris pour l’abattement de montagnes et la dissolution des calottes glaciaires !). Le plastique et le béton deviennent les piliers de la consommation de masse, dévoreuse de matières premières et antidote à la contestation sociale, jusqu’à la révolution numérique. Liaisons dangereuses En balayant, avec de formidables archives issues du monde entier, deux siècles de progrès jusqu’à l’ère du big data, le film remonte aux sources de la crise écologique, en interrogeant avec précision les enjeux scientifiques, économiques et politiques qui y ont conduit. Fourmillant d’informations, il éclaire l’histoire de cette marche folle, et les liaisons dangereuses entre industries militaire et civile. Entre capitalisme et mondialisation imposés par les grandes puissances, un décryptage passionnant du basculement dans l’anthropocène, funeste asservissement de la nature par l’homme. le Logement Collectif* 50,60,70's dans tous ses états..Histoire & Mémoire de l'Habitat / Rétro-Villes / HLM / Banlieue / Renouvellement Urbain / Urbanisme URBANISME S’imaginer Paris et le Grand Paris @ Les 50ans d'Apur (link: 50ans.apur.org/#intro) 50ans.apur.org/#intro @ Où en est l'histoire urbaine des sociétés contemporaines ? Cet ouvrage, inspiré par Annie Fourcaut, qui contribua de manière décisive à son développement, propose un état des lieux de ce champ et explore des pistes de recherche ouvrant l'histoire urbaine à une variété de " genres ". Où en est l'histoire urbaine des sociétés contemporaines ? Cet ouvrage, inspiré par Annie Fourcaut, qui contribua de manière décisive à son développement, propose un état des lieux de ce champ. De Femmes à l'usine (1981), Bobigny, banlieue rouge (1986), à La banlieue en morceaux (2000), en passant par les publications collectives qu'elle a coordonnées et les travaux qu'elle a encadrés, la trajectoire de cette historienne a conduit l'histoire sociale et politique – telle qu'on la pratiquait dans les années 1970 – vers une histoire urbaine renouvelée. Le livre revient sur cette évolution et explore des pistes de recherche ouvrant l'histoire urbaine à une variété de " genres ". Les auteurs, historiennes et historiens, sociologues, politistes, géographes, architectes, urbanistes et décideurs politiques proposent une histoire urbaine à la fois interdisciplinaire et ancrée dans la fabrique de la ville et ses représentations, portant la marque de sa dédicataire.Les quatre sections de l'ouvrage dessinent les chantiers qu'Annie Fourcaut a investis : " Du social à l'urbain " met en avant la conviction qu'étudier l'histoire des villes, c'est toujours faire de l'histoire sociale ; " Qu'elle était belle la banlieue " est centré sur les banlieues, son territoire d'étude de prédilection ; " Les habits neufs des politiques de la ville " interroge les politiques urbaines successives et leur transformation ; enfin, " Banc d'essai des modernités " propose une analyse historique de l'urbanisme, comme discipline et comme pratique. www.benjamingibeaux.fr/portfolio/petite-histoire-de-lhabi... Le Label « Patrimoine du XXe siècle » créé en 1999 par le ministère de la Culture et de la Communication a pour but de faire connaître l’architecture de cette période. La comparaison des labellisations réalisées par les DRAC d’Île-de-France et d’Occitanie (ex Languedoc-Roussillon et de Midi-Pyrénées) montre la variété des méthodes employées pour rendre compte soit de l’importance numérique des édifices remarquables soit de la difficulté à établir ce corpus et de la nécessité de s’appuyer sur les inventaires ou études thématiques ou monographiques. Si l’attribution du label, désormais appelé "Architecture contemporaine remarquable" s’est faite depuis vingt ans de façon très diverse selon les régions, elle est toujours l’occasion de mettre en lumière et de porter à la connaissance du public des œuvres architecturales remarquables, notamment via une augmentation impressionnante des publications de qualité sur l'architecture du XXe siècle. En 1999, le ministère de la Culture et de la Communication propose la mise en place d’un nouvel outil pour permettre la reconnaissance et la sauvegarde des constructions élevées au cours du siècle qui s’achève. Le label « Patrimoine du XXe siècle » est une déclinaison nationale de la recommandation du conseil de l’Europe sur la prise en compte de l’architecture du XXe siècle. Ce dernier évoque, pour la conservation de ce patrimoine « moins reconnu », une absence d’intérêt « en raison de sa proximité dans l’Histoire, de l’abondance de ses témoignages et de son caractère hétérogène » et sa crainte de « pertes irréparables »2 . Le label mis en place par la France vise à appeler « l’attention des décideurs, des aménageurs, mais aussi et surtout de ses usagers et du public sur les productions remarquables de ce siècle » Chargées de mettre en place le label, les directions régionales des affaires culturelles (Drac), services déconcentrés du ministère de la Culture, ont à cette date déjà construit, chacune à sa manière, leur approche de la préservation du patrimoine du XXe siècle. Elles s’emparent alors diversement du label, appliquant de facto des labellisations aux immeubles de ce siècle déjà protégés au titre des monuments historiques4 ou mettant en place de véritables stratégies pour répondre pleinement aux attendus de la directive nationale. À partir de nos expériences, il nous a paru intéressant de montrer la diversité de la mise en place du label dans trois Drac parmi d’autres, l’Île-de-France ainsi que Languedoc-Roussillon et Midi-Pyrénées qui composent aujourd’hui la région Occitanie5. Pour chacune de ces Drac, il s’agit de montrer comment la connaissance de ce patrimoine, mais aussi ses particularités territoriales ont joué un rôle important dans le choix des méthodologies de sélection des œuvres à labelliser ainsi que la détermination de critères, et de présenter les résultats et les actions de valorisation menées pour faire connaître et apprécier ces créations architecturales récentes. Le label « Patrimoine du XXe siècle » en Île-de-France : gérer l’abondance La Drac Île-de-France s’est emparée tardivement du label « Patrimoine du XXe siècle », pour plusieurs raisons. Parmi les freins à l’action, il faut citer la question du pilotage de la mise en place du label entre différents services de la Drac, les interrogations liées à l’opportunité de ce nouveau dispositif et un relatif scepticisme quant à son efficacité, l’ampleur de la tâche au vu du corpus concerné, le plus important de France en quantité et sans doute en qualité, mais surtout l’engagement pris de longue date par cette Drac et les membres de sa commission régionale du patrimoine et des sites (CRPS) en faveur du patrimoine du XXe siècle. En effet, c’est sans doute dans cette région que l’on protège le plus grand nombre d’édifices contemporains au titre des monuments historiques : dans la première décennie du XXIe siècle, selon les années, 50 à 70 % des protections concernent des édifices construits au siècle précédent. Ainsi, ce nouveau dispositif, dépourvu de dispositions contraignantes, étranger à la culture de la conservation régionale des monuments historiques (CRMH) dont l’action est liée à la protection, peinait à démontrer son intérêt au regard de ce qu’offre la législation sur les monuments historiques. Cependant, au vu de l’enjeu que constitue la préservation de l’architecture contemporaine en Île-de-France, lié à la fois à l’ampleur de la production et aux évolutions urbaines et réglementaires constantes engageant sa conservation, la question de la mise en place du label était régulièrement posée à la Drac. Pilotée par la CRMH, la première expérience de labellisation y fut menée en 2004. Elle s’inscrivait dans la suite de l’étude menée par le groupe d’experts dirigé par Bernard Toulier, conservateur du Patrimoine au département du pilotage de la recherche et de la politique scientifique du ministère de la Culture, qui avait produit une liste d’édifices du XXe siècle repérés en bibliographie, inventaire devant servir de base à la constitution de propositions de labellisations. Selon la méthode suivie par ce groupe d’experts, on fit le choix de présenter tous les immeubles concernés regroupés par larges typologies. Les membres de la CRPS, devant lesquels fut présentée cette liste d’édifices, rejetèrent en bloc la sélection où voisinaient l’aérogare 1 de l’aéroport Roissy-Charles de Gaulle et la modeste mairie du 17e arrondissement de Paris présentée à la demande de son maire, arguant de l’impossibilité à valider le choix d’édifices que rien ne rapprochait. De plus, nombre des immeubles retenus étaient candidats à la protection au titre des monuments historiques, brouillant de fait l’identité du label et réfutant du même coup la conception un temps énoncée du label comme « antichambre » de la protection. En effet, si la grande qualité de la plupart des édifices sélectionnés montrait toute la richesse des créations contemporaines franciliennes, la seule présentation des plus remarquables d’entre eux résultait d’une absence de sélection argumentée, selon l’esprit du label. La présentation de cette première liste en CRPS tourna donc court. - La question des critères de sélection a été débattue à la lumière de l’expérience de la labellisa (...) En 2008, toujours sous l’impulsion du service des monuments historiques, une nouvelle orientation fut prise. Un pilotage, un groupe de travail, un objectif furent mis en place. Trois orientations furent définies : selon les recommandations de la CRMH de la région PACA, procéder par thématiques typologiques, méthode propice à l’élaboration de critères de sélection ; cibler un patrimoine déprécié ou en danger, pour répondre parfaitement aux attendus de la directive européenne ; pour cette première campagne de labellisation, choisir un champ vierge de reconnaissance patrimoniale, éloigné de la protection au titre des monuments historiques afin d’éviter toute confusion entre les édifices labellisés et les édifices protégés. Le thème des ensembles de logements, nombreux dans cette région, s’est naturellement dégagé. À géométrie variable, le groupe de travail dirigé par la cellule protection était formé d’un premier cercle pérenne, garant de la cohérence de la démarche de labellisation et des choix des thématiques, et d’un second, composé de spécialistes de chaque thématique retenue. Le premier cercle était constitué d’agents de la Drac (conservation des monuments historiques, service architecture, un architecte des bâtiments de France, chargé de faire le lien avec l’ensemble des services départementaux de l’architecture et du patrimoine de la région), de représentants du monde universitaire et de la recherche dans le domaine de l’architecture du XXe siècle.
Pour les ensembles de logements, le second cercle du groupe de travail a permis d’associer des acteurs de terrain, des représentants des bailleurs sociaux, des experts. Le sujet fut restreint chronologiquement (1945-1975), son acception précisée (habitat collectif et individuel) et le corpus, basé sur les inventaires existants et la bibliographie, fut établi à partir des critères élaborés par le groupe de travail : histoire, forme urbaine, valeur d’usage, technique, style - Composée d’environ un tiers de ses membres, la délégation permanente est une émanation de la CRPS (...) De façon exceptionnelle, la liste des ensembles de logements fut en premier lieu présentée devant les membres de la délégation permanente de la CRPS7 pour en valider les orientations et s’assurer de l’adhésion des membres, à la fois pour ne pas risquer de réitérer l’expérience malheureuse de 2004 mais surtout pour interroger la commission sur le bien-fondé à distinguer ces ensembles de logements d'après-guerre, constructions parmi les plus décriées du XXe siècle.
La méthodologie proposée a conduit à la labellisation d’une première série d’immeubles, quarante ensembles de logements en 2010 (fig. 2, 3), puis d’une seconde série de soixante-quinze lieux de culte en 2011 (fig. 4, 5). Les critères peuvent être adaptés ou précisés selon le thème retenu : pour les édifices religieux, la qualité et l’originalité du décor furent ajoutés et la valeur d’usage exclue.La méthode choisie a été vertueuse : elle a permis de labelliser un grand nombre d’édifices, d’associer largement les services patrimoniaux de l’État et des collectivités, de créer des synergies avec l’université et les chercheurs, de valoriser l’action de l’État par des présentations en CRPS, des publications, des journées d’études, des expositions, actions relayées par la presse généraliste et spécialisée8 (fig. 6 et 7). Un partenariat pérenne s’est développé avec l’éditeur Beaux-Arts pour la publication de chaque campagne de labellisation, avec diffusion en kiosque au plus près du public concerné pour un prix inférieur à 15 €. Elle a également permis d’impliquer les acteurs de terrain, répondant ainsi à l’objectif visé de sensibilisation du public à cette architecture mal aimée Depuis 2016, la Drac Île-de-France a conduit trois nouvelles campagnes, toutes thématiques, fondées sur des partis méthodologiques diversifiés, adaptés aux sujets d’étude.
