Replacing the originally advertised 'Tornado', LNER class A4 no. 4464 'Bittern' approaches the site of the former Copmanthorpe station, 3 1/4 miles south of York, with a Steam Dreams' charter 'The Cathedrals Express' from Kings Cross on 19th December 2013, nearing the end of it's journey.

Replacing an earlier scanned photo with a better version 07-Nov-17.

 

Fleet No: '493'.

 

This aircraft was delivered to Delta Air lines as N493DA in May-75. It served with Delta for 25 years and was permanently retired at Victorville, CA, USA in Jan-00. It was broken up at Victorville around 2003.

Replacing an earlier scanned photo with a slightly better version, plus Topaz DeNoise AI 08-Dec-24

 

Dates appearing in this history are approximate. This aircraft was delivered to Balkan - Bulgarian Airlines as LZ-BTN in 1990. It was wet-leased to Lao Airlines, Laos around Nov-91 and returned to Balkan - Bulgarian in Spring 1992.

 

It was wet-leased to Palair Macedonia around May-92 and returned to Balkan - Bulgarian by Apr-94. The aircraft was sold to Hemus Air, Bulgaria as LZ-HMN in Mar-01. It was sold to BH Air - Balkan Holidays around May-02.

 

The aircraft was sold to Aeroflot Russian Airlines as RA-85765 in Aug-05. It was noted still in service in Sep-10 but by Jul-11 it was operational with the Ulyanovsk Higher Civil Aviation School - UVAUGA (still in basic Aeroflot livery with Cyrillic 'UVAUGA' titles). It was eventually retired and broken up but I don't know where or when! Updated 08-Dec-24

Coalfish wagons were converted from various 4 wheeled air braked wagons in order to replace departmental vacuum braked stock. The MFA series sit on the frame of a HEA coal hopper. The wagons were actually converted from HEA to MEA box wagons with over 600 being produced. 135 MEA wagons were then converted to MFA wagons by cutting down the body height. The example in the picture was converted from a HEA to a MEA in early 1995 by Mainline Freight, still wearing their blue livery in the picture. 391143 was converted to a MFA around 1999/2000 and retains its number from the MEA series.

Still a WIP.. but most of the job is done!

Replacing an earlier scanned photo with a better version 20-Nov-20, plus Topaz DeNoise AI 05-Apr-23.

 

Martinair only kept their A320's for just over 4 years.

 

First flown with the Airbus test registration F-WWDE, this aircraft was delivered to SALE Singapore Aircraft Leasing Enterprise and leased to Martinair as PH-MPE in Mar-03 and returned to the lessor in Nov-07.

 

It was leased to Etihad Airways as A6-EIB in Dec-07. The aircraft was sub-leased to Air Seychelles as S7-SIL in Jul-15 and returned to Etihad in Aug-19 when it was stored at Abu Dhabi. It was moved to Hyderabad, India in Dec-19 for continued storage and returned to the lessor in Aug-20.

 

It was leased to SmartLynx Airlines - Malta as 9H-SLB two weeks later and, because of the COVID-19 Pandemic, it was stored at Malta on delivery. The aircraft was ferried to St. Athan, Wales, UK in Sep-20.

 

It never entered service and was permanently retired at St. Athan, Wales, UK. It was broken up there in Mar-23.

replaced with a cropped version. i kept looking at the thumbnail of the original like, "wait...i think this actually looks better."

LeicesterSquare

West Midlands Railway 323212 departs University Station whilst carrying a service for Lichfield Trent Valley

 

The 323 units on the cross-city line will soon be replaced by new Bombardier Aventras - designated 'Class 730'

Replacing an earlier digital photo with a better version 21-Mar-00.

 

First flown with the Airbus test registration D-AVWG, this aircraft was delivered to ILFC International Lease Finance Corporation and leased to bmi british midland as G-DBCE in Mar-05. bmi was merged into British Airways in Jun-12.

 

In Mar-20, as a result of the COVID-19 Pandemic, the aircraft was stored at Glasgow. It returned to service in Jul-20 but was briefly stored again, at London-Gatwick, in Nov / Dec-20. Finally, it was stored at Glasgow again in Nov-21 and returned to service in mid Jan-21. Current, 26-Nov-22.

Replacing an earlier scanned photo with a better version, plus Topaz DeNoise AI 20-Jan-25.

 

This aircraft was delivered to Piedmont Airlines, USA as N791N in Mar-82. It was re-registered N244US in Oct-88 prior to being merged into US Air in Aug-89.

 

US Air was renamed US Airways in Feb-97 and the aircraft was transferred to US Airways MetroJet in May-99. It was withdrawn from service and stored at Mojave, CA, USA in Dec-01.

 

The aircraft was sold to the Alameda Corporation in Mar-02 and sold to AVIACSA, Mexico as XA-TVN. AVIACSA ceased operations on 06-Jul-09. It was stored at Tuxtla Gutierrez, Mexico, a joint civil/military airfield the same month and was eventually permanently retired. Updated 20-Jan-25.

Replacing an earlier scanned slide with a better version 16-Dec-15 (DeNoise AI 24-Sep-22)

 

Taken on a very dark, wet & murky November day on what used to be the 'South Bay' at Manchester.

 

This aircraft was originally built for MEA Middle East Airlines but the order was cancelled before completion. It was registered to the deHavilland Aircraft Company as G-AROV in Aug-61 and stored at Hatfield, UK.

 

It was delivered to Aerolineas Argentinas as LV-PTS in Apr-62 and was re-registered LV-AIB the following month. It was sold to Dan-Air Services in Oct-71 becoming G-AROV once again.

 

Dan-Air operated it for 6 years until it was retired at Lasham, UK, in Nov-77. It was broken up there in Nov-78.

The Navy-Merchant Marine Memorial, located in Lady Bird Johnson Park on Columbia Island in Washington, D.C., is a monument honoring sailors of the United States Navy and the United States Merchant Marine who died at sea during World War I. It was designed in 1922 by Harvey Wiley Corbett and sculpted by Ernesto Begni del Piatta. It was dedicated on October 18, 1934.

 

Nicknamed "Waves and Gulls," the memorial depicts seven seagulls above the crest of a wave. It is cast from aluminum and the base is made of green granite (the base was originally concrete but replaced by the Works Progress Administration in 1940).

Replacing an earlier digital photo with a better version 29-Nov-19.

 

'15th Asian Games, Doha 2006' logojet.

 

First flown with the Airbus test registration F-WWYD, this aircraft was delivered to Qatar Airways as A7-AED in Aug-05 and painted into the '15th Asian Games Doha 2006' logojet livery. It was repainted in standard livery in May-09.

 

The aircraft was withdrawn from service in Mar-20 and stored at Doha, Qatar due to the COVID-19 Pandemic. It returned to service briefly, for two weeks in Jan-21, and returned to storage until it returned to service in Jul-21. Current, updated 26-Feb-24.

Replacing an earlier digital photo with a better version 14-Oct-19.

 

First flown with the Airbus test registration F-WWKT in Jun-04, this aircraft was originally an A330-203 but was modified to A330-202 standard before delivery. It was delivered to GECAS General Electric Capital Aircraft Services and leased to Qatar Airways as A7-AFM in Sep-04.

 

It was returned to the lessor in Sep-16 and returned to Airbus A330-203 standard. It was re-registered D-AXGF in Oct-16 and leased to Sun Express Airlines Germany for operation on behalf of Eurowings. The aircraft was temporarily stored at Frankfurt, Germany in Mar-20 due to the COVID-19 Pandemic.

 

Sun Express Germany was closed down by joint owners Lufthansa & Turkish Airlines in late Jun-20 and the aircraft was moved to Dusseldorf for further storage. It was transferred to Lufthansa Technik in Jul-20 and moved back to Frankfurt for storage.

 

In Jul-21 it was transferred to Eurowings Discover and operates long-haul leisure services on previous Lufthansa routes to the Caribbean, Central America and East Africa, as well as some long-haul services for Lufthansa (such as Frankfurt / Atlanta and Frankfurt to destinations in Canada). Current, updated 07-Dec-22.

....at Camberwell Green.

Replacing an earlier scanned photo with a better version 21-Aug-21 (DeNoiseAI).

 

I was on the delivery flight of G-BOPK from Seattle-Boeing Field via Frobisher Bay, Canada (now renamed Iqaluit), into London-Gatwick on 21/22-Mar-89. I was Base Manager for Cal Air & Novair at Manchester and this was the only time I had both of the B737-400's on the ground at the same time, the other one being G-BOPJ (one was usually operating out of Glasgow).

 

Another long history. This aircraft was delivered to the Rank Leisure Group and leased to Novair International Airways as G-BOPK in Mar-89. It was only in service for 1 year until the company closed down at the end of Mar-90. Sold to a leasing company by The Rank Leisure Group, it was stored until it was leased to Air Europe in Dec-90.

 

Unfortunately, Air Europe ceased operations in Mar-91 and the aircraft was repossessed and again stored until Nov-91 when it was leased to US private airline, Mark Air as N689MA.

 

It was returned to the lessor in May-94 and leased to Futura International the following month with the temporary registration EC-655, becoming EC-FYG in Aug-94. It was sub-leased to AMC Aviation, Egypt during the 1995/96 winter season as SU-SAA. It returned to Futura in May-96 with another temporary registration, EC-309, becoming EC-GHF in July-96.

 

There was a repeat performance with AMC Aviation for the 1996/97 winter season, this time as SU-SAB. By the time it returned to Futura in Mar-97 the Spanish Government had finally done away with temporary registrations and it became EC-GNC.

 

In Oct-98 Futura leased it to Aer Lingus as EI-CRC, they operated it for Ryan International Airlines in the USA until Apr-99 when it was returned to Futura, this time as EC-HCP. At that time Futura were in a partnership with Pegasus Airlines, Turkey and shared a common livery.

 

The Aer Lingus/Ryan International winter season deal was repeated in 1999/2000 as EI-CRC and the aircraft returned to Furura in May-00 with yet another different registration, EC-HME. In Jan-01 it was sub-leased to Transbrazil for 3 months as PT-TDH.

 

On its return in Apr-01 it was returned to the lessor and immediately leased to Aer Lingus, again as EI-CRC, and sub-leased to Futura for the 2001 European summer season. It was again returned to Aer Lingus for the 2001/02 winter season sub-lease to Ryan International. It was sub-leased to Futura again in Apr-02 and re-registered EC-IFN the following week.

 

It was returned to Aer Lingus and the lessor at the end of Apr-03 and leased to Islandsflug as TF-ELD. Islandsflug were merged into Air Atlanta Icelandic in Jan-05. In Feb-05 it was operated for Blue Line, France. It returned to Air Atlanta and the lessor in Nov-05 as N412CT.

 

In Jan-06 it was leased to Aegean Airlines as SX-BGX for 3 years. In Apr-09 it was sold to Jordan Aviation as JY-JAP. The aircraft was wet-leased to Bouraq Air Transport (Libya) Jun-09 and returned to Jordan Aviation in Oct-10. in Apr-16 it was wet-leased to Fly Baghdad (Iraq), returning to Jordan Aviation in Nov-16.

 

The aircraft was wet-leased to Al-Naser Wings (Iraq) in Jan-18 and returned to Jordan Aviation in Jun-18. It was permanently retired at Amman in Jan-20 after 31 years in service.

 

Note: I have a photo of this aircraft with Futura International at

www.flickr.com/photos/kenfielding/6289067766

Replacing an earlier scanned photo with a better version 13-Jul-22 (DeNoise AI).

 

Operating on a 3 week lease for Flying Colours Airlines in full Onur Air livery.

 

Named: "Kaptan Soray Kahin".

 

This aircraft was the 2nd prototype A321 and first flew at Hamburg-Finkenwerder in May-93 as an A321-111 with CFM56 engines.

 

It was registered F-WWIB for test flying at Toulouse. The aircraft returned to Finkenwerder in early 1996 and was re-fitted with International Aero Engines IAE2500 engines by May-96.

 

It was re-registered D-AVZG and first flew as an A321-131 in May-96. The aircraft was delivered to Onur Air (Turkey) as TC-ONJ in Jul-96. It was wet leased to UK airline Flying Colours for 3 weeks in May-99, still with the c/n (385) on the rear fuselage.

 

In Nov-00 it was wet leased to Shaheen Air International (Pakistan), returning to Onur Air in Jan-01. In Jan-06 it was wet-leased to Qeshm Air (Iran) and returned to Onur Air in Jun-06.

 

The aircraft was leased to Saudi Arabian Airlines between Oct-08/Jun-09 and again between Oct/Jan-10. It was withdrawn from service in Apr-20 due to the COVID-19 Pandemic and stored at Istanbul-ISL.

 

Due to the Pandemic Onur Air had financial problems and ceased operations in Dec-21 when the Turkish Government didn't renew their operating license. By this time the aircraft was almost 29 years old and isn't expected to fly again. Updated 13-Jul-22.

Replacing an earlier scanned photo with a better version 23-Nov-20, plus Topaz DeNoise AI 25-Nov-23 (unfortunately there is some yellowing of the negative).

 

Named: "City of Karachi".

 

First flown with the Boeing test registration N6018N, this aircraft was delivered to Cathay Pacific Airways as VR-HOL in Feb-87. It was re-registered B-HOL in Jul-97 when Hong Kong became an autonomous region of China.

 

The aircraft was sold to PIA Pakistan International Airlines as AP-BFX in May-99. It was withdrawn from use and stored at Sialkot, Pakistan in Feb-08. The aircraft was later moved to Karachi, Pakistan and broken up there in Feb/Mar-11.

