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Holy Cross is the parish church of the town of Daventry, a classical-inspired building of rich local ironstone which was built to replace the previous medieval church in 1752-8 to the designs of David Hiorne. The exterior is dominated by the west tower and spire (a slightly odd design more like an obelisk crowned by an orb and cross) and remains unaltered since it was built aside from the addition of a small projecting west porch in the 1950s, designed so sympathetically that no one would suspect it wasn't part of the original design. The design might have looked a little severe had it not been for the warmth of the honey-coloured stonework and the softening effect of two and a half centuries of weathering.
Within the church looks quite different, all light with a white plaster finish and touches of gilding. It is very much a typical example of an English Baroque town church, a handsome affair with galleries on either side of the nave, reducing the aisles beneath to more lowly dimensions. The eye is drawn to the chancel beyond which has a fine reredos with early 20th century paintings of the three Marys and the Angel at the empty tomb flanked by Archangels. The 'Venetian' east window above has Victorian glass but otherwise most of the other windows have ornamental glazing (originally they would have been clear).
The church normally has only limited opening times outside of services, but I was lucky enough to find it open on a Saturday morning while a few parishoners were setting some stalls up and they fortunately didn't seem to mind my intrusion.
The new full-service medical center will replace the Robley Rex VA Medical Center off Zorn Avenue and will include 104 beds. A new feature will be a women's health clinic, complete with an imaging suite.
The $840 million construction contract was awarded to Walsh Construction, which says they expect the project to be complete in early 2026.
Replaced the bright red on the knee to match the powerfists. Finished the bone on his shoulder - but want to add another wash on the chest to help it pop. Did three layers of highlighting on the black armour and think I'll go one lighter on the very, very edge. Posted here for forum feedback of course.
Favela Chic - Santos/SP - 05.06.2009
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[ Foto por Tyello - http://www.flickr.com/photos/tyello ]
Replaced one window in the house and re=used it in the workshop. Three more windows are framed in, but have to wait till spring. The siding is too brittle to mess with.
Replacing worn out sign panels on a westbound gantry at J25 (Clyde Tunnel/Cardonald) on the M8. Works completed and L.E.D lighting switched on. www.glasgows-motorways.co.uk
Progress is slow for this project, this week I replaced the left rear door which had rust in the bottom. The replacement door has no rust, but, still needs to be prepared for paint like the rest of the car. I put new glass and window channels in this door prior to placing it on the car to check alignment. The doors will come back off for paint prep work when ready. 1950 Oldsmobile 98 models came with a rear vent glass, however, late 1950 models and 1951 had no vent glass. The doors I bought to use on this are 1951 model year, which are the same, with the exception of the vent glass. I had to go this route because the vents on the original doors needed new weatherstrip and unfortunately, no one makes a replacement weatherstrip for this model. Now the car will look like a late 1950 model, rather than the early model that it is. I don't care because it is not my intention to make a show car out of it.
Review LG LED IPS Monitor 23MP65HQ (LG 23EA63V replaced) An Phat PC by dtien87 ductien daoductien - www.anphatpc.com.vn
South Terrace, Pooraka, South Australia.
These vintage signals most likely date from the 1960's - 70's.
Have since been replaced by modern signals.
Replacing concrete panels on southbound I-5 near I-90 during the first weekend of the I-5 Seattle to Shoreline Pavement Repair project.
The parish church of Southwold is dedicated to St Edmund, and is considered to be one of Suffolk's finest. It lies under one continuous roof, and was built over about 60 years from the 1430s to the 1490s; it replaced a smaller 13th-century church that was destroyed by fire. The earlier church dated from the time when Southwold was a small fishing hamlet adjacent to the larger Reydon. By the 15th century Southwold was an important town in its own right, and the church was rebuilt to match its power and wealth.