- Note méthodologique « Étude du patrimoine du XXe siècle de la métropole du Grand Paris », La manu (...) - La loi relative à la liberté de la création, à l’architecture et au patrimoine (LCAP) promulguée (...) Une campagne vise à identifier les édifices et ensembles contribuant à structurer le territoire de la récente métropole du Grand Paris. L’établissement d’une critériologie et la sélection ont été confiés à un bureau d’études, la Manufacture du patrimoine, associé à un groupe de travail conduit par la Drac. Des critères dits généraux, divisés en critères primaires et complémentaires, ont été retenus. Pour la thématique étudiée, se sont ajoutés sept critères spécifiques répondant aux enjeux de « l’émergence et du rayonnement de la métropole »10. Les grands travaux présidentiels ont été concernés dans un premier temps, aboutissant à la labellisation de dix édifices en novembre 2016, avant une présentation plus large d’édifices emblématiques, retenus pour l’obtention d’un label « Architecture contemporaine remarquable »11 en juin 2018.
- Introduite par la loi relative à la liberté de la création, à l’architecture et au patrimoine (LC (...) De façon innovante, la Drac a conclu un partenariat avec l’école nationale supérieure d’architecture (ENSA) Paris-Belleville avec laquelle elle s’est associée dès l’élaboration du premier label (colloque, exposition, travaux avec l’IPRAUS). Le thème choisi, inscrit dans la droite ligne du précédent, s’attache à l’étude des villes nouvelles. Par son caractère récent et spécifique dans l’histoire de la planification urbaine, cet objet d’étude implique une nouvelle approche, menée dans le cadre d’une convention triennale de chaire partenariale avec l’ENSA Paris-Belleville. La méthodologie s’appuie sur la grille d’analyse habituellement employée par la Drac, enrichie pour inclure davantage l’espace public. Des édifices de la ville d’Évry (Essonne), qui manifesta en 2016 son souhait de voir son patrimoine labellisé, ont été présentés en novembre 2018 aux membres de la commission régionale de l’architecture et du patrimoine (CRPA)12 en vue d’une labellisation.- Valérie Gaudard remercie vivement Mmes Agnès Chauvin, cheffe du bureau de la protection, et Maria (...)Enfin, le champ de l’architecture scolaire est abordé dès 2010. Au vu de l’immensité du corpus, la Drac a choisi en 2016 de s’attacher dans un premier temps aux lycées, en lien avec le service de l’Inventaire de la région Île-de-France Le label en Languedoc-Roussillon : une succession d’opportunités V- La Poste Art Nouveau de Tuchan, l’hôtel du Belvédère à Cerbère. - Certains construits vers 1900 relèvent davantage d’une esthétique encore XIXe comme la villa Las (...) - Le 3 octobre 2001, une CRPS dédiée a examiné onze propositions de protection, dont deux seulement (...)
Dans ce territoire riche en monuments anciens, l’attention pour l’architecture du XXe siècle s’observe dès les années 1980 avec la décentralisation. La commission régionale du patrimoine historique archéologique et ethnologique (Corephae) du 15 décembre 1986 a examiné les premiers dossiers14. Parmi des édifices de la première moitié du siècle, bénéficiant du recul et bien documentés, plus faciles à appréhender15, on peut citer les cliniques Saint-Charles à Montpellier, exemple d’architecture des années 1930, ornées des sculptures monumentales de Joachim Costa et des verrières d’Émile Brière, sauvées in extremis de la démolition. En l’an 2000, une campagne de protection thématique est lancée16, distinguant des bâtiments majeurs de l’entre-deux-guerres, comme le théâtre municipal de Carcassonne, le Palais des Arts et du Travail de Narbonne, le lycée technique Dhuoda à Nîmes, l’église Sainte-Thérèse à Montpellier mais également le centre d’apprentissage pour garçons, actuel lycée Mermoz à Béziers, œuvre de Pierre Jeanneret, à laquelle ont collaborés Jean Prouvé et Charlotte Perriand.
- Monument inscrit MH en 2009 Toujours à Odeillo, un petit collectif de maisons solaires, initiativ (...) Plus récemment ont été inscrits au titre des monuments historiques, le centre de vol à voile de la Montagne Noire, à Labécède-Lauragais, haut lieu de formation des pilotes entre 1932 et 1980 ou des installations solaires en Cerdagne, liées à la personnalité de Félix Trombe dont les recherches aboutissent à la construction entre 1962 et 1968 par le CNRS du four solaire d’Odeillo à Font-Romeu-Odeillo-Via Pourtant, cette architecture du XXe siècle, représentant un nombre de réalisations jamais atteint, restait mal appréciée, mal aimé.
Angkor Wat or "Capital Temple" is a temple complex in Cambodia and the largest religious monument in the world. It was first a Hindu and later a Buddhist temple. It was built by the Khmer King Suryavarman II in the early 12th century in Yaśodharapura, present-day Angkor, the capital of the Khmer Empire, as his state temple and eventual mausoleum.
Breaking from the Shiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. As the best-preserved temple at the site, it is the only one to have remained a significant religious center since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple, based on early Dravidian architecture, with key features such as the Jagati. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls.
The modern name, Angkor Wat, means "Temple City" or "City of Temples" in Khmer; Angkor, meaning "city" or "capital city", is a vernacular form of the word nokor (នគរ), which comes from the Sanskrit word nagara (नगर). Wat is the Khmer word for "temple grounds" (Sanskrit: वाट vāṭa ""enclosure").
HISTORY
Angkor Wat lies 5.5 kilometres north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. It is in an area of Cambodia where there is an important group of ancient structures. It is the southernmost of Angkor's main sites.
According to one legend, the construction of Angkor Wat was ordered by Indra to act as a palace for his son Precha Ket Mealea.
According to the 13th century Chinese traveler Daguan Zhou, it was believed by some that the temple was constructed in a single night by a divine architect. The initial design and construction of the temple took place in the first half of the 12th century, during the reign of Suryavarman II (ruled 1113-C. 1150). Dedicated to Vishnu, it was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as "Varah Vishnu-lok" after the presiding deity. Work seems to have ended shortly after the king's death, leaving some of the bas-relief decoration unfinished.
In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon respectively) a few kilometers to the north.
In the late 13th century, Angkor Wat gradually moved from Hindu to Theravada Buddhist use, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was somewhat neglected after the 16th century it was never completely abandoned, its preservation being due in part to the fact that its moat also provided some protection from encroachment by the jungle.
One of the first Western visitors to the temple was António da Madalena, a Portuguese monk who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of."
In the mid-19th century, the temple was visited by the French naturalist and explorer, Henri Mouhot, who popularised the site in the West through the publication of travel notes, in which he wrote:
"One of these temples - a rival to that of Solomon, and erected by some ancient Michelangelo - might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged."
Mouhot, like other early Western visitors, found it difficult to believe that the Khmers could have built the temple, and mistakenly dated it to around the same era as Rome. The true history of Angkor Wat was pieced together only from stylistic and epigraphic evidence accumulated during the subsequent clearing and restoration work carried out across the whole Angkor site. There were no ordinary dwellings or houses or other signs of settlement including cooking utensils, weapons, or items of clothing usually found at ancient sites. Instead there is the evidence of the monuments themselves.
Angkor Wat required considerable restoration in the 20th century, mainly the removal of accumulated earth and vegetation. Work was interrupted by the civil war and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period other than the theft and destruction of mostly post-Angkorian statues.The temple is a powerful symbol of Cambodia, and is a source of great national pride that has factored into Cambodia's diplomatic relations with France, the United States and its neighbor Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863. From a larger historical and even transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937. Angkor Wat's aesthetics were also on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from C. 1880 to the mid-1920s. The splendid artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country that had been under Siamese (Thai) control since 1351 AD (Manich Jumsai 2001), or by some accounts, 1431 AD. Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since that time.
ARCHITECTURE
SITE AND PLAN
Angkor Wat, located at 13°24′45″N 103°52′0″E, is a unique combination of the temple mountain, the standard design for the empire's state temples and the later plan of concentric galleries. The temple is a representation of Mount Meru, the home of the gods: the central quincunx of towers symbolises the five peaks of the mountain, and the walls and moat the surrounding mountain ranges and ocean. Access to the upper areas of the temple was progressively more exclusive, with the laity being admitted only to the lowest level. Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the east. This has led many (including Maurice Glaize and George Coedès) to conclude that Suryavarman intended it to serve as his funerary temple.Further evidence for this view is provided by the bas-reliefs, which proceed in a counter-clockwise direction - prasavya in Hindu terminology - as this is the reverse of the normal order. Rituals take place in reverse order during Brahminic funeral services. The archaeologist Charles Higham also describes a container which may have been a funerary jar which was recovered from the central tower. It has been nominated by some as the greatest expenditure of energy on the disposal of a corpse. Freeman and Jacques, however, note that several other temples of Angkor depart from the typical eastern orientation, and suggest that Angkor Wat's alignment was due to its dedication to Vishnu, who was associated with the west.
A further interpretation of Angkor Wat has been proposed by Eleanor Mannikka. Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, she argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honor and placate the deities manifest in the heavens above." Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles. She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.
STYLE
Angkor Wat is the prime example of the classical style of Khmer architecture - the Angkor Wat style - to which it has given its name. By the 12th century Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are of sandstone blocks, while laterite was used for the outer wall and for hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested. The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity and style." Architecturally, the elements characteristic of the style include: the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, and on pediments extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.
FEATURES
OUTER ENCLOSURE
The outer wall, 1024 by 802 m and 4.5 m high, is surrounded by a 30 m apron of open ground and a moat 190 m wide. Access to the temple is by an earth bank to the east and a sandstone causeway to the west; the latter, the main entrance, is a later addition, possibly replacing a wooden bridge. There are gopuras at each of the cardinal points; the western is by far the largest and has three ruined towers. Glaize notes that this gopura both hides and echoes the form of the temple proper. Under the southern tower is a statue of Vishnu, known as Ta Reach, which may originally have occupied the temple's central shrine.Galleries run between the towers and as far as two further entrances on either side of the gopura often referred to as "elephant gates", as they are large enough to admit those animals. These galleries have square pillars on the outer (west) side and a closed wall on the inner (east) side. The ceiling between the pillars is decorated with lotus rosettes; the west face of the wall with dancing figures; and the east face of the wall with balustered windows, dancing male figures on prancing animals, and devatas, including (south of the entrance) the only one in the temple to be showing her teeth. The outer wall encloses a space of 820,000 square metres, which besides the temple proper was originally occupied by the city and, to the north of the temple, the royal palace. Like all secular buildings of Angkor, these were built of perishable materials rather than of stone, so nothing remains of them except the outlines of some of the streets. Most of the area is now covered by forest. A 350 m causeway connects the western gopura to the temple proper, with naga balustrades and six sets of steps leading down to the city on either side. Each side also features a library with entrances at each cardinal point, in front of the third set of stairs from the entrance, and a pond between the library and the temple itself. The ponds are later additions to the design, as is the cruciform terrace guarded by lions connecting the causeway to the central structure.
CENTRAL STRUCTURE
The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. Mannikka interprets these galleries as being dedicated to the king, Brahma, the moon, and Vishnu.
Each gallery has a gopura at each of the points, and the two inner galleries each have towers at their corners, forming a quincunx with the central tower. Because the temple faces west, the features are all set back towards the east, leaving more space to be filled in each enclosure and gallery on the west side; for the same reason the west-facing steps are shallower than those on the other sides.
The outer gallery measures 187 by 215 m, with pavilions rather than towers at the corners. The gallery is open to the outside of the temple, with columned half-galleries extending and buttressing the structure. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (the "Hall of a Thousand Gods"). Buddha images were left in the cloister by pilgrims over the centuries, although most have now been removed. This area has many inscriptions relating the good deeds of pilgrims, most written in Khmer but others in Burmese and Japanese. The four small courtyards marked out by the cloister may originally have been filled with water.
North and south of the cloister are libraries.
Beyond, the second and inner galleries are connected to each other and to two flanking libraries by another cruciform terrace, again a later addition. From the second level upwards, devatas abound on the walls, singly or in groups of up to four. The second-level enclosure is 100 by 115 m, and may originally have been flooded to represent the ocean around Mount Meru.