Replacing an earlier scanned slide with a better version 10-Feb-15, plus Topaz DeNoise AI 17-Jun-23. A bit blurred!

 

With additional 'On Charter to C.A.A.C' (Central African Airlines Corporation) stickers.

 

This was parked outside the British Eagle hangars at London-Heathrow being serviced with British Eagle equipment. As the rest of the BOAC DC-7C fleet had been disposed of by spring 1964, I think Eagle had a maintenance contract for the remaining 2 freighters which were in service until spring 1965. As the stickers say, it was being 'Operated for C.A.A.C.' (Central African Airways Corporation).

 

This aircraft was delivered new to BOAC in Apr-57 and was in passenger service for just three and a half years before it was converted into a freighter with 2 main-deck cargo doors by the Douglas Aircraft Company at their Santa Monica, CA, plant in Dec-60.

 

It continued in service with BOAC Cargo until it was sold to Universal Trading Corp (USA) in May-65. It was transferred to FB Ayer & Associates the same month as N16465. It was leased to Airlift International in Jan-66, returning to FB Ayer in Sep-66.

 

The following month it was leased to International Aerodyne and sub-leased back to Airlift International. It was returned to FB Ayer in Sep-67. In Feb-68 it was leased to Air Caribbean Transport as 6Y-JFK and returned to FB Ayer in Apr-70, again as N16465 and was stored at Tucson, AZ, USA.

 

It was sold to Onyx Aviation in Mar-78 and sold again in Nov-78 to ComTran Inc and sold again to La mancha Aire Inc in Dec-81. Finally, it was sold to Paterson Aircraft Corp in Sep-83. It was later stored again at Miami and broken up there in Dec-92.

Replacing an earlier scanned photo with a better version, plus Topaz DeNoise AI 08-Jan-25.

 

With additional '1000th Boeing 747' titles.

 

This aircraft, the 1,000th Boeing 747 (Line No:1000) was delivered to Singapore Airlines as 9V-SMU in Oct-93. It was withdrawn from service and stored at Singapore in Dec-10.

 

The aircraft was sold to Wilmington Trust Company as N417AC in Mar-11 and converted to freighter configuration with a main deck cargo door at Tel Aviv, Israel in Dec-11.

 

It was leased to Southern Air as N400SA in Jan-12. The aircraft was returned to the lessor in Dec-14 and permanently retired at St. Athan, Wales, UK. It was broken up at St. Athan in Dec-15.

 

Note: The registration 9V-SMU was later used on a Singapore Airlines Airbus A350-941.

Replacing an earlier scanned photo with a better version 10-Sep-21 (DeNoise AI).

 

Named: "Byron Bay".

 

This aircraft was delivered to QANTAS Airways as VH-OGU in Aug-98. It was leased to Australian Airlines between late May and early Jul-99. The aircraft was retired by QANTAS in Dec-14 and was stored at Alice Springs, NT, Australia in Jan-15.

 

The aircraft was ferried to Victorville, CA, USA in Oct-15 and sold to ShunFeng Airlines (SF Airlines Cargo, China) as N207CR a few days later. It was transferred to Wells Fargo Bank Northwest, as Trustee, the same day.

 

It remained stored at Victorville until Jan-16 when it was ferried to Singapore-Paya Lebar for cargo conversion. It was converted to freighter configuration with a main-deck cargo door in Jun-16 and transferred back to SF Airlines Cargo as B-6996. Current, updated Mar-21.

The Jaguar programme began in the early 1960s, in response to a British requirement (Air Staff Target 362) for an advanced supersonic jet trainer to replace the Folland Gnat T1 and Hawker Hunter T7, and a French requirement (ECAT or École de Combat et d'Appui Tactique, "Tactical Combat Support Trainer") for a cheap, subsonic dual role trainer and light attack aircraft to replace the Fouga Magister, Lockheed T-33 and Dassault Mystère IV. In both countries several companies tendered designs: BAC, Hunting, Hawker Siddeley and Folland in Britain; Breguet, Potez, Sud-Aviation, Nord, and Dassault from France. A Memorandum of Understanding was signed in May 1965 for the two countries to develop two aircraft, a trainer based on the ECAT, and the larger AFVG (Anglo-French Variable Geometry)

 

Cross-channel negotiations led to the formation of SEPECAT (Société Européenne de Production de l'Avion d'École de Combat et d'Appui Tactique – the "European company for the production of a combat trainer and tactical support aircraft") in 1966 as a joint venture between Breguet and the British Aircraft Corporation to produce the airframe. Though based in part on the Breguet Br.121, using the same basic configuration and an innovative French-designed landing gear, the Jaguar was built incorporating major elements of design from BAC – notably the wing and high lift devices.

 

Production of components would be split between Breguet and BAC, and the aircraft themselves would be assembled on two production lines; one in the UK and one in France, To avoid any duplication of work, each aircraft component had only one source. The British light strike/tactical support versions were the most demanding design, requiring supersonic performance, superior avionics, a cutting edge nav/attack system of more accuracy and complexity than the French version, moving map display, laser range-finder and marked-target seeker (LRMTS). As a result, the initial Br.121 design needed a thinner wing, redesigned fuselage, a higher rear cockpit, and after-burning engines. While putting on smiling faces for the public, maintaining the illusion of a shared design, the British design defacto departed from the French sub-sonic Breguet 121 to such a degree that it was for all intents and purposes a new design.

 

A separate partnership was formed between Rolls-Royce and Turbomeca to develop the Adour afterburning turbofan engine. The Br.121 was proposed with Turbomeca's Tourmalet engine for ECAT but Breguet preferred the RR RB.172 and their joint venture would use elements of both. The new engine, which would be used for the AFVG as well, would be built in Derby and Tarnos.

 

Previous collaborative efforts between Britain and France had been complicated – the AFVG programme ended in cancellation, and controversy surrounded the development of the supersonic airliner Concorde. Whilst the technical collaboration between BAC and Breguet went well, when Dassault took over Breguet in 1971 it encouraged acceptance of its own designs, such as the Super Étendard naval attack aircraft and the Mirage F1, for which it would receive more profit, over the Anglo-French Jaguar.

 

The initial plan was for Britain to buy 150 Jaguar "B" trainers, with its strike requirements being met by the advanced BAC-Dassault AFVG aircraft, with France to buy 75 "E" trainers (école) and 75 "A" single-seat strike attack aircraft (appui). Dassault favoured its own Mirage G aircraft above the collaborative AFVG, and in June 1967, France cancelled the AFVG on cost grounds. This left a gap in the RAF's planned strike capabilities for the 1970s at the same time as France's cancellation of the AFVG, Germany was expressing a serious interest in the Jaguar, and thus the design became more oriented towards the low-level strike role.

 

The RAF had initially planned on a buy of 150 trainers; however, with both TSR2 and P.1154 gone, the RAF were looking increasingly hard at their future light strike needs and realizing that they now needed more than just advanced trainers with some secondary counter insurgency capability. The RAF's strike line-up was at this point intended to consist of American F-111s plus the AFVG for lighter strike purposes. There was concern that both F-111 and AFVG were high risk projects and with the French already planning on a strike role for the Jaguar, there was an opportunity to introduce a serious backup plan for the RAF's future strike needs - the Jaguar.

 

While the RAF had initially planned to buy 150 trainers, the TSR2 and p.1154 were gone, and believing that both the US F-111 and AFVG were high-risk programs, and with the French already planning a strike role for their Jaguar, the MOD suddenly realized they were in bad need of a new light strike aircraft capable of delivering tactical nuclear weapons. As a result, by October 1970, the RAF's requirements had changed to 165 single-seat strike aircraft and 35 trainers.

 

The Jaguar was to replace the McDonnell Douglas Phantom FGR2 in the close air support, tactical reconnaissance and tactical strike roles, freeing the Phantom to be used for air defence. Both the French and British trainer requirements had developed significantly, and were eventually fulfilled instead by the Alpha Jet and Hawker Siddeley Hawk respectively. The French, meanwhile, had chosen the Jaguar to replace the Aeronavale's Dassault Étendard IV, and increased their order to include an initial 40 of a carrier-capable maritime version of the Jaguar, the Jaguar M, for the Aeronavale. From these apparently disparate aims would come a single and entirely different aircraft: relatively high-tech, supersonic, and optimised for ground-attack in a high-threat environment.

Replaced a string of these trapeze artist mini spots with a new fixture in the clients master bedroom in Winnetka.

Draw your own conclusions.

Replacing an earlier scanned photo with a better version 27-Sep-17, plus DeNoise AI 17-Feb-23.

 

Operated by Wings West Airlines until May-98 when American Eagle took over the operation themselves.

 

I've stopped doing histories on the 'small stuff', they're far too confusing and take too long to sort out!

Replacing an earlier photo from May-17 with a better version.

 

Named "Jet2 Lanzarote".

 

First flown with the Boeing test registration N1786B, this aircraft was delivered to The Dart Group LLC and leased to Jet2.com as G-JZHZ at the end of Apr-17. Current (May-17).

The Brickell Avenue Bridge is a bascule bridge in Downtown Miami, Florida, that carries U.S. Route 1 (US 1; Brickell Avenue) over the Miami River.

 

The original Brickell Avenue Bridge was built in 1929 and replaced in 1995. The Brickell Avenue Bridge was widened by one additional northbound lane in 2006 to reduce the traffic bottleneck through downtown. Before this, there were three southbound but only two northbound lanes. Currently, there are three lanes in each direction as well as a pedestrian walkway on both sides. Still, the bridge causes frequent traffic delays on the busy Brickell Avenue when it opens. According to the Florida Department of Transportation (FDOT), the bridge opened 4,990 times in 2010.

 

The statue is a 53-foot bronze monument commissioned by the Florida Department of Transportation and created by Cuban Master Sculptor Manuel Carbonell in 1995. The "Pillar of History" consists of a 36-foot high carved bas-relief column that graphically narrates the lives of the Tequesta Indians, Miami's first inhabitants, and features 158 figures. At the top stands a 17-foot bronze sculpture, "Tequesta Family" portraying a Tequesta Indian warrior aiming an arrow to the sky, looking for space in eternity, with his wife and child by his side, while the son covers his face in expectation of their extinction.

 

Carbonell also created four bas reliefs, measuring 4-feet by 8-feet, which were installed in niches on the bridge's supporting piers. Each relief honors Miami's early founders and pioneers - William and Mary Brickell, Henry Flagler, Marjory Stoneman Douglas, and Julia Tuttle.

 

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Brickell_Avenue_Bridge

 

© All Rights Reserved - you may not use this image in any form without my prior permission.

Replacing an earlier scanned photo with a better version 01-Jan-22 (DeNoise AI)

 

HMY Airways was later renamed Harmony Airways.

 

Fleet No: "801".

 

This aircraft was delivered to EL Al Israel Airlines as 4X-EBL in Nov-87. It was sold to Boeing Capital in May-00 and leased back to El Al. It was returned to Boeing Capital as N789BA in Jan-01 and stored at Marana, AZ, USA.

 

The aircraft was leased to HMY Airways as C-GMYC in Nov-02. HMY Airways was renamed Harmony Airways in May-04. The airline ceased operations in Apr-07 and the aircraft was returned to the Boeing Aircraft Holding Company in Jun-07.

 

It was stored at Greenwood, MS, USA. By now it was 20 years old and was permanently retired. The aircraft was last noted still at Greenwood in Nov-08 in basic Harmony livery with many parts missing, it was broken up at Greenwood in 2009. Updated 01-Jan-21.

Replacing an earlier scanned 6"x4" photo with a better version 04-Dec-21 (DeNoise AI).

 

Rough history... This aircraft was delivered to Aeroflot Russian Airlines as CCCP-86015 in 1982. It became RA-86015 in 1993 after the Soviet Union had become the Russian Federation.

 

It was leased to VASO Airlines in 2000 and returned to Aeroflot (date unknown). The aircraft was broken up in 2004.

Replacing an earlier scanned photo with a better version, plus Topaz DeNoise AI 25-Feb-25.

 

Named: "Sunkissed Girl".

 

First flown with the Airbus test registration D-AVZD, this aircraft was delivered to GECAS, leased to Virgin Atlantic Airways and sub-leased to Virgin Sun Airlines as G-VKIS in May-00.

 

It was returned to the lessor in Oct-01 and stored at Bristol-Filton, UK (now closed). It was ferried to Dublin in Apr-02 and repainted white. The aircraft remained stored at Dublin until Jan-03 when it was leased to LTE International Airlines (Spain) as EC-ILG.

 

It was operated as Volar in Jun-03 until Mar-05 when it became LTE International again. It was returned to the lessor three months later, in Jun-05 and leased to Turkish Airlines as TC-JMF in Jul-05.

 

The aircraft was returned to GECAS in Jan-12 and was due to be leased to Air Berlin as D-ABCJ, however the lease wasn't taken up. It was transferred to AMCK Aviation as M-ABEE (Isle of Man) in Feb-12 and leased to Nordwind Airlines (Russia) as VQ-BOD in Mar-12. It was ferried to Istanbul-ISL in Dec-21 and returned to the lessor.

 

It was stored at Istanbul-ISL and was leased to a new Turkish Airline, Southwind Airlines as TC-GRC in Jun-23. Ironically, Southwind was formed to operate holiday flights between... you've guessed it, Turkiye and Russia. More recently it has operated flights within Turkiye and currently is operating Haj Pilgrimage flights between Turkiye and Saudi Arabia. Updated 25-Feb-25. (see notes below!).

 

Note 1: The aircraft was involved in an incident at Moscow-Sheremetyevo on 02-May-19 when a truck ran into the port main landing gear. The aircraft was parked remote and there was no-one on board, apparently the truck driver 'fell asleep'! It was repaired & returned to service on 16-Jun-19.