The church is renowned for its East Anglian flushwork, especially that of the tower. Knapped and unknapped flints are arranged in patterns, textures and designs and create the stone work. The curving letters over the west window are most famous: SCT. EDMUND ORA P. NOBIS (St Edmund pray for us). Each letter is crowned, and set in knapped flints. Originally roofed in lead, from 1948 to 2015 the church had a copper clad roof with an easily recognisable flèche (or spirelet), above a clerestory of eighteen windows. The flèche was purely for display, and has never contained a bell. The tower has no parapet and is a very fine piece of architecture, with its large bell openings. The roof of the nave is so high that it makes the tower seem shorter than it really is; but it is 96 feet (29 metres) high. All of the church's medieval glass was destroyed by William Dowsing in 1644; the only stained glass windows in the church are the east windows over the altar (1954, by Sir Ninian Comper) and the west window below the grand tower. In World War II the church was narrowly missed by a German bomb that destroyed houses in the nearby Hollyhock Square. The bomb did not do much damage to the building itself but blew out most of the windows - another reason why the church has very little stained glass. The church was tidied very quickly for the funerals, a short while later, of the people killed by the bomb.
In the interior, the rood screen is considered by many to be the finest in the county. It stretches all the way across the church, and is made up of three separate screens: a rood screen across the chancel arch and parclose screens across the north and south chancel aisles. A 15th century clock jack stands at the west end. He has an axe and bell which he uses to strike the time, and has a twin at Blythburgh. The Southwold jack is named "Southwold Jack", and is one of the symbols of the Adnams brewery. The font has been badly mutilated but is still very impressive with its large ornate cover. The roof in the chancel is painted and its height gives the church a very open feeling.
New Zealand-born glass artist John Hutton's 1971 engraved window depicting St Edmund at the moment of his death and martyrdom is located in the north chancel of the church.
Present-day church community life is extremely diverse and makes good use of St Edmund's Hall (also destroyed during the Second World War and rebuilt) to the rear of the church.
The roofs were restored in 1857 by Edward Lushington Blackburne and in 1866-1867 by Richard Phipson. The chancel was restored in 1885.
Following bomb damage to the lead roof during the Second World War, it was entirely replaced with copper in 1948. This covering degraded over time, partly due to the church's seaside environment, and it was decided in 2013 to reroof the entire church, including replacing the flèche, in lead.
The work began at the start of 2015, with completion later in that year.
The flagpole atop the tower was previously surmounted by a golden weathervane in the form of a sailing longshore fishing vessel, but the pole has since been replaced and the weathervane removed.
Southwold tower contains a ring of eight bells hung for change ringing. The tower held five bells in 1553. Over the years these bells have been recast and others added to create the current eight. The current fourth and fifth are probable recasts of the originals, having been cast in 1668 by John Darbie of Ipswich. The third dates from 1820 and is by William Dobson of Downham Market. In 1828 one bell was recast and a further two added. The bell that was recast is the present tenor, also by William Dobson. The sixth and seventh were added and are likely to originate from All Saints, South Elmham. Both are medieval bells, the sixth being cast around 1538 by William Barker and the seventh by Brasyers of Norwich around 1513. The two trebles date from 1881 and are by Moore, Holmes & Mackenzie of Redenhall, Norfolk. However, a peal of Oxford Treble Bob Major was rung on 26 July 1858, indicating that the tower possessed a ring of eight prior to 1881. The tenor (the largest) weighs 10¾ cwt or about 546 kg, and the treble (the lightest) about half of that. The bells hang in a timber frame installed in 1897 by George Day & Son of Eye, Suffolk. In 1990 the bells were rehung on new fittings and the frame strengthened by the Whitechapel Bell Foundry. There is a large amount of space surrounding the frame, allowing ease of access and maintenance. The clock uses the seventh bell to strike the hours. There are no bells in the tower other than the ringing peal. The bells are rung from a ringing chamber some 52 steps up the tower. The chamber has many mementos of past campanological achievements. The tower is affiliated to the Suffolk Guild of Ringers. The bells are rung regularly for Sunday services, weddings and other special occasions.
The church has a three manual pipe organ, originally built by J. W. Walker & Sons Ltd in 1887 and later rebuilt by the Thaxted firm Cedric Arnold, Williamson & Hyatt in 1966. The specification, drawn up by Sir Frederick Ouseley, a Professor of Music at Oxford University, may be found on the National Pipe Organ Register.