Three sets of steps on each side lead up to the corner towers and gopuras of the inner gallery. The very steep stairways represent the difficulty of ascending to the kingdom of the gods. This inner gallery, called the Bakan, is a 60 m square with axial galleries connecting each gopura with the central shrine, and subsidiary shrines located below the corner towers. The roofings of the galleries are decorated with the motif of the body of a snake ending in the heads of lions or garudas. Carved lintels and pediments decorate the entrances to the galleries and to the shrines. The tower above the central shrine rises 43 m to a height of 65 m above the ground; unlike those of previous temple mountains, the central tower is raised above the surrounding four. The shrine itself, originally occupied by a statue of Vishnu and open on each side, was walled in when the temple was converted to Theravada Buddhism, the new walls featuring standing Buddhas. In 1934, the conservator George Trouvé excavated the pit beneath the central shrine: filled with sand and water it had already been robbed of its treasure, but he did find a sacred foundation deposit of gold leaf two metres above ground level.
DECORATION
Integrated with the architecture of the building, and one of the causes for its fame is Angkor Wat's extensive decoration, which predominantly takes the form of bas-relief friezes. The inner walls of the outer gallery bear a series of large-scale scenes mainly depicting episodes from the Hindu epics the Ramayana and the Mahabharata. Higham has called these, "the greatest known linear arrangement of stone carving".
From the north-west corner anti-clockwise, the western gallery shows the Battle of Lanka (from the Ramayana, in which Rama defeats Ravana) and the Battle of Kurukshetra (from the Mahabharata, showing the mutual annihilation of the Kaurava and Pandava clans). On the southern gallery follow the only historical scene, a procession of Suryavarman II, then the 32 hells and 37 heavens of Hindu mythology.
On the eastern gallery is one of the most celebrated scenes, the Churning of the Sea of Milk, showing 92 asuras and 88 devas using the serpent Vasuki to churn the sea under Vishnu's direction (Mannikka counts only 91 asuras, and explains the asymmetrical numbers as representing the number of days from the winter solstice to the spring equinox, and from the equinox to the summer solstice). It is followed by Vishnu defeating asuras (a 16th-century addition). The northern gallery shows Krishna's victory over Bana (where according to Glaize, "The workmanship is at its worst"). and a battle between the Hindu gods and asuras. The north-west and south-west corner pavilions both feature much smaller-scale scenes, some unidentified but most from the Ramayana or the life of Krishna. Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewelry and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.
CONSTRUCTION TECHNIQUES
The stones, as smooth as polished marble, were laid without mortar with very tight joints that are sometimes hard to find. The blocks were held together by mortise and tenon joints in some cases, while in others they used dovetails and gravity. The blocks were presumably put in place by a combination of elephants, coir ropes, pulleys and bamboo scaffolding. Henri Mouhot noted that most of the blocks had holes 2.5 cm in diameter and 3 cm deep, with more holes on the larger blocks. Some scholars have suggested that these were used to join them together with iron rods, but others claim they were used to hold temporary pegs to help manoeuvre them into place. The monument was made out of millions of tonnes of sandstone and it has a greater volume as well as mass than the Great Pyramid of Giza in Egypt. The Angkor Wat Temple consumes about 6 million to 10 million blocks of sandstone with an average weight of 1.5 tons each. In fact, the entire city of Angkor used up far greater amounts of stone than all the Egyptian pyramids combined, and occupied an area significantly greater than modern-day Paris. Moreover, unlike the Egyptian pyramids which use limestone quarried barely half a km away all the time, the entire city of Angkor was built with sandstone quarried 40 km (or more) away. This sandstone had to be transported from Mount Kulen, a quarry approximately 40 km to the northeast. The route has been suggested to span 35 kilometres along a canal towards Tonlé Sap lake, another 35 kilometres crossing the lake, and finally 15 kilometres upstream and against the current along Siem Reap River, making a total journey of 90 kilometres. However, Etsuo Uchida and Ichita Shimoda of Waseda University in Tokyo, Japan have discovered in 2012 a shorter 35-kilometre canal connecting Mount Kulen and Angkor Wat using satellite imagery. The two believe that the Khmer used this route instead.
Virtually all of its surfaces, columns, lintels even roofs are carved. There are miles of reliefs illustrating scenes from Indian literature including unicorns, griffins, winged dragons pulling chariots as well as warriors following an elephant-mounted leader and celestial dancing girls with elaborate hair styles. The gallery wall alone is decorated with almost 1000 square metres of bas reliefs. Holes on some of the Angkor walls indicate that they may have been decorated with bronze sheets. These were highly prized in ancient times and were a prime target for robbers. While excavating Khajuraho, Alex Evans, a stonemason and sculptor, recreated a stone sculpture under 1.2 m, this took about 60 days to carve. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. The labor force to quarry, transport, carve and install so much sandstone must have run into the thousands including many highly skilled artisans. The skills required to carve these sculptures were developed hundreds of years earlier, as demonstrated by some artifacts that have been dated to the seventh century, before the Khmer came to power.
ANGKOR WAT TODAY
The Archaeological Survey of India carried out restoration work on the temple between 1986 and 1992. Since the 1990s, Angkor Wat has seen continued conservation efforts and a massive increase in tourism. The temple is part of the Angkor World Heritage Site, established in 1992, which has provided some funding and has encouraged the Cambodian government to protect the site. The German Apsara Conservation Project (GACP) is working to protect the devatas and other bas-reliefs which decorate the temple from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed restoration of the north library of the outer enclosure in 2005. World Monuments Fund began conservation work on the Churning of the Sea of Milk Gallery in 2008 after several years of conditions studies. The project restored the traditional Khmer roofing system and removed cement used in earlier restoration attempts that had resulted in salts entering the structure behind the bas-relief, discoloring and damaging the sculpted surfaces. The main phase of work ended in 2012, and the final component will be the installation of finials on the roof of the gallery in 2013. Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration and radiation resistant filamentous cyanobacteria can produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan. Angkor Wat has become a major tourist destination. In 2004 and 2005, government figures suggest that, respectively, 561.000 and 677.000 foreign visitors arrived in Siem Reap province, approximately 50% of all foreign tourists in Cambodia for both years. The site has been managed by the private SOKIMEX group since 1990, which rented it from the Cambodian government. The influx of tourists has so far caused relatively little damage, other than some graffiti; ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance - as of 2000 approximately 28% of ticket revenues across the whole Angkor site was spent on the temples - although most work is carried out by foreign government-sponsored teams rather than by the Cambodian authorities. Since Angkor Wat has seen significant growth in tourism throughout the years UNESCO and its International Co-ordinating Committee for the Safeguarding and Development of the Historic Site of Angkor (ICC), in association with representatives from the Royal Government and APSARA, organized seminars to discuss the concept of "cultural tourism". Wanting to avoid commercial and mass tourism, the seminars emphasized the importance of providing high quality accommodation and services in order for the Cambodian government to benefit economically, while also incorporating the richness of Cambodian culture. In 2001, this incentive resulted in the concept of the "Angkor Tourist City" which would be developed with regard to traditional Khmer architecture, contain leisure and tourist facilities, and provide luxurious hotels capable of accommodating large amounts of tourists. The prospect of developing such large tourist accommodations has encountered concerns from both APSARA and the ICC, claiming that previous tourism developments in the area have neglected construction regulations and more of these projects have the potential to damage landscape features. Also, the large scale of these projects have begun to threaten the quality of the nearby town's water, sewage, and electricity systems. It has been noted that such high frequency of tourism and growing demand for quality accommodations in the area, such as the development of a large highway, has had a direct effect on the underground water table, subsequently straining the structural stability of the temples at Angkor Wat. Locals of Siem Reap have also voiced concern over the charming nature and atmosphere of their town being compromised in order to entertain tourism. Since this charming local atmosphere is the key component to projects like Angkor Tourist City, local officials continue to discuss how to successfully incorporate future tourism without sacrificing local values and culture. At the ASEAN Tourism Forum 2012, both parties have agreed Borobudur and Angkor Wat to become sister sites and the provinces will become sister provinces. Two Indonesian airlines are considering the opportunity to open a direct flight from Yogyakarta, Indonesia to Siem Reap.
WIKIPEDIA
"The lower chapel was dedicated to the Virgin Mary, and was used by the non-royal inhabitants of the neighbouring Royal Palace. The portal of the chapel represents the Virgin Mary as a column statue. The portal, and almost all the decoration of the chapel, was created by Geoffroy-Duchaume between 1854 and 1858. The primary decorative themes of the sculpture, columns and murals are the Fleur-de-Lys emblem of Louis IX and a stylised castle, the coat of arms of Blanche of Castile, the mother of Louis IX.
The lower chapel is only 6.6 meters (22 ft) high, with a six-meter wide central vessel and two narrow side aisles. The supports of the ceiling vaults are unusual; the outward thrust of the vaults is counterbalanced by small, elegant arched buttresses between the outer and inner columns, and they are also reinforced by a metallic structure hidden under the paint and plaster.
The one-hundred forty capitals of the columns are an important decorative feature; they are from the mid-13th century, and predate the columns of the upper chapel. They have floral decoration of acanthus leaves typical of the period. Each of the gilded leaves corresponds with a slender colonette above, which rises upward to support the vaults. The columns are painted with alternating floral designs and the castle emblem of Castile. The red, gold and blue painting dates to the 19th century restoration.
The original stained glass of the lower chapel was destroyed by a flood in 1690; it was replaced by colourless glass. The present glass depicts scenes from the life of the Virgin Mary, surrounded by grisaille glass, while the apse has more elaborate and colourful scenes from the Virgin's life. All the windows were designed by Steinheil during the 19th century restoration. The lower chapel originally had a doorway to the sacristy on the left lateral traverse. Since it could not have a window, it was decorated in the 13th century with a mural of the Annunciation. This was rediscovered during the 19th century work, and restored by Steinheil.
The Sainte-Chapelle (French: [sɛ̃t ʃapɛl]; English: Holy Chapel) is a royal chapel in the Gothic style, within the medieval Palais de la Cité, the residence of the Kings of France until the 14th century, on the Île de la Cité in the River Seine in Paris, France.
Construction began sometime after 1238 and the chapel was consecrated on 26 April 1248. The Sainte-Chapelle is considered among the highest achievements of the Rayonnant period of Gothic architecture. It was commissioned by King Louis IX of France to house his collection of Passion relics, including Christ's Crown of Thorns – one of the most important relics in medieval Christendom. This was later held in the nearby Notre-Dame Cathedral until the 2019 fire, which it survived.
Along with the Conciergerie, Sainte-Chapelle is one of the earliest surviving buildings of the Capetian royal palace on the Île de la Cité. Although damaged during the French Revolution and restored in the 19th century, it has one of the most extensive 13th-century stained glass collections anywhere in the world.
The chapel is now operated as a museum by the French Centre of National Monuments, along with the nearby Conciergerie, the other remaining vestige of the original palace.
The 1st arrondissement of Paris (Ier arrondissement) is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is colloquially referred to as le premier (the first). It is governed locally together with the 2nd, 3rd and 4th arrondissement, with which it forms the 1st sector of Paris (Paris-Centre).
Also known as Louvre, the arrondissement is situated principally on the right bank of the River Seine. It also includes the west end of the Île de la Cité. The locality is one of the oldest areas in Paris, the Île de la Cité having been the heart of the city of Lutetia, conquered by the Romans in 52 BC, while some parts on the right bank (including Les Halles) date back to the early Middle Ages.
It is the least populated of the city's arrondissements and one of the smallest by area, with a land area of only 1.83 km2 (0.705 sq. miles, or 451 acres). A significant part of the area is occupied by the Louvre Museum and the Tuileries Gardens. The Forum des Halles is the largest shopping mall in Paris. Much of the remainder of the arrondissement is dedicated to business and administration.