 

Note 2: Russia invaded Ukraine in Feb-22 and sanctions were placed on the country by the west, this meant that aircraft registered outside Russia were uninsured. The aircraft were taken over by the Russian State and were to be re-registered. This one was allocated RA-73327 but Nordwind had returned the aircraft three months earlier!

Publicity image for the new Superior 500 which replaced the Superior 400 model. The Superior 500 had a more streamlined body developed under the principles of Paul Jaráy (Vienna, 1889-1974) and the technical supervision of Josef Ganz (Budapest, 1898-1967).

At the end of 1933, a small delivery van variant was also introduced until 1938. After that year, Standard founder Wilhelm Gutbrod (near Stuttgart, 1890-1948) sold the small van under his own name as Gutbrod Merkur HV 504. The body was very similar to that of the Simca 5 Fourgonnette.

Note the use of tubular chrome seats. It was a new invention in the early 1920s.

 

Some background info:

In the 1930s there was an increasing need for a real people's car in the German-speaking region. A car affordable for the masses, the so called 'Volkswagen'.

One of the leading engineers at that time was Josef Ganz. After he had worked for Adler, BMW, Daimler-Benz and Röhr, he developed his own minicar in 1931, the 'Maikäfer'.

In Standard Fahrzeugbau he found a manufacturer and in 1932 the Standard Superior 400 was launched (officially presented at the IAMA, the Berlin international motor show, Febr. 1933).

This cheap car was based on the 'Maikäfer' principles: tubular chassis, rear engine, independent wheel suspension and with a streamlined body.

 

Journalist Paul Schilperoord wrote a very interesting book about the history of the development of the VW Beetle in the 1930s. In this book he describes the life and works of Josef Ganz who's technical ideas were taken over by Ferdinand Porsche. The book reads like a very exciting story.

See: Paul Schilperoord, Het ware verhaal van de Kever: hoe Hitler het ontwerp van een Joods genie confisqueerde, Veen Magazines, 2009.

In 2019 a documentary was made about Josef Ganz and his life story: Ganz, How I lost my Beetle (2019), by Suzanne Raes: www.youtube.com/watch?v=cNuS4GwU7CU

 

494 cc 2 cylinder 2-stroke rear engine.

490 kg.

Production Standard Superior 500: Nov. 1933-May 1935.

 

Image source: Paul Schilperoord, Het ware verhaal van de Kever: hoe Hitler het ontwerp van een Joods genie confisqueerde, Veen Magazines, 2009.

Location: Frankfurt.

Date: prob. Nov. 1933.

Original photographer/artist, place and exact date unknown.

 

Halfweg, Febr. 11, 2023.

 

© 2009/2023 Schilperoord/Sander Toonen, Halfweg | All Rights Reserved

Replacing an earlier scanned slide with a better version 09-Oct-15.

 

Fleet No: "967".

 

This aircraft was delivered to Caribair Puerto Rico as N967PR in Mar-68. Caribair was merged into Eastern Air Lines in May-73 and it continued to operate for Eastern until they ceased trading in Jan-91 when the aircraft was stored at Mojave, CA, USA.

 

It was sold by the liquidators to AVENSA, Venezuela, in Aug-91 as YV-82C. It was leased to LAV Linea Aerea Venezolana for a year between Aug-93 and Aug-94 and continued in service with AVENSA until, at the age of 31 it was retired and stored at Caracas, Venezuela, in Dec-99.

 

It was last noted still stored at Caracas in Feb-09 in derelict condition and has, presumably, since been broken up.

Replacing an earlier scanned photo with a better version 19-Dec-21 (DeNoise AI).

 

A dark December day in Manchester.

 

Fleet No: "076".

 

Originally ordered by KLM Royal Dutch Airlines as PH-DTM the order was cancelled before completion. It was sold on delivery to PAL Philippine Airlines, originally as RP-C2000. However that registration wasn't taken up and it was delivered as RP-C2003 in Oct-76.

 

It was sold to a lessor in Oct-88 and leased back to PAL until it was returned to the lessor in May-94. The aircraft was re-registered EI-DLA in Jun-94 and it was leased to Leisure Air (USA) the following month. It didn't stay long and was returned to the lessor in Nov-94 (Leisure Air ceased operations in Jan-95) and stored at Greensboro, NC, USA.

 

It wasn't until Jul-96 that it was leased to Continental Airlines, still as EI-DLA (Fleet No:076). The aircraft was withdrawn from use and stored at Mojave, CA, USA in Feb-00. It made it's last flight in Aug-03 when it was ferried to Greenwood, MS, USA and permanently retired. It was broken up there in Jul/Aug-04.

en.wikipedia.org/wiki/Beamish_Museum

 

Beamish Museum is the first regional open-air museum, in England, located at Beamish, near the town of Stanley, in County Durham, England. Beamish pioneered the concept of a living museum. By displaying duplicates or replaceable items, it was also an early example of the now commonplace practice of museums allowing visitors to touch objects.

 

The museum's guiding principle is to preserve an example of everyday life in urban and rural North East England at the climax of industrialisation in the early 20th century. Much of the restoration and interpretation is specific to the late Victorian and Edwardian eras, together with portions of countryside under the influence of industrial revolution from 1825. On its 350 acres (140 ha) estate it uses a mixture of translocated, original and replica buildings, a large collection of artefacts, working vehicles and equipment, as well as livestock and costumed interpreters.

 

The museum has received a number of awards since it opened to visitors in 1972 and has influenced other living museums. It is an educational resource, and also helps to preserve some traditional and rare north-country livestock breeds.

 

History

Genesis

In 1958, days after starting as director of the Bowes Museum, inspired by Scandinavian folk museums, and realising the North East's traditional industries and communities were disappearing, Frank Atkinson presented a report to Durham County Council urging that a collection of items of everyday history on a large scale should begin as soon as possible, so that eventually an open air museum could be established. As well as objects, Atkinson was also aiming to preserve the region's customs and dialect. He stated the new museum should "attempt to make the history of the region live" and illustrate the way of life of ordinary people. He hoped the museum would be run by, be about and exist for the local populace, desiring them to see the museum as theirs, featuring items collected from them.

 

Fearing it was now almost too late, Atkinson adopted a policy of "unselective collecting" — "you offer it to us and we will collect it." Donations ranged in size from small items to locomotives and shops, and Atkinson initially took advantage of a surplus of space available in the 19th-century French chateau-style building housing the Bowes Museum to store items donated for the open air museum. With this space soon filled, a former British Army tank depot at Brancepeth was taken over, although in just a short time its entire complement of 22 huts and hangars had been filled, too.

 

In 1966, a working party was established to set up a museum "for the purpose of studying, collecting, preserving and exhibiting buildings, machinery, objects and information illustrating the development of industry and the way of life of the north of England", and it selected Beamish Hall, having been vacated by the National Coal Board, as a suitable location.

 

Establishment and expansion

In August 1970, with Atkinson appointed as its first full-time director together with three staff members, the museum was first established by moving some of the collections into the hall. In 1971, an introductory exhibition, "Museum in the Making" opened at the hall.

 

The museum was opened to visitors on its current site for the first time in 1972, with the first translocated buildings (the railway station and colliery winding engine) being erected the following year. The first trams began operating on a short demonstration line in 1973. The Town station was formally opened in 1976, the same year the reconstruction of the colliery winding engine house was completed, and the miners' cottages were relocated. Opening of the drift mine as an exhibit followed in 1979.

 

In 1975 the museum was visited by the Queen Elizabeth The Queen Mother, and by Anne, Princess Royal, in 2002. In 2006, as the Grand Master of the United Grand Lodge of England, The Duke of Kent visited, to open the town masonic lodge.

 

With the Co-op having opened in 1984, the town area was officially opened in 1985. The pub had opened in the same year, with Ravensworth Terrace having been reconstructed from 1980 to 1985. The newspaper branch office had also been built in the mid-1980s. Elsewhere, the farm on the west side of the site (which became Home Farm) opened in 1983. The present arrangement of visitors entering from the south was introduced in 1986.

 

At the beginning of the 1990s, further developments in the Pit Village were opened, the chapel in 1990, and the board school in 1992. The whole tram circle was in operation by 1993.[8] Further additions to the Town came in 1994 with the opening of the sweet shop and motor garage, followed by the bank in 1999. The first Georgian component of the museum arrived when Pockerley Old Hall opened in 1995, followed by the Pockerley Waggonway in 2001.

 

In the early 2000s two large modern buildings were added, to augment the museum's operations and storage capacity - the Regional Resource Centre on the west side opened in 2001, followed by the Regional Museums Store next to the railway station in 2002. Due to its proximity, the latter has been cosmetically presented as Beamish Waggon and Iron Works. Additions to display areas came in the form of the Masonic lodge (2006) and the Lamp Cabin in the Colliery (2009). In 2010, the entrance building and tea rooms were refurbished.

 

Into the 2010s, further buildings were added - the fish and chip shop (opened 2011)[28] band hall (opened 2013) and pit pony stables (built 2013/14) in the Pit Village, plus a bakery (opened 2013) and chemist and photographers (opened 2016) being added to the town. St Helen's Church, in the Georgian landscape, opened in November 2015.

 

Remaking Beamish

A major development, named 'Remaking Beamish', was approved by Durham County Council in April 2016, with £10.7m having been raised from the Heritage Lottery Fund and £3.3m from other sources.

 

As of September 2022, new exhibits as part of this project have included a quilter's cottage, a welfare hall, 1950s terrace, recreation park, bus depot, and 1950s farm (all discussed in the relevant sections of this article). The coming years will see replicas of aged miners' homes from South Shields, a cinema from Ryhope, and social housing will feature a block of four relocated Airey houses, prefabricated concrete homes originally designed by Sir Edwin Airey, which previously stood in Kibblesworth. Then-recently vacated and due for demolition, they were instead offered to the museum by The Gateshead Housing Company and accepted in 2012.

 

Museum site

The approximately 350-acre (1.4 km2) current site, once belonging to the Eden and Shafto families, is a basin-shaped steep-sided valley with woodland areas, a river, some level ground and a south-facing aspect.

 

Visitors enter the site through an entrance arch formed by a steam hammer, across a former opencast mining site and through a converted stable block (from Greencroft, near Lanchester, County Durham).

 

Visitors can navigate the site via assorted marked footpaths, including adjacent (or near to) the entire tramway oval. According to the museum, it takes 20 minutes to walk at a relaxed pace from the entrance to the town. The tramway oval serves as both an exhibit and as a free means of transport around the site for visitors, with stops at the entrance (south), Home Farm (west), Pockerley (east) and the Town (north). Visitors can also use the museum's buses as a free form of transport between various parts of the museum. Although visitors can also ride on the Town railway and Pockerley Waggonway, these do not form part of the site's transport system (as they start and finish from the same platforms).

 

Governance

Beamish was the first English museum to be financed and administered by a consortium of county councils (Cleveland, Durham, Northumberland and Tyne and Wear) The museum is now operated as a registered charity, but continues to receive support from local authorities - Durham County Council, Sunderland City Council, Gateshead Council, South Tyneside Council and North Tyneside Council. The supporting Friends of Beamish organisation was established in 1968. Frank Atkinson retired as director in 1987. The museum has been 96% self-funding for some years (mainly from admission charges).

 

Sections of the museum

1913

The town area, officially opened in 1985, depicts chiefly Victorian buildings in an evolved urban setting of 1913.

 

Tramway

The Beamish Tramway is 1.5 miles (2.4 km) long, with four passing loops. The line makes a circuit of the museum site forming an important element of the visitor transportation system.

 

The first trams began operating on a short demonstration line in 1973, with the whole circle in operation by 1993.[8] It represents the era of electric powered trams, which were being introduced to meet the needs of growing towns and cities across the North East from the late 1890s, replacing earlier horse drawn systems.

 

Bakery

Presented as Joseph Herron, Baker & Confectioner, the bakery was opened in 2013 and features working ovens which produce food for sale to visitors. A two-storey curved building, only the ground floor is used as the exhibit. A bakery has been included to represent the new businesses which sprang up to cater for the growing middle classes - the ovens being of the modern electric type which were growing in use. The building was sourced from Anfield Plain (which had a bakery trading as Joseph Herron), and was moved to Beamish in the late 1970s and early 1980s. The frontage features a stained glass from a baker's shop in South Shields. It also uses fittings from Stockton-on-Tees.

 

Motor garage

Presented as Beamish Motor & Cycle Works, the motor garage opened in 1994. Reflecting the custom nature of the early motor trade, where only one in 232 people owned a car in 1913, the shop features a showroom to the front (not accessible to visitors), with a garage area to the rear, accessed via the adjacent archway. The works is a replica of a typical garage of the era. Much of the museum's car, motorcycle and bicycle collection, both working and static, is stored in the garage. The frontage has two storeys, but the upper floor is only a small mezzanine and is not used as part of the display.

 

Department Store

Presented as the Annfield Plain Industrial Co-operative Society Ltd, (but more commonly referred to as the Anfield Plain Co-op Store) this department store opened in 1984, and was relocated to Beamish from Annfield Plain in County Durham. The Annfield Plain co-operative society was originally established in 1870, with the museum store stocking various products from the Co-operative Wholesale Society (CWS), established 1863. A two-storey building, the ground floor comprises the three departments - grocery, drapery and hardware; the upper floor is taken up by the tea rooms (accessed from Redman Park via a ramp to the rear). Most of the items are for display only, but a small amount of goods are sold to visitors. The store features an operational cash carrier system, of the Lamson Cash Ball design - common in many large stores of the era, but especially essential to Co-ops, where customer's dividends had to be logged.