Replacing my 3-year-old Samsung Note II smartphone.
I’m in the market for its replacement. It’s not that I need a smartphone running a newer Android version – and don’t get me into all this rooting-discussion. I need a less laggy phone nowadays. Having just one home page didn’t help.
The phone gets so laggy at times that it’s becoming too difficult at times to transfer photos from my camera or even answer a call! In fact, that happened twice where I was swiping to answer the call and the screen had frozen! That’s when I began convincing myself that I need to burn some cash on a new smartphone.
Plandampf (replacing timetabled trains with steam hauled trains) over a weekend in 2005, centred on the town of Landau, Germany. Normal railway tickets are purchased to ride the trains, which are shared by bewildered locals having to endure packed, unheated old carriages to make their normal journeys.
"The so-called Schönborn Chapel on the northern transept of Würzburg Cathedral was essentially built from 1721 by Balthasar Neumann on behalf of Johann Philipp Franz von Schönborn until 1724 (shell) and from 1731 to 1736 by Friedrich Carl von Schönborn as a burial place for the Schönborn family.
The Schönborn Chapel, which consists of a round central building (rotunda) with two annexes, is attached to the northern transept of the Romanesque St. Kilian's Cathedral, where it replaced an older chapel. The client was Johann Philipp Franz von Schönborn, and Maximilian von Welsch made plans. Construction began in 1721, Balthasar Neumann's plans were revised in 1723 and the shell was completed in 1724. Johann Lukas von Hildebrandt was also undoubtedly involved in the modifications. It was consecrated in 1736. The Schönborn Chapel is considered one of the most beautiful baroque spatial creations in Germany. The furnishings were carried out by court artists from 1733 to 1738. Antonio Giuseppe Bossi made the marble stucco work in 1734 . He also created an important stucco statue of the Immaculata from the episcopal private altar on the gallery above the main altar, which inspired the so-called house madonnas of Würzburg. The frescoes were created (some with Johann Thalhofer and Anton Joseph Högler) by the court painter Johann Rudolf Byss. Based on designs by Johann Wolfgang van der Auwera, six white marble statues were created in Massa-Carrara for the side altars and the main altar. The sculptural furnishings of the rooms come from the court sculptor Claude Curé.
Altarpieces created by Federico Bencovich of Venice were replaced by those by Tiepolo in 1752 and were themselves lost.
Friedrich Carl von Schönborn, Prince-Bishop of Würzburg and Bamberg and Imperial Vice Chancellor († 1746), and the builder Johann Philipp Franz von Schönborn , who was elected Bishop of Würzburg in 1719 († 1724), were buried in the Schönborn Chapel. The Schönborn Chapel can be seen from the central building of the Würzburg Residence through Hofstrasse, so that the Schönborns always had their burial place in sight. In addition, Theodolinde Charlotte Luise (1816–1817), daughter of the later King Ludwig I (Bavaria), who died during the time that Ludwig I was staying in Würzburg as Crown Prince, was buried in the Schönborn Chapel.
The Schönborn Chapel is one of the historic buildings in Würzburg that can be seen on the front of the 50-mark note of the fourth series to the left of the portrait of Balthasar Neumann.
Würzburg Cathedral (German: Würzburger Dom) is a Roman Catholic cathedral in Würzburg in Bavaria, Germany, dedicated to Saint Kilian. It is the seat of the Bishop of Würzburg and has served as the burial place for the Prince-Bishops of Würzburg for hundreds of years. With an overall length of 103 metres, it is the fourth largest Romanesque church building in Germany, and a masterpiece of German architecture from the Salian period. Notable later additions include work by Tilman Riemenschneider and Balthasar Neumann. The cathedral was heavily damaged by British bombs in March 1945 but rebuilt post-World War II.
A cathedral and an attached monastery existed in Würzburg as early as the 8th Century, presumably built by the city's first bishop, Burchard. On July 8, 752, Burchard transferred the relics of Kilian and his companions Totnan and Colman to the cathedral. The skulls of these three saints are still kept in the High Altar of the cathedral.