Paris (French pronunciation: [paʁi]) is the capital and most populous city of France, with an estimated population of 2,150,271 residents as of 2020, in an area of 105 square kilometres (41 square miles). Since the 17th century, Paris has been one of Europe's major centres of finance, diplomacy, commerce, fashion, science and arts. The City of Paris is the centre and seat of government of the Île-de-France, or Paris Region, which has an estimated official 2020 population of 12,278,210, or about 18 percent of the population of France. The Paris Region had a GDP of €709 billion ($808 billion) in 2017. According to the Economist Intelligence Unit Worldwide Cost of Living Survey in 2018, Paris was the second most expensive city in the world, after Singapore, and ahead of Zürich, Hong Kong, Oslo and Geneva. Another source ranked Paris as most expensive, on a par with Singapore and Hong Kong, in 2018.
The city is a major railway, highway and air-transport hub served by two international airports: Paris–Charles de Gaulle (the second busiest airport in Europe) and Paris–Orly. Opened in 1900, the city's subway system, the Paris Métro, serves 5.23 million passengers daily; it is the second busiest metro system in Europe after the Moscow Metro. Gare du Nord is the 24th busiest railway station in the world, but the first located outside Japan, with 262 million passengers in 2015 Paris is especially known for its museums and architectural landmarks: the Louvre was the most visited art museum in the world in 2019, with 9.6 million visitors. The Musée d'Orsay, Musée Marmottan Monet, and Musée de l'Orangerie are noted for their collections of French Impressionist art, the Pompidou Centre Musée National d'Art Moderne has the largest collection of modern and contemporary art in Europe, and the Musée Rodin and Musée Picasso exhibit the works of two noted Parisians. The historical district along the Seine in the city centre is classified as a UNESCO Heritage Site, and popular landmarks in the city centre included the Cathedral of Notre Dame de Paris, on the Île de la Cité, now closed for renovation after the 15 April 2019 fire. Other popular tourist sites include the Gothic royal chapel of Sainte-Chapelle, also on the Île de la Cité; the Eiffel Tower, constructed for the Paris Universal Exposition of 1889; the Grand Palais and Petit Palais, built for the Paris Universal Exposition of 1900; the Arc de Triomphe on the Champs-Élysées, and the Basilica of Sacré-Coeur on the hill of Montmartre.
Paris received 38 million visitors in 2019, measured by hotel stays, with the largest numbers of foreign visitors coming from the United States, the United Kingdom, Germany and China. It was ranked as the second most visited travel destination in the world in 2019, after Bangkok and just ahead of London. The football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris. The 80,000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros. The city hosted the Olympic Games in 1900, 1924 and will host the 2024 Summer Olympics. The 1938 and 1998 FIFA World Cups, the 2007 Rugby World Cup, as well as the 1960, 1984 and 2016 UEFA European Championships were also held in the city. Every July, the Tour de France bicycle race finishes on the Avenue des Champs-Élysées in Paris." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
KIDAL, le 28 juin 2013. Le Représentant spécial du Secrétaire général et chef de la MINUSMA, Bert Koenders, s’est rendu aujourd’hui à Kidal, en compagnie du Haut Représentant de l’Union africaine et chef de la MISMA, M. Pierre Buyoya, dans le cadre d’une rencontre avec l’amenokal de Kidal (le chef traditionnel) Intalla Ag Attaher, des représentants du Mouvement National de Libération de l’Azawad (MNLA), du Haut Conseil pour l’unité de l’Azawad (HCUA) ainsi que des membres de la société civile.
Au cours de ces discussions, le RSSG a tenu à rappeler l’importance de l’accord préliminaire de paix signé récemment à Ouagadougou.
Photo: MINUSMA / Blagoje Grujic
Ephraim - One of twelve banners representing the twelve tribes of Israel.
en.m.wikipedia.org/wiki/Tribe_of_Ephraim
According to the Hebrew Bible, the Tribe of Ephraim (Hebrew: אֶפְרַיִם / אֶפְרָיִם, Modern Efrayim, Tiberian ʾEp̄ráyim / ʾEp̄rā́yim) was one of the Tribes of Israel. The Tribe of Manasseh together with Ephraim also formed the House of Joseph. The etymology of the name is disputed.[1]
Ephraim as Portrayed in Biblical Narrative
According to the Bible, the Tribe of Ephraim is descended from a man named Ephraim.[2] This Ephraim is recorded as the son of Joseph, the son of Jacob.[3] The descendants of Joseph formed two of the tribes of Israel, whereas each of the other sons of Jacob was the founder of only one tribe.
The Bible records that the Tribe of Ephraim entered the land of Canaan during its conquest by Joshua, a descendant of Ephraim himself.[4] However, "almost all" scholars have abandoned the idea that Joshua carried out a conquest of Canaan similar to that described in the Book of Joshua.[5]
From Joshua to the formation of the first Kingdom of Israel, the Tribe of Ephraim was a part of a loose confederation of Israelite tribes. No central government existed, and in times of crisis the people were led by ad hoc leaders known as Judges (see the Book of Judges).
With the growth of the threat from Philistine incursions, the Israelite tribes decided to form a strong centralised monarchy to meet the challenge. The Tribe of Ephraim joined the new kingdom with Saul as the first king. The widely accepted date for Saul's reign is approximately 1025-1005. Some scholars dispute this date range and place Saul later, perhaps as late as "the second half of the tenth century B.C.E." [6]
After the death of Saul, the Bible records all the tribes other than Judah remained loyal to the House of Saul. After the death of Ish-bosheth, Saul's son and successor to the throne of Israel, the Tribe of Ephraim joined the other northern Israelite tribes in making David, who was then the king of Judah, the king of a re-united Kingdom of Israel. According to archaeologist Israel Finkelstein, there is doubt about whether the biblical ordering for the reigns of the early monarchs is reliable, and that the sequence preserved in the Bible, in which David follows Saul as king of Israel, may not be historically accurate.[7]
However, on the accession of Rehoboam, David's grandson, in c. 930 BCE the northern tribes split from the House of David to form the northern Kingdom of Israel. The first king of the northern kingdom was an Ephraimite, Jeroboam, who likely ruled from 931-909 BCE.[8][9]
The accents of the tribes were distinctive enough even at the time of the confederacy so that when the Israelites of Gilead, under the leadership of Jephthah, fought the Tribe of Ephraim, their pronunciation of shibboleth as sibboleth was considered sufficient evidence to single out individuals from Ephraim, so that they could be subjected to immediate death by the Israelites of Gilead.
Ephraim was a member of the Northern Kingdom until the kingdom was conquered by Assyria in c. 723 BCE and the population deported. From that time, the Tribe of Ephraim has been counted as one of the Ten Lost Tribes of Israel.
Ephraim is often seen as the tribe that embodies the entire Northern Kingdom and the royal house resided in the tribe's territory (just as Judah is the tribe that embodies the Kingdom of Judah and provided its royal family).
Tribal Territory
In the biblical account, following the completion of the conquest of Canaan by the Israelite Joshua allocated the land among the twelve tribes. Kenneth Kitchen, a well-known conservative biblical scholar, dates this event to slightly after 1200 BCE.[10] However, the consensus view of modern scholars is that the conquest of Joshua as described in the Book of Joshua never occurred.[11][12][13]
As recorded in the Book of Joshua, the territory allocated to the Tribe of Ephraim was at the center of Canaan, west of the Jordan, south of the territory of Manasseh, and north of the Tribe of Benjamin. The region later named Samaria (as distinguished from Judea or Galilee) consisted mostly of Ephraim's territory. The area was mountainous, giving it protection, and also highly fertile, giving prosperity,[14][15][16][17]
The territory of Ephraim contained the early centers of Israelite religion - Shechem and Shiloh.[18] These factors contributed to making Ephraim the most dominant of the tribes in the Kingdom of Israel, and led to Ephraim becoming a synonym for the entire kingdom.[18]
Joshua 16:1-4 outlines the borders of the lands allocated to the "children of Joseph", i.e. Ephraim and Manasseh combined, and Joshua 16:5-8 defines the borders of the land allocated to the tribe of Ephraim in more detail.
Bethel was allocated by Joshua to the Tribe of Benjamin.[19] However, even by the time of the prophetess Deborah, Bethel is described as being in the land of the Tribe of Ephraim. (Judges 4:5) Some twenty years after the breakup of the United
Monarchy, Abijah, the second king of Kingdom of Judah, defeated Jeroboam of Israel and took back the towns of Bethel, Jeshanah and Ephron, with their surrounding villages.[20] Ephron is believed to be the Ophrah that was also allocated to the Tribe of Benjamin by Joshua.[21]
The riverine gulch, naḥal Ḳanah (Joshua 17:9), divided Ephraim's territory to the south, and Manasseh's territory to the north. The modern Israeli town of Karnei Shomron is built near this gulch, which runs in an easterly-westerly direction.[22]
The border of Ephraim extended from the Jordan River in the east to the Mediterranean Sea in the west, and incorporated within it the cities of Bethel (now Beitin[23]), ʻAtarot, Beth-Ḥoron the Nether (now Bayt ʻUr), extending as far as Gezer (now Abu Shûsheh, formerly known as Tell el Jezer) and the Mediterranean Sea.[24] Gezer was said to have been inhabited by Canaanites long after Joshua had either killed or expelled the other Canaanites.[25] According to French archaeologist, Charles Clermont-Ganneau, who identified the site in 1871 and later carried out excavations there, Gezer marked the extreme western point of the territory of Ephraim, and was "situated at the actual intersection of the boundaries of Ephraim, Dan and Judah."[26] This view, however, does not seem to be supported by the Scriptures themselves which place the extent of Ephraim's border at the sea.
Spanish Jewish traveller, Benjamin of Tudela, wrote that the southern-most bounds of the territory of Ephraim extended in a south-westerly direction as far as the town of Ibelin or Jabney.[27]
Origin
According to the Torah, the tribe consisted of descendants of Ephraim a son of Joseph, from whom it took its name;[28] however some critical Biblical scholars view this also as postdiction, an eponymous metaphor providing an aetiology of the connectedness of the tribe to others in the Israelite confederation.[29] In the Biblical account, Joseph is one of the two children of Rachel and Jacob, a brother to Benjamin, and father to both Ephraim, and his first son, Manasseh; Ephraim received the blessing of the firstborn, although Manasseh was the eldest, because Jacob foresaw that Ephraim's descendants would be greater than his brother's.[30]
Though the biblical descriptions of the geographic boundary of the House of Joseph are fairly consistent, the descriptions of the boundaries between Manasseh and Ephraim are not, and each is portrayed as having exclaves within the territory of the other.[18] Furthermore, in the Blessing of Jacob, and elsewhere ascribed by textual scholars to a similar or earlier time period,[31] Ephraim and Manasseh are treated as a single tribe, with Joseph appearing in their place. From this it is regarded as obvious that originally Ephraim and Manasseh were considered one tribe — that of Joseph.[18] According to several biblical scholars, Benjamin was also originally part of the House of Joseph, but the biblical account of this became lost;[18][29] Benjamin being differentiated by being that part of Ephraim (House of Joseph) which joined the Kingdom of Judah rather than that of Israel.