 

Ravensworth Terrace

Ravensworth Terrace is a row of terraced houses, presented as the premises and living areas of various professionals. Representing the expanding housing stock of the era, it was relocated from its original site on Bensham Bank, having been built for professionals and tradesmen between 1830 and 1845. Original former residents included painter John Wilson Carmichael and Gateshead mayor Alexander Gillies. Originally featuring 25 homes, the terrace was to be demolished when the museum saved it in the 1970s, reconstructing six of them on the Town site between 1980 and 1985. They are two storey buildings, with most featuring display rooms on both floors - originally the houses would have also housed a servant in the attic. The front gardens are presented in a mix of the formal style, and the natural style that was becoming increasingly popular.

 

No. 2 is presented as the home of Miss Florence Smith, a music teacher, with old fashioned mid-Victorian furnishings as if inherited from her parents. No. 3 & 4 is presented as the practice and home respectively (with a knocked through door) of dentist J. Jones - the exterior nameplate having come from the surgery of Mr. J. Jones in Hartlepool. Representing the state of dental health at the time, it features both a check-up room and surgery for extraction, and a technicians room for creating dentures - a common practice at the time being the giving to daughters a set on their 21st birthday, to save any future husband the cost at a later date. His home is presented as more modern than No.2, furnished in the Edwardian style the modern day utilities of an enamelled bathroom with flushing toilet, a controllable heat kitchen range and gas cooker. No. 5 is presented as a solicitor's office, based on that of Robert Spence Watson, a Quaker from Newcastle. Reflecting the trade of the era, downstairs is laid out as the partner's or principal office, and the general or clerk's office in the rear. Included is a set of books sourced from ER Hanby Holmes, who practised in Barnard Castle.

 

Pub

Presented as The Sun Inn, the pub opened in the town in 1985. It had originally stood in Bondgate in Bishop Auckland, and was donated to the museum by its final owners, the Scottish and Newcastle Breweries. Originally a "one-up one down" cottage, the earliest ownership has been traced to James Thompson, on 21 January 1806. Known as The Tiger Inn until the 1850s, from 1857 to 1899 under the ownership of the Leng family, it flourished under the patronage of miners from Newton Cap and other collieries. Latterly run by Elsie Edes, it came under brewery ownership in the 20th Century when bought by S&N antecedent, James Deuchar Ltd. The pub is fully operational, and features both a front and back bar, the two stories above not being part of the exhibit. The interior decoration features the stuffed racing greyhound Jake's Bonny Mary, which won nine trophies before being put on display in The Gerry in White le Head near Tantobie.

 

Town stables

Reflecting the reliance on horses for a variety of transport needs in the era, the town features a centrally located stables, situated behind the sweet shop, with its courtyard being accessed from the archway next to the pub. It is presented as a typical jobmaster's yard, with stables and a tack room in the building on its north side. A small, brick built open air, carriage shed is sited on the back of the printworks building. On the east side of the courtyard is a much larger metal shed (utilising iron roof trusses from Fleetwood), arranged mainly as carriage storage, but with a blacksmith's shop in the corner. The building on the west side of the yard is not part of any display. The interior fittings for the harness room came from Callaly Caste. Many of the horses and horse-drawn vehicles used by the museum are housed in the stables and sheds.

 

Printer, stationer and newspaper branch office

Presented as the Beamish Branch Office of the Northern Daily Mail and the Sunderland Daily Echo, the two storey replica building was built in the mid-1980s and represents the trade practices of the era. Downstairs, on the right, is the branch office, where newspapers would be sold directly and distributed to local newsagents and street vendors, and where orders for advertising copy would be taken. Supplementing it is a stationer's shop on the left hand side, with both display items and a small number of gift items on public sale. Upstairs is a jobbing printers workshop, which would not produce the newspapers, but would instead print leaflets, posters and office stationery. Split into a composing area and a print shop, the shop itself has a number of presses - a Columbian built in 1837 by Clymer and Dixon, an Albion dating back to 1863, an Arab Platen of c. 1900, and a Wharfedale flat bed press, built by Dawson & Son in around 1870. Much of the machinery was sourced from the print works of Jack Ascough's of Barnard Castle. Many of the posters seen around the museum are printed in the works, with the operation of the machinery being part of the display.

 

Sweet shop

Presented as Jubilee Confectioners, the two storey sweet shop opened in 1994 and is meant to represent the typical family run shops of the era, with living quarters above the shop (the second storey not being part of the display). To the front of the ground floor is a shop, where traditional sweets and chocolate (which was still relatively expensive at the time) are sold to visitors, while in the rear of the ground floor is a manufacturing area where visitors can view the techniques of the time (accessed via the arched walkway on the side of the building). The sweet rollers were sourced from a variety of shops and factories.

 

Bank

Presented as a branch of Barclays Bank (Barclay & Company Ltd) using period currency, the bank opened in 1999. It represents the trend of the era when regional banks were being acquired and merged into national banks such as Barclays, formed in 1896. Built to a three-storey design typical of the era, and featuring bricks in the upper storeys sourced from Park House, Gateshead, the Swedish imperial red shade used on the ground floor frontage is intended to represent stability and security. On the ground floor are windows for bank tellers, plus the bank manager's office. Included in a basement level are two vaults. The upper two storeys are not part of the display. It features components sourced from Southport and Gateshead

 

Masonic Hall

The Masonic Hall opened in 2006, and features the frontage from a former masonic hall sited in Park Terrace, Sunderland. Reflecting the popularity of the masons in North East England, as well as the main hall, which takes up the full height of the structure, in a small two story arrangement to the front of the hall is also a Robing Room and the Tyler's Room on the ground floor, and a Museum Room upstairs, featuring display cabinets of masonic regalia donated from various lodges. Upstairs is also a class room, with large stained glass window.

 

Chemist and photographer

Presented as W Smith's Chemist and JR & D Edis Photographers, a two-storey building housing both a chemist and photographers shops under one roof opened on 7 May 2016 and represents the growing popularity of photography in the era, with shops often growing out of or alongside chemists, who had the necessary supplies for developing photographs. The chemist features a dispensary, and equipment from various shops including John Walker, inventor of the friction match. The photographers features a studio, where visitors can dress in period costume and have a photograph taken. The corner building is based on a real building on Elvet Bridge in Durham City, opposite the Durham Marriot Hotel (the Royal County), although the second storey is not part of the display. The chemist also sells aerated water (an early form of carbonated soft drinks) to visitors, sold in marble-stopper sealed Codd bottles (although made to a modern design to prevent the safety issue that saw the original bottles banned). Aerated waters grew in popularity in the era, due to the need for a safe alternative to water, and the temperance movement - being sold in chemists due to the perception they were healthy in the same way mineral waters were.

 

Costing around £600,000 and begun on 18 August 2014, the building's brickwork and timber was built by the museum's own staff and apprentices, using Georgian bricks salvaged from demolition works to widen the A1. Unlike previous buildings built on the site, the museum had to replicate rather than relocate this one due to the fact that fewer buildings are being demolished compared to the 1970s, and in any case it was deemed unlikely one could be found to fit the curved shape of the plot. The studio is named after a real business run by John Reed Edis and his daughter Daisy. Mr Edis, originally at 27 Sherburn Road, Durham, in 1895, then 52 Saddler Street from 1897. The museum collection features several photographs, signs and equipment from the Edis studio. The name for the chemist is a reference to the business run by William Smith, who relocated to Silver Street, near the original building, in 1902. According to records, the original Edis company had been supplied by chemicals from the original (and still extant) Smith business.

 

Redman Park

Redman Park is a small lawned space with flower borders, opposite Ravensworth Terrace. Its centrepiece is a Victorian bandstand sourced from Saltwell Park, where it stood on an island in the middle of a lake. It represents the recognised need of the time for areas where people could relax away from the growing industrial landscape.

 

Other

Included in the Town are drinking fountains and other period examples of street furniture. In between the bank and the sweet shop is a combined tram and bus waiting room and public convenience.

 

Unbuilt

When construction of the Town began, the projected town plan incorporated a market square and buildings including a gas works, fire station, ice cream parlour (originally the Central Cafe at Consett), a cast iron bus station from Durham City, school, public baths and a fish and chip shop.

 

Railway station

East of the Town is the Railway Station, depicting a typical small passenger and goods facility operated by the main railway company in the region at the time, the North Eastern Railway (NER). A short running line extends west in a cutting around the north side of the Town itself, with trains visible from the windows of the stables. It runs for a distance of 1⁄4 mile - the line used to connect to the colliery sidings until 1993 when it was lifted between the town and the colliery so that the tram line could be extended. During 2009 the running line was relaid so that passenger rides could recommence from the station during 2010.

 

Rowley station

Representing passenger services is Rowley Station, a station building on a single platform, opened in 1976, having been relocated to the museum from the village of Rowley near Consett, just a few miles from Beamish.

 

The original Rowley railway station was opened in 1845 (as Cold Rowley, renamed Rowley in 1868) by the NER antecedent, the Stockton and Darlington Railway, consisting of just a platform. Under NER ownership, as a result of increasing use, in 1873 the station building was added. As demand declined, passenger service was withdrawn in 1939, followed by the goods service in 1966. Trains continued to use the line for another three years before it closed, the track being lifted in 1970. Although in a state of disrepair, the museum acquired the building, dismantling it in 1972, being officially unveiled in its new location by railway campaigner and poet, Sir John Betjeman.

 

The station building is presented as an Edwardian station, lit by oil lamp, having never been connected to gas or electricity supplies in its lifetime. It features both an open waiting area and a visitor accessible waiting room (western half), and a booking and ticket office (eastern half), with the latter only visible from a small viewing entrance. Adorning the waiting room is a large tiled NER route map.

 

Signal box

The signal box dates from 1896, and was relocated from Carr House East near Consett. It features assorted signalling equipment, basic furnishings for the signaller, and a lever frame, controlling the stations numerous points, interlocks and semaphore signals. The frame is not an operational part of the railway, the points being hand operated using track side levers. Visitors can only view the interior from a small area inside the door.

 

Goods shed

The goods shed is originally from Alnwick. The goods area represents how general cargo would have been moved on the railway, and for onward transport. The goods shed features a covered platform where road vehicles (wagons and carriages) can be loaded with the items unloaded from railway vans. The shed sits on a triangular platform serving two sidings, with a platform mounted hand-crane, which would have been used for transhipment activity (transfer of goods from one wagon to another, only being stored for a short time on the platform, if at all).

 

Coal yard

The coal yard represents how coal would have been distributed from incoming trains to local merchants - it features a coal drop which unloads railway wagons into road going wagons below. At the road entrance to the yard is a weighbridge (with office) and coal merchant's office - both being appropriately furnished with display items, but only viewable from outside.

 

The coal drop was sourced from West Boldon, and would have been a common sight on smaller stations. The weighbridge came from Glanton, while the coal office is from Hexham.

 

Bridges and level crossing

The station is equipped with two footbridges, a wrought iron example to the east having come from Howden-le-Wear, and a cast iron example to the west sourced from Dunston. Next to the western bridge, a roadway from the coal yard is presented as crossing the tracks via a gated level crossing (although in reality the road goes nowhere on the north side).

 

Waggon and Iron Works

Dominating the station is the large building externally presented as Beamish Waggon and Iron Works, estd 1857. In reality this is the Regional Museums Store (see below), although attached to the north side of the store are two covered sidings (not accessible to visitors), used to service and store the locomotives and stock used on the railway.

 

Other

A corrugated iron hut adjacent to the 'iron works' is presented as belonging to the local council, and houses associated road vehicles, wagons and other items.

 

Fairground

Adjacent to the station is an events field and fairground with a set of Frederick Savage built steam powered Gallopers dating from 1893.

 

Colliery

Presented as Beamish Colliery (owned by James Joicey & Co., and managed by William Severs), the colliery represents the coal mining industry which dominated the North East for generations - the museum site is in the former Durham coalfield, where 165,246 men and boys worked in 304 mines in 1913. By the time period represented by Beamish's 1900s era, the industry was booming - production in the Great Northern Coalfield had peaked in 1913, and miners were relatively well paid (double that of agriculture, the next largest employer), but the work was dangerous. Children could be employed from age 12 (the school leaving age), but could not go underground until 14.

 

Deep mine

Reconstructed pitworks buildings showing winding gear

Dominating the colliery site are the above ground structures of a deep (i.e. vertical shaft) mine - the brick built Winding Engine House, and the red painted wooden Heapstead. These were relocated to the museum (which never had its own vertical shaft), the winding house coming from Beamish Chophill Colliery, and the Heapstead from Ravensworth Park Mine in Gateshead. The winding engine and its enclosing house are both listed.

 

The winding engine was the source of power for hauling miners, equipment and coal up and down the shaft in a cage, the top of the shaft being in the adjacent heapstead, which encloses the frame holding the wheel around which the hoist cable travels. Inside the Heapstead, tubs of coal from the shaft were weighed on a weighbridge, then tipped onto jigging screens, which sifted the solid lumps from small particles and dust - these were then sent along the picking belt, where pickers, often women, elderly or disabled people or young boys (i.e. workers incapable of mining), would separate out unwanted stone, wood and rubbish. Finally, the coal was tipped onto waiting railway wagons below, while the unwanted waste sent to the adjacent heap by an external conveyor.

 

Chophill Colliery was closed by the National Coal Board in 1962, but the winding engine and tower were left in place. When the site was later leased, Beamish founder Frank Atkinson intervened to have both spot listed to prevent their demolition. After a protracted and difficult process to gain the necessary permissions to move a listed structure, the tower and engine were eventually relocated to the museum, work being completed in 1976. The winding engine itself is the only surviving example of the type which was once common, and was still in use at Chophill upon its closure. It was built in 1855 by J&G Joicey of Newcastle, to an 1800 design by Phineas Crowther.