The cathedral was destroyed by fire and rebuilt twice (in 787 and 855). The third and present cathedral was built from 1040 onwards by Bishop Bruno. After Bruno's accidental death in 1045, his successor Adalbero completed the building in 1075. Due to several rebuildings, notably after 1133, the cathedral was only consecrated in 1187. It retains its Romanesque cruciform layout to this day.
The cathedral school attached to the cathedral and run by the Würzburg cathedral chapter was one of the most important cathedral schools in the Holy Roman Empire in the Middle Ages, along with those of Liège and Worms.
The side aisles were remodeled in a late Gothic style around 1500. A baroque renovation began in 1627, and continued through the century. In particular, numerous pieces of valuable Baroque art were created for the Cathedral's altars. The stuccoist Pietro Magno decorated the cathedral in Baroque stucco work in 1701-04.
In 1721-34, Balthasar Neumann built the burial chapel for the Schönborn bishops, north of the transept. Around the foot of the eastern tower, he also added a Baroque vestry and Ornatkammer (1749).
Additional Romanesque Revival changes made to the western façade and towers in 1879-85 (see picture of the cathedral in 1904) were removed after 1946.
The Cathedral was heavily damaged in the bombing of Würzburg. Much of the interior was irreparably damaged. Large portions of the building, especially the nave, collapsed in the winter of 1946, almost a year after the bombing. Reconstruction was completed in 1967, in the course of which some Baroque components were removed in favour of a re-Romanisation. In particular, the collapsed nave was rebuilt unadorned, with a flat wooden roof, providing a marked contrast to the surviving baroque stucco in the rest of the building. Over the course of the renovation, the Romanesque Revival west front with its rose window, tripartite gallery, and clock niche were covered by a plain stone wall. The west front was once again revealed after a 2006 renovation. The choir was redesigned in 1988.
With a length of 103 meters, the cathedral is thought to be the fourth largest Romanesque basilica in Germany.
Würzburg (German: [ˈvʏʁtsbʊʁk]; Main-Franconian: Wörtzburch) is, after Nuremberg and Fürth, the third-largest city in Franconia located in the north of Bavaria. Würzburg is the administrative seat of the Regierungsbezirk Lower Franconia. It spans the banks of the Main river.
Würzburg is situated approximately approximately 110 km west-northwest of Nuremberg and 120 km east-southeast of Frankfurt am Main. The population as of 2019 is approximately 130,000 residents.
The regional dialect is East Franconian German.
On 16 March 1945, about 90% of the city was destroyed in 17 minutes by firebombing from 225 British Lancaster bombers during a World War II air raid. Würzburg became a target for its role as a traffic hub and to break the spirit of the population.
All of the city's churches, cathedrals, and other monuments were heavily damaged or destroyed. The city centre, which mostly dated from medieval times, was destroyed in a firestorm in which 5,000 people perished.
Over the next 20 years, the buildings of historical importance were painstakingly and accurately reconstructed. The citizens who rebuilt the city immediately after the end of the war were mostly women – Trümmerfrauen ("rubble women") – because the men were either dead or still prisoners of war. On a relative scale, Würzburg was destroyed to a larger extent than was Dresden in a firebombing the previous month.
Würzburg spans the banks of the river Main in the region of Lower Franconia in the north of the state of Bavaria, Germany. The heart of the town is on the locally eastern (right) bank. The town is enclosed by the Landkreis Würzburg but is not a part of it.
Würzburg covers an area of 87.6 square kilometres and lies at an altitude of around 177 metres.
Of the total municipal area, in 2007, building area accounted for 30%, followed by agricultural land (27.9%), forestry/wood (15.5%), green spaces (12.7%), traffic (5.4%), water (1.2%) and others (7.3%).
The centre of Würzburg is surrounded by hills. To the west lies the 266-meter Marienberg and the Nikolausberg (359 m) to the south of it. The Main flows through Würzburg from the southeast to the northwest.
Lower Franconia (German: Unterfranken) is one of seven districts of Bavaria, Germany. The districts of Lower, Middle and Upper Franconia make up the region of Franconia. It consists of nine districts and 308 municipalities (including three cities).