A number of biblical scholars suspect that the Joseph tribes (including Benjamin) represent a second migration of Israelites to Israel, later than the main tribes,[29] specifically that it was only the Joseph tribes which went to Egypt and returned, while the main Israelite tribes simply emerged as a subculture from the Canaanites and had remained in Canaan throughout;[29] in the narrative in the Book of Joshua, which concerns the arrival in (and conquest of) Canaan by the Israelites from Egypt, the leader is Joshua, who was a member of the Ephraim tribe. According to this view, the story of Jacob's visit to Laban to obtain a wife began as a metaphor for the second migration, with Jacob's new family, possessions, and livestock, obtained from Laban, being representations of the new wave of migrants;[29]
Character
In the account of the deuteronomic history, Ephraim is portrayed as domineering, haughty, discontented, and jealous, but in classical rabbinical literature, the biblical founder of the tribe is described as being modest and not selfish.[18] These rabbinical sources allege that it was on account of modesty and selflessness, and a prophetic vision of Joshua, that Jacob gave Ephraim precedence over Manasseh, the elder of the two;[18] in these sources, Jacob is regarded as sufficiently just that God upholds the blessing in his honour, and makes Ephraim the leading tribe.[18] Nevertheless, other classical rabbinical texts mock the tribe for the character it has in the deuteronomic history, claiming that Ephraim, being headstrong, left Egypt 30 years prior to the Exodus, and on arrival in Canaan was subjected to a disastrous battle with the Philistines;[18] in the Midrashic Jasher this is portrayed as a rebellion of Ephraim against God, resulting in the slaying of all but 10, and the bleached bones of the slaughtered being strewn across the roads, so much so that the circuitous route of the Exodus was simply an attempt by God to prevent the Israelites from having to suffer the sight of the remains.[18]
Though from the point of view of an increasing majority of archaeologists, there were always two distinct cultures in Canaan, a strong and prosperous northern kingdom and a weaker and poorer southern one,[32] in the Biblical account the Israelite tribes were initially united in a single kingdom, and only later fractured into the northern and southern kingdoms; this fracture is blamed by the Bible on the jealousy of Ephraim over the growing power of Judah. In the Book of Chronicles, Ephraim's act of splintering from Judah is denounced as forsaking God,[33] and Ephraim is portrayed as becoming highly irreligious, particularly in their resistance to the reforms enacted by Hezekiah and Josiah.[34]
It was not until the close of the first period of Jewish history that God 'refused the tabernacle of Joseph (Hebrew Bible), and chose not the tribe of Ephraim, but chose the tribe of Judah, the Mount Zion which he loved'. (Ps 78:67,68) When the Ark was removed from Shiloh to Zion the power of Ephraim was sequestered.[citation needed]
Destiny
As part of the Kingdom of Israel, the territory of Ephraim was conquered by the Assyrians, and the tribe exiled; the manner of their exile led to their further history being lost. However, several modern day groups claim descent, with varying levels of academic and rabbinical support. The Samaritans claim that some of their adherents are descended from this tribe, and many Persian Jews claim to be descendants of Ephraim. Further afield, in India the Telugu Jews claim descent from Ephraim, and call themselves Bene Ephraim, relating similar traditions to those of the Mizo Jews, whom the modern state of Israel regards as descendants of Manasseh.[35]
Several western Christian groups, in particular those of the Church of God in Christ, claim that the whole UK is the direct descendant of Ephraim, and that the whole United States is the direct descendant of Manasseh, based on the interpretation that Jacob had said these two tribes would become the most supreme nations in the world.[citation needed]
The Church of Jesus Christ of Latter-day Saints (LDS Church) believes a significant portion of its members to be descended from or adopted into the tribe of Ephraim, arguing that they are charged with restoring the lost tribes in the latter days as prophesied by Isaiah, and that the tribes of both Ephraim and Judah will play important leadership roles for covenant Israel in the last days; some believe that this would be the fulfilment of part of the Blessing of Jacob, where it states that Joseph is a fruitful bough, even a fruitful bough by a well; whose branches run over the wall (Genesis 49:22, interpreting the "wall" as the ocean).[36]
Notes
^ For the etymology, see Robert D. Miller (2000). David Noel Freedman; Allen C. Myers; Allen C. Beck, eds. "Ephraim," Eerdmans Dictionary of the Bible. W.B. Eerdmans. p. 416. ISBN 978-0-8028-2400-4.
^ Alan David Crown; Reinhard Plummer; Abraham Tal, eds. (1993). A Companion to Samaritan Studies. Mohr Siebeck. p. 85. ISBN 978-3-16-145666-4.
^ Genesis 41:50-52, Genesis 30.
^ Numbers 13:8 and 1 Chronicles 7:20-27
^ Lester L. Grabbe (1 January 2000). "Writing Israel's History at the End of the Twentieth Century". International Organization for the Study of the Old Testament: Congress Volume Oslo 1998. Supplements to Vetus testamentum. BRILL. p. 210. ISBN 90-04-11598-6. Retrieved 15 January 2017.
^ On both datings, see Finkelstein, Israel (2013). The Forgotten Kingdom: the archaeology and history of Northern Israel (PDF). Atlanta: Society of Biblical Literature. p. 51. ISBN 978-1-58983-911-3.
^ Finkelstein, Israel (2013). The Forgotten Kingdom: the archaeology and history of Northern Israel (PDF). Atlanta: Society of Biblical Literature. p. 51. ISBN 978-1-58983-911-3.
^ For the biblical account, see 1 Kings 11:26
^ On the date of Jeroboam I, seeFinkelstein, Israel (2013). The Forgotten Kingdom: the archaeology and history of Northern Israel (PDF). Atlanta: Society of Biblical Literature. p. 64. ISBN 978-1-58983-911-3.
^ Kitchen, Kenneth A. (2003), "On the Reliability of the Old Testament" (Grand Rapids, Michigan. William B. Eerdmans Publishing Company)(ISBN 0-8028-4960-1)
^ “Besides the rejection of the Albrightian ‘conquest' model, the general consensus among OT scholars is that the Book of Joshua has no value in the historical reconstruction. They see the book as an ideological retrojection from a later period — either as early as the reign of Josiah or as late as the Hasmonean period.” K. Lawson Younger, Jr. (1 October 2004). "Early Israel in Recent Biblical Scholarship". In David W. Baker; Bill T. Arnold. The Face of Old Testament Studies: A Survey of Contemporary Approaches. Baker Academic. p. 200. ISBN 978-0-8010-2871-7.
^ ”It behooves us to ask, in spite of the fact that the overwhelming consensus of modern scholarship is that Joshua is a pious fiction composed by the deuteronomistic school, how does and how has the Jewish community dealt with these foundational narratives, saturated as they are with acts of violence against others?" Carl S. Ehrlich (1999). "Joshua, Judaism and Genocide". Jewish Studies at the Turn of the Twentieth Century, Volume 1: Biblical, Rabbinical, and Medieval Studies. BRILL. p. 117. ISBN 90-04-11554-4.
^ ”Recent decades, for example, have seen a remarkable reevaluation of evidence concerning the conquest of the land of Canaan by Joshua. As more sites have been excavated, there has been a growing consensus that the main story of Joshua, that of a speedy and complete conquest (e.g. Josh. 11.23: 'Thus Joshua conquered the whole country, just as the LORD had promised Moses') is contradicted by the archaeological record, though there are indications of some destruction and conquest at the appropriate time.Adele Berlin; Marc Zvi Brettler (17 October 2014). The Jewish Study Bible: Second Edition. Oxford University Press. p. 951. ISBN 978-0-19-939387-9.
^ Hosea 9:13
^ Genesis 49:22
^ Deuteronomy 33:13-16
^ Isaiah 28:1
^ a b c d e f g h i j Jewish Encyclopedia
^ Joshua 18:11-28
^ 2 Chronicles 13:17-19
^ Joshua 18:20-28, esp 23
^ Carta's Official Guide to Israel and Complete Gazetteer to all Sites in the Holy Land (3rd edition 1993), Jerusalem
^ Carta's Official Guide to Israel, Jerusalem 1983, p. 99. Beitin, identified as Bethel, is now an Arab village 4 km. NE of Ramallah. Burj Beitin, the ruins of its ancient settlement, lay within the boundaries of Beitin village.
^ Joshua 16:1 et seq.
^ Joshua 16:10
^ Charles Clermont-Ganneau, Archaeological Researches in Palestine during the Years 1873-1874, vol. II, London 1896, p. 275 (Translated from the original French by John MacFarlane)
^ The Itinerary of Benjamin of Tudela, (ed. Marcus Nathan Adler), Oxford University Press, London 1907, p. 27
^ Genesis 30
^ a b c d e Peake's commentary on the Bible
^ Genesis 48:13-20
^ e.g. Joshua 17:14-18
^ Israel Finkelstein, The Bible Unearthed
^ 2 Chronicles 15:8-11
^ 2 Chronicles 30:1, 30:10, 30:18, 34:6, 34:9
^ ‘Lost tribe of Israel’ found in southern India, Canadian Jewish News, 7 October 2010
^ McConkie, Bruce R., The Millennial Messiah, 1982, Chapter 16.
ReferencesEdit
McConkie, Bruce R, The Millennial Messiah, 1982, Chapter 16.
This article incorporates text from a publication now in the public domain: Easton, Matthew George (1897). "article name needed". Easton's Bible Dictionary (New and revised ed.). T. Nelson and Sons.
O deputado federal Jaiminho Martins e autoridades entregaram na última sexta-feira (11), mais uma unidade de atendimento do Instituto Nacional do Seguro Social (INSS) à população do Centro-Oeste Mineiro. Desta vez, na cidade de Cláudio, onde foi realizada a solenidade de inauguração às 11h, na sede da Agência da Previdência Social, com a presença do procurador-geral da Advocacia da União, Alessandro Antônio Stefanutto, representando a Presidência do INSS, da superintendente regional do INSS, Maria Alice Rocha Silva, do gerente-executivo em Divinópolis, Alexandre Alves Gomes, do prefeito de Cláudio, Adalberto Rodrigues da Fonseca, além de autoridades locais e servidores do INSS.
Bandera representativa de la Conga Los Hoyos del siglo pasado.
La Conga es la expresión artística más emblemática y extendida de Santiago de Cuba durante los Carnavales. En ella convergen ritmos afrocubanos con influencias europeas y asiáticas, creando una vibrante fusión cultural. Los instrumentos esenciales de la Conga incluyen tambores, campanas y la distintiva corneta china, que aporta un sonido único. Mientras los músicos recorren las calles tocando con energía, cientos de personas se unen al cortejo, bailando y entonando estribillos populares que resuenan en la celebración. En Santiago de Cuba destacan varias comparsas de Conga, entre ellas Paso Franco, San Agustín, San Pedrito y, especialmente, Los Hoyos, la más célebre y antigua, fundada en julio de 1902.
The Conga is the most iconic and widespread artistic expression in Santiago de Cuba during Carnival. It blends Afro-Cuban rhythms with European and Asian influences, creating a vibrant cultural fusion. The essential instruments of the Conga include drums, bells, and the distinctive Chinese cornet, which adds a unique sound. As musicians march through the streets playing with energy, hundreds of people join the procession, dancing and singing popular refrains that echo through the celebration. In Santiago de Cuba, several Conga comparsas stand out, including Paso Franco, San Agustín, San Pedrito, and, most notably, Los Hoyos, the most famous and oldest, founded in July 1902.
© Guenter
Angkor Wat or "Capital Temple" is a temple complex in Cambodia and the largest religious monument in the world. It was first a Hindu and later a Buddhist temple. It was built by the Khmer King Suryavarman II in the early 12th century in Yaśodharapura, present-day Angkor, the capital of the Khmer Empire, as his state temple and eventual mausoleum.
Breaking from the Shiva tradition of previous kings, Angkor Wat was instead dedicated to Vishnu. As the best-preserved temple at the site, it is the only one to have remained a significant religious center since its foundation. The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors. Angkor Wat combines two basic plans of Khmer temple architecture: the temple-mountain and the later galleried temple, based on early Dravidian architecture, with key features such as the Jagati. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas adorning its walls.
The modern name, Angkor Wat, means "Temple City" or "City of Temples" in Khmer; Angkor, meaning "city" or "capital city", is a vernacular form of the word nokor (នគរ), which comes from the Sanskrit word nagara (नगर). Wat is the Khmer word for "temple grounds" (Sanskrit: वाट vāṭa ""enclosure").
HISTORY
Angkor Wat lies 5.5 kilometres north of the modern town of Siem Reap, and a short distance south and slightly east of the previous capital, which was centred at Baphuon. It is in an area of Cambodia where there is an important group of ancient structures. It is the southernmost of Angkor's main sites.
According to one legend, the construction of Angkor Wat was ordered by Indra to act as a palace for his son Precha Ket Mealea.
According to the 13th century Chinese traveler Daguan Zhou, it was believed by some that the temple was constructed in a single night by a divine architect. The initial design and construction of the temple took place in the first half of the 12th century, during the reign of Suryavarman II (ruled 1113-C. 1150). Dedicated to Vishnu, it was built as the king's state temple and capital city. As neither the foundation stela nor any contemporary inscriptions referring to the temple have been found, its original name is unknown, but it may have been known as "Varah Vishnu-lok" after the presiding deity. Work seems to have ended shortly after the king's death, leaving some of the bas-relief decoration unfinished.