 

Inside the winding engine house, supplementing the winding engine is a smaller jack engine, housed in the rear. These were used to lift heavy equipment, and in deep mines, act as a relief winding engine.

 

Outdoors, next to the Heapstead, is a sinking engine, mounted on red bricks. Brought to the museum from Silksworth Colliery in 1971, it was built by Burlington's of Sunderland in 1868 and is the sole surviving example of its kind. Sinking engines were used for the construction of shafts, after which the winding engine would become the source of hoist power. It is believed the Silksworth engine was retained because it was powerful enough to serve as a backup winding engine, and could be used to lift heavy equipment (i.e. the same role as the jack engine inside the winding house).

 

Drift mine

The Mahogany Drift Mine is original to Beamish, having opened in 1855 and after closing, was brought back into use in 1921 to transport coal from Beamish Park Drift to Beamish Cophill Colliery. It opened as a museum display in 1979. Included in the display is the winding engine and a short section of trackway used to transport tubs of coal to the surface, and a mine office. Visitor access into the mine shaft is by guided tour.

 

Lamp cabin

The Lamp Cabin opened in 2009, and is a recreation of a typical design used in collieries to house safety lamps, a necessary piece of equipment for miners although were not required in the Mahogany Drift Mine, due to it being gas-free. The building is split into two main rooms; in one half, the lamp cabin interior is recreated, with a collection of lamps on shelves, and the system of safety tokens used to track which miners were underground. Included in the display is a 1927 Hailwood and Ackroyd lamp-cleaning machine sourced from Morrison Busty Colliery in Annfield Plain. In the second room is an educational display, i.e., not a period interior.

 

Colliery railways

The colliery features both a standard gauge railway, representing how coal was transported to its onward destination, and narrow-gauge typically used by Edwardian collieries for internal purposes. The standard gauge railway is laid out to serve the deep mine - wagons being loaded by dropping coal from the heapstead - and runs out of the yard to sidings laid out along the northern-edge of the Pit Village.

 

The standard gauge railway has two engine sheds in the colliery yard, the smaller brick, wood and metal structure being an operational building; the larger brick-built structure is presented as Beamish Engine Works, a reconstruction of an engine shed formerly at Beamish 2nd Pit. Used for locomotive and stock storage, it is a long, single track shed featuring a servicing pit for part of its length. Visitors can walk along the full length in a segregated corridor. A third engine shed in brick (lower half) and corrugated iron has been constructed at the southern end of the yard, on the other side of the heapstead to the other two sheds, and is used for both narrow and standard gauge vehicles (on one road), although it is not connected to either system - instead being fed by low-loaders and used for long-term storage only.

 

The narrow gauge railway is serviced by a corrugate iron engine shed, and is being expanded to eventually encompass several sidings.

 

There are a number of industrial steam locomotives (including rare examples by Stephen Lewin from Seaham and Black, Hawthorn & Co) and many chaldron wagons, the region's traditional type of colliery railway rolling stock, which became a symbol of Beamish Museum. The locomotive Coffee Pot No 1 is often in steam during the summer.

 

Other

On the south eastern corner of the colliery site is the Power House, brought to the museum from Houghton Colliery. These were used to store explosives.

 

Pit Village

Alongside the colliery is the pit village, representing life in the mining communities that grew alongside coal production sites in the North East, many having come into existence solely because of the industry, such as Seaham Harbour, West Hartlepool, Esh Winning and Bedlington.

 

Miner's Cottages

The row of six miner's cottages in Francis Street represent the tied-housing provided by colliery owners to mine workers. Relocated to the museum in 1976, they were originally built in the 1860s in Hetton-le-Hole by Hetton Coal Company. They feature the common layout of a single-storey with a kitchen to the rear, the main room of the house, and parlour to the front, rarely used (although it was common for both rooms to be used for sleeping, with disguised folding "dess" beds common), and with children sleeping in attic spaces upstairs. In front are long gardens, used for food production, with associated sheds. An outdoor toilet and coal bunker were in the rear yards, and beyond the cobbled back lane to their rear are assorted sheds used for cultivation, repairs and hobbies. Chalkboard slates attached to the rear wall were used by the occupier to tell the mine's "knocker up" when they wished to be woken for their next shift.

 

No.2 is presented as a Methodist family's home, featuring good quality "Pitman's mahogany" furniture; No.3 is presented as occupied by a second generation well off Irish Catholic immigrant family featuring many items of value (so they could be readily sold off in times of need) and an early 1890s range; No.3 is presented as more impoverished than the others with just a simple convector style Newcastle oven, being inhabited by a miner's widow allowed to remain as her son is also a miner, and supplementing her income doing laundry and making/mending for other families. All the cottages feature examples of the folk art objects typical of mining communities. Also included in the row is an office for the miner's paymaster.[11] In the rear alleyway of the cottages is a communal bread oven, which were commonplace until miner's cottages gradually obtained their own kitchen ranges. They were used to bake traditional breads such as the Stottie, as well as sweet items, such as tea cakes. With no extant examples, the museum's oven had to be created from photographs and oral history.

 

School

The school opened in 1992, and represents the typical board school in the educational system of the era (the stone built single storey structure being inscribed with the foundation date of 1891, Beamish School Board), by which time attendance at a state approved school was compulsory, but the leaving age was 12, and lessons featured learning by rote and corporal punishment. The building originally stood in East Stanley, having been set up by the local school board, and would have numbered around 150 pupils. Having been donated by Durham County Council, the museum now has a special relationship with the primary school that replaced it. With separate entrances and cloakrooms for boys and girls at either end, the main building is split into three class rooms (all accessible to visitors), connected by a corridor along the rear. To the rear is a red brick bike shed, and in the playground visitors can play traditional games of the era.

 

Chapel

Pit Hill Chapel opened in 1990, and represents the Wesleyan Methodist tradition which was growing in North East England, with the chapels used for both religious worship and as community venues, which continue in its role in the museum display. Opened in the 1850s, it originally stood not far from its present site, having been built in what would eventually become Beamish village, near the museum entrance. A stained glass window of The Light of The World by William Holman Hunt came from a chapel in Bedlington. A two handled Love Feast Mug dates from 1868, and came from a chapel in Shildon Colliery. On the eastern wall, above the elevated altar area, is an angled plain white surface used for magic lantern shows, generated using a replica of the double-lensed acetylene gas powered lanterns of the period, mounted in the aisle of the main seating area. Off the western end of the hall is the vestry, featuring a small library and communion sets from Trimdon Colliery and Catchgate.

 

Fish bar

Presented as Davey's Fried Fish & Chip Potato Restaurant, the fish and chip shop opened in 2011, and represents the typical style of shop found in the era as they were becoming rapidly popular in the region - the brick built Victorian style fryery would most often have previously been used for another trade, and the attached corrugated iron hut serves as a saloon with tables and benches, where customers would eat and socialise. Featuring coal fired ranges using beef-dripping, the shop is named in honour of the last coal fired shop in Tyneside, in Winlaton Mill, and which closed in 2007. Latterly run by brothers Brian and Ramsay Davy, it had been established by their grandfather in 1937. The serving counter and one of the shop's three fryers, a 1934 Nuttal, came from the original Davy shop. The other two fryers are a 1920s Mabbott used near Chester until the 1960s, and a GW Atkinson New Castle Range, donated from a shop in Prudhoe in 1973. The latter is one of only two known late Victorian examples to survive. The decorative wall tiles in the fryery came to the museum in 1979 from Cowes Fish and Game Shop in Berwick upon Tweed. The shop also features both an early electric and hand-powered potato rumblers (cleaners), and a gas powered chip chopper built around 1900. Built behind the chapel, the fryery is arranged so the counter faces the rear, stretching the full length of the building. Outside is a brick built row of outdoor toilets. Supplementing the fish bar is the restored Berriman's mobile chip van, used in Spennymoor until the early 1970s.

 

Band hall

The Hetton Silver Band Hall opened in 2013, and features displays reflecting the role colliery bands played in mining life. Built in 1912, it was relocated from its original location in South Market Street, Hetton-le-Hole, where it was used by the Hetton Silver Band, founded in 1887. They built the hall using prize money from a music competition, and the band decided to donate the hall to the museum after they merged with Broughtons Brass Band of South Hetton (to form the Durham Miners' Association Brass Band). It is believed to be the only purpose built band hall in the region. The structure consists of the main hall, plus a small kitchen to the rear; as part of the museum it is still used for performances.

 

Pit pony stables

The Pit Pony Stables were built in 2013/14, and house the museum's pit ponies. They replace a wooden stable a few metres away in the field opposite the school (the wooden structure remaining). It represents the sort of stables that were used in drift mines (ponies in deep mines living their whole lives underground), pit ponies having been in use in the north east as late as 1994, in Ellington Colliery. The structure is a recreation of an original building that stood at Rickless Drift Mine, between High Spen and Greenside; it was built using a yellow brick that was common across the Durham coalfield.

 

Other

Doubling as one of the museum's refreshment buildings, Sinker's Bait Cabin represents the temporary structures that would have served as living quarters, canteens and drying areas for sinkers, the itinerant workforce that would dig new vertical mine shafts.

 

Representing other traditional past-times, the village fields include a quoits pitch, with another refreshment hut alongside it, resembling a wooden clubhouse.

 

In one of the fields in the village stands the Cupola, a small round flat topped brick built tower; such structures were commonly placed on top of disused or ventilation shafts, also used as an emergency exit from the upper seams.

 

The Georgian North (1825)

A late Georgian landscape based around the original Pockerley farm represents the period of change in the region as transport links were improved and as agriculture changed as machinery and field management developed, and breeding stock was improved. It became part of the museum in 1990, having latterly been occupied by a tenant farmer, and was opened as an exhibit in 1995. The hill top position suggests the site was the location of an Iron Age fort - the first recorded mention of a dwelling is in the 1183 Buke of Boldon (the region's equivalent of the Domesday Book). The name Pockerley has Saxon origins - "Pock" or "Pokor" meaning "pimple of bag-like" hill, and "Ley" meaning woodland clearing.

 

The surrounding farmlands have been returned to a post-enclosure landscape with ridge and furrow topography, divided into smaller fields by traditional riven oak fencing. The land is worked and grazed by traditional methods and breeds.

 

Pockerley Old Hall

The estate of Pockerley Old Hall is presented as that of a well off tenant farmer, in a position to take advantage of the agricultural advances of the era. The hall itself consists of the Old House, which is adjoined (but not connected to) the New House, both south facing two storey sandstone built buildings, the Old House also having a small north–south aligned extension. Roof timbers in the sandstone built Old House have been dated to the 1440s, but the lower storey (the undercroft) may be from even earlier. The New House dates to the late 1700s, and replaced a medieval manor house to the east of the Old House as the main farm house - once replaced itself, the Old House is believed to have been let to the farm manager. Visitors can access all rooms in the New and Old House, except the north–south extension which is now a toilet block. Displays include traditional cooking, such as the drying of oatcakes over a wooden rack (flake) over the fireplace in the Old House.

 

Inside the New House the downstairs consists of a main kitchen and a secondary kitchen (scullery) with pantry. It also includes a living room, although as the main room of the house, most meals would have been eaten in the main kitchen, equipped with an early range, boiler and hot air oven. Upstairs is a main bedroom and a second bedroom for children; to the rear (i.e. the colder, north side), are bedrooms for a servant and the servant lad respectively. Above the kitchen (for transferred warmth) is a grain and fleece store, with attached bacon loft, a narrow space behind the wall where bacon or hams, usually salted first, would be hung to be smoked by the kitchen fire (entering through a small door in the chimney).

 

Presented as having sparse and more old fashioned furnishings, the Old House is presented as being occupied in the upper story only, consisting of a main room used as the kitchen, bedroom and for washing, with the only other rooms being an adjoining second bedroom and an overhanging toilet. The main bed is an oak box bed dating to 1712, obtained from Star House in Baldersdale in 1962. Originally a defensive house in its own right, the lower level of the Old House is an undercroft, or vaulted basement chamber, with 1.5 metre thick walls - in times of attack the original tenant family would have retreated here with their valuables, although in its later use as the farm managers house, it is now presented as a storage and work room, housing a large wooden cheese press.[68] More children would have slept in the attic of the Old House (not accessible as a display).

 

To the front of the hall is a terraced garden featuring an ornamental garden with herbs and flowers, a vegetable garden, and an orchard, all laid out and planted according to the designs of William Falla of Gateshead, who had the largest nursery in Britain from 1804 to 1830.

 

The buildings to the east of the hall, across a north–south track, are the original farmstead buildings dating from around 1800. These include stables and a cart shed arranged around a fold yard. The horses and carts on display are typical of North Eastern farms of the era, Fells or Dales ponies and Cleveland Bay horses, and two wheeled long carts for hilly terrain (as opposed to four wheel carts).

 

Pockerley Waggonway

The Pockerley Waggonway opened in 2001, and represents the year 1825, as the year the Stockton and Darlington Railway opened. Waggonways had appeared around 1600, and by the 1800s were common in mining areas - prior to 1800 they had been either horse or gravity powered, before the invention of steam engines (initially used as static winding engines), and later mobile steam locomotives.