After the founding of the Kingdom of Bavaria the state was totally reorganised and, in 1808, divided into 15 administrative government regions (German: Regierungsbezirke, singular Regierungsbezirk), in Bavaria called Kreise (singular: Kreis). They were created in the fashion of the French departements, quite even in size and population, and named after their main rivers.
In the following years, due to territorial changes (e. g. loss of Tyrol, addition of the Palatinate), the number of Kreise was reduced to 8. One of these was the Untermainkreis (Lower Main District). In 1837 king Ludwig I of Bavaria renamed the Kreise after historical territorial names and tribes of the area. This also involved some border changes or territorial swaps. Thus the name Untermainkreis changed to Lower Franconia and Aschaffenburg, but the city name was dropped in the middle of the 20th century, leaving just Lower Franconia.
From 1933, the regional Nazi Gauleiter, Otto Hellmuth, (who had renamed his party Gau "Mainfranken") insisted on renaming the government district Mainfranken as well. He encountered resistance from Bavarian state authorities but finally succeeded in having the name of the district changed, effective 1 June 1938. After 1945 the name Unterfranken was restored.
Franconia (German: Franken, pronounced [ˈfʁaŋkŋ̍]; Franconian: Franggn [ˈfrɑŋɡŋ̍]; Bavarian: Frankn) is a region of Germany, characterised by its culture and Franconian dialect (German: Fränkisch).
Franconia is made up of the three Regierungsbezirke of Lower, Middle and Upper Franconia in Bavaria, the adjacent, Franconian-speaking, South Thuringia, south of the Thuringian Forest—which constitutes the language boundary between Franconian and Thuringian— and the eastern parts of Heilbronn-Franconia in Baden-Württemberg.
Those parts of the Vogtland lying in Saxony (largest city: Plauen) are sometimes regarded as Franconian as well, because the Vogtlandian dialects are mostly East Franconian. The inhabitants of Saxon Vogtland, however, mostly do not consider themselves as Franconian. On the other hand, the inhabitants of the Hessian-speaking parts of Lower Franconia west of the Spessart (largest city: Aschaffenburg) do consider themselves as Franconian, although not speaking the dialect. Heilbronn-Franconia's largest city of Heilbronn and its surrounding areas are South Franconian-speaking, and therefore only sometimes regarded as Franconian. In Hesse, the east of the Fulda District is Franconian-speaking, and parts of the Oden Forest District are sometimes regarded as Franconian for historical reasons, but a Franconian identity did not develop there.
Franconia's largest city and unofficial capital is Nuremberg, which is contiguous with Erlangen and Fürth, with which it forms the Franconian conurbation with around 1.3 million inhabitants. Other important Franconian cities are Würzburg, Bamberg, Bayreuth, Ansbach and Coburg in Bavaria, Suhl and Meiningen in Thuringia, and Schwäbisch Hall in Baden-Württemberg.
The German word Franken—Franconians—also refers to the ethnic group, which is mainly to be found in this region. They are to be distinguished from the Germanic people of the Franks, and historically formed their easternmost settlement area. The origins of Franconia lie in the settlement of the Franks from the 6th century in the area probably populated until then mainly by the Elbe Germanic people in the Main river area, known from the 9th century as East Francia (Francia Orientalis). In the Middle Ages the region formed much of the eastern part of the Duchy of Franconia and, from 1500, the Franconian Circle. The restructuring of the south German states by Napoleon, after the demise of the Holy Roman Empire, saw most of Franconia awarded to Bavaria." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Two WashTec SoftCare² Pros in grey "Classic Design" with grey stripped SofTecs brushes installed in 2019, replacing two WashTec SoftCare Pros
Video - youtu.be/9cbMH_o3ZEI
• Operator •
Wharncliffe Garage
• Supplier •
WashTec UK
• Address •
Gulf Petrol Station
Summer Lane
Barnsley
S70 6BN
England
Both Car Washes replaced in 2025 with brand new WashTec SmartCares - flic.kr/p/2rroYnP
Foundation stone 29 Jun 1873 by Father Reynolds, architect Michael McMullen, opened 28 Jan 1883, replacing first church opened 6 May 1849. Nave windows became unsafe and were replaced 1990s by a new set designed by Fr Paul Cleary, Parish Priest. Original window donors are commemorated on the porch windows. The sanctuary window, in memory of Robert & Anna M Graham, has survived from 1883.