In 1177, approximately 27 years after the death of Suryavarman II, Angkor was sacked by the Chams, the traditional enemies of the Khmer. Thereafter the empire was restored by a new king, Jayavarman VII, who established a new capital and state temple (Angkor Thom and the Bayon respectively) a few kilometers to the north.
In the late 13th century, Angkor Wat gradually moved from Hindu to Theravada Buddhist use, which continues to the present day. Angkor Wat is unusual among the Angkor temples in that although it was somewhat neglected after the 16th century it was never completely abandoned, its preservation being due in part to the fact that its moat also provided some protection from encroachment by the jungle.
One of the first Western visitors to the temple was António da Madalena, a Portuguese monk who visited in 1586 and said that it "is of such extraordinary construction that it is not possible to describe it with a pen, particularly since it is like no other building in the world. It has towers and decoration and all the refinements which the human genius can conceive of."
In the mid-19th century, the temple was visited by the French naturalist and explorer, Henri Mouhot, who popularised the site in the West through the publication of travel notes, in which he wrote:
"One of these temples - a rival to that of Solomon, and erected by some ancient Michelangelo - might take an honorable place beside our most beautiful buildings. It is grander than anything left to us by Greece or Rome, and presents a sad contrast to the state of barbarism in which the nation is now plunged."
Mouhot, like other early Western visitors, found it difficult to believe that the Khmers could have built the temple, and mistakenly dated it to around the same era as Rome. The true history of Angkor Wat was pieced together only from stylistic and epigraphic evidence accumulated during the subsequent clearing and restoration work carried out across the whole Angkor site. There were no ordinary dwellings or houses or other signs of settlement including cooking utensils, weapons, or items of clothing usually found at ancient sites. Instead there is the evidence of the monuments themselves.
Angkor Wat required considerable restoration in the 20th century, mainly the removal of accumulated earth and vegetation. Work was interrupted by the civil war and Khmer Rouge control of the country during the 1970s and 1980s, but relatively little damage was done during this period other than the theft and destruction of mostly post-Angkorian statues.The temple is a powerful symbol of Cambodia, and is a source of great national pride that has factored into Cambodia's diplomatic relations with France, the United States and its neighbor Thailand. A depiction of Angkor Wat has been a part of Cambodian national flags since the introduction of the first version circa 1863. From a larger historical and even transcultural perspective, however, the temple of Angkor Wat did not become a symbol of national pride sui generis but had been inscribed into a larger politico-cultural process of French-colonial heritage production in which the original temple site was presented in French colonial and universal exhibitions in Paris and Marseille between 1889 and 1937. Angkor Wat's aesthetics were also on display in the plaster cast museum of Louis Delaporte called musée Indo-chinois which existed in the Parisian Trocadero Palace from C. 1880 to the mid-1920s. The splendid artistic legacy of Angkor Wat and other Khmer monuments in the Angkor region led directly to France adopting Cambodia as a protectorate on 11 August 1863 and invading Siam to take control of the ruins. This quickly led to Cambodia reclaiming lands in the northwestern corner of the country that had been under Siamese (Thai) control since 1351 AD (Manich Jumsai 2001), or by some accounts, 1431 AD. Cambodia gained independence from France on 9 November 1953 and has controlled Angkor Wat since that time.
ARCHITECTURE
SITE AND PLAN
Angkor Wat, located at 13°24′45″N 103°52′0″E, is a unique combination of the temple mountain, the standard design for the empire's state temples and the later plan of concentric galleries. The temple is a representation of Mount Meru, the home of the gods: the central quincunx of towers symbolises the five peaks of the mountain, and the walls and moat the surrounding mountain ranges and ocean. Access to the upper areas of the temple was progressively more exclusive, with the laity being admitted only to the lowest level. Unlike most Khmer temples, Angkor Wat is oriented to the west rather than the east. This has led many (including Maurice Glaize and George Coedès) to conclude that Suryavarman intended it to serve as his funerary temple.Further evidence for this view is provided by the bas-reliefs, which proceed in a counter-clockwise direction - prasavya in Hindu terminology - as this is the reverse of the normal order. Rituals take place in reverse order during Brahminic funeral services. The archaeologist Charles Higham also describes a container which may have been a funerary jar which was recovered from the central tower. It has been nominated by some as the greatest expenditure of energy on the disposal of a corpse. Freeman and Jacques, however, note that several other temples of Angkor depart from the typical eastern orientation, and suggest that Angkor Wat's alignment was due to its dedication to Vishnu, who was associated with the west.
A further interpretation of Angkor Wat has been proposed by Eleanor Mannikka. Drawing on the temple's alignment and dimensions, and on the content and arrangement of the bas-reliefs, she argues that the structure represents a claimed new era of peace under King Suryavarman II: "as the measurements of solar and lunar time cycles were built into the sacred space of Angkor Wat, this divine mandate to rule was anchored to consecrated chambers and corridors meant to perpetuate the king's power and to honor and placate the deities manifest in the heavens above." Mannikka's suggestions have been received with a mixture of interest and scepticism in academic circles. She distances herself from the speculations of others, such as Graham Hancock, that Angkor Wat is part of a representation of the constellation Draco.
STYLE
Angkor Wat is the prime example of the classical style of Khmer architecture - the Angkor Wat style - to which it has given its name. By the 12th century Khmer architects had become skilled and confident in the use of sandstone (rather than brick or laterite) as the main building material. Most of the visible areas are of sandstone blocks, while laterite was used for the outer wall and for hidden structural parts. The binding agent used to join the blocks is yet to be identified, although natural resins or slaked lime has been suggested. The temple has drawn praise above all for the harmony of its design. According to Maurice Glaize, a mid-20th-century conservator of Angkor, the temple "attains a classic perfection by the restrained monumentality of its finely balanced elements and the precise arrangement of its proportions. It is a work of power, unity and style." Architecturally, the elements characteristic of the style include: the ogival, redented towers shaped like lotus buds; half-galleries to broaden passageways; axial galleries connecting enclosures; and the cruciform terraces which appear along the main axis of the temple. Typical decorative elements are devatas (or apsaras), bas-reliefs, and on pediments extensive garlands and narrative scenes. The statuary of Angkor Wat is considered conservative, being more static and less graceful than earlier work. Other elements of the design have been destroyed by looting and the passage of time, including gilded stucco on the towers, gilding on some figures on the bas-reliefs, and wooden ceiling panels and doors.
FEATURES
OUTER ENCLOSURE
The outer wall, 1024 by 802 m and 4.5 m high, is surrounded by a 30 m apron of open ground and a moat 190 m wide. Access to the temple is by an earth bank to the east and a sandstone causeway to the west; the latter, the main entrance, is a later addition, possibly replacing a wooden bridge. There are gopuras at each of the cardinal points; the western is by far the largest and has three ruined towers. Glaize notes that this gopura both hides and echoes the form of the temple proper. Under the southern tower is a statue of Vishnu, known as Ta Reach, which may originally have occupied the temple's central shrine.Galleries run between the towers and as far as two further entrances on either side of the gopura often referred to as "elephant gates", as they are large enough to admit those animals. These galleries have square pillars on the outer (west) side and a closed wall on the inner (east) side. The ceiling between the pillars is decorated with lotus rosettes; the west face of the wall with dancing figures; and the east face of the wall with balustered windows, dancing male figures on prancing animals, and devatas, including (south of the entrance) the only one in the temple to be showing her teeth. The outer wall encloses a space of 820,000 square metres, which besides the temple proper was originally occupied by the city and, to the north of the temple, the royal palace. Like all secular buildings of Angkor, these were built of perishable materials rather than of stone, so nothing remains of them except the outlines of some of the streets. Most of the area is now covered by forest. A 350 m causeway connects the western gopura to the temple proper, with naga balustrades and six sets of steps leading down to the city on either side. Each side also features a library with entrances at each cardinal point, in front of the third set of stairs from the entrance, and a pond between the library and the temple itself. The ponds are later additions to the design, as is the cruciform terrace guarded by lions connecting the causeway to the central structure.
CENTRAL STRUCTURE
The temple stands on a terrace raised higher than the city. It is made of three rectangular galleries rising to a central tower, each level higher than the last. Mannikka interprets these galleries as being dedicated to the king, Brahma, the moon, and Vishnu.
Each gallery has a gopura at each of the points, and the two inner galleries each have towers at their corners, forming a quincunx with the central tower. Because the temple faces west, the features are all set back towards the east, leaving more space to be filled in each enclosure and gallery on the west side; for the same reason the west-facing steps are shallower than those on the other sides.
The outer gallery measures 187 by 215 m, with pavilions rather than towers at the corners. The gallery is open to the outside of the temple, with columned half-galleries extending and buttressing the structure. Connecting the outer gallery to the second enclosure on the west side is a cruciform cloister called Preah Poan (the "Hall of a Thousand Gods"). Buddha images were left in the cloister by pilgrims over the centuries, although most have now been removed. This area has many inscriptions relating the good deeds of pilgrims, most written in Khmer but others in Burmese and Japanese. The four small courtyards marked out by the cloister may originally have been filled with water.
North and south of the cloister are libraries.
Beyond, the second and inner galleries are connected to each other and to two flanking libraries by another cruciform terrace, again a later addition. From the second level upwards, devatas abound on the walls, singly or in groups of up to four. The second-level enclosure is 100 by 115 m, and may originally have been flooded to represent the ocean around Mount Meru.
Three sets of steps on each side lead up to the corner towers and gopuras of the inner gallery. The very steep stairways represent the difficulty of ascending to the kingdom of the gods. This inner gallery, called the Bakan, is a 60 m square with axial galleries connecting each gopura with the central shrine, and subsidiary shrines located below the corner towers. The roofings of the galleries are decorated with the motif of the body of a snake ending in the heads of lions or garudas. Carved lintels and pediments decorate the entrances to the galleries and to the shrines. The tower above the central shrine rises 43 m to a height of 65 m above the ground; unlike those of previous temple mountains, the central tower is raised above the surrounding four. The shrine itself, originally occupied by a statue of Vishnu and open on each side, was walled in when the temple was converted to Theravada Buddhism, the new walls featuring standing Buddhas. In 1934, the conservator George Trouvé excavated the pit beneath the central shrine: filled with sand and water it had already been robbed of its treasure, but he did find a sacred foundation deposit of gold leaf two metres above ground level.
DECORATION
Integrated with the architecture of the building, and one of the causes for its fame is Angkor Wat's extensive decoration, which predominantly takes the form of bas-relief friezes. The inner walls of the outer gallery bear a series of large-scale scenes mainly depicting episodes from the Hindu epics the Ramayana and the Mahabharata. Higham has called these, "the greatest known linear arrangement of stone carving".
From the north-west corner anti-clockwise, the western gallery shows the Battle of Lanka (from the Ramayana, in which Rama defeats Ravana) and the Battle of Kurukshetra (from the Mahabharata, showing the mutual annihilation of the Kaurava and Pandava clans). On the southern gallery follow the only historical scene, a procession of Suryavarman II, then the 32 hells and 37 heavens of Hindu mythology.
On the eastern gallery is one of the most celebrated scenes, the Churning of the Sea of Milk, showing 92 asuras and 88 devas using the serpent Vasuki to churn the sea under Vishnu's direction (Mannikka counts only 91 asuras, and explains the asymmetrical numbers as representing the number of days from the winter solstice to the spring equinox, and from the equinox to the summer solstice). It is followed by Vishnu defeating asuras (a 16th-century addition). The northern gallery shows Krishna's victory over Bana (where according to Glaize, "The workmanship is at its worst"). and a battle between the Hindu gods and asuras. The north-west and south-west corner pavilions both feature much smaller-scale scenes, some unidentified but most from the Ramayana or the life of Krishna. Angkor Wat is decorated with depictions of apsaras and devata; there are more than 1,796 depictions of devata in the present research inventory. Angkor Wat architects employed small apsara images (30–40 cm) as decorative motifs on pillars and walls. They incorporated larger devata images (all full-body portraits measuring approximately 95–110 cm) more prominently at every level of the temple from the entry pavilion to the tops of the high towers. In 1927, Sappho Marchal published a study cataloging the remarkable diversity of their hair, headdresses, garments, stance, jewelry and decorative flowers, which Marchal concluded were based on actual practices of the Angkor period.