 

Housing the locomotives and rolling stock is the Great Shed, which opened in 2001 and is based on Timothy Hackworth's erecting shop, Shildon railway works, and incorporating some material from Robert Stephenson and Company's Newcastle works. Visitors can walk around the locomotives in the shed, and when in steam, can take rides to the end of the track and back in the line's assorted rolling stock - situated next to the Great Shed is a single platform for passenger use. In the corner of the main shed is a corner office, presented as a locomotive designer's office (only visible to visitors through windows). Off the pedestrian entrance in the southern side is a room presented as the engine crew's break room. Atop the Great Shed is a weather vane depicting a waggonway train approaching a cow, a reference to a famous quote by George Stephenson when asked by parliament in 1825 what would happen in such an eventuality - "very awkward indeed - for the coo!".

 

At the far end of the waggonway is the (fictional) coal mine Pockerley Gin Pit, which the waggonway notionally exists to serve. The pit head features a horse powered wooden whim gin, which was the method used before steam engines for hauling men and material up and down mineshafts - coal was carried in corves (wicker baskets), while miners held onto the rope with their foot in an attached loop.

 

Wooden waggonway

Following creation of the Pockerley Waggonway, the museum went back a chapter in railway history to create a horse-worked wooden waggonway.

 

St Helen's Church

St Helen's Church represents a typical type of country church found in North Yorkshire, and was relocated from its original site in Eston, North Yorkshire. It is the oldest and most complex building moved to the museum. It opened in November 2015, but will not be consecrated as this would place restrictions on what could be done with the building under church law.

 

The church had existed on its original site since around 1100. As the congregation grew, it was replaced by two nearby churches, and latterly became a cemetery chapel. After closing in 1985, it fell into disrepair and by 1996 was burnt out and vandalised leading to the decision by the local authority in 1998 to demolish it. Working to a deadline of a threatened demolition within six months, the building was deconstructed and moved to Beamish, reconstruction being authorised in 2011, with the exterior build completed by 2012.

 

While the structure was found to contain some stones from the 1100 era, the building itself however dates from three distinct building phases - the chancel on the east end dates from around 1450, while the nave, which was built at the same time, was modernised in 1822 in the Churchwarden style, adding a vestry. The bell tower dates from the late 1600s - one of the two bells is a rare dated Tudor example. Gargoyles, originally hidden in the walls and believed to have been pranks by the original builders, have been made visible in the reconstruction.

 

Restored to its 1822 condition, the interior has been furnished with Georgian box pews sourced from a church in Somerset. Visitors can access all parts except the bell tower. The nave includes a small gallery level, at the tower end, while the chancel includes a church office.

 

Joe the Quilter's Cottage

The most recent addition to the area opened to the public in 2018 is a recreation of a heather-thatched cottage which features stones from the Georgian quilter Joseph Hedley's original home in Northumberland. It was uncovered during an archaeological dig by Beamish. His original cottage was demolished in 1872 and has been carefully recreated with the help of a drawing on a postcard. The exhibit tells the story of quilting and the growth of cottage industries in the early 1800s. Within there is often a volunteer or member of staff not only telling the story of how Joe was murdered in 1826, a crime that remains unsolved to this day, but also giving visitors the opportunity to learn more and even have a go at quilting.

 

Other

A pack pony track passes through the scene - pack horses having been the mode of transport for all manner of heavy goods where no waggonway exists, being also able to reach places where carriages and wagons could not access. Beside the waggonway is a gibbet.

 

Farm (1940s)

Presented as Home Farm, this represents the role of North East farms as part of the British Home Front during World War II, depicting life indoors, and outside on the land. Much of the farmstead is original, and opened as a museum display in 1983. The farm is laid out across a north–south public road; to the west is the farmhouse and most of the farm buildings, while on the east side are a pair of cottages, the British Kitchen, an outdoor toilet ("netty"), a bull field, duck pond and large shed.

 

The farm complex was rebuilt in the mid-19th century as a model farm incorporating a horse mill and a steam-powered threshing mill. It was not presented as a 1940s farm until early 2014.

 

The farmhouse is presented as having been modernised, following the installation of electric power and an Aga cooker in the scullery, although the main kitchen still has the typical coal-fired black range. Lino flooring allowed quicker cleaning times, while a radio set allowed the family to keep up to date with wartime news. An office next to the kitchen would have served both as the administration centre for the wartime farm, and as a local Home Guard office. Outside the farmhouse is an improvised Home Guard pillbox fashioned from half an egg-ended steam boiler, relocated from its original position near Durham.

 

The farm is equipped with three tractors which would have all seen service during the war: a Case, a Fordson N and a 1924 Fordson F. The farm also features horse-drawn traps, reflecting the effect wartime rationing of petrol would have had on car use. The farming equipment in the cart and machinery sheds reflects the transition of the time from horse-drawn to tractor-pulled implements, with some older equipment put back into use due to the war, as well as a large Foster thresher, vital for cereal crops, and built specifically for the war effort, sold at the Newcastle Show. Although the wartime focus was on crops, the farm also features breeds of sheep, cattle, pigs and poultry that would have been typical for the time. The farm also has a portable steam engine, not in use, but presented as having been left out for collection as part of a wartime scrap metal drive.

 

The cottages would have housed farm labourers, but are presented as having new uses for the war: Orchard Cottage housing a family of evacuees, and Garden Cottage serving as a billet for members of the Women's Land Army (Land Girls). Orchard Cottage is named for an orchard next to it, which also contains an Anderson shelter, reconstructed from partial pieces of ones recovered from around the region. Orchard Cottage, which has both front and back kitchens, is presented as having an up to date blue enameled kitchen range, with hot water supplied from a coke stove, as well as a modern accessible bathroom. Orchard Cottage is also used to stage recreations of wartime activities for schools, elderly groups and those living with dementia. Garden Cottage is sparsely furnished with a mix of items, reflecting the few possessions Land Girls were able to take with them, although unusually the cottage is depicted with a bathroom, and electricity (due to proximity to a colliery).

 

The British Kitchen is both a display and one of the museum's catering facilities; it represents an installation of one of the wartime British Restaurants, complete with propaganda posters and a suitably patriotic menu.

 

Town (1950s)

As part of the Remaking Beamish project, with significant funding from the National Lottery Heritage Fund, the museum is creating a 1950s town. Opened in July 2019, the Welfare Hall is an exact replica of the Leasingthorne Colliery Welfare Hall and Community Centre which was built in 1957 near Bishop Auckland. Visitors can 'take part in activities including dancing, crafts, Meccano, beetle drive, keep fit and amateur dramatics' while also taking a look at the National Health Service exhibition on display, recreating the environment of an NHS clinic. A recreation and play park, named Coronation Park was opened in May 2022 to coincide with the celebrations around the Platinum Jubilee of Elizabeth II.

 

The museum's first 1950s terrace opened in February 2022. This included a fish and chip shop from Middleton St George, a cafe, a replica of Norman Cornish's home, and a hairdressers. Future developments opposite the existing 1950s terrace will see a recreation of The Grand Cinema, from Ryhope, in Sunderland, and toy and electricians shops. Also underdevelopment are a 1950s bowling green and pavilion, police houses and aged miner's cottages. Also under construction are semi-detached houses; for this exhibit, a competition was held to recreate a particular home at Beamish, which was won by a family from Sunderland.

 

As well as the town, a 1950s Northern bus depot has been opened on the western side of the museum – the purpose of this is to provide additional capacity for bus, trolleybus and tram storage once the planned trolleybus extension and the new area are completed, providing extra capacity and meeting the need for modified routing.

 

Spain's Field Farm

In March 2022, the museum opened Spain's Field Farm. It had stood for centuries at Eastgate in Weardale, and was moved to Beamish stone-by-stone. It is exhibited as it would have been in the 1950s.

 

1820s Expansion

In the area surrounding the current Pockerley Old Hall and Steam Wagon Way more development is on the way. The first of these was planned to be a Georgian Coaching Inn that would be the museum's first venture into overnight accommodation. However following the COVID-19 pandemic this was abandoned, in favour of self-catering accommodation in existing cottages.

 

There are also plans for 1820s industries including a blacksmith's forge and a pottery.

 

Museum stores

There are two stores on the museum site, used to house donated objects. In contrast to the traditional rotation practice used in museums where items are exchanged regularly between store and display, it is Beamish policy that most of their exhibits are to be in use and on display - those items that must be stored are to be used in the museum's future developments.

 

Open Store

Housed in the Regional Resource Centre, the Open Store is accessible to visitors. Objects are housed on racks along one wall, while the bulk of items are in a rolling archive, with one set of shelves opened, with perspex across their fronts to permit viewing without touching.

 

Regional Museums Store

The real purposes of the building presented as Beamish Waggon and Iron Works next to Rowley Station is as the Regional Museums Store, completed in 2002, which Beamish shares with Tyne and Wear Museums. This houses, amongst other things, a large marine diesel engine by William Doxford & Sons of Pallion, Sunderland (1977); and several boats including the Tyne wherry (a traditional local type of lighter) Elswick No. 2 (1930). The store is only open at selected times, and for special tours which can be arranged through the museum; however, a number of viewing windows have been provided for use at other times.

 

Transport collection

Main article: Beamish Museum transport collection

The museum contains much of transport interest, and the size of its site makes good internal transportation for visitors and staff purposes a necessity.

 

The collection contains a variety of historical vehicles for road, rail and tramways. In addition there are some modern working replicas to enhance the various scenes in the museum.

 

Agriculture

The museum's two farms help to preserve traditional northcountry and in some cases rare livestock breeds such as Durham Shorthorn Cattle; Clydesdale and Cleveland Bay working horses; Dales ponies; Teeswater sheep; Saddleback pigs; and poultry.

 

Regional heritage

Other large exhibits collected by the museum include a tracked steam shovel, and a coal drop from Seaham Harbour.

 

In 2001 a new-build Regional Resource Centre (accessible to visitors by appointment) opened on the site to provide accommodation for the museum's core collections of smaller items. These include over 300,000 historic photographs, printed books and ephemera, and oral history recordings. The object collections cover the museum's specialities. These include quilts; "clippy mats" (rag rugs); Trade union banners; floor cloth; advertising (including archives from United Biscuits and Rowntree's); locally made pottery; folk art; and occupational costume. Much of the collection is viewable online and the arts of quilting, rug making and cookery in the local traditions are demonstrated at the museum.

 

Filming location

The site has been used as the backdrop for many film and television productions, particularly Catherine Cookson dramas, produced by Tyne Tees Television, and the final episode and the feature film version of Downton Abbey. Some of the children's television series Supergran was shot here.

 

Visitor numbers

On its opening day the museum set a record by attracting a two-hour queue. Visitor numbers rose rapidly to around 450,000 p.a. during the first decade of opening to the public, with the millionth visitor arriving in 1978.

 

Awards

Museum of the Year1986

European Museum of the Year Award1987

Living Museum of the Year2002

Large Visitor Attraction of the YearNorth East England Tourism awards2014 & 2015

Large Visitor Attraction of the Year (bronze)VisitEngland awards2016

It was designated by the Museums, Libraries and Archives Council in 1997 as a museum with outstanding collections.

 

Critical responses

In responding to criticism that it trades on nostalgia the museum is unapologetic. A former director has written: "As individuals and communities we have a deep need and desire to understand ourselves in time."

 

According to the BBC writing in its 40th anniversary year, Beamish was a mould-breaking museum that became a great success due to its collection policy, and what sets it apart from other museums is the use of costumed people to impart knowledge to visitors, rather than labels or interpretive panels (although some such panels do exist on the site), which means it "engages the visitor with history in a unique way".

 

Legacy

Beamish was influential on the Black Country Living Museum, Blists Hill Victorian Town and, in the view of museologist Kenneth Hudson, more widely in the museum community and is a significant educational resource locally. It can also demonstrate its benefit to the contemporary local economy.

 

The unselective collecting policy has created a lasting bond between museum and community.

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The William Jolly Bridge was constructed between 1928 and 1932 following the formation of Greater Brisbane in 1925, and was one of the first major capital works of the new city Council and bears the name of its first Mayor. At the time of construction, the only traffic bridge linking North and South Brisbane was the second Victoria Bridge, built in 1897 to replace an earlier bridge washed away in the flood of 1893. The William Jolly Bridge crosses the Brisbane River at the tip of the South Brisbane peninsula between Grey Street, South Brisbane, and the intersection of Skew and Saul Streets on the northern bank.

 

The tip of the South Brisbane peninsula is traditionally a point of crossing. A sandy beach marked the point of crossing for aboriginal tribes from the Moreton region, then later for Europeans who crossed the river near this point on the North Quay ferry, and then from the 1930s via the William Jolly Bridge. On the south bank, aboriginal and later European pathways and land use patterns formed the basis for subsequent traffic networks.

 

Prior to European settlement, the whole of the South Brisbane peninsula was known as Kurilpa, meaning the place of rats, due to the large number of bush rats to be found in the lush vegetation of the area. (The recently developed riverfront park adjacent to the bridge at South Brisbane is now called Kurilpa Point.). The first European use of the south bank occurred soon after the establishment of the Moreton Bay Penal settlement in 1825 when convicts cleared the flats across the river in order to grow grain to feed the settlement. In 1830 the cultivation of the flats on the south bank was ordered to cease by the Commandant, however throughout the 1830s timber was being exported to Sydney from the south bank. Those enroute to the outstations at Cowper's (Coopers) Plains, Limestone Hill and Cleveland crossed the area.

 

On the 10th of February 1842, Moreton Bay was declared open for free settlement. As the point of entry and exit, South Brisbane prospered in the 1840s. In 1846 Brisbane was brought within the provisions of the Police Towns Act of 1839, and boundaries to the town were set.

 

The first ferry to convey passengers, horses and carriages began operation from Russell Street circa 1842. For over 30 years this was the only vehicular ferry crossing to North Brisbane in this area, except for a brief period from June 1865 - November 1867 when a temporary timber bridge, which was rapidly destroyed by marine borer, spanned the river.