“The site chosen is close to but rather north of the present Roman Catholic Chapel. . . The architect of the building, which when finished will look not unlike the Norwood Roman Catholic Chapel, is Mr. McMullen. . . Father Reynolds . . . mentioned many facts of interest in the history of the Clare Church and its congregation. Twenty-seven years have elapsed since the foundation-stone was laid by Father Ryan, the then Vicar General.” [Register 3 Jul 1873]
“Some ten years ago the Roman Catholics residing in Clare, finding that their place of worship was too small for the congregation, considered it necessary to erect a larger building. . . The design was approved of, and the work was commenced. After the foundations or nave of the Church was built and the walls carried to an average height of one foot above the floor line, which portion cost about £500, it was deemed advisable not to proceed further with the work, the reason being that a number of persons belonging to the Church were then leaving for the agricultural areas in the North. Nothing further was done towards the erection of the Church until sometime in 1881.” [Adelaide Observer 3 Feb 1883]
“lt is built in the open Italian style with high arched windows and entrance door, relieved pilasters with neat floral capitals and mouldings and cornices in accordance with the chosen type of architecture. A handsome campanile tower rises in the front to the height of 100 feet, and is set off at the top with a rich cornice surmounted by an O. G. dome, on the summit of which is a large gilded cross. The tower is octagonal, and has a long narrow opening in each face, which gives an air of lightness and relief to the whole. At the pediment where the tower leaves the roof there is a very heavy cornice and a great amount of handsome moulding, with an ornamental urn at each corner. All the coigns and facings are done in Portland cement for the outside work, a neat deep moulding setting off the windows and entrance doors. The building is done with the local blue slate stone, neatly pointed in random courses. There are six large windows on each side of the main building, and two in the front . . . they are of stained glass, and are special gifts of the following members of the congregation and others:— Society of the Living Rosary, D. O'Leary, T. Howley and family, A. Clarke, P. Gillen, Emil Gamper, B. and J. Kenny, H Martin, G. McAliney and others, J. Dougherty, R. Quinlan, Bichoff and family, Bridget Eiffe, P. Holland, and young ladies of Clare respectively. The sanctuary, or chancel widow, is a triple arch group, and is the gift of B. Graham and family. . .The architect for the building is Mr. Michael McMullen, of Adelaide, and the work has been supervised, by Mr. George McMullen.” [Advertiser 29 Jan 1883]
The sea level continues to rise - so far it has been possible to build dikes and water barriers - and the former pavements have been replaced by large floating structures - all basements are filled with water. Damp and rot attack all buildings - the first old buildings have collapsed - when will entire districts collapse?
The greenway access point on Miccosukee Road at the north end of Dempsey Mayo Road. Bottom photo: Oct. 18. Middle photo: Oct. 26. Top photo: Nov. 1.
After replacing our former entertainment center with a row of bookcases, I decided to repurpose this obsolete piece of furniture into a 1:6 scale doll castle. Hubby and I moved it into my son's former bedroom, which has been converted into a guest and craft room. I am thinking of turning the central space (formerly used to hold the old, non-flatscreen TV set) into a castle Great Hall, and the three large cubicles on the left side into other rooms. The closed cabinets and shallow shelves will provide storage space for doll props and craft supplies. I will need to create some sort of wall covering in the open space behind the cabinet to hide the wallpaper. All in good time.
Posted by Danai Gurira (Michonne) - RT @xanderberkeley: We CANNOT let Trump replace actual fact w his lies! Protect the media! RT this now! t.co/N7iXE1lIw1 #TWD #TheWalkingDead #Michonne #DanaiGurira
Source: walkingdead.affiliatebrowser.com/rt-xanderberkeley-we-can...