CONSTRUCTION TECHNIQUES
The stones, as smooth as polished marble, were laid without mortar with very tight joints that are sometimes hard to find. The blocks were held together by mortise and tenon joints in some cases, while in others they used dovetails and gravity. The blocks were presumably put in place by a combination of elephants, coir ropes, pulleys and bamboo scaffolding. Henri Mouhot noted that most of the blocks had holes 2.5 cm in diameter and 3 cm deep, with more holes on the larger blocks. Some scholars have suggested that these were used to join them together with iron rods, but others claim they were used to hold temporary pegs to help manoeuvre them into place. The monument was made out of millions of tonnes of sandstone and it has a greater volume as well as mass than the Great Pyramid of Giza in Egypt. The Angkor Wat Temple consumes about 6 million to 10 million blocks of sandstone with an average weight of 1.5 tons each. In fact, the entire city of Angkor used up far greater amounts of stone than all the Egyptian pyramids combined, and occupied an area significantly greater than modern-day Paris. Moreover, unlike the Egyptian pyramids which use limestone quarried barely half a km away all the time, the entire city of Angkor was built with sandstone quarried 40 km (or more) away. This sandstone had to be transported from Mount Kulen, a quarry approximately 40 km to the northeast. The route has been suggested to span 35 kilometres along a canal towards Tonlé Sap lake, another 35 kilometres crossing the lake, and finally 15 kilometres upstream and against the current along Siem Reap River, making a total journey of 90 kilometres. However, Etsuo Uchida and Ichita Shimoda of Waseda University in Tokyo, Japan have discovered in 2012 a shorter 35-kilometre canal connecting Mount Kulen and Angkor Wat using satellite imagery. The two believe that the Khmer used this route instead.
Virtually all of its surfaces, columns, lintels even roofs are carved. There are miles of reliefs illustrating scenes from Indian literature including unicorns, griffins, winged dragons pulling chariots as well as warriors following an elephant-mounted leader and celestial dancing girls with elaborate hair styles. The gallery wall alone is decorated with almost 1000 square metres of bas reliefs. Holes on some of the Angkor walls indicate that they may have been decorated with bronze sheets. These were highly prized in ancient times and were a prime target for robbers. While excavating Khajuraho, Alex Evans, a stonemason and sculptor, recreated a stone sculpture under 1.2 m, this took about 60 days to carve. Roger Hopkins and Mark Lehner also conducted experiments to quarry limestone which took 12 quarrymen 22 days to quarry about 400 tons of stone. The labor force to quarry, transport, carve and install so much sandstone must have run into the thousands including many highly skilled artisans. The skills required to carve these sculptures were developed hundreds of years earlier, as demonstrated by some artifacts that have been dated to the seventh century, before the Khmer came to power.
ANGKOR WAT TODAY
The Archaeological Survey of India carried out restoration work on the temple between 1986 and 1992. Since the 1990s, Angkor Wat has seen continued conservation efforts and a massive increase in tourism. The temple is part of the Angkor World Heritage Site, established in 1992, which has provided some funding and has encouraged the Cambodian government to protect the site. The German Apsara Conservation Project (GACP) is working to protect the devatas and other bas-reliefs which decorate the temple from damage. The organisation's survey found that around 20% of the devatas were in very poor condition, mainly because of natural erosion and deterioration of the stone but in part also due to earlier restoration efforts. Other work involves the repair of collapsed sections of the structure, and prevention of further collapse: the west facade of the upper level, for example, has been buttressed by scaffolding since 2002, while a Japanese team completed restoration of the north library of the outer enclosure in 2005. World Monuments Fund began conservation work on the Churning of the Sea of Milk Gallery in 2008 after several years of conditions studies. The project restored the traditional Khmer roofing system and removed cement used in earlier restoration attempts that had resulted in salts entering the structure behind the bas-relief, discoloring and damaging the sculpted surfaces. The main phase of work ended in 2012, and the final component will be the installation of finials on the roof of the gallery in 2013. Microbial biofilms have been found degrading sandstone at Angkor Wat, Preah Khan, and the Bayon and West Prasat in Angkor. The dehydration and radiation resistant filamentous cyanobacteria can produce organic acids that degrade the stone. A dark filamentous fungus was found in internal and external Preah Khan samples, while the alga Trentepohlia was found only in samples taken from external, pink-stained stone at Preah Khan. Angkor Wat has become a major tourist destination. In 2004 and 2005, government figures suggest that, respectively, 561.000 and 677.000 foreign visitors arrived in Siem Reap province, approximately 50% of all foreign tourists in Cambodia for both years. The site has been managed by the private SOKIMEX group since 1990, which rented it from the Cambodian government. The influx of tourists has so far caused relatively little damage, other than some graffiti; ropes and wooden steps have been introduced to protect the bas-reliefs and floors, respectively. Tourism has also provided some additional funds for maintenance - as of 2000 approximately 28% of ticket revenues across the whole Angkor site was spent on the temples - although most work is carried out by foreign government-sponsored teams rather than by the Cambodian authorities. Since Angkor Wat has seen significant growth in tourism throughout the years UNESCO and its International Co-ordinating Committee for the Safeguarding and Development of the Historic Site of Angkor (ICC), in association with representatives from the Royal Government and APSARA, organized seminars to discuss the concept of "cultural tourism". Wanting to avoid commercial and mass tourism, the seminars emphasized the importance of providing high quality accommodation and services in order for the Cambodian government to benefit economically, while also incorporating the richness of Cambodian culture. In 2001, this incentive resulted in the concept of the "Angkor Tourist City" which would be developed with regard to traditional Khmer architecture, contain leisure and tourist facilities, and provide luxurious hotels capable of accommodating large amounts of tourists. The prospect of developing such large tourist accommodations has encountered concerns from both APSARA and the ICC, claiming that previous tourism developments in the area have neglected construction regulations and more of these projects have the potential to damage landscape features. Also, the large scale of these projects have begun to threaten the quality of the nearby town's water, sewage, and electricity systems. It has been noted that such high frequency of tourism and growing demand for quality accommodations in the area, such as the development of a large highway, has had a direct effect on the underground water table, subsequently straining the structural stability of the temples at Angkor Wat. Locals of Siem Reap have also voiced concern over the charming nature and atmosphere of their town being compromised in order to entertain tourism. Since this charming local atmosphere is the key component to projects like Angkor Tourist City, local officials continue to discuss how to successfully incorporate future tourism without sacrificing local values and culture. At the ASEAN Tourism Forum 2012, both parties have agreed Borobudur and Angkor Wat to become sister sites and the provinces will become sister provinces. Two Indonesian airlines are considering the opportunity to open a direct flight from Yogyakarta, Indonesia to Siem Reap.
WIKIPEDIA
Rising from one pillar in the centre of an elegantly square shaped lotus pond, The One Pillar Pagoda in Hanoi is said to represent a lotus flower growing up out of the water. Built between the years of 1028 and1054 during the reign of Emperor Ly Thai Tong of the Ly Dynasty, this Pagoda is one of Vietnam’s most iconic temples.
KIDAL, le 28 juin 2013. Le Représentant spécial du Secrétaire général et chef de la MINUSMA, Bert Koenders, s’est rendu aujourd’hui à Kidal, en compagnie du Haut Représentant de l’Union africaine et chef de la MISMA, M. Pierre Buyoya, dans le cadre d’une rencontre avec l’amenokal de Kidal (le chef traditionnel) Intalla Ag Attaher, des représentants du Mouvement National de Libération de l’Azawad (MNLA), du Haut Conseil pour l’unité de l’Azawad (HCUA) ainsi que des membres de la société civile.
Au cours de ces discussions, le RSSG a tenu à rappeler l’importance de l’accord préliminaire de paix signé récemment à Ouagadougou.
Photo: MINUSMA / Olivier Salgado
O deputado federal Jaiminho Martins e autoridades entregaram na última sexta-feira (11), mais uma unidade de atendimento do Instituto Nacional do Seguro Social (INSS) à população do Centro-Oeste Mineiro. Desta vez, na cidade de Cláudio, onde foi realizada a solenidade de inauguração às 11h, na sede da Agência da Previdência Social, com a presença do procurador-geral da Advocacia da União, Alessandro Antônio Stefanutto, representando a Presidência do INSS, da superintendente regional do INSS, Maria Alice Rocha Silva, do gerente-executivo em Divinópolis, Alexandre Alves Gomes, do prefeito de Cláudio, Adalberto Rodrigues da Fonseca, além de autoridades locais e servidores do INSS.
Subido el 30 de June del 2020
El presidente Danilo Medina recibió hoy en el Palacio Nacional a observadores electorales de la Organización de los Estados Americanos (OEA) y sostuvo una
videoconferencia con el expresidente chileno y jefe de la misión, Eduardo Frei Ruiz-Tagle.
Enlace noticia:
gobiernodanilomedina.do/noticias/presidente-danilo-medina...
Representing the UK on the world stage, the GTE Aston Martin Vantages with their unique Union Flag Badge
Stop the War Coalition "Stop Bombing Libya" protest at Parliament, 28.06.2011
Activists representing Stop the War Coalition, the Campaign for Nuclear Disarmament and Libyans opposed to the targeted destruction of their country's vital infrastructure and the continued slaughter of large numbers of civilians - cold-bloodedly referred to as "Collateral Damage" by the Warmongers directing the massive attacks - by NATO forces, protested in Old Palace Yard opposite Parliament calling for an end to the brutal, massive aerial bombing campaign being waged against them by the USA and NATO, who lied to the World by claiming their involvement was only ever going to be a short campaign to establish a no-fly zone in the rebel-held East of Libya, and only to "protect innocent civilians".
To this end on February 15th 2011 the United Nations Security Council passed Resolution 1973 which authorized an internationally organised no-fly zone. Next thing we know, on March 18th, Barack Obama announces that NATO has taken over the operation from the United Nations, and gradually (as predicted) it is now admitted freely by the USA, NATO and our own William Hague that the mission is actually to kill Colonel Gaddafi. Without a shadow of a doubt this war against Libya flagrantly disregards International Law. It is yet another illegal war launched by the USA against another (coincidentally) oil-rich sovereign state which was posing no threat to the USA whatsoever. The UK government has the same blood on its hands as does the USA.
It is a good indicator of the degree to which we have been lied to as a nation by David Cameron, his ministers and "special advisers" in the concentrated media propaganda storm of distortions, myths and blatant lies neccessary to convince the British Public that this illegal war has some kind of moral justification. We were initially told this operation would be over in weeks and would be a bargain at "tens of millions of pounds". Over four months later the government has admitted that the cost so far has been "About a quarter of a billion pounds", from which we can safely assume we're probably looking at closer to half a billion pounds at least, with no end in sight.
It is estimated that the first day of operations in Liby cost the USA alone $1 billion.
Meanwhile back in the UK the Disabled are having their paltry benefits slashed or even cut completely, libraries, community centres, day care centres for the elderly and many other vital public amenities are being closed by Cameron's Caring Conservatives because (apparently) the coffers are empty. Public Sector workers are under sustained government propaganda attacks, and have just been told that their pensions are now not going to be enough to live on when they retire, they have to contribute much more into them, and they all have to work several years longer to even get it.
Just so you know, a Sidewinder missile costs at least £85,000, and a much sexier AmRam missile rolls out at over £500,000 of British taxpayer's money. It has been almost impossible to force the Ministry of Defence to give a reliable figure for the quantities of high-tech ordnance that has been dropped on Libya, nor how much of that ordnance contained Depleted Uranium. The only thing we can be sure of is that the government will tell us lie after lie after lie.
I attended a public meeting this evening in the House of Commons where we were told by anti-war MP Paul Flynn that the government is trying to prevent the reading out of dead military personnel's names in Parliament because it makes so many MPs uncomfortable to hear them, and to have to face the fact that real human beings with voting-aged families and friends are dying because of their vicious belligerence. Similarly the Ministry of Defence is about to stop military funeral corteges from driving through the Wiltshire town of Wooton Basset which has become a very public focus for the great number of dead soldiers passing through its main road. They are planning a different route for the coffins from RAF Brize Norton where they are brought back home to be buried by their families and loved ones, so the public soon forgets all about the cost of these Oil Wars. Out of sight, out of mind. George Bush would be proud of us. How psychopathically stone-hearted is that?