 

A burial ground had been established on the northern bank where Skew Street is now located, (later moved to Hale Street), and to the rear of the burial ground a new gaol was established by 1860 and military barracks in 1864. Farming was established along the banks of the river, and development concentrated on Petrie Terrace. Land between the new burial ground and barracks was put up for auction in 1861, and from 1863 the auctioning of suburban allotments (now Paddington) encouraged the spread of the settlement along the ridges.

 

The North Quay Ferry, a row boat, crossed the river where the bridge now stands, and the River Road (now Coronation Drive) was established as a track which serviced properties towards Toowong. The opening of the Brisbane-Ipswich railway in 1875 isolated the strip of riverfront residences from the working class houses in Milton and Paddington, and this contributed to the relative lack of development along the northern bank of the Milton Reach of the river in subsequent years.

 

The opening of the Victoria Bridge on the 15th of June 1874 provided an important transport and communications link between the north and south banks of the river, and provided further impetus to the development of the south bank. The Victoria Bridge was funded by the Brisbane Municipal Council and a toll was imposed to recover costs. Eventually, responsibility for the bridge was taken over by the Queensland Government.

 

In the 1880s, the south bank experienced a development boom. A dry dock was opened in 1881, coal wharves at Woolloongabba and associated rail links were established circa 1885, and South Brisbane was established as the passenger terminus for suburban and country lines built during the 1880s. Industry and commerce was attracted to the area, and Stanley Street developed into a major retail centre and thoroughfare. The spread of housing included the development of large residences located along the ridges with views of the river, and industry developed along the southern bank of the Milton reach.

 

The establishment of the South Brisbane municipality occurred on the 7th of January 1888. The development of the civic centre focused on the Stanley and Vulture Street intersection, with the construction of the Town Hall, Fire Station, Post Office and Railway Station. The boom of the 1880s collapsed, followed by maritime and pastoral strikes in the early 1890s, and the collapse of banks in 1893. Land and rent values plummeted to their lowest levels and hundreds of home owners applied to the Council to work out their rates. A series of floods in 1893 resulted in the collapse of the Indooroopilly rail bridge in 1893, which diverted all rail traffic to South Brisbane, and the collapse of Victoria Bridge on 6 February 1893 which cut vital transport and communications links with the central city. A report in the Telegraph on the 8th of February 1893 described the event as What a terrible hiatus in the course of business alone has been caused by the collapse of Victoria Bridge. Once again, for practical purposes, the metropolis is divided into two separate towns. No bridge, no telephone, no telegraph, and vastly inadequate ferry accommodation.

 

Urban expansion on both sides of the river continued with the opening of the new Victoria Bridge in 1897 and the advent of electric trams. The first encroachment of industry into the residential enclave along the high northern embankment occurred above the North Quay ferry terminal in 1897 with the construction of the Helidon Spa Company's extensive works from the North Quay-River Road intersection. The residential enclave was further reduced when the Morrow-Rankin biscuit factory was established upstream from the Helidon Spa works in 1913.

 

On the 3rd of October 1903, the Government gazetted the proclamation which constituted the City of South Brisbane. From 1908 the South Brisbane City Council tried to bring all the wharves in the South Brisbane Reach under its control and encouraged further commercial and industrial development along the river front. As finance permitted, provision of services such as gas, electricity, road sealing, water supply and an adequate system of drainage and sanitation improved the living and working conditions in the area and generated a demand for residential accommodation and improved cross river communication.

 

In the immediate post-war period, residential growth created continued demand for public transport, particularly through and from the South Brisbane peninsula. Land resumption for road widening was enacted in both Stanley and Melbourne Streets, and in September 1925, South Brisbane City Council is noted as having a population of 40,000 persons. The completion of the Sydney-Kyogle-South Brisbane interstate railway benefited the local economy with a demand for factory and manufacturing sites. Health factors, noise and nuisance associated with industry and proximity to wharves and docks all contributed to the changing perception of the area bounded by Grey and Boundary Streets, Montague Road and the river. As a result, when the time came to resume land in connection with the construction of the William Jolly Bridge, there was scant opposition.

 

By the time Greater Brisbane was formed in 1925, the need for further cross river links had been established. Traffic across the Victoria Bridge had increased 76% from 1912 - 1925, and in 1923 it was noted that traffic tonnage had increased 49.5% in 15 months. The 1897 Victoria Bridge had a paved deck with bituminous surfacing on wrought iron troughing. Between 1920 - 1922 this paving was replaced by concrete, causing traffic congestion. In 1922, the need for additional traffic on Victoria Bridge was identified, and the Mayor of Brisbane noted the need for cross river traffic as pressing and urgent. The Victoria Bridge structure was investigated in 1923 to determine its strength for further loading, and WJ Doak, Bridge Engineer of the Queensland Railways, noted that the bridge is now loaded to rather more than its orthodox capacity under live load, but it was considered that there was no immediate danger of collapse. His recommendations included various repairs, and that a second bridge should be built.

 

The first meeting of the Greater Brisbane Council in March 1925 passed a motion concerning the employment of experts to investigate what cross river facilities were required and their best locations. Mayor William Alfred Jolly was Chairman of the Bridges and Ferries Committee, and recommended that three experts be employed. A motion was passed on the 20th of May 1925 to appoint a Cross River Commission, which reported on the 11th of January 1926 (chairman RWH Hawken, Professor of Engineering at the University of Queensland, WN Nelson and R Martin Wilson). The report showed 11 proposed river crossings, and considered costs and savings made due to the reduction in haulage costs etc, and the need for a railway bridge was also discussed. A crossing at Kangaroo Point was estimated to cost 6 times the Grey Street crossing, and further reports were commissioned from WJ Earle, the City Planner, and EF Gilchrist, the City Engineer. These reports proposed the Grey Street bridge be two level for road and rail traffic, and a second bridge from Wellington Road to Sydney Street, New Farm, with a major ring road called the Main Parkway Boulevard, be constructed.

 

On the 7th of June 1926 Council decided to build a bridge from Grey Street, South Brisbane. However, it is interesting to note that Gilchrist Avenue (named after EF Gilchrist City Engineer), which is on the other side of the rail line to the proposed Main Parkway Boulevard, is in essence part of the proposed traffic system for the William Jolly Bridge as per Earle's recommended ring road system. The existing Gilchrist Avenue's original drawings are dated the 25th of June 1930.

 

The Council called applications for a bridge engineer to design a steel or reinforced concrete bridge on the 10th of July 1926. Alison Eavis Harding Frew (1883 - 1952) was appointed Engineer on the 12th of November 1926.

 

Problems were encountered with the design of the bridge due to the depth of rock below the river bed increasing from approximately 14m to 23m on the southern bank. Due to the costly foundation work, a bridge type with long spans was chosen. Harding Frew considered five bridge types, each a variation on a theme, stating in his report that it is frankly admitted that the purely economical aspect alone has not been given as much weight... as the consideration of utility, with good taste, combined with minimum maintenance cost....The maintenance requirements for, and performance of, steel bridges was also noted as a concern.

 

Harding Frew recommended bridge type A and the Council adopted his recommendation, of which some of the details of approaches etc changed from design to construction. The chosen bridge design was to be of concrete encased steel with arched ribs which rise through the deck. The final decision of the type of bridge, from the five under consideration, was essentially aesthetic, and was influenced by the so-called Rainbow Arch Bridge, carrying Robert Street, Saint Paul Minnesota across the Mississippi River. Harding Frew acknowledged this in his report, including photographs of the bridge, and stated that the time has come when some improvement in the appearance of our city bridges should be looked for in Queensland....The questions of utility and aesthetics should also be weighed carefully, especially in relation to a city's importance, its civic pride, and its future. The selected bridge design differed from the Saint Paul bridge in that it has three major spans whereas the Saint Paul bridge only has one, and this has been suggested as possibly making the William Jolly Bridge unique.

 

The Council resumed large areas of land bounded by Roma, Saul and Skew Streets, and between Skew Street, Eagle Terrace and North Quay on the northern side, and on the southern side, east of Grey Street between Montague Road and Melbourne Street. The final position of the bridge was determined by Harding Frew's recommendations (Earle and Gilchrist's were slightly upstream from the present site) and was accepted by Council in late 1926. The bridge was to have a North Quay underpass, and the estimated total cost was £700,000 including viaducts, resumptions, roadways, approaches and contingencies. This caused dismay, and the Commissioner for Main Roads considered that the cost should be contained to £500,000 by reducing the North Quay roadworks, minimising resumptions and building a different type of bridge.

 

Nevertheless, Council called tenders and MR Hornibrook Ltd submitted the lowest of £384,850 and this was accepted on the 8th of May 1928. Work commenced in August 1928 and was completed in March 1932.

 

An artist's impression at the time of construction shows trams crossing the bridge with overhead cables, a monument of some kind at the intersection of Skew and Saul Streets, and a different number of viaducts on southern side to those actually built.

 

An incident occurred on the 17th of February 1927 which highlighted the potentially disastrous situation of having only one bridge across the Brisbane River. The cargo steamer Chronos was taken upstream by a rising tide and the bow was wedged under the Victoria Bridge. Tugs managed to pull it out eventually, but the rising tide could have dislodged a span of the bridge and dumped it in the river, and this was highlighted in the Press at the time.

 

As mentioned, the depth to rock over much of the length of the William Jolly Bridge posed a major problem in the design of the foundations. The original design had the piers supported on timber piles, with inclined piles to resist the thrust from the small arch. Piles were driven immediately to the south of the pier, but it became impossible to drive them to rock and the design was changed to utilise reinforced concrete caissons (heavy, hollow, vertical reinforced concrete cylinders), and the contractor was noted as being completely in accord with this decision. The southern approach spans piers founded on timber piles all driven to rock, or to such depths as it was possible to drive them without damage, and the river piers are founded on reinforced concrete caissons. To achieve this the Sand Island method was invented by Manuel Hornibrook (1893 - 1970).

 

The Sand Island is an artificial island constructed by placing sand within a closed ring of sheet piles driven into the bed of the river. Two islands were constructed for each pier (one for each of the cylindrical caissons) with the caissons being 28 ft in diameter at the base. The pier on the sloping mud bank also used this method with rectangular caissons. Hornibrook is quoted as stating...as far as I am concerned the idea is an original one....The idea came to me one morning about 3 o'clock. I was so much taken up with it that I got out of bed and commenced to design a scheme to carry out the piers for the Grey Street Bridge. The use of Sand Islands was highly successful and very accurate, and overcame the problem of requiring the cutting edge to be placed directly on dry ground. The material was dredged out of the centre of the caisson and the cylinder progressively sank, however it was necessary to ensure that the caisson was fixed securely to rock and it was therefore essential to ensure man-access into the cylinder. This was achieved by using an air-lock system, but as the men worked under high pressure they could possibly suffer from the bends and an hospital air-lock was located at the surface for repressurisation if required. The foundations for the bridge were very deep, and the experience gained in the construction of this bridge, and later the Story Bridge, was considered of great value and to be a major achievement.

 

The steelwork was fabricated at the Evans Deakin and Co plant at Rocklea, and the arches had just been fixed in place when, on the 5th of February 1931 a major flood swept timber falsework away but fortunately the steelwork remained in place.

 

The steelwork was encased in Gunite, a sprayed dry mix concrete, the process of which was based on an invention in the United States at turn of century to spray plaster of paris in the reconstruction of skeletons of prehistoric animals. Between 1904 - 1909 this method was modified to spray sand and cement using a machine known as a Cement-Gun. Gunite was copyrighted in 1912 and continued as a proprietary trademark until 1967, when it became a generic term. The process involves a mixture of sand and cement which is loaded into one chamber, a stream of the dry mixture is forced along a delivery pipe to the gun, and on discharge is mixed with an annular jet of water. It was only in the 1920s that the process spread internationally, and it is difficult to ascertain whether other examples of bridges using the Gunite process, beside the Saint Paul Minnesota bridge, exist. It would appear that the use of Gunite in the arches, beams, deck members and hangers of the main spans, is a major early use of the process in Australia. The Opening Booklet for the bridge states The encasing of broad flange beams with concrete applied under pressure introduces new methods to Brisbane.

 

The southern approach of the bridge, to the south of Montague Road, was designed to have wider footpaths and roadway than the remainder of the bridge to conform with the decision of the Council to utilise this portion of the Approach, so that access might be had to abutting buildings (directly) from the bridge roadway.

 

The concrete balustrades were made by the Hume Pipe Co Ltd, and were centrifugally cast in their factory at West End. The Hume brothers invented the centrifugal casting method, for the casting of concrete pipes etc, and their firm was established in Adelaide in 1910. The mould for the grotesques, which decorate the bridge, was made by Karma Eklund, daughter of the State Manager, Hugo Eklund.

 

The structural steelwork including angles, plates, channels etc was almost wholly imported from Great Britain. Broad flange beams were supplied from Belgium, the largest being 30 x 12 inches which were larger than Australian rolled beams at the time. The use of large sections in the southern approaches allowed longer spans thereby reducing the number of piers. The cement and aggregate was supplied by the Queensland Cement and Lime Co.

 

Provision for a major water pipe never eventuated, and the closer spacing of stringers in the centre to support a tramway was not utilised. The decorative towers were intended to support overhead cables for the proposed tramway. The bridge originally crossed the North Quay underpass on two continuous, reinforced-concrete girder spans, each 33 ft with girders of variable depth. These have since been replaced by precast, prestressed concrete deck units above Coronation Drive, which links onto the riverside expressway, and in the process the footpath widths have been reduced.