Our brave William Hague announced this week that "The UK is in Libya for the long haul".
Gaddafi is without doubt a brutal dictator, and the insurgents from the Eastern tribes who took their cues from the Arab Spring victories to launch a civil war to try and free themselves from Gaddafi's cruelty and brutality against them are understandably anxious to be free of him and his equally violent sons, though Amnesty international and Human Rights Watch have reported many atrocities and war crimes being carried out by the rebel fighters too, and no-one seems to be asking what unimaginable violence will be expedited against the Western Libyans once the Eastern rebels - now supported by overwhelming Western military might - without whose intervention their civil war would undoubtedly have been short and violent - overwhelm Tripoli. Let's not kid ourselves that it's going to be a clean transition, because it's not. There will be a bloodbath of huge proportions as revenge is taken against all those women, children and their parents. NATO will, of course, help to sweep all that under the carpet whilst the oil companies help themselves to Libya's most desirable asset.
I hope that what comes next will haunt William Hague's tormented nightmares for the rest of his life...
All photos © 2011 Pete Riches
Do not reproduce, alter or reblog my images without my permission.
Hi-Res versions of these files are available on application
REPRESENT Festival Tübingen 2016 im Sudhaus, Tag 2
2016 Michael Lamertz
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Time: 21:2943
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Chinese journalists Jenny (Urumqi Evening News ) and Miller (QQ.com) _0361
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RECIPE TO SAVE THE WORLD
*************************
Start now and share the 3 finger "Peace Plus One" Sustainability Symbol with those you love and care about. We only have one life-sustaining planet... what are you doing to keep it liveable?
It's really EASY!
Understand that the Sustainability Symbol represents a PERSONAL INTEREST in living a good and prosperous life - a life of balance in 3 dimensions - Society, the Environment and the Economy - or if you like "People, Planet and Profit" ... and share the Sustainability Symbol and its meaning with at least 3 friends..
... that's it! that's all you have to do!
*************************
RECIPE FOR "PEACE PLUS ONE"
www.PeacePlusOne.com (English)
*************************
1.) Make the "Peace" sign in the old boring way,
2.) add ONE finger,
voila!
3.) Peace, Plus One... the 3 finger Sustainability Salute! Cool!
(Now get someone to take a photo of you, and add it to your online photo account... tell us about it and we'll share the link!)
*************************
BE A CLIMATE CHANGE AGENT
- - - - ---- - - - - -
BECOME A CLIMATE CHANGE AMBASSADOR
*************************
If you would like to learn more, and become a Climate Change Agent (or even be appointed a Climate Change Ambassador for your country!!) check out
or
Leave the train wreck behind, stop thinking with a negative, disaster mentality...- take control of your life, and spread the good news that WE the People will make the new sustainable world happen.
We'll do it by sharing meaningful ideas,
we'll do it by cooperating with each other,
we'll do it by becoming our own leaders and decision-makers,
and following what we know is right for us and for the world.
*************************
WEALTH , WISDOM, WELLNESS
*************************
Participate with the Institute for Sustainable Development in Commerce,
and we'll help you get a better job, live healthier and longer,
be respected and admired by everyone around you,
and PROFIT BY BEING PART OF THE SOLUTION, not the problem.
Other sites where you can find information on Climate Change Agents and the history of the Sustainability Symbol:
www.PeacePlusOne.cn (Chinese)
www.PeacePlusOne.com (English)
Rolling Climate Change Agents share "Pe
*************************
RECIPE TO SAVE THE WORLD
*************************
Start now and share the 3 finger "Peace Plus One" Sustainability Symbol with those you love and care about. We only have one life-sustaining planet... what are you doing to keep it liveable?
It's really EASY!
Understand that the Sustainability Symbol represents a PERSONAL INTEREST in living a good and prosperous life - a life of balance in 3 dimensions - Society, the Environment and the Economy - or if you like "People, Planet and Profit" ... and share the Sustainability Symbol and its meaning with at least 3 friends..
... that's it! that's all you have to do!
*************************
RECIPE FOR "PEACE PLUS ONE"
www.PeacePlusOne.com (English)
*************************
1.) Make the "Peace" sign in the old boring way,
2.) add ONE finger,
voila!
3.) Peace, Plus One... the 3 finger Sustainability Salute! Cool!
(Now get someone to take a photo of you, and add it to your online photo account... tell us about it and we'll share the link!)
*************************
BE A CLIMATE CHANGE AGENT
- - - - ---- - - - - -
BECOME A CLIMATE CHANGE AMBASSADOR
*************************
If you would like to learn more, and become a Climate Change Agent (or even be appointed a Climate Change Ambassador for your country!!) check out
or
Leave the train wreck behind, stop thinking with a negative, disaster mentality...- take control of your life, and spread the good news that WE the People will make the new sustainable world happen.
We'll do it by sharing meaningful ideas,
we'll do it by cooperating with each other,
we'll do it by becoming our own leaders and decision-makers,
and following what we know is right for us and for the world.
*************************
WEALTH , WISDOM, WELLNESS
*************************
Participate with the Institute for Sustainable Development in Commerce,
and we'll help you get a better job, live healthier and longer,
be respected and admired by everyone around you,
and PROFIT BY BEING PART OF THE SOLUTION, not the problem.
Other sites where you can find information on Climate Change Agents and the history of the Sustainability Symbol:
www.PeacePlusOne.cn (Chinese)
www.PeacePlusOne.com (English)
Rolling Climate Change Agents share "Peace Plus One" Sustainability Symbol as a message to the world that the Beijing Olympics are GREEN! Go Green Olympics! GO Be
*************************
RECIPE TO SAVE THE WORLD
*************************
Start now and share the 3 finger "Peace Plus One" Sustainability Symbol with those you love and care about. We only have one life-sustaining planet... what are you doing to keep it liveable?
It's really EASY!
Understand that the Sustainability Symbol represents a PERSONAL INTEREST in living a good and prosperous life - a life of balance in 3 dimensions - Society, the Environment and the Economy - or if you like "People, Planet and Profit" ... and share the Sustainability Symbol and its meaning with at least 3 friends..
... that's it! that's all you have to do!
*************************
RECIPE FOR "PEACE PLUS ONE"
www.PeacePlusOne.com (English)
*************************
1.) Make the "Peace" sign in the old boring way,
2.) add ONE finger,
voila!
3.) Peace, Plus One... the 3 finger Sustainability Salute! Cool!
(Now get someone to take a photo of you, and add it to your online photo account... tell us about it and we'll share the link!)
*************************
BE A CLIMATE CHANGE AGENT
- - - - ---- - - - - -
BECOME A CLIMATE CHANGE AMBASSADOR
*************************
If you would like to learn more, and become a Climate Change Agent (or even be appointed a Climate Change Ambassador for your country!!) check out
or
Leave the train wreck behind, stop thinking with a negative, disaster mentality...- take control of your life, and spread the good news that WE the People will make the new sustainable world happen.
We'll do it by sharing meaningful ideas,
we'll do it by cooperating with each other,
we'll do it by becoming our own leaders and decision-makers,
and following what we know is right for us and for the world.
*************************
WEALTH , WISDOM, WELLNESS
*************************
Participate with the Institute for Sustainable Development in Commerce,
and we'll help you get a better job, live healthier and longer,
be respected and admired by everyone around you,
and PROFIT BY BEING PART OF THE SOLUTION, not the problem.
Other sites where you can find information on Climate Change Agents and the history of the Sustainability Symbol:
www.PeacePlusOne.cn (Chinese)
www.PeacePlusOne.com (English)
Rolling Climate Change Agents share "Peace Plus One" Sustainability Symbol as a message to the world that the Beijing Olympics are GREEN! Go Green Olympics! GO Beijing, Go China!
*************************
RECIPE TO SAVE THE WORLD
*************************
Start now and share the 3 finger "Peace Plus One" Sustainability Symbol with those you love and care about. We only have one life-sustaining planet... what are you doing to keep it liveable?
It's really EASY!
Understand that the Sustainability Symbol represents a PERSONAL INTEREST in living a good and prosperous life - a life of balance in 3 dimensions - Society, the Environment and the Economy - or if you like "People, Planet and Profit" ... and share the Sustainability Symbol and its meaning with at least 3 friends..
... that's it! that's all you have to do!
*************************
RECIPE FOR "PEACE PLUS ONE"
www.PeacePlusOne.com (English)
*************************
1.) Make the "Peace" sign in the old boring way,
2.) add ONE finger,
voila!
3.) Peace, Plus One... the 3 finger Sustainability Salute! Cool!
(Now get someone to take a photo of you, and add it to your online photo account... tell us about it and we'll share the link!)
*************************
BE A CLIMATE CHANGE AGENT
- - - - ---- - - - - -
BECOME A CLIMATE CHANGE AMBASSADOR
*************************
If you would like to learn more, and become a Climate Change Agent (or even be appointed a Climate Change Ambassador for your country!!) check out
or
Leave the train wreck behind, stop thinking with a negative, disaster mentality...- take control of your life, and spread the good news that WE the People will make the new sustainable world happen.
We'll do it by sharing meaningful ideas,
we'll do it by cooperating with each other,
we'll do it by becoming our own leaders and decision-makers,
and following what we know is right for us and for the world.
*************************
WEALTH , WISDOM, WELLNESS
*************************
Participate with the Institute for Sustainable Development in Commerce,
and we'll help you get a better job, live healthier and longer,
be respected and admired by everyone around you,
and PROFIT BY BEING PART OF THE SOLUTION, not the problem.
Other sites where you can find information on Climate Change Agents and the history of the Sustainability Symbol:
www.PeacePlusOne.cn (Chinese)
www.PeacePlusOne.com (English)
Part of a Set / Slideshow of images of an installation called Dispersing Fashion by Stephanie Lawrence.
Dispersing Fashion
"Witness a time-based process of destruction that explores environmental issues."
An art installation comprising dresses made from a water dissolving material. Water slowly drips from bladders suspend above the dresses, and collects in shallow trays / pools.
By Stephanie Lawrence
BA (Hons.)
Performance and Visual Art: Dance
"My work is a manifestation of environmental politics; an expression of my concerns about deforestation that initiated from an inspirational trip to Malaysia / Borneo. One concern is the reluctance people have to use water efficiently, which
contributes to global warming and other environmental problems such as; the droughts we are experiencing in the UK.
Three dresses within the work act as a metaphor for the gradual destruction of the world we live in. The dripping taps we leave on in everyday life is represented through the three shower heads, which slowly destroy each dress revealing the damaging effects our everyday actions contribute to.
Over the two hour duration of the work you are encourage to revisit this steadily shifting environment.
The water used within this project will be recycled into the university pond after use."
This image / video is available under the indicated creative commons licence - subject to the approval of the artist(s) featured - and also subject to any additional conditions that the artist(s) may wish to apply.
2019 Christmas Windows Representing Games - The New York Historical Society with Folk Art Figures - Holidays Winter Christmas Windows at Bergdorf Goodman Department Store 5th Avenue NYC between 57th and 58th streets NYC holiday monster figures mannequins 12/08/2019 - December
Le Représentant spécial du Secrétaire général et chef de la MINUSMA, se félicite de la signature d'un accord préliminaire à l’élection présidentielle et aux pourparlers inclusifs de paix entre le Gouvernement du Mali, le Mouvement national pour la libération de l'Azawad (MNLA) et le Haut Conseil pour l'unité de l'Azawad, le 18 Juin à Ouagadougou, au Burkina Faso. MINUSMA / Blagoje Grujic
More than 180 Gr. 5 - 9 students representing 28 Island schools presented 142 Heritage Fair projects on Island and Canadian history. 15 finalists were named at the Closing Ceremonies. Her Honour LG Antoinette Perry, Deputy Minister Susan Willis, Chtown Mayor Philip Brown, and CEO Steve Bellamy addressed the students and congratulated them for their hard work and fantastic projects. In addtion to awards presented at the Closing by PEI Museum & Heritage Foundation, Parks Canada, Aboriginal Affairs Secretariat and the PEI Regiment Museum, more than 40 specialty theme-based prizes were awarded by community organizations.