 

The extent of work included in the bridge contract excluded some retaining walls, roadways etc on the northern side which were designed by the council. A statement was presented to the council on the 14th of November 1933 showing the official final cost as £688,387/12/5.

 

The bridge was officially opened on the 30th of March 1932, just eleven days after the opening of the Sydney Harbour Bridge. A large crowd gathered on both sides of the river and 600 invited guests were in attendance. The bridge was named the Grey Street Bridge.

 

There was great community interest in the massive public works under construction at the time. It was the era of the Great Depression and massive public works, and Vida Lahey, a distinguished Queensland artist, painted the bridge at least three times during its construction. She also painted other public works including Anzac Square, the State Government Offices, and the Central Railway Station. Although there was widespread public interest in the bridge, it was eclipsed within ten years by the much larger and more prominent Story Bridge.

 

An unusual feature of the Bridge is that the arches rise through the deck. It is noted that those living in Brisbane tend to regard this as normal for a bridge of this type, however this is in fact most unusual and few bridges around the world, including the Sydney Harbour Bridge, have this feature. The problem confronting Harding Frew was not the span to rise ratio of the arch itself, but rather its effect on the design of the deep foundations required at the site.

 

The bridge was designed to alleviate the traffic on the Victoria Bridge, but by as early as 1939 it was carrying 45% of the cross river traffic and was effectively doing more than it was designed to achieve.

 

On the 5th of July 1955, the Council decided to rename the bridge the William Jolly Bridge, in honour of William Alfred Jolly (1881 - 1955). Jolly was Alderman of Windsor Town Council from 1912 to 1925, including 5 years as Mayor. On the 21st of February 1925 he was elected first Mayor (later Lord Mayor) of the Greater Brisbane Council for six years until his retirement in 1931. JW Greene was in office when the bridge was opened. Jolly had moved the motions which led to the construction of the bridge. The Greater Brisbane Act gave the Council a charter which vested in the Council the power to frame its own legislation and the Council proceeded with a bold policy of civic improvements, including the Grey Street (William Jolly) Bridge, the new City Hall, Anzac Square, the tramways, water supply, and sewerage.

 

Originally the bridge, roadways and footpaths were illuminated by spherical glass light fittings on cast metal mountings on both sides of the arches and the decorative arches of the tower-like elements. These fittings were replaced by the present lighting in 1964.

 

Many of the balustrades have been replaced, and prior to 1972 the complete roadway was resurfaced with asphalt. The bridge was first painted in 1974. A cream colour was chosen to reflect the approximate colour of newly poured concrete. Floodlighting was also introduced in 1974.

 

The original two-span overpass over North Quay, later over Coronation Drive, was replaced by the present single-span structure using precast, prestressed concrete deck units in 1988.

 

Source: Queensland Heritage Register.

Construction of the current castle started around 1325. This served to replace an older castle (known as 't Oude Huys ), which stood a few hundred meters west of the present castle, and whose excavations in 1981 have revealed the foundations of a stone keep and objects.

 

In the twelfth century, the area around Helmond was part of the possessions of the van Hornes. The current castle was initially owned by the van Berlaer family. In 1433 this family was succeeded by the van Cortenbach family. In 1683 the castle passed into the hands of the Arberg family by marriage. The mint master Carel Frederik Wesselman bought the manor with the castle Helmond in 1781.

 

In 1549 a fierce fire raged in the castle, in which especially the west wing and the roofs of the building were damaged. Complete destruction has certainly not taken place. Evidence of this was found in later renovations in the 20th century .

 

In 1921, the ownership of the castle was transferred to the municipality of Helmond by the widow of the last lord of the castle Carel Frederik Wesselman van Helmond, jkvr. Anna Maria de Jonge van Zwijnsbergen and her two daughters, on the condition that the castle was only used for the municipal administration. or intended for other public use. After a thorough renovation, the castle was taken into use as a town hall from 1923. The space became too small in the 1970s. A new town hall was put into use. Of the municipal functions, two wedding halls and the council chamber remained in use. In 2001 the council chamber moved to a new location in nearby Boscotondo . Museum Helmond has been in the castle since 1982.

 

The current castle was designed as a square water castle with a round tower at each corner and no central residential tower or keep, very similar in ground plan to similar castles such as Muiden Castle, Radboud Castle, or Ammersoyen Castle. These square castles turned out to have better defensive qualities than older round castles. The ground plan of the castle measures approximately 35 X 35 meters. The diameter of the corner towers is approximately 8 meters. The entrance is on the north side through a gatehouse that is almost integrated with the adjacent buildings.

 

The castle used to have a double ring of moats, only the moat around the building itself remains. The castle also included some outbuildings and entrance gates. Apart from two square towers and one entrance gate, these have to make way for the construction of the Kasteel-Traverse (a bridge crossing straight through the center of Helmond). Over the centuries, the building was adapted several times to the then current use. During the major renovation in 1923, a system of corridors was built in front of the original rooms. The cellar vaults have remained virtually authentic. Almost nothing remains of the original interior. A few authentic fireplaces can still be seen.

 

Source: wikipedia.org

Replacing an earlier scanned print with a better version 23-Mar-16.

 

Fleet No: '613'

 

First flown with the Boeing test registration N6009F, this aircraft was delivered to Air Canada as C-GDSP in Jul-88. It operated with Air Canada until it was retired at Roswell, NM, USA in Sep-08. It was sold to the Jet Midwest Group LLC in Apr-12 as N756JM for scrapping. It was last noted still at Roswell in Oct-13.

replaced blackberry photo

REplacing an earlier scanned slide with a better version 27-Mar-16.

 

Delivered to JAT Yugoslav Airlines (JAT Jugoslovenski Aerotransport) as YU-AJL in May-73, the aircraft was wet-leased to Tuninter between Aug-96/Apr-97, and again for a couple of weeks in Jul-97. It was leased to Macedonian Airlines as Z3-AAB between Apr-99/Jun-01, returning to JAT as YU-AJL. It was also wet-leased to Albanian Airlines between Jun/Nov-03 and to Cameroon Airlines between Dec-03/Mar-04 (approx dates). JAT Yugoslav Airlines was renamed JAT Airways in Aug-03. The aircraft was retired at Belgrade in early 2006 after 33 years in service. It was broken up at Belgrade in Oct-06.

Replacing an earlier scanned photo with a better version 20-Apr-16.

 

First flown with the Airbus test registration D-AVYD, this aircraft was delivered to Tunis Air in Sep-98. Now almost 18 years old (as of Apr-16), it continues in service.

File: 2016001-0105

Previous scaled down image replaced with full size 2592 x 3872 image.

  

Lulu modelling and photographed in casual outfit. Newport, Wales, United Kingdom, 29th January 2016.

  

She is seen here, modelling in a light brown and cream coloured stripped faux fur coat made by Quality Fashion, bought second-hand from a charity shop. She is wearing her own black scoop neckline top, with her own dark blue jeans. She is wearing a pair of black high heels. The photographs were taken in front of a studio backdrop, using a Nikon D200 DSLR.

 

In 1985, when I was at a deaf school in my last year, I decided to get into doing photography as a career. It is the kind of off-beat job that I would like to do, so I tried to apply for a college course studying photography. But the hearing teachers, my own family, family friends, career advisors, and even the social workers, told me that I should not do photography as a job because I am deaf.

 

In those days here in the United Kingdom, there were discrimination against disabled people, as there weren’t much laws protecting our rights at that time. My mother told me I can’t do photography, because I’m deaf with speech impaired.

 

I tried to make an effort to get them into helping me get a college course, studying photography. But they got me on a training course at college, instead of a proper serious course. From 1987 to 1989, I spent two days studying traditional graphic design while at college, with three days work experience for a professional photographer as part of my training course, mainly as photographer’s assistant and darkroom technician.

 

I admit that I became hooked on doing graphic design, so in additional to wanting to become a photographer, I decided I want to become a graphic designer as a second option.

 

After leaving college, I attempted to get a job working either in photography or graphic design, but as I mentioned earlier, in those days, there were still discrimination against the disabled people, so employers are likely to favour hearing people over deaf people.

 

For a few years, I continue to do my own photography and my own graphic design projects at home, in order to keep up my skills, while at same time, trying to find a job. Then I got married, and started a family life, but divorced her and I became a full-time single parent, so everything was put on hold for a while, until the kids were much older.

 

Finally, in the United Kingdom, we got The Equality Act 2010, that would protect our rights.

 

Few years later, while my kids were old enough to attend full-time school, I resumed my own projects, mainly to refresh my skills. I would need to improve my portfolio if I were to try to apply for a job, or may even consider going freelance. One of the graphic design projects I planned to do, requested a female model.

 

So I searched online, looked at some of the modelling agencies and model booking websites.

 

I booked Lulu for a two-hours outdoors photo-shoot in Newport, Gwent, South Wales. I arrived at her home, met up with her, and went through the details of the photo-shoot. We went into city centre, and I found a perfect location for my needs, did the photo-shoot for my graphic design project.

 

When the outdoors photo-shoots were done, there was still time to spare, I think maybe one and half hour of the booked two-hours slot was used up, leaving maybe half hour left.

 

I think that both she and her husband didn’t think it was right, I think they feel like they were overcharging me for less time used, or something like that. They were nice and polite, and they allowed me to use up what was left of the booked timeslot. They pointed out that they have a small makeshift studio in their spare bedroom, and suggested I could use it for some indoor photo-shoots, use what was left of the booked timeslot to do more photographs if I wish to do so. I figured why not? Not only that I would get my money’s worth, but also take a chance to do more refresher photography.

 

And this is one of the series of photos I took in the remaining half hour of the booked timeslot.

 

Point of note: Lulu had left a glowing and positive review on my profile, on the model booking website, pointing out that despite my being deaf with speech impaired, she had found working with me a pleasure and enjoyable.

  

The Comment Box for my photo is NOT an advertising billboard for any Groups. (e.g.: “As seen in [whatever] group.”)

 

You are free and welcome to comment for yourself, with your own words, but not for the group Admins. Any comments with clickable links will be considered as spam and will be deleted.

 

Replacing an earlier digital photo with a better version 18-Apr-24.

 

Named: "Al-Wuseil".

 

First flown as an A330-203 with the Airbus test registration F-WWKU, this aircraft was delivered to Qatar Airways as A7-ACD at the end of Mar-03. It was sold to Doha Leasing (A330) Ltd on delivery and leased back to Qatar Airways.

 

It was converted to A330-202 standard in Sep-04 to bring it in line with the rest of the Qatar A330-200 fleet. It was returned to the lessor in May-18 and sold to Wilmington Trust SP Services (Dublin) Ltd as EI-GGP in Jun-18.

 

The aircraft was leased to Air Italy (Italy) a few days later. Air Italy ceased operations on 11-Feb-20, just at the start of the COVID-19 Pandemic (Italy suffered very badly early on).

 

It was returned to the lessor and stored at Doha, Qatar. The aircraft was 'leased' to Qatar Airways as A7-ACR in Nov-20, although it never entered service. It was ferried to Teruel, Spain in Dec-20 and permanently retired. It was broken up at Teruel in Sep-21. Updated 01-Apr-24.

Replacing an earlier scanned photo with a better version 02-May-18, plus Topaz DeNoise AI 20-Mar-24.

 

Fleet No: '9290'.

 

This aircraft was delivered to Frontier Airlines as N7347F in Sep-79. It was sold to United Airlines in Jul-85 and leased back to Frontier. It was returned to United Airlines as N990UA in Apr-86.

 

The aircraft was sold to a lessor in Jun-89 and United bought it back again in Nov-95. After 22 years in service it was retired and stored at Victorville, CA, USA in Oct-01.

 

In May-03 it was sold to Ram Air Sales Inc and made it's final flight to Marana, AZ, USA where it was permanently retired. It was finally broken up at Marana in 2017.

The MacArthur Bridge is a bridge that spans the Detroit River between Detroit, Michigan and Belle Isle. The bridge, which features nineteen total arches across 2,193 feet (668 m), provides main access to Belle Isle. Completed in 1923 for $2,635,000 USD, it replaced an iron bridge with wooden decking that accidentally caught fire and was destroyed in 1915. The bridge, popularly known as the Belle Isle Bridge, was originally named the George Washington Bridge and later renamed the Douglas MacArthur Bridge after General Douglas MacArthur in 1942. It was restored in 1986 at a cost of $11.5 million.[1] *Info from Wiki. A different angle and view of the bridge from near the Coast Guard headquarters.

Broad-bodied chaser, male

Replaced in 2015 from the Airlink service 100 between Waverley Bridge and Edinburgh Airport by new buses, the original vehicles were transferred to East Coast Buses. Seen at Abbeymount is 20940 - SN10DKK.

Replacing an earlier digital photo with a better version 09-Apr-20.

 

Additional 'Official Airline CHOGM 2005 MT' titles (= 'Commonwealth Heads of Government Meeting' 2005 Malta).

 

First flown with the Airbus test registration D-AVWQ. This aircraft was delivered to ILFC International Lease Finance Corporation and leased to Air Malta as 9H-AEG in Feb-04.

 

It was subleased to Skyservice Airlines Canada as C-GAEG in Dec-05, returning to Air Malta in Mar-06, and again between Oct-07/Apr-08. The aircraft was returned to the lessor in Dec-15 and stored at Shannon.

 

It was re-registered EI-FMT in Feb-16 and leased to Volotea Airlines a week later. It was re-registered EC-MTN in Dec-17. The aircraft was placed in temporary storage at Nantes, France in Mar-20 due to the COVID-19 Pandemic. It returned to service briefly in Oct-21 and was stored again until Feb-22. Current, updated 30-Sep-